Arundhati Roy - The God of Small Things

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This highly stylized novel tells the story of one very fractured family from the southernmost tip of India. Here is an unhappy family unhappy in its own way, and through flashbacks and flashforwards The God of Small Things unfolds the secrets of these characters' unhappiness. First-time novelist Arundhati Roy twists and reshapes language to create an arresting, startling sort of precision. The average reader of mainstream fiction may have a tough time working through Roy's prose, but those with a more literary bent to their usual fiction inclinations should find the initial struggle through the dense prose a worthy price for this lushly tragic tale.
Rahel and Estha are fraternal twins whose emotional connection to one another is stronger than that of most siblings:
Esthappen and Rahel thought of themselves together as Me, and separately, individually as We or Us. As though they were a rare breed of Siamese twins, physically separate, but with joint identities.
Now, these years later, Rahel has a memory of waking up one night giggling at Estha's funny dream.
She has other memories too that she has no right to have.
Their childhood household hums with hidden antagonisms and pains that only family members can give one another.
Blind Mammachi, the twins' grandmother and founder of Paradise Pickles & Preserves, is a violin-playing widow who suffered years of abuse at the hands of her highly respected husband, and who has a fierce one-sided Oedipal connection with her son, Chacko. Baby Kochamma, Rahel and Estha's grandaunt, nurses deep-seated bitterness for a lifetime of unrequited love, a bitterness that plays out slyly against everyone in the family; in her youth she fell in love with an Irish Roman-Catholic priest and converted to his faith to win him, while he eventually converted to Hinduism. Chacko, divorced from his English wife and separated from his daughter since her infancy, runs the pickle factory with a capitalist's hand, self-deluding himself all the while that he is a Communist at heart even as he flirts with and beds his female employees. Ammu, the twins' mother, is a divorcee who fled her husband's alcoholism and impossible demands, a woman with a streak of wildness that the children sense and dread and that will be her and her family's undoing.
The family's tragedy revolves around the visit of Chacko's ex-wife, widowed by her second husband, and his daughter, Sophie Mol. It is within the context of their visit that Estha will experience the one horrible thing that should never happen to a child, during their visit that Ammu will come to love by night the man the children love by day, and during their visit that Sophie Mol will die. Her death, and the fate of the twins' beloved Untouchable Velutha, will forever alter the course of the lives of all the members of the family, sending them each off on spinning trajectories of regret and pain. The story reveals itself not in traditional narrative order, but in jumps through time, wending its way through Rahel's memories and attempts at understanding the hand fate dealt her family.
The God of Small Things has been favorable reviewed all over the place, generating a lot of excitement in the current literary establishment. What you think of it will depend heavily on your opinion of Roy's prose style – is it ostentatious, or is it brilliant? Whether or not you fall in love with her style, the truth of the heartbreaking story she tells and the lovable/hate-able characters who people it make this novel an experience not to be missed.

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There goes a jazz tune , Larry McCaslin thought to himself, and followed her into a bookshop, where neither of them looked at books.

Rahel drifted into marriage like a passenger drifts towards an unoccupied chair in an airport lounge. With a Sitting Down sense. She returned with him to Boston.

When Larry held his wife in his arms, her cheek against his heart, he was tall enough to see the top of her head, the dark tumble of her hair. When he put his finger near the corner of her mouth he could feel a tiny pulse. He loved its location. And that faint, uncertain jumping, just under her skin. He would touch it, listening with his eyes, like an expectant father feeling his unborn baby kick inside its mother’s womb.

He held her as though she was a gift. Given to him in love. Something still and small. Unbearably precious.

But when they made love he was offended by her eyes. They behaved as though they belonged to someone else. Someone watching. Looking out of the window at the sea. At a boat in the river. Or a passerby in the mist in a hat.

He was exasperated because he didn’t know what that look meant. He put it somewhere between indifference and despair. He didn’t know that in some places, like the country that Rahel came from, various kinds of despair competed for primacy. And that personal despair could never be desperate enough. That something happened when personal turmoil dropped by at the wayside shrine of the vast, violent, circling, driving, ridiculous, insane, unfeasible, public turmoil of a nation. That Big God howled like a hot wind, and demanded obeisance. Then Small God (cozy and contained, private and limited) came away cauterized, laughing numbly at his own temerity. Inured by the confirmation of his own inconsequence, he became resilient and truly indifferent Nothing mattered much. Nothing much mattered. And the less it mattered, the less it mattered. It was never important enough. Because Worse Things had happened. In the country that she came from, poised forever between the terror of war and the horror of peace, Worse Things kept happening.

So Small God laughed a hollow laugh, and skipped away cheerfully. Like a rich boy in shorts. He whistled, kicked stones. The source of his brittle elation was the relative smallness of his misfortune. He climbed into people’s eyes and became an exasperating expression.

What Larry McCaslin saw in Rahel’s eyes was not despair at all, but a sort of enforced optimism. And a hollow where Estha’s words had been. He couldn’t be expected to understand that. That the emptiness in one twin was only a version of the quietness in the other. That the two things fitted together. Like stacked spoons. Like familiar lovers’ bodies. -

After they were divorced, Rahel worked for a few months as a waitress in an Indian restaurant in New York. And then for several years as a night clerk in a bullet-proof cabin at a gas station outside Washington, where drunks occasionally vomited into the till, and pimps propositioned her with more lucrative job offers. Twice she saw men being shot through their car windows. And once a man who had been stabbed, ejected from a moving car with a knife in his back.

Then Baby Kochamma wrote to say that Estha had been reReturned. Rahel gave up her job at the gas station and left America gladly. To return to Ayemenem. To Estha in the rain.

In the old house on the hill, Baby Kochamma sat at the dining table rubbing the thick, frothy bitterness out of an elderly cucumber. She was wearing a limp checked seersucker nightgown with puffed sleeves and yellow turmeric stains. Under the table she swung her tiny, manicured feet, like a small child on a high chair. They were puffy with edema, like little foot-shaped air cushions. In the old days, whenever anybody visited Ayemenem, Baby Kochamma made it a point to call attention to their large feet. She would ask to try on their slippers and say, “Look how big for me they are”. Then she would walk around the house in them, lifting her sari a little so that everybody could marvel at her tiny feet.

She worked on the cucumber with an air of barely concealed triumph. She was delighted that Estha had not spoken to Rahel. That he had looked at her and walked straight past. Into the rain. As he did with everyone else.

She was eighty-three. Her eyes spread like butter behind her thick glasses.

“I told you, didn’t I?” she said to Rahel. “What did you expect?’ Special treatment? He’s lost his mind, I’m telling you! He doesn’t recognize people anymore! What did you think?”

Rahel said nothing.

She could feel the rhythm of Estha’s rocking, and the wetness of rain on his skin. She could hear the raucous, scrambled world inside his head.

Baby Kochamma looked up at Rahel uneasily. Already she regretted having written to her about Estha’s return. But then, what else could she have done? Had him on her hands for the rest of her life? Why should she? He wasn’t her responsibility.

Or was he?

The silence sat between grandniece and baby grandaunt like a third person. A stranger. Swollen. Noxious. Baby Kochamma reminded herself to lock her bedroom door at night. She tried to think of something to say.

“How d’you like my bob?”

With her cucumber hand she touched her new haircut. She left a riveting bitter blob of cucumber froth behind.

Rahel could think of nothing to say. She watched Baby Kochamma peel her cucumber. Yellow slivers of cucumber skin flecked her bosom. Her hair, dyed jetbiack, was arranged across her scalp like unspooled thread. The dye had stained the skin on her forehead a pale gray, giving her a shadowy second hairline. Rahel noticed that she had started wearing makeup. Lipstick. Kohl. A sly touch of rouge. And because the house was locked and dark, and because she only believed in forty-watt bulbs, her lipstick mouth had shifted slightly off her real mouth.

She had lost weight on her face and shoulders, which had turned her from being a round person into a conical person. But sitting at the dining table, with her enormous hips concealed, she managed to look almost fragile. The dim, dining-room light had rubbed, the wrinkles off her face, leaving it looking-in a strange, sunken way-younger. She was wearing a lot of jewelry. Rahel’s dead grandmother’s jewelry. All of it. Winking rings. Diamond earrings. Gold bangles and a beautifully crafted flat gold chain that she touched from time to time, reassuring herself that it was there and that it was hers. Like a young bride who couldn’t believe her good fortune.

She’s living her life backwards, Rahel thought.

It was a curiously apt observation. Baby Kochamma had lived her life backwards. As a young woman she had renounced the material world, and now, as an old one, she seemed to embrace it. She hugged it and it hugged her back.

When she was eighteen, Baby Kochamma fell in love with a handsome young Irish monk, Father Mulligan, who was in Kerala for a year on deputation from his seminary in Madras. He was studying Hindu scriptures, in order to be able to denounce them intelligently.

Every Thursday morning Father Mulligan came to Ayemenem to visit Baby Kochamma’s father, Reverend E. John Ipe, who was a priest of the Mar Thoma church. Reverend Ipe was well known in the Christian community as the man who had been blessed personally by the Patriarch of Antioch, the sovereign head of the Syrian Christian Church-an episode that had become a part of Ayemenem’s folklore.

In 1876, when Baby Kochamma’s father was seven years old, his father had taken him to see the Patriarch, who was visiting the Syrian Christians of Kerala. They found themselves right in front of a group of people whom the Patriarch was addressing in the westernmost verandah of the Kalleny house, in Cochin. Seizing his opportunity, his father whispered in his young son’s ear and propelled the little fellow forward. The future Reverend, skidding on his heels, rigid with fear, applied his terrified lips to the ring on the Patriarch’s middle finger, leaving it wet with spit The Patriarch wiped his ring on his sleeve, and blessed the little boy. Long after he grew up and became a priest, Reverend Ipe continued to be known as Punnyan Kanj-Little Blessed One-and people came down the river in boats all the way from Alleppey and Ernakulam, with children to be blessed by him.

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