Patrick McCabe - The Butcher Boy

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The Butcher Boy: краткое содержание, описание и аннотация

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SHORTLISTED FOR THE 1992 BOOKER PRIZE
WINNER OF THE IRISH TIMES-AER LINGUS
LITERATURE PRIZE FOR FICTION
"BRILLIANT, UNIQUE. Patrick McCabe pushes your head through the book and you come out the other end gasping, admiring, and knowing that reading fiction will never be the same again. It's the best Irish novel I've read in years." – Roddy Doyle, Author, Paddy Clarke Ha Ha Ha
"STUNNING… PART HUCK FINN, PART HOLDEN CAULFIELD, PART HANNIBAL LECTER." – The New York Times Book Review
"AN ALMOST PERFECT NOVEL… A BECKETT MONOLOGUE WITH PLOT BY ALFRED HITCHCOCK… STARTLINGLY ORIGINAL." – The Washington Post Book World
"BRILLIANT… Francie is a shrewd and amusing observer… his voice is mordant, colloquial and brash as a punch in the nose." – Scott Turow
"A ROLLICKING NASTY NOVEL." – The Village Voice
"There are a number of fine novels about violent youth, and Patrick McCabe's frightening and sorrowful The Butcher Boy stands up to any of them… Francie portrays himself in every word he utters, and his language gives Patrick McCabe's The Butcher Boy its valuable dread power." – The Atlanta Journal Constitution
"A CHILLING TALE OF A CHILD'S HELL… OFTEN SCREAMINGLY FUNNY… THE BOOK HAS A COMPELLING AND TERRIBLE BEAUTY." – The Boston Globe
"A tour de force." – Kirkus Reviews
"IT'S AS BRIGHT AS IT IS DEPRESSING, AS FUNNY AS IT IS GRUESOME. We see Francie clearly as psychopath, and we ache with sympathy for him. It's almost impossible to pinpoint the moment in his growing up when the imagination of an ordinary boy shades over into something dangerously loony. The key is Francie's slangy, angry, '60s-flavored voice, which McCabe renders with a minimum of punctuation and a maximum of control." – Los Angeles Times Book Review
"AN UNRELENTING, UPBEAT STREAM OF PATTER. McCabe's acclaimed third novel… walks the path of dementia with remarkable assurance." – Entertainment Weekly
"McCABE'S FRANCIE SPEAKS IN A RICH VERNACULAR SPIRITED BY THE BRASSY AND ENDEARING RHYTHMS OF PERPETUAL DELINQUENCY; even in his gradual unhinging, Francie remains a winning raconteur. By looking so deeply into Francie's soul, McCabe subtly suggests a common source of political and personal violence – lack of love and hope." – Publishers Weekly
"PATRICK McCABE IS AN OUTSTANDING WRITER. The Butcher Boy is fearful, original, compelling and very hard to put out of your mind. American readers should pay close attention to this man." – Thomas McGuane
"A BRILLIANT BOOK SO VERY FUNNY AS WELL AS BEING HEARTRENDINGLY SAD." – J. P. Donleavy
"Written with wonderful assurance and a technical skill that is as great as it is unobtrusive… Perhaps the novel is best read as a twisted coming-of-age story; imagine Huck Finn crossed with Charlie Starkweather, and you have Francie Brady, the young narrator of The Butcher Boy." – The Washington Post Book World
"A POTENT AMALGAM OF COMEDY, HORROR AND PATHOS… The Butcher Boy is a prime slice of modern Gothic… McCabe presents a study in spiritual derangement that rivets." – The Sunday Times (London)
"DEADLY SERIOUS, TERRIFICALLY LOONY AND SCARY, AND ABSOLUTELY HILARIOUS… Francie Brady's story is reminiscent of Samuel Beckett's Molloy, Moran, Malone, and the Unnameable even, with Anthony Burgess's Alex tossed in for good measure." – James McManus
"THE MOST ASTONISHING IRISH NOVEL FOR MANY YEARS, A MASTERPIECE." – Sunday Independent
"A POWERFUL AND DEEPLY SHOCKING NOVEL where the seemingly innocent logic of a child imperceptibly turns into the manic logic of an unhinged mind. Patrick McCabe portrays 1960s small-town life from a bizarre perspective where the aliens from Outer Space on the television are as real as the emotional poverty of one child filled with unconscious envy for another." – Dermont Bolger

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Oh make my grave large wide and deep

Put a marble stone at my head and feet

And in the middle a turtle dove

That the world may know I died for love.

I was crying because we were together now. Oh ma I said the whole house is burning up on us then a fist made of smoke hit me a smack in the mouth its over says ma its all over now.

That's what you think! says the voice and when I look up who is it.

Oh for fuck's sake! I said – Sausage!

Ah Francie what were you at for the love of God! he says, twisting the cap in his hands.

Fabian was behind him with the one eye closed giving me a dirty look lets see you try to escape now!

Every time I woke up there was a different bullneck standing by the bed.

I was in in a bad state, there was no doubt about it. I looked in the mirror.

What's this? I says.

All you could see was bandages, it was like the Invisible Man. Aiee! I says. Come on now says the nurse come on! or I'll have to send for the orderly.

After a while they gave me a set of crutches I was hobbling around on them when this bogman in a dressing gown says to me: What happened to you? Your face is all burn-ted!

I told him the whole story about the orphanage going up in the middle of the night and all the children getting out except one poor little boy. I couldn't stand the screams I said we could all see him standing at the upstairs window help me help me!

So you went back in to get him? he says with the lip hanging.

I just shrugged no no tell me tell me he says so I told him about me and the little lad jumping from the top floor and all that. When I was finished he had tears in his eyes. He was so mad to give me a cigarette that he dropped a scatter of them on the floor. He could hardly steady his hand to light the fag for me. Puff puff through the bandages all you could see was the fag and the two eyes looking out. That bogman, he couldn't get giving me enough fags. And what else? he'd say then with his mouth open.

Then one day in comes Fabian walking like John Wayne and I could see by the way he looked at me he meant business. OK you sonuvabitch move we're ridin' out right you be now Mr Fabian sorr!

SO OFF WENT ME AND SAUSAGE AND FABIAN OF THE YARD. I could see Sausage as white as a ghost in the front, in case I'd make a cod of him again but I wouldn't for I knew that was what pokerarse Fabian wanted, to be able to show off and give out to Sausage. Leddy had the place all locked up but the manure heap was still warm from the morning kill. Here we are I said and Sausage says: Right, dig!, and hands me the graip. How can I dig sergeant with these hands and I lifted up my swaddled stumps.

He was nearly going to say: There's nothing wrong with them hands you're only making it up but then he saw Fabian staring at him with his well what are you waiting for you country bumpkin face on him so he spat on his hands and starts digging with the graip. I was sorry now I had gone near her with the lime I was afraid if she was gone they wouldn't believe me and the whole thing would start all over again come on Francie and we know and all this. But there was no need to worry for after a while I knew by the sarge that he had hit something and sure enough when he pulled out the graip there stuck on the end of it was part of a leg and Mrs Nugent's furry boot hanging. Fabian wasn't so smart then. Oh Christ!, he says, bwoagh! and gets sick all over his foot.

Gammy Leg the court man thought he was all it limping up and down tell me this tell me that I'll tell you fuck all I said. Oh! was all you could hear in the gallery what did I care I didn't care let them say it. But after Sausage told me that if I ever said that again I'd be in real serious trouble all right then I said. So when he said did you do this did you do that I said yes I did. And I would have kept on saying it only he started on about the money. Comes right up to me there in the box: It was a cold-blooded, premeditated, and deliberate crime – one that had been cunningly planned and thought over, and above all, it was a murder perpetrated for the meanest and most contemptible of motives – for the purpose of robbery and plunder! I had a good mind to hit make a go at him soon as he said it but I could see Sausage glaring at me no don't Francie so I just said what would you know about it Gammy Leg you don't know what you're talking about I never robbed a thing off the Nugents the only thing I ever took was Philip's comics and I was going to give them back I swear you can ask Joe. Sausage showed me papers Brutal pig killingsensation in court!

There was a drawing of me standing there and underneath Francis Brady is a pig.

Fuck this I says even the papers are at it now but there was another bit I didn't see; Francis Brady is a pig butcher in a local abattoir.

I said to Sausage: Will they hang me? I hope they hang me.

He looked at me and says: I'm sorry Francie but there's no more hanging. No more hanging? I says. For fuck's sake! What's this country coming to!

But Sausage was right, there was no more hanging and a few weeks after that there we were all off again me and the sergeant in the back phut phut away off down the road to another house of a hundred windows. But this time there was no ho'ho h'hee they'll put manners on you here or any of that stuff, we just talked about ma and da and the old times in the town and when we said goodbye on the steps he said to me there's a lot of sad things in this world Francie and this is one of them.

Goodbye sergeant I said, right says Fabian and the bullnecks then they were gone off down the avenue in the patrol car and that was the last I seen of my old friend Sergeant Sausage.

They took my clothes the pair of fuckers nearly tore them off me come on come on they says. Then they gave me this white thing it tied at the back. What's this I says Emergency Ward Ten?

One of them gives me a dig in the ribs and says you needn't think you'll get away with that kind of lip here its not old women you're up against now Brady.

I know I says then I managed to get away from him: You don't fool me! I shouted. You're trying to trick me! You're going to put me into a mental hospital!

He got a bit red under the eyes and I could see him clenching the fist. Then I laughed: Its all right I said, its only a joke, for fuck's sake!

That was all a long time ago. Twenty or thirty or forty years ago, I don't know. I was on my own for a long time I did nothing only read the Beano and look out at the grass. Then they said to me; There's no sense in you being stuck up in that wing all on your own. I don't think you're going to take the humane killer to any of our patients are you?

Humane killer! I don't think Mrs Nugent would be too pleased to hear you calling it that, doc, I said. Oh now now he says that's all over you must forget all about that next week your solitary finishes how about that hmm? I felt like laughing in his face: How can your solitary finish? That's the best laugh yet.

But I didn't. I just said that's great and the next week he introduced me to all these bogmen making baskets and fat teddybears. Is there anything you want, says the doc. Yes, I said, the Beano Annual and a trumpet. There you are he says the next day. So now I have a trumpet and if you could see me I look just like da going round the place in my Al Capone coat. Sometimes they have sing songs in the hall and they ask me for a song. Go on!, they say, you're a powerful musicianor! You're the boy can sing then off I go and before long they're all at it, that's the stuff! The Butcher Boy by cripes!

You're all enjoying yourselves says the doctor yes I says, doing the bogman tango. Out with the backside, up with the nose.

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