Don Delillo - Falling Man

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Amazon.com Review
The defining moment of turn-of-the-21st-century America is perfectly portrayed in National Book Award winner Don DeLillo's Falling Man. The book takes its title from the electrifying photograph of the man who jumped or fell from the North Tower on 9/11. It also refers to a performance artist who recreates the picture. The artist straps himself into a harness and in high visibility areas jumps from an elevated structure, such as a railway overpass or a balcony, startling passersby as he hangs in the horrifying pose of the falling man.
Keith Neudecker, a lawyer and survivor of the attack, arrives on his estranged wife Lianne's doorstep, covered with soot and blood, carrying someone else's briefcase. In the days and weeks that follow, moments of connection alternate with complete withdrawl from his wife and young son, Justin. He begins a desultory affair with the owner of the briefcase based only on their shared experience of surviving: "the timeless drift of the long spiral down." Justin uses his binoculars to scan the skies with his friends, looking for "Bill Lawton" (a misunderstood version of bin Laden) and more killing planes. Lianne suddenly sees Islam everywhere: in a postcard from a friend, in a neighbor's music-and is frightened and angered by its ubiquity. She is riveted by the Falling Man. Her mother Nina's response is to break up with her long-time German lover over his ancient politics. In short, the old ways and days are gone forever; a new reality has taken over everyone's consciousness. This new way is being tried on, and it doesn't fit. Keith and Lianne weave into reconciliation. Keith becomes a professional poker player and, when questioned by Lianne about the future of this enterprise, he thinks: "There was one final thing, too self-evident to need saying. She wanted to be safe in the world and he did not."
DeLillo also tells the story of Hammad, one of the young men in flight training on the Gulf Coast, who says: "We are willing to die, they are not. This is our srength, to love death, to feel the claim of armed martyrdom." He also asks: "But does a man have to kill himself in order to accomplish something in the world?" His answer is that he is one of the hijackers on the plane that strikes the North Tower.
At the end of the book, De Lillo takes the reader into the Tower as the plane strikes the building. Through all the terror, fire and smoke, De Lillo's voice is steady as a metronome, recounting exactly what happens to Keith as he sees friends and co-workers maimed and dead, navigates the stairs and, ultimately, is saved. Though several post-9/11 novels have been written, not one of them is as compellingly true, faultlessly conceived, and beautifully written as Don De Lillo's Falling Man. -Valerie Ryan
From Publishers Weekly
Starred Review. When DeLillo's novel Players was published in 1977, one of the main characters, Pammy, worked in the newly built World Trade Center. She felt that "the towers didn't seem permanent. They remained concepts, no less transient for all their bulk than some routine distortion of light." DeLillo's new novel begins 24 years later, with Keith Neudecker standing in a New York City street covered with dust, glass shards and blood, holding somebody else's briefcase, while that intimation of the building's mortality is realized in a sickening roar behind him. On that day, Keith, one half of a classic DeLillo well-educated married couple, returns to Lianne, from whom he'd separated, and to their young son, Justin. Keith and Lianne know it is Keith's Lazarus moment, although DeLillo reserves the bravura sequence that describes Keith's escape from the first tower-as well as the last moments of one of the hijackers, Hammad-until the end of the novel. Reconciliation for Keith and Lianne occurs in a sort of stunned unconsciousness; the two hardly engage in the teasing, ludic interchanges common to couples in other DeLillo novels. Lianne goes through a paranoid period of rage against everything Mideastern; Keith is drawn to another survivor. Lianne's mother, Nina, roils her 20-year affair with Martin, a German leftist; Keith unhooks from his law practice to become a professional poker player. Justin participates in a child's game involving binoculars, plane spotting and waiting for a man named "Bill Lawton." DeLillo's last novel, Cosmopolis, was a disappointment, all attitude (DeLillo is always a brilliant stager of attitude) and no heart. This novel is a return to DeLillo's best work. No other writer could encompass 9/11 quite like DeLillo does here, down to the interludes following Hammad as he listens to a man who "was very genius"-Mohammed Atta. The writing has the intricacy and purpose of a wiring diagram. The mores of the after-the-event are represented with no cuteness-save, perhaps, the falling man performance artist. It is as if Players, The Names, Libra, White Noise, Underworld-with their toxic events, secret histories, moral panics-converge, in that day's narrative of systematic vulnerability, scatter and tentative regrouping.

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She ran along the river, early light, before the kid was awake. She thought of training for the marathon, not this year’s but next, the pain and rigor of it, long-distance running as spiritual effort.

She thought of Keith with a call girl in his room, having automated teller sex.

After mass she tried to hunt down a taxi. Taxis were scarce here and the bus took forever and she wasn’t ready yet to take the subway.

This Book is not to be doubted.

She was stuck with her doubts but liked sitting in church. She went early, before mass began, to be alone for a while, to feel the calm that marks a presence outside the nonstop riffs of the waking mind. It was not something godlike she felt but only a sense of others. Others bring us closer. Church brings us closer. What did she feel here? She felt the dead, hers and unknown others. This is what she’d always felt in churches, great bloated cathedrals in Europe, a small poor parish church such as this one. She felt the dead in the walls, over decades and centuries. There was no dispiriting chill in this. It was a comfort, feeling their presence, the dead she’d loved and all the faceless others who’d filled a thousand churches. They brought intimacy and ease, the human ruins that lie in crypts and vaults or buried in churchyard plots. She sat and waited. Soon someone would enter and walk past her into the nave. She was always the first, always seated toward the rear, breathing the dead in candlewax and incense.

She thought of Keith and then he called. He said he’d be able to get home for a few days in a week or so and she said okay, good.

She saw the gray that was beginning to seep into her hair at the scalp. She would not stain it away. God, she thought. What does it mean to say that word? Are you born with God? If you never hear the word or observe the ritual, do you feel the breath alive inside you, in brain waves or pounding heart?

Her mother had a mane of white hair at the end, the body slowly broken, haunted by strokes, blood in the eyes. She was drifting into spirit life. She was a spirit woman now, barely able to make a sound that might pass for a word. She lay shrunken in bed, all that was left of her framed by the long straight hair, frosted white in sunlight, beautiful and otherworldly.

She sat in the empty church waiting for the pregnant woman to enter or maybe the old man who always nodded to her. One woman, then the other, or one woman and then the man. They’d established a pattern, these three, or nearly so, and then others entered and the mass began.

But isn’t it the world itself that brings you to God? Beauty, grief, terror, the empty desert, the Bach cantatas. Others bring you closer, church brings you closer, the stained glass windows of a church, the pigments inherent in the glass, the metallic oxides fused onto the glass, God in clay and stone, or was she babbling to herself to pass the time?

She walked home from church when there was time but otherwise tried to find a cab, tried to talk to the driver, who was in the twelfth hour of his shift and wanted only to finish without dying.

She stayed away from the subway, still, and never stopped noticing the concrete bulwarks outside train stations and other possible targets.

She ran early mornings and came home and stripped and showered. God would consume her. God would de-create her and she was too small and tame to resist. That’s why she was resisting now. Because think about it. Because once you believe such a thing, God is, then how can you escape, how survive the power of it, is and was and ever shall be.

He sat alongside the table, facing the dusty window. He placed his left forearm along the near edge of the table, hand dangling from the adjoining edge. This was the tenth day of twice-a-day, the wrist extensions, the ulnar deviations. He counted the days, the times per day.

There was no problem with the wrist. The wrist was fine. But he sat in his hotel room, facing the window, hand curled into a gentle fist, thumb up in certain setups. He recalled phrases from the instruction sheet and recited them quietly, working on the hand shapes, the bend of the wrist toward the floor, the bend of the wrist toward the ceiling. He used the uninvolved hand to apply pressure to the involved hand.

He sat in deep concentration. He recalled the setups, every one, and the number of seconds for each, and the number of repetitions. With your palm down, bend your wrist toward the floor. With your forearm resting sideways, bend your wrist toward the floor. He did the wrist flexions, the radial deviations.

Mornings without fail, every night when he returned. He looked into the dusty glass, reciting fragments from the instruction sheet. Hold to a count of five. Repeat ten times. He did the full program every time, hand raised, forearm flat, hand down, forearm sideways, slowing the pace just slightly, day to night and then again the following day, drawing it out, making it last. He counted the seconds, he counted the repetitions.

There were nine people at mass today. She watched them stand, sit and kneel and she did what they did but failed to respond as they did when the priest recited lines from the liturgy.

She thought that the hovering possible presence of God was the thing that created loneliness and doubt in the soul and she also thought that God was the thing, the entity existing outside space and time that resolved this doubt in the tonal power of a word, a voice.

God is the voice that says, “I am not here.”

She was arguing with herself but it wasn’t argument, just the noise the brain makes.

She had normal morphology. Then one late night, undressing, she yanked a clean green T-shirt over her head and it wasn’t sweat she smelled or maybe just a faint trace but not the sour reek of the morning run. It was just her, the body through and through. It was the body and everything it carried, inside and out, identity and memory and human heat. It wasn’t even something she smelled so much as knew. It was something she’d always known. The child was in it, the girl who wanted to be other people, and obscure things she could not name. It was a small moment, already passing, the kind of moment that is always only seconds from forgetting.

She was ready to be alone, in reliable calm, she and the kid, the way they were before the planes appeared that day, silver crossing blue.

IN THE HUDSON CORRIDOR

The aircraft was secured now and he sat in the jump seat across from the forward galley, keeping watch. He was either supposed to keep watch here, outside the cockpit, or to patrol the aisle, box cutter in hand. He was not confused, only catching a breath, taking a moment. This is when he felt a sensation high on his arm, the thin wincing pain of slit skin.

He sat facing a bulkhead, with the toilet behind him, first-class only.

The air was thick with the Mace he’d sprayed and there was somebody’s blood, his blood, draining through the cuff of his long-sleeved shirt. It was his blood. He didn’t look for the source of the wound but saw more blood beginning to show through the sleeve up toward the shoulder. He thought that maybe the pain had been there earlier but he was only now remembering to feel it. He didn’t know where the box cutter was.

If other things were normal, in his understanding of the plan, the aircraft was headed toward the Hudson corridor. This was the phrase he’d heard from Amir many times. There was no window he might look through without getting out of the seat and he felt no need to do that.

He had his cell phone on vibrate.

Everything was still. There was no sensation of flight. He heard noise but felt no motion and the noise was the kind that overtakes everything and seems completely natural, all the engines and systems that become the air itself.

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