Ken Kesey - One flew over cuckoo's nest

Then one morning all the Acutes know too, know his real reason for backing down and that the reasons they been making up were just lies to kid themselves. He never says a thing about the talk he had with the lifeguard, but they know. I figure the nurse broadcast this during the night along all the little lines in the dorm floor, because they know all at once. I can tell by the way they look at McMurphy that morning when he comes in to the day room. Not looking like they’re mad with him, or even disappointed, because they can understand as well as I can that the only way he’s going to get the Big Nurse to lift his commitment is by acting like she wants, but still looking at him like they wished things didn’t have to be this way.

Even Cheswick could understand it and didn’t hold anything against McMurphy for not going ahead and making a big fuss over the cigarettes. He came back down from Disturbed on the same day that the nurse broadcast the information to the beds, and he told McMurphy himself that he could understand how he acted and that it was surely the sharpest thing to do, considering, and that if he’d thought about Mack being committed he’d never have put him on the spot like he had the other day. He told McMurphy this while we were all being taken over to the swimming pool. But just as soon as we got to the pool he said he did wish something mighta been done, though, and dove into the water. And got his fingers stuck some way in the grate that’s over the drain at the bottom of the pool, and neither the big lifeguard nor McMurphy nor the two black boys could pry him loose, and by the time they got a screwdriver and undid the grate and brought Cheswick up, with the grate still clutched by his chubby pink and blue fingers, he was drowned.

Up ahead of me in the lunch line I see a tray sling in the air, a green plastic cloud raining milk and peas and vegetable soup. Sefelt’s jittering out of the line on one foot with his arms both up in the air, falls backward in a stiff arch, and the whites of his eyes come by me upside down. His head hits the tile with a crack like rocks under water, and he holds the arch, like a twitching, jerking bridge. Fredrickson and Scanlon make a jump to help, but the big black boy shoves them back and grabs a flat stick out of his back pocket, got tape wrapped around it and covered with a brown stain. He pries Sefelt’s mouth open and shoves the stick between his teeth, and I hear the stick splinter with Sefelt’s bite. I can taste the slivers. Sefelt’s jerks slow down and get more powerful, working and building up to big stiff kicks that lift him to a bridge, then falling — lifting and falling, slower and slower, till the Big Nurse comes in and stands over him and he melts limp all over the floor in a gray puddle.

She folds her hands in front of her, might hold a candle, and looks down at what’s left of him oozing out of the cuffs of his pants and shirt. “Mr. Sefelt?” she says to the black boy.

“Tha’s right — uhn .” The black boy is jerking to get his stick back. “Mistuh See-fel’ .”

“And Mr. Sefelt has been asserting he needs no more medication .” She nods her head, steps back a step out of the way of him spreading toward her white shoes. She raises her head and looks round her at the circle of Acutes that’ve come up to see. She nods again and repeats, “… needs no more medication .” Her face is smiling, pitying, patient, and disgusted all at once — a trained expression.

McMurphy’s never seen such a thing. “What’s he got wrong with him?” he asks.

She keeps her eye on the puddle, not turning to McMurphy. “Mr. Sefelt is an epileptic, Mr. McMurphy. This means he may be subject to seizures like this at any time if he doesn’t follow medical advice. He knows better. We’d told him this would happen when he didn’t take his medication. Still, he will insist on acting foolish.”

Fredrickson comes out of the line with his eyebrows bristling. He’s a sinewy, bloodless guy with blond hair and stringy blond eyebrows and a long jaw, and he acts tough every so often the way Cheswick used to try to do — roar and rant and cuss out one of the nurses, say he’s gonna leave this stinkin’ place! They always let him yell and shake his fist till he quiets down, then ask him if you are through , Mr. Fredrickson, we’ll go start typing the release — then make book in the Nurses’ Station how long it’ll be till he’s tapping at the glass with a guilty look and asking to apologize and how about just forgetting those hotheaded things he said, just pigeonhole those old forms for a day or so, okay?

He steps up to the nurse, shaking his fist at her. “Oh, is that it? Is that it, huh? You gonna crucify old Seef just as if he was doing it to spite you or something?”

She lays a comforting hand on his arm, and his fist unrolls.

“It’s okay, Bruce. Your friend will be all right. Apparently he hasn’t been swallowing his Dilantin. I simply don’t know what he is doing with it.”

She knows as well as anybody; Sefelt holds the capsules in his mouth and gives them to Fredrickson later. Sefelt doesn’t like to take them because of what he calls “disastrous side effects,” and Fredrickson likes a double dose because he’s scared to death of having a fit. The nurse knows this, you can tell by her voice, but to look at her there, so sympathetic and kind, you’d think she was ignorant of anything at all between Fredrickson and Sefelt.

“Yeahhh,” says Fredrickson, but he can’t work his attack up again. “Yeah, well, you don’t need to act like it was as simple as just take the stuff or don’t take it. You know how Seef worries about what he looks like and how women think he’s ugly and all that, and you know how he thinks the Dilantin—”

“I know,” she says and touches his arm again. “He also blames his falling hair on the drug. Poor old fellow.”

“He’s not that old!”

“I know, Bruce. Why do you get so upset? I’ve never understood what went on between you and your friend that made you get so defensive!”

“Well, heck, anyway!” he says and jams his fists in his pockets.

The nurse bends over and brushes a little place clean on the floor and puts her knee on it and starts kneading Sefelt back to some shape. She tells the black boy to stay with the poor old fellow and she’ll go send a Gurney down for him; wheel him into the dorm and let him sleep the rest of the day. When she stands she gives Fredrickson a pat on the arm, and he grumbles, “Yeah, I have to take Dilantin too, you know. That’s why I know what Seef has to face. I mean, that’s why I — well, heck—”

“I understand, Bruce, what both of you must go through, but don’t you think anything is better than that?”

Fredrickson looks where she points. Sefelt has pulled back halfway normal, swelling up and down with big wet, rattling breaths. There’s a punk-knot rising on the side of his head where he landed, and a red foam around the black boy’s stick where it goes into his mouth, and his eyes are beginning to roll back into the whites. His hands are nailed out to each side with the palms up and the fingers jerking open and shut, just the way I’ve watched men jerk at the Shock Shop strapped to the crossed table, smoke curling up out of the palms from the current. Sefelt and Fredrickson never been to the Shock Shop. They’re manufactured to generate their own voltage, store it in their spines and can be turned on remote from the steel door in the Nurses’ Station if they get out of line — be right in the best part of a dirty joke and stiffen like the jolt hit square in the small of the back. It saves the trouble of taking them over to that room.