Haruki Murakami - Kafka on the Shore

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Amazon.com
The opening pages of a Haruki Murakami novel can be like the view out an airplane window onto tarmac. But at some point between page three and fifteen-it's page thirteen in Kafka On The Shore-the deceptively placid narrative lifts off, and you find yourself breaking through clouds at a tilt, no longer certain where the plane is headed or if the laws of flight even apply.
Joining the rich literature of runaways, Kafka On The Shore follows the solitary, self-disciplined schoolboy Kafka Tamura as he hops a bus from Tokyo to the randomly chosen town of Takamatsu, reminding himself at each step that he has to be "the world¹s toughest fifteen-year-old." He finds a secluded private library in which to spend his days-continuing his impressive self-education-and is befriended by a clerk and the mysteriously remote head librarian, Miss Saeki, whom he fantasizes may be his long-lost mother. Meanwhile, in a second, wilder narrative spiral, an elderly Tokyo man named Nakata veers from his calm routine by murdering a stranger. An unforgettable character, beautifully delineated by Murakami, Nakata can speak with cats but cannot read or write, nor explain the forces drawing him toward Takamatsu and the other characters.
To say that the fantastic elements of Kafka On The Shore are complicated and never fully resolved is not to suggest that the novel fails. Although it may not live up to Murakami's masterful The Wind-Up Bird Chronicle, Nakata and Kafka's fates keep the reader enthralled to the final pages, and few will complain about the loose threads at the end.
From Publishers Weekly
Starred Review. Previous books such as The Wind-Up Bird Chronicle and Norwegian Wood have established Murakami as a true original, a fearless writer possessed of a wildly uninhibited imagination and a legion of fiercely devoted fans. In this latest addition to the author's incomparable oeuvre, 15-year-old Kafka Tamura runs away from home, both to escape his father's oedipal prophecy and to find his long-lost mother and sister. As Kafka flees, so too does Nakata, an elderly simpleton whose quiet life has been upset by a gruesome murder. (A wonderfully endearing character, Nakata has never recovered from the effects of a mysterious World War II incident that left him unable to read or comprehend much, but did give him the power to speak with cats.) What follows is a kind of double odyssey, as Kafka and Nakata are drawn inexorably along their separate but somehow linked paths, groping to understand the roles fate has in store for them. Murakami likes to blur the boundary between the real and the surreal-we are treated to such oddities as fish raining from the sky; a forest-dwelling pair of Imperial Army soldiers who haven't aged since WWII; and a hilarious cameo by fried chicken king Colonel Sanders-but he also writes touchingly about love, loneliness and friendship. Occasionally, the writing drifts too far into metaphysical musings-mind-bending talk of parallel worlds, events occurring outside of time-and things swirl a bit at the end as the author tries, perhaps too hard, to make sense of things. But by this point, his readers, like his characters, will go just about anywhere Murakami wants them to, whether they "get" it or not.

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Everything was quiet except for the groan of the AC going full blast next door. The clock showed nine, then ten, but nothing happened. Time passed, the night grew deeper, nothing else. Hoshino dragged his blankets into the living room, lay down on the sofa, and pulled them over him. He figured that it was better, even asleep, to be near the stone in case something happened. He turned off the light and shut his eyes.

"Hey, stone! I'm going to sleep now," he called out. "We'll talk again tomorrow. It's been a long day, and I need some shut-eye." Man, he thought, was that an understatement. Long did not begin to describe it. "Hey, Gramps!" he called out more loudly. "Mr. Nakata? You hear me?" No reply.

Hoshino sighed, closed his eyes, adjusted his pillow, and fell asleep. He slept the whole night without a break, without a single dream. In the next room, Nakata slept his own deep, dreamless, stone-hard sleep.

As soon as he got up, just past seven the next morning, Hoshino went right in to check on Nakata. As before, the AC was roaring full blast, blowing cold air into the room. And in the midst of that chilled room, Nakata was still dead. Compared to the night before, death seemed to have a tighter grip on him. His skin had grown ashen, his closed eyes more fixed and solemn. He wasn't about to come back to life, suddenly sit up, and say, My apologies, Mr. Hoshino. Nakata just fell asleep. I'm sorry. No need to worry, I'll take it from here-and then deal with the stone. That was never going to happen. Nakata's checked out for good, Hoshino thought, and that's a fact.

He started shivering from the cold, so he stepped out and shut the door, then went into the kitchen, brewed some coffee in the coffeemaker and drank two cups, made some toast and ate it with butter and jam. After eating he sat in the kitchen, smoked a couple of cigarettes, and gazed out the window. The clouds had blown away sometime during the night, leaving an unbroken sunny summer sky. The stone was in its customary spot next to the sofa. It didn't sleep a wink, didn't wake up, just crouched there, unmoving, the entire night. He tried picking it up and easily lifted it.

"Hey there," Hoshino said in a cheerful voice, "it's me. Your old pal Hoshino, remember? Looks like it's just you and me today."

The stone was-not unexpectedly-speechless.

"Ah, that's okay. Doesn't matter if you don't remember. We have lots of time to get to know each other-no need to rush."

He sat down beside the stone, started rubbing it, and wondered what sort of things you might talk about with a stone. Having a conversation with a stone was a first and he couldn't think of any appropriate topics. Best to avoid anything difficult this early in the morning, he figured. The day was long, and whatever popped into his head would be fine.

He gave it some thought and chose a favorite subject: girls. He reviewed each and every girl he'd ever slept with. If he stuck to the ones whose names he remembered, it didn't add up to all that many. He counted them off on his fingers. Six, all told. If I add the ones whose names I don't know, he thought, there'd be a lot more, but we'll put those on hold.

"I guess it's pretty pointless talking to a stone about girls I've slept with," he said. "And I suppose you aren't exactly thrilled to hear all about my exploits first thing in the morning. But I can't think of anything else, okay? Who knows, maybe some lighter topic'll do you some good for a change. FYI and all that."

Hoshino related some episodes in as much detail as he could recall. The first was when he was in high school, back when he was into motorcycles and getting into trouble. The girl was three years older than him and worked in a little bar in Gifu City. They pretty much lived together for a while. The girl was serious about the relationship, said she couldn't live without him. She phoned my parents, he remembered, but they were none too happy about it, and the whole thing was getting too intense, so once I graduated from high school I joined the Self-Defense Force. Right after I joined up I got stationed at a base in Yamanashi Prefecture, and the relationship fizzled out. I never saw her again.

"I guess lazy's my middle name," Hoshino explained to the stone. "And when things get sticky I tend to head for the door. Not to brag or anything, but I'm pretty quick on my feet. I've never followed anything to the bitter end. Which is sort of a problem, I suppose."

The second girl he met near the base in Yamanashi. He was off duty one day and helped her fix a flat on her Suzuki Alto. She was a year older than him and attending nursing school.

"She was a nice kid," Hoshino said to the stone. "Big breasts, a very warm person. And man, did she like to get it on! I was only nineteen, and we used to spend every day between the sheets. Problem was, she was jealous like you wouldn't believe. If I didn't see her on my days off she'd give me the third degree, ask where I went, what I did, who I was with. I told her the truth, but that didn't satisfy her. That's why we broke up. We were together for about a year, I guess… I don't know how you are, but I can't stand anyone getting on my case. I feel like I can't breathe, and it makes me depressed. So I ran away. The cool thing about the SDF is you can always hole up on base till the whole thing blows over. And there's nothing anybody can do about it. If you want to dump a girl with no problems, going into the SDF's your ticket. Good thing to remember. But it's not all roses-not with digging foxholes and piling up sandbags and crap."

The more he talked, the more Hoshino realized how pointless his life had been. Four of the six girls he'd gone out with had been nice. (The other two, if you looked at it objectively, had personality problems, he decided.) Most of them had treated him pretty well. No drop-dead beauties among them, though each was cute in her own way, and let him have sex whenever he felt like it. Never complained if he skipped foreplay and went straight to the main course. They fixed meals for him on his days off, bought him presents on his birthday, lent him money when he was a little short before payday-not that he ever remembered paying them back-and they never demanded anything in return. All this, and I was an ungrateful bastard, he concluded. I took everything for granted.

To his credit, he'd never cheated on any of them. But let them complain a little, try to win an argument, show a bit of jealousy, urge him to save some money, get a little overwrought, or express even a hint of worry about the future, and he was out of there. He always figured the most important thing about girls was to avoid any sticky situations, so all it took was one tiny wave to rock the boat and he was gone. He'd find a new girl and start over. He was sure most people did the same.

"If I were a girl," he said to the stone, "and was going out with a self-centered bastard like me, I'd blow my stack. I'm sure of it, now that I look back on it. I don't know how they all put up with me for so long. It's amazing." He lit a Marlboro and, slowly exhaling smoke, rubbed the stone with one hand. "Am I right or what? I'm not so good-looking, no great shakes in bed. Don't have much money. Not such a great personality, not too bright. A lot of negatives here. Son of a poor farmer from the sticks, a no-good ex-soldier-turned-truck-driver. When I think back on it, though, I was really lucky when it came to girls. I wasn't very popular, but I always had a girlfriend. Someone who let me sleep with her, who fed me, lent me money. But you know something? Good things don't last forever. I feel that more and more as time goes by. It's like somebody's saying, Hey, Hoshino, someday you're gonna have to pay up."

He rubbed the stone while relating his amorous adventures. He'd gotten so used to rubbing it that he didn't want to stop. At noon a school chime rang out, and he went to the kitchen to make a bowl of udon, adding some scallions along with a raw egg. After lunch he listened again to the Archduke Trio.

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