Debra Dean: The Mirrored World

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Debra Dean The Mirrored World
  • Название:
    The Mirrored World
  • Автор:
  • Издательство:
    HarperCollins
  • Жанр:
    Историческая проза / на английском языке
  • Год:
    2012
  • Город:
    New York
  • Язык:
    Английский
  • ISBN:
    978-0-06-221855-1
  • Рейтинг книги:
    5 / 5
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The Mirrored World: краткое содержание, описание и аннотация

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The bestselling author of returns with a breathtaking novel of love, madness, and devotion set against the extravagant royal court of eighteenth-century St. Petersburg. Born to a Russian family of lower nobility, Xenia, an eccentric dreamer who cares little for social conventions, falls in love with Andrei, a charismatic soldier and singer in the Empress's Imperial choir. Though husband and wife adore each other, their happiness is overshadowed by the absurd demands of life at the royal court and by Xenia's growing obsession with having a child—a desperate need that is at last fulfilled with the birth of her daughter. But then a tragic vision comes true, and a shattered Xenia descends into grief, undergoing a profound transformation that alters the course of her life. Turning away from family and friends, she begins giving all her money and possessions to the poor. Then, one day, she mysteriously vanishes. Years later, dressed in the tatters of her husband's military uniform and answering only to his name, Xenia is discovered tending the paupers of St. Petersburg's slums. Revered as a soothsayer and a blessed healer to the downtrodden, she is feared by the royal court and its new Empress, Catherine, who perceives her deeds as a rebuke to their lavish excesses. In this evocative and elegantly written tale, Dean reimagines the intriguing life of Xenia of St. Petersburg, a patron saint of her city and one of Russia's most mysterious and beloved holy figures. This is an exploration of the blessings of loyal friendship, the limits of reason, and the true costs of loving deeply. Review “In her excellent second novel, THE MIRRORED WORLD, Debra Dean has composed a resonant and compelling tale…. Dean’s writing is superb; she uses imagery natural to the story and an earlier time.” Seattle Times “For those familiar with the story of St. Xenia, this is a gratifying take on a compelling woman. For others, Dean’s vivid prose and deft pacing make for a quick and entertaining read.” Publishers Weekly “Love affairs, rivalries, intrigues, prophecy, cross-dressing, madness, sorrow, poverty—THE MIRRORED WORLD is a litany of both the homely and the miraculous. Intimate and richly appointed, Debra Dean’s Imperial St. Petersburg is as sumptuous and enchanted as the Winter Palace.” Stewart O’Nan, bestselling author of “THE MIRRORED WORLD explores the mysteries of love and grief and devotion. Against a vivid backdrop of eighteenth century St. Petersburg and Catherine the Great’s royal court, the woman who would become St. Xenia is brought fully to life. Is there a more imaginative, elegant storyteller than Debra Dean?” Ann Hood, bestselling author of “With evocative, rich prose and deep emotional resonance, Debra Dean delivers a compelling and captivating story that touches the soul. Truly a wonderful read.” Garth Stein, bestselling author of “Transporting readers to St. Petersburg during the reign of Catherine the Great, Dean brilliantly reconstructs and reimagines the life of St. Xenia, one of Russia’s most revered and mysterious holy figures, in a richly told and thought-provoking work of historical fiction.” Bookreporter.com “Dean’s novel grows more profound and affecting with every page.” Booklist “In Debra Dean’s skilled hands, history comes alive…. Though the world she creates is harsh and cold at times, it is the warmth at its center— the power of love — that stays with you in the end.” Miami Herald

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Debra Dean

THE MIRRORED WORLD

A Novel

For my mother, Beverly A. Taylor

For if we genuinely love Him…

we awaken as the Beloved

in every last part of our body.

—SAINT SYMEON THE THEOLOGIAN

Author’s Note

This is a work of fiction. While I have tried not to contravene what is known, I have invented between the lines of history. This story should not be read as a factual rendering of the historical personages or events that appear herein.

The Ice Palace

Chapter One

Yes, this was her house many years ago, when she was still Xenia. The things you see here—the few furnishings, the books and mementos—they are mine. I have sold and given away much; only a little remains. A feather. This stone with a white ring round it. A bird’s skull. Look how delicate it is, thinner than porcelain. This scrap of gold lace from the sleeve of a court dress. I have reached an age when I can see how little all my possessions were worth and even to feel them as a burden on my soul. But the effort to rid myself of it all… as Xenia once said, the things of the world cling like vines.

As it happens, this is doubly true of those possessions which are immaterial—the griefs and fears, my reason which I have prized beyond measure, the memories that feel like the sum of me. I am not a holy fool who can give these up.


The earliest memory—blackness, and in this blackness the sound of church bells clanging wildly—it is of her coming. Clambering down from the bed I share with my nyanya, a treacherous descent in the dark, I go to the window. The dusky summer sky is shimmering. Orange, violet, red—the northern lights pulse and flare—and in the street, a man falls to his knees and crosses himself. People are shouting, their words a blur but infused with unmistakable urgency. A riderless white horse careens into view. It rears up and then races on, its tail and mane flying like ragged sails behind it. Frightened, I return to the bed and press my body against Olga’s. The next image is that of our bedroom door bursting open and through it, an enormous wolf entering. The wolf says, quite calmly, that its house is afire.

For years, I believed this to be an uncommonly vivid dream. It was only much later, upon hearing my nurse talking about events long past—as old ones are wont to do, as I am doing even now—that I recognized in her story certain unmistakable features of my dream.

There was a terrible fire late in the summer of 1736, the sixth year of Her Imperial Majesty Anna Ioannovna’s reign and the fourth year of my life. The fire was said to have begun in a stable near what is now Sadovaya Street, but it spread like a storm through the city. People fled their homes with only those few things they could carry, icons and tableware, a handful of jewelry, whatever they had snatched up in their alarm. One man was seen dragging his bed through the street. An old woman was found in her nightclothes, clutching a squawking goose to her breast. There was no fire brigade then, nor means to draw water from the canals, and in the end over two thousand houses were lost. What I mistook for the northern lights was the entire Admiralty district being consumed by flames.

What I took for a wolf was Xenia. Her mother had escaped their home carrying a daughter in her arms, five rubles in a velvet purse, and a sausage that had been hanging on the larder door. She crossed the pontoon bridge over the Neva, her elder daughter and a servant trailing behind, and walked until she came upon a house she knew, belonging to her husband’s cousin. They arrived at our doorstep in the middle of the night. The houseman carried Xenia to my bed, still bundled in a fur lap robe and slung on his shoulder.

“You shrieked at the sight of her,” Olga told me later. “I could not calm you.”

After the fire, Olga’s place in the bed was taken by Xenia and her sister, Nadya. Their father and mine were off fighting the Turks, and so while the city was rebuilding they lived with us. By Olga’s account, I slept fitfully for weeks afterwards, plagued by night terrors. What I recall is the sound of howling. Petersburg was much smaller then, muddy and raw and shadowed by forest, and at night one might still hear wolves. I could not help myself, I clutched at Xenia because my nurse was not there. I whimpered to her my fear that the wolves were coming to eat us.

“They are not hungry,” she whispered. “They are singing.”

I was not so easily mollified. It did not sound like singing.

“That is because you are not a wolf. Listen. She is singing of how lonesome she is.” The long wail did indeed sound bereft. After a while, a second voice joined the first. “There, her mate is answering. It must be a very beautiful sound to her.”

She twined her arms round me. “I am here, Dashenka. You are not alone.” On the word “alone,” she made her voice rise into a howl. I giggled.

“Now you answer,” she said.

“What?”

“You must sing, too.”

I answered her howls with my own until Nadya snapped at us to be still and let her sleep.

It was intended that they stay only until their father returned, but he perished the following year at the storming of Ochakiv. Their future was resettled in that moment. They remained, and I forgot that there had ever been a time before them.

Whatever we know as children, this is the world, eaten whole and without question. So it was with Xenia: I did not think her strange, though an accounting of her features alone would set her apart. She was tall and thin as a willow slip, her nose and chin were rather too sharp, and her pale hair so fine that it continually escaped ribbons and combs. When she moved, wisps lifted and floated about her head, giving her the unkempt and airy appearance of a dandelion blown to seed. Following the science of physiognomy, one might discover her character by this and also by her eyes, which were uncommonly bright but of no definite hue, being very green in one light but the color of hazelnuts in another.

I am reminded of a curiosity we saw as children, housed in the Kunstkamera. This device resembled a sailor’s eyeglass. However, peering into the eyepiece, one did not view the ordinary world beyond the glass. Improbably, the horizon filled with brightly colored shards of light, a brilliant mosaic that could be made to break apart and re-form into endless new patterns simply by turning a small knob. It did not seem possible that a narrow brass tube could contain so huge and magnificent a wonder, and yet it did.

Some few days after we visited the museum, I remember, Xenia picked up a feather from the ground and was as giddy as if she had found a ruby in the dirt.

She held it up to the light. “Look.”

It is a raven’s feather, I thought. My countenance must have shown my ignorance.

“It is black, but look what happens.” She rolled the quill slowly between her fingers. “Do you see it, the blue? And now emerald…” Colors shimmered on its oily surface. “And there is purple! And even red. It is like the Kaleidoscope!”

I saw then that it was an astonishing feather.

When I parroted her admiration, she handed it to me without a blink. “It is yours,” she said. In this same manner, she later gifted me with the bird’s skull and the skipping stone and various insects and wildflowers—my own museum of wonders and curiosities.

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