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Debra Dean: The Madonnas Of Leningrad

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Debra Dean The Madonnas Of Leningrad

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This is a brilliant and moving debut novel about one woman’s struggle to preserve an artistic heritage from the horrors and destruction of World War II. In this extraordinary first novel by Debra Dean, the siege of Leningrad by German troops in World War Two is echoed by the destructive siege against the mind and memory of an elderly Russian woman. Marina, the woman in question, was a guide at Leningrad ’s famous Hermitage Museum. In the late autumn of 1941, the Luftwaffe roared over and around Leningrad, she and her colleagues were set the task of taking the thousands of priceless paintings, sculptures and objets d’art out of the grand galleries of the former Tsarist Palace and storing them safely against the German bombardment and seemingly inevitable invasion. The German assault threatened to destroy a large part of Europe’s artistic history: if Leningrad fell to the Germans, everything that was not destroyed would be looted and given to the Nazis. Marina, whose own parents had disappeared during Stalin’s 1930s’ purges of intellectuals, clings to her hope of becoming an art historian herself through her job at the Hermitage. The novel shifts between Marina ’s experiences at the Hermitage during the siege of Leningrad and her current existence as a very old lady in America whose mind has begun to fray. The shifts are masterfully done: Debra Dean depicts, with subtle skill, the way Marina’s mind, already ravaged by disease, picks up some incident, object or person at the wedding she’s been brought to, and flips back to the dreadful year-and-a-half in Leningrad which has informed her life ever since. This is an evocative and deeply moving novel about memory itself. Advance Praise for The Madonnas of Leningrad “An unforgettable story of love, survival, and the power of imagination in the most tragic circumstances. Elegant and poetic, the rare kind of book that you want to keep but you have to share.” – Isabel Allende, New York Times bestselling author “The Madonnas of Leningrad is an extraordinary debut, a deeply lovely novel that evokes with uncommon deftness the terrible, heartbreaking beauty that is life in wartime. Like the glorious ghosts of the paintings in the Hermitage that lie at the heart of the story, Dean’s exquisite prose shimmers with a haunting glow, illuminating for us the notion that art itself is perhaps our most necessary nourishment. A superbly graceful novel.” – Chang-Rae Lee, New York Times bestselling author of Aloft and Native Speaker

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“What was beautiful?” Helen had asked the young man, puzzled.

“Everything, man. That’s what was so amazing. There’s a killer view of the straits, but she was pointing at everything, you know, this dead madrona tree out back, and these bands of sunlight coming through the roof in the garage.” Here, the young man’s expression had turned very earnest. “It was like she was saying everything was beautiful.”

The doctor said Marina was in shock, but Helen has always preferred the young man’s explanation. “You had to be there,” he insisted. “She was showing me the world.”

Author’s Note

While the characters in this novel are fictional, the wartime events are drawn from historical records. Readers interested to learn more about the Siege of Leningrad might wish to read Harrison E. Salisbury’s The900 Days: The Siege of Leningrad; S. P. Varshavskii’s The Ordeal of the Hermitage ; and Cynthia Simmons and Nina Perlina’s Writing the Siege of Leningrad: Women’s Diaries, Memoirs, and Documentary Prose . The State Hermitage Museum also has an expansive website (www.hermitagemuseum.org) that provides history, digital reproductions of the collection, and panoramic views of various rooms in the museum.

Acknowledgments

Many people have had a hand in shepherding this book along. My grandparents’ lifelong love affair and their journey with Alzheimer’s provided an initial inspiration. Gratitude goes also to Clifford Paul Fetters, my first and best reader, whose faith never wavered, and to my parents, Beverly Taylor and Ed Dean, for their love and financial support. Thanks to Stuart Gibson and the guides and researchers at the State Hermitage Museum who so graciously answered my endless questions; to Eric Kinzel and Yekaterina Roslova-Kinzel for advice on things Russian; to Cynthia White, Susan Rich, and Linda Wendling for their generous reads; to Mark Elliot for information on the Soviet repatriation; to San Juan County Sheriff Bill Cumming and Undersheriff John Zerby for advice on search and rescue. The Barbara Deming Memorial Fund came through with a grant and the attendant vote of confidence just when it was needed. I am deeply indebted to Claire Wachtel and the good people at William Morrow for their enthusiasm, and most especially to agents Marly Rusoff and Michael Radulescu for voting with their hearts. Finally, to the people of St. Petersburg, Russia, it’s my humble intent that this book will honor their great story.

About the Author

Debra Dean worked as an actor in the New York theater for nearly a decade before opting for the life of a writer and teacher. She lives with her husband in Seattle, Washington. The Madonnas of Leningrad is her first novel. www.debradean.com

Credits

“Somewhere there is…” from The Complete Poems of Anna Akhmatova, translated by Judith Hemschemeyer, edited and introduced by Roberta Reeder. Copyright © 1989, 1992, 1997 by Judith Hemschemeyer. Reprinted by permission of Zephyr Press.

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