Haruki Murakami - Kafka on the Shore

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Kafka on the Shore: краткое содержание, описание и аннотация

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Amazon.com
The opening pages of a Haruki Murakami novel can be like the view out an airplane window onto tarmac. But at some point between page three and fifteen-it's page thirteen in Kafka On The Shore-the deceptively placid narrative lifts off, and you find yourself breaking through clouds at a tilt, no longer certain where the plane is headed or if the laws of flight even apply.
Joining the rich literature of runaways, Kafka On The Shore follows the solitary, self-disciplined schoolboy Kafka Tamura as he hops a bus from Tokyo to the randomly chosen town of Takamatsu, reminding himself at each step that he has to be "the world¹s toughest fifteen-year-old." He finds a secluded private library in which to spend his days-continuing his impressive self-education-and is befriended by a clerk and the mysteriously remote head librarian, Miss Saeki, whom he fantasizes may be his long-lost mother. Meanwhile, in a second, wilder narrative spiral, an elderly Tokyo man named Nakata veers from his calm routine by murdering a stranger. An unforgettable character, beautifully delineated by Murakami, Nakata can speak with cats but cannot read or write, nor explain the forces drawing him toward Takamatsu and the other characters.
To say that the fantastic elements of Kafka On The Shore are complicated and never fully resolved is not to suggest that the novel fails. Although it may not live up to Murakami's masterful The Wind-Up Bird Chronicle, Nakata and Kafka's fates keep the reader enthralled to the final pages, and few will complain about the loose threads at the end.
From Publishers Weekly
Starred Review. Previous books such as The Wind-Up Bird Chronicle and Norwegian Wood have established Murakami as a true original, a fearless writer possessed of a wildly uninhibited imagination and a legion of fiercely devoted fans. In this latest addition to the author's incomparable oeuvre, 15-year-old Kafka Tamura runs away from home, both to escape his father's oedipal prophecy and to find his long-lost mother and sister. As Kafka flees, so too does Nakata, an elderly simpleton whose quiet life has been upset by a gruesome murder. (A wonderfully endearing character, Nakata has never recovered from the effects of a mysterious World War II incident that left him unable to read or comprehend much, but did give him the power to speak with cats.) What follows is a kind of double odyssey, as Kafka and Nakata are drawn inexorably along their separate but somehow linked paths, groping to understand the roles fate has in store for them. Murakami likes to blur the boundary between the real and the surreal-we are treated to such oddities as fish raining from the sky; a forest-dwelling pair of Imperial Army soldiers who haven't aged since WWII; and a hilarious cameo by fried chicken king Colonel Sanders-but he also writes touchingly about love, loneliness and friendship. Occasionally, the writing drifts too far into metaphysical musings-mind-bending talk of parallel worlds, events occurring outside of time-and things swirl a bit at the end as the author tries, perhaps too hard, to make sense of things. But by this point, his readers, like his characters, will go just about anywhere Murakami wants them to, whether they "get" it or not.

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"We're in a bit of a fix, then, aren't we?"

"Yes, I'd say we are."

"Not that sitting here staring at each other's all that much fun. This won't get us anywhere."

"You're right."

"I think we should go around asking people, you know, if that stone's somewhere around here."

"If you say so, then that's what Nakata wants to do. I'm pretty dumb, so I'm used to asking people questions."

"My grandpa always said asking a question is embarrassing for a moment, but not asking is embarrassing for a lifetime."

"I agree. When you die, everything you know disappears."

"Well, that's not what he meant, exactly," Hoshino said, scratching his head. "Anyway, do you have a mental image of the stone? What kind of stone it is, how big it is, its shape or color? What it's used for? If we don't have some details, it's hard to ask. Nobody's going to know what the heck we're talking about if we just say, Is there an entrance stone anywhere around here? They'll think we're nuts. You see what I mean?"

"Yes, I do. I might be dumb, but I'm not nuts."

"Okay."

"The stone Nakata's looking for is very special. It's not so big. It's white, and doesn't have any smell. I don't know what it's used for. It's round, sort of like a rice cake." He held up his hands to indicate something the size of an LP record.

"Hmm. So if you spotted it, do you think you'd recognize it? You know, like-Hey, here it is."

"Nakata would know it right away."

"There must be some kind of story or legend behind it. Maybe it's famous and on display at a shrine or someplace."

"It could be, I suppose."

"Or maybe it's just in some house, and people use it as a weight when they make pickles."

"No, that's not possible."

"Why not?"

"Because nobody can move the stone."

"Nobody except you, you mean."

"Yes, I think Nakata probably can."

"After you move it, then what?"

Nakata did an uncharacteristic thing-he pondered this for a good long time. At least he looked like he was, briskly rubbing his short, salt-and-pepper hair. "I don't really know about that," he finally said. "All I know is it's about time somebody moved it."

Hoshino did some pondering himself. "And that somebody's you, right? At least for now."

"Yes," Nakata replied, "that's correct."

"Is the stone found only in Takamatsu?"

"No, it isn't. It doesn't really matter where it is. It just happens to be here right now. It would be much easier if it was in Nakano Ward."

"But moving that kind of stone must be risky."

"That's right. Maybe Nakata shouldn't bring this up, but it is very dangerous."

"Damn," Hoshino said, slowly shaking his head. He put on his Chunichi Dragons cap and pulled his ponytail out the hole in the back. "This is starting to feel like an Indiana Jones movie or something."

The next morning they went to the tourist information booth in the station to ask if there were any famous stones in Takamatsu or the vicinity.

"Stones?" the girl behind the counter said, frowning slightly. She'd been trained to introduce all the usual tourist places, but nothing beyond that, and the question clearly had her flustered. "What sort of stones are you looking for?"

"A round stone about so big," Hoshino said, forming his hands in a circle the size of an LP, just as Nakata had done. "It's called the entrance stone."

"'Entrance stone'?"

"Yep. That's the name. It's pretty famous, I imagine."

"Entrance to what, though?"

"If I knew that I wouldn't have to go to all this trouble."

The girl thought about it for a while. Hoshino gazed at her face the whole time. Kind of pretty, he judged, though her eyes are a bit too far apart, giving her the look of a cautious bovine. She made a few calls, but it didn't look like she was getting anywhere.

"I'm sorry," she finally said. "Nobody's heard of a stone by that name."

"Nobody?"

She shook her head. "Excuse me for asking, but are you here just to find this stone?"

"Yeah, I don't know if it's just to see it. Anyway, I'm from Nagoya. The old guy's from Nakano Ward in Tokyo."

"Yes, Nakata's from Nakano Ward," Nakata chimed in. "I rode in a lot of trucks, and even got treated to eel once. I came this far and haven't spent a cent of my own money."

"I see…," the girl said.

"Not to worry. If nobody's heard about the stone, what're ya gonna do, huh? It's not your fault. But maybe they call it something else. Are there any other famous stones around here? You know, something with a legend behind it, maybe? Or some stone people pray to? Anything like that?"

The girl looked timidly at Hoshino with her too-far-apart eyes, taking in his Chunichi Dragons cap, his hair and ponytail, his green-tinted sunglasses, pierced ear, and rayon aloha shirt. "I'd be happy to tell you how to get to the city public library. You could research the stone there. I don't know much about stones myself, I'm afraid."

The library, however, yielded nothing. There wasn't a single book in the place devoted to stones in or around Takamatsu. The reference librarian, saying they might run across a reference somewhere, plunked down a stack of books in front of them: Legends of Kagawa Prefecture, Legends of Kobo Daishi in Shikoku, A History of Takamatsu, and the like. Sighing deeply, Hoshino started leafing through them. For his part, Nakata carefully turned one page after another in a photo collection entitled Famous Stones of Japan.

"I can't read," he said, "so this is the first library I've ever been in."

"I'm not proud of it," Hoshino said, "but this is a first for me, too. Even though I can."

"It's kind of interesting now that we're here."

"Glad to hear it."

"There's a library in Nakano Ward. I think I'll stop by there every now and then. The best thing is they don't charge anything. Nakata had no idea they'd let you in if you can't read."

"I've got a cousin who was born blind, but he goes to see movies," Hoshino said. "What fun could that be?"

"I can see, but I've never been to a movie theater."

"You're kidding! I'll have to take you sometime."

The librarian came over and warned them to keep their voices down, so they stopped talking and went back to their books. When he finished with Famous Stones of Japan, Nakata put it back on the shelf and began flipping through Cats of the World.

Grumbling all the while, Hoshino managed to look through all the books piled up next to him. Unfortunately, he couldn't find any matches in any of them. There were several references to the stone walls of Takamatsu Castle, but the stones in those walls were so massive that for Nakata to pick one up was out of the question. There was also a promising legend about Kobo Daishi, a famous scholarly monk of the Heian period. It was claimed that when he lifted up a stone in a wilderness, a spring gushed out and the place became a fertile rice field, but that was the end of the story. Hoshino also read about one shrine that had a stone called the Treasure of Children Stone, but it was more than a yard tall and shaped like a phallus. No way that could be the one Nakata was looking for.

The two of them gave up, left the library, and went to a nearby diner for dinner. They both had noodles topped with tempura, Hoshino ordering an extra bowl of noodles and broth.

"I enjoyed the library," Nakata said. "I had no idea there were so many kinds of cats in the world."

"The stone thing didn't pan out, but that's all right," Hoshino told him. "We just got started. Let's get a good night's sleep and see what tomorrow brings."

The next morning they went back to the library. Like the day before, Hoshino read through a huge stack of books, one after the other. He'd never read so many books in his life. By now he was fairly conversant with the history of Shikoku, and he'd learned that people had worshipped different kinds of stones for centuries. But what he really wanted-a description of this entrance stone-was nowhere to be found. By afternoon his head was starting to ache, so they left the library, laid down on the grass in a park for a long while, and gazed at the clouds drifting by. Hoshino smoked, Nakata sipped at hot tea from his thermos.

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