Arundhati Roy - The God of Small Things

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This highly stylized novel tells the story of one very fractured family from the southernmost tip of India. Here is an unhappy family unhappy in its own way, and through flashbacks and flashforwards The God of Small Things unfolds the secrets of these characters' unhappiness. First-time novelist Arundhati Roy twists and reshapes language to create an arresting, startling sort of precision. The average reader of mainstream fiction may have a tough time working through Roy's prose, but those with a more literary bent to their usual fiction inclinations should find the initial struggle through the dense prose a worthy price for this lushly tragic tale.
Rahel and Estha are fraternal twins whose emotional connection to one another is stronger than that of most siblings:
Esthappen and Rahel thought of themselves together as Me, and separately, individually as We or Us. As though they were a rare breed of Siamese twins, physically separate, but with joint identities.
Now, these years later, Rahel has a memory of waking up one night giggling at Estha's funny dream.
She has other memories too that she has no right to have.
Their childhood household hums with hidden antagonisms and pains that only family members can give one another.
Blind Mammachi, the twins' grandmother and founder of Paradise Pickles & Preserves, is a violin-playing widow who suffered years of abuse at the hands of her highly respected husband, and who has a fierce one-sided Oedipal connection with her son, Chacko. Baby Kochamma, Rahel and Estha's grandaunt, nurses deep-seated bitterness for a lifetime of unrequited love, a bitterness that plays out slyly against everyone in the family; in her youth she fell in love with an Irish Roman-Catholic priest and converted to his faith to win him, while he eventually converted to Hinduism. Chacko, divorced from his English wife and separated from his daughter since her infancy, runs the pickle factory with a capitalist's hand, self-deluding himself all the while that he is a Communist at heart even as he flirts with and beds his female employees. Ammu, the twins' mother, is a divorcee who fled her husband's alcoholism and impossible demands, a woman with a streak of wildness that the children sense and dread and that will be her and her family's undoing.
The family's tragedy revolves around the visit of Chacko's ex-wife, widowed by her second husband, and his daughter, Sophie Mol. It is within the context of their visit that Estha will experience the one horrible thing that should never happen to a child, during their visit that Ammu will come to love by night the man the children love by day, and during their visit that Sophie Mol will die. Her death, and the fate of the twins' beloved Untouchable Velutha, will forever alter the course of the lives of all the members of the family, sending them each off on spinning trajectories of regret and pain. The story reveals itself not in traditional narrative order, but in jumps through time, wending its way through Rahel's memories and attempts at understanding the hand fate dealt her family.
The God of Small Things has been favorable reviewed all over the place, generating a lot of excitement in the current literary establishment. What you think of it will depend heavily on your opinion of Roy's prose style – is it ostentatious, or is it brilliant? Whether or not you fall in love with her style, the truth of the heartbreaking story she tells and the lovable/hate-able characters who people it make this novel an experience not to be missed.

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(a) Anything Can Happen To Anyone.

So

(b) It’s Best to be Prepared.

Sophie Mol eventually found what she had been looking for.

Presents for her cousins. Triangular towers of Toblerone chocolate (soft and slanting in the heat). Socks with separate multicolored toes. And two ballpoint pens-the top halves filled with water in which a cut-out collage of a London streetscape was suspended. Buckingham Palace and Big Ben. Shops and people. A red doubledecker bus propelled by an air bubble floated up and down the silent street. There was something sinister about the absence of noise on the busy ballpoint street.

Sophie Mol put the presents into her go-go bag and went forth into the world. To drive a hard bargain. To negotiate a friendship.

A friendship that, unfortunately, would be left dangling. Incomplete. Flailing in the air with no foothold. A friendship that never circled around into a story which is why, far more quickly than ever should have happened, Sophie Mol became a Memory, while The Loss of Sophie Mol grew robust and alive. Like a fruit in season. Every season.

Chapter 14.

Work is Struggle

Chacko took the shortcut through the tilting rubber trees so that he would have to walk only a very short stretch down the main road to Comrade K. N. M. Pillai’s house. He looked faintly absurd, stepping over the carpet of dry leaves in his tight airport suit, his tie blown over his shoulder.

Comrade Pillai wasn’t in when Chacko arrived. His wife, Kalyani, with fresh sandalwood paste on her forehead, made him sit down on a steel folding chair in their small front room and disappeared through the bright pink, nylon-lace curtained doorway into a dark adjoining room, where the small flame from a large brass oil lamp flickered. The cloying smell of incense drifted through the doorway, over which a small wooden placard said Work is Struggle. Struggle is Work.

Chacko was too big for the room. The blue walls crowded him. He glanced around, tense and a little uneasy. A towel dried on the bars of the small green window. The dining table was covered with a bright flowered plastic tablecloth. Midges whirred around a bunch of small bananas on a blue-rimmed white enamel plate. In one corner of the room there was a pile of green unhusked coconuts. A child’s rubber slippers lay pigeon-toed in the bright parallelogram of barred sunlight on the floor. A glass-paned cupboard stood next to the table. It had printed curtains hanging on the inside, hiding its contents.

Comrade Pillai’s mother, a minute old lady in a brown blouse and off-white mundu, sat on the edge of the high wooden bed that was pushed against the wall, her feet dangling high above the floor. She wore a thin white towel arranged diagonally over her chest and slung over one shoulder. A funnel of mosquitoes, like an inverted dunce cap, whined over her head. She sat with her cheek resting in the palm of her hand, bunching together all the wrinkles on that side of her face. Every inch of her, even her wrists and ankles, were wrinkled. Only the skin on her throat was taut and smooth, stretched over an enormous goiter. Her fountain of youth. She stared vacantly at the wall opposite her, rocking herself gently, grunting regular, rhythmic little grunts, like a bored passenger on a long bus journey.

Comrade Pillai’s SSLC, BA and MA certificates were framed and hung on the wall behind her head.

On another wall was a framed photograph of Comrade Pillai garlanding Comrade E. M. S. Namboodiripad. There was a microphone on a stand, shining in the foreground with a sign that said Ajantha.

The rotating table fan by the bed measured out its mechanical breeze in exemplary; democratic turns-first lifting what was left of old Mrs. Pillai’s hair, then Chacko’s. The mosquitoes dispersed and re-assembled tirelessly.

Through the window Chacko could see the tops of buses, luggage in their luggage racks, as they thundered by. A jeep with a loudspeaker drove past, blaring a Marxist Party song whose theme was Unemployment. The chorus was in English, the rest of it in Malayalam.

No vacancy! No vacancy!

Wherever in the world a poor man goes,

No no no no no vacancy!

“No” pronounced to rhyme with door.

Kalyani returned with a stainless-steel glass of filter coffee and a stainless-steel plate of banana chips (bright yellow with little black seeds in the center) for Chacko.

“He has gone to Olassa. He’ll be back any time now,” she said. She referred to her husband as addeham, which was the respectful form of “he,” whereas “he” called her “eli,” which was, approximately, “Hey, you!”

She was a lush, beautiful woman with golden-brown skin and huge eyes. Her long frizzy hair was damp and hung loose down her back, plaited only at the very end. It had wet the back of her tight, deep-red blouse and stained it a tighter, deeper red. From where the sleeves ended, her soft arm-flesh swelled and dropped over her dimpled elbows in a sumptuous bulge. Her white mundu and kavath were crisp and ironed. She smelled of sandalwood and the crushed green gram that she used instead of soap. For the first time in years, Chacko watched her without the faintest stirring of sexual desire. He had a wife (Ex-wife, Chacko!) at home. With arm freckles and back freckles. With a blue dress and legs underneath.

Young Lenin appeared at the door in red Stretchlon shorts. He stood on one thin leg like a stork and twisted the pink lace curtain into a pole, staring at Chacko with his mother’s eyes. He was six now, long past the age of pushing things up his nose.

“Mon, go and call Latha,” Mrs. Pillai said to him.

Lenin remained where he was, and, still staring at Chacko, screeched effortlessly, in the way only children can.

“Latha! Latha! You’re wanted!”

“Our niece from Kottayam. His elder brother’s daughter,” Mrs. Pillai explained. “She won the First Prize for Elocution at the Youth Festival in Trivandrum last week.”

A combative-looking young girl of about twelve or thirteen appeared through the lace curtain. She wore a long, printed skirt that reached all the way down to her ankles and a short, waist-length white blouse with darts that made room for future breasts. Her oiled hair was parted into two halves. Each of her tight, shining plaits was looped over and tied with ribbons so that they hung down on either side of her face like the outlines of large, drooping ears that hadn’t been colored in yet.

“D’you know who this is?” Mrs. Pillai asked Latha.

Latha shook her head.

“Chacko saar. Our factory Modalali.”

Latha stared at him with a composure and a lack of curiosity unusual in a thirteen-year-old.

“He studied in London Oxford,” Mrs. Pillai said. “Will you do your recitation for him?” -

Latha complied without hesitation. She planted her feet slightly apart.

“Respected Chairman”-she bowed to Chacko-”mydearjudges and”-she looked around at the imaginary audience crowded into the small, hot room-”beloved friends.” She paused theatrically.

“Today I would like to recite to you a poem by Sir Walter Scott entitled `Lochinvar.’” She clasped her hands behind her back. A film fell over her eyes. Her gaze was fixed unseeingly just above Chacko’s head. She swayed slightly as she spoke. At first Chacko thought it was a Malayalam translation of “Lochinvar.” The words ran into each other. Like in Malayalam, the last syllable of one word attached itself to the first syllable of the next. It was rendered at remarkable speed:

“O, young Loch in varbas scum oat of the vest

Through wall the vide Border his teed was the be:

sTand savissgood broadsod he weapon sadnun,

He rod all unarmed, and he rod al lalone…

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