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Haruki Murakami: Kafka on the Shore

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Haruki Murakami Kafka on the Shore

Kafka on the Shore: краткое содержание, описание и аннотация

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Amazon.com The opening pages of a Haruki Murakami novel can be like the view out an airplane window onto tarmac. But at some point between page three and fifteen-it's page thirteen in Kafka On The Shore-the deceptively placid narrative lifts off, and you find yourself breaking through clouds at a tilt, no longer certain where the plane is headed or if the laws of flight even apply. Joining the rich literature of runaways, Kafka On The Shore follows the solitary, self-disciplined schoolboy Kafka Tamura as he hops a bus from Tokyo to the randomly chosen town of Takamatsu, reminding himself at each step that he has to be "the world¹s toughest fifteen-year-old." He finds a secluded private library in which to spend his days-continuing his impressive self-education-and is befriended by a clerk and the mysteriously remote head librarian, Miss Saeki, whom he fantasizes may be his long-lost mother. Meanwhile, in a second, wilder narrative spiral, an elderly Tokyo man named Nakata veers from his calm routine by murdering a stranger. An unforgettable character, beautifully delineated by Murakami, Nakata can speak with cats but cannot read or write, nor explain the forces drawing him toward Takamatsu and the other characters. To say that the fantastic elements of Kafka On The Shore are complicated and never fully resolved is not to suggest that the novel fails. Although it may not live up to Murakami's masterful The Wind-Up Bird Chronicle, Nakata and Kafka's fates keep the reader enthralled to the final pages, and few will complain about the loose threads at the end. From Publishers Weekly Starred Review. Previous books such as The Wind-Up Bird Chronicle and Norwegian Wood have established Murakami as a true original, a fearless writer possessed of a wildly uninhibited imagination and a legion of fiercely devoted fans. In this latest addition to the author's incomparable oeuvre, 15-year-old Kafka Tamura runs away from home, both to escape his father's oedipal prophecy and to find his long-lost mother and sister. As Kafka flees, so too does Nakata, an elderly simpleton whose quiet life has been upset by a gruesome murder. (A wonderfully endearing character, Nakata has never recovered from the effects of a mysterious World War II incident that left him unable to read or comprehend much, but did give him the power to speak with cats.) What follows is a kind of double odyssey, as Kafka and Nakata are drawn inexorably along their separate but somehow linked paths, groping to understand the roles fate has in store for them. Murakami likes to blur the boundary between the real and the surreal-we are treated to such oddities as fish raining from the sky; a forest-dwelling pair of Imperial Army soldiers who haven't aged since WWII; and a hilarious cameo by fried chicken king Colonel Sanders-but he also writes touchingly about love, loneliness and friendship. Occasionally, the writing drifts too far into metaphysical musings-mind-bending talk of parallel worlds, events occurring outside of time-and things swirl a bit at the end as the author tries, perhaps too hard, to make sense of things. But by this point, his readers, like his characters, will go just about anywhere Murakami wants them to, whether they "get" it or not.

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We set out from the school at nine in the morning. It was a typical school outing, so everyone carried canteens and lunches with them. We had nothing in particular we were planning to study; we were just going up into the hills to gather mushrooms and edible wild plants. The area around where we lived was farmland, so we weren't that badly off in terms of food-which isn't to say we had plenty to eat. There was a strict rationing system in place and most of us were hungry all the time.

So the children were encouraged to hunt for food wherever they could find it. The country was at war, after all, and food took priority over studying. Everyone went on this kind of school outing-outdoor study sessions, as they were called. Since our school was surrounded by hills and woods, there were a lot of nice spots we used to go to. I think we were blessed in that sense. People in cities were all starving. Supply routes from Taiwan and the continent had been cut off by this time and urban areas were suffering terribly from a lack of food and fuel.

– You mentioned that five of your pupils had been evacuated from Tokyo. Did they get along well with the local children?

In my class at least they did. The environments the two groups grew up in, of course, were completely different-one way out in the country, the other in the heart of Tokyo. They spoke differently, even dressed differently. Most of the local kids were from poor farming families, while the majority of the Tokyo children had fathers who worked for companies or in the civil service. So I couldn't say they really understood each other.

Especially in the beginning you could sense some tension between the two groups. I'm not saying they bullied each other or got into fights, because they didn't. What I mean is one group didn't seem to understand what the other group was thinking. So they tended to keep to themselves, the local kids with other local kids, the Tokyo children in their own little group. This was only the first two months, though. After that they got along well. You know how it is. When kids start playing together and get completely absorbed by whatever they're doing, they don't care about things like that anymore.

– I'd like you to describe, in as much detail as you can, the spot where you took your class that day.

It was a hill we often went to on outings. It was a round hill shaped like an upside-down bowl. We usually called it "Owan yama." [Note: "Rice Bowl Hill."] It was a short walk to the west of the school and wasn't steep at all, so anybody could climb it. At the children's pace it took somewhere around two hours to get to the top. Along the way they'd search the woods for mushrooms and we'd have a simple lunch. The children, naturally, enjoyed going on these outdoor sessions much more than staying in our classroom studying.

The glittering airplane we saw way up in the sky reminded us for a moment of the war, but just for a short time, and we were all in a good mood. There wasn't a cloud in the sky, no wind, and everything was quiet around us-all we could hear were birds chirping in the woods. The war seemed like something in a faraway land that had nothing to do with us. We sang songs as we hiked up the hill, sometimes imitating the birds we heard. Except for the fact that the war was still going on, it was a perfect morning.

– It was soon after you observed the airplane-like object that you went into the woods, correct?

That's correct. I'd say it was less than five minutes later that we went into the woods. We left the main trail up the hill and went along a trampled-down path that went up the slope of the woods. It was pretty steep. After we'd hiked for about ten minutes we came to a clearing, a broad area as flat as a tabletop. Once we'd entered the woods it was completely still, and with the sun blocked out it was chilly, but when we stepped into that clearing it was like we were in a miniature town square, with the sky bright above us. My class often stopped by this spot whenever we climbed Owan yama. The place had a calming effect, and somehow made us all feel nice and cozy.

We took a break once we reached this "square," putting down our packs, and then the children went into the woods in groups of three or four in search of mushrooms. I insisted that they never lose sight of one another. Before they set out, I gathered them all together and made sure they understood this. We knew the place well, but it was a woods, after all, and if any of them got separated and lost we'd have a hard time finding them. Still, you have to remember these are small children, and once they start hunting mushrooms they tend to forget this rule. So I always made sure that as I looked for mushrooms myself I kept an eye on them, and a running head count.

It was about ten minutes or so after we began hunting mushrooms that the children started to collapse.

When I first spotted a group of three of them collapsed on the ground I was sure they'd eaten poisonous mushrooms. There are a lot of highly toxic mushrooms around here, even ones that can be fatal. The local kids know which ones not to pick, but a few varieties are hard to distinguish. That's why I always warned the children never to put any in their mouths until we got back to school and had an expert check them. But you can't always expect kids to listen, can you?

I raced over to the spot and lifted up the children who'd fallen to the ground. Their bodies were limp, like rubber that's been left out in the sun. It was like carrying empty shells-the strength was completely drained from them. But they were breathing fine. Their pulses were normal, and none of them had a temperature. They looked calm, not at all like they were in any pain. I ruled out things like bee stings or snakebites. The children were simply unconscious.

The strangest thing was their eyes. Their bodies were so limp it was like they were in a coma, yet their eyes were open as if they were looking at something. They'd blink every once in a while, so it wasn't like they were asleep. And their eyes moved very slowly from side to side like they were scanning a distant horizon. Their eyes at least were conscious. But they weren't actually looking at anything, or at least nothing visible. I waved my hand a few times in front of their faces, but got no reaction.

I picked up each of the three children in turn, and they were all exactly the same. All of them were unconscious, their eyes slowly moving from side to side. It was the weirdest thing I'd ever seen.

– Describe the group that first collapsed.

It was a group of girls. Three girls who were all good friends. I called out their names and slapped them on the cheek, pretty hard, in fact, but there was no reaction. They didn't feel a thing. It was a strange feeling, like touching a void.

My first thought was to send somebody running back to the school for help. There was no way I could carry three unconscious children down by myself. So I started looking for the fastest runner in the class, one of the boys. But when I stood up and looked around I saw that all the children had collapsed. All sixteen of them had fallen to the ground and lost consciousness. The only one still conscious and standing was me. It was like… a battlefield.

– Did you notice anything unusual at the scene? Any strange smell or sound-or a light?

[Thinks about it for a while.] No, as I already said, it was very quiet and peaceful. No unusual sounds or light or smells. The only thing unusual was that every single pupil in my class had collapsed and was lying there unconscious. I felt utterly alone, like I was the last person alive on Earth. I can't describe that feeling of total loneliness. I just wanted to disappear into thin air and not think about anything.

Of course I couldn't do that-I had my duty as a teacher. I pulled myself together and raced down the slope as fast as my legs would carry me, to get help at the school.

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