Don Delillo - Falling Man

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Amazon.com Review
The defining moment of turn-of-the-21st-century America is perfectly portrayed in National Book Award winner Don DeLillo's Falling Man. The book takes its title from the electrifying photograph of the man who jumped or fell from the North Tower on 9/11. It also refers to a performance artist who recreates the picture. The artist straps himself into a harness and in high visibility areas jumps from an elevated structure, such as a railway overpass or a balcony, startling passersby as he hangs in the horrifying pose of the falling man.
Keith Neudecker, a lawyer and survivor of the attack, arrives on his estranged wife Lianne's doorstep, covered with soot and blood, carrying someone else's briefcase. In the days and weeks that follow, moments of connection alternate with complete withdrawl from his wife and young son, Justin. He begins a desultory affair with the owner of the briefcase based only on their shared experience of surviving: "the timeless drift of the long spiral down." Justin uses his binoculars to scan the skies with his friends, looking for "Bill Lawton" (a misunderstood version of bin Laden) and more killing planes. Lianne suddenly sees Islam everywhere: in a postcard from a friend, in a neighbor's music-and is frightened and angered by its ubiquity. She is riveted by the Falling Man. Her mother Nina's response is to break up with her long-time German lover over his ancient politics. In short, the old ways and days are gone forever; a new reality has taken over everyone's consciousness. This new way is being tried on, and it doesn't fit. Keith and Lianne weave into reconciliation. Keith becomes a professional poker player and, when questioned by Lianne about the future of this enterprise, he thinks: "There was one final thing, too self-evident to need saying. She wanted to be safe in the world and he did not."
DeLillo also tells the story of Hammad, one of the young men in flight training on the Gulf Coast, who says: "We are willing to die, they are not. This is our srength, to love death, to feel the claim of armed martyrdom." He also asks: "But does a man have to kill himself in order to accomplish something in the world?" His answer is that he is one of the hijackers on the plane that strikes the North Tower.
At the end of the book, De Lillo takes the reader into the Tower as the plane strikes the building. Through all the terror, fire and smoke, De Lillo's voice is steady as a metronome, recounting exactly what happens to Keith as he sees friends and co-workers maimed and dead, navigates the stairs and, ultimately, is saved. Though several post-9/11 novels have been written, not one of them is as compellingly true, faultlessly conceived, and beautifully written as Don De Lillo's Falling Man. -Valerie Ryan
From Publishers Weekly
Starred Review. When DeLillo's novel Players was published in 1977, one of the main characters, Pammy, worked in the newly built World Trade Center. She felt that "the towers didn't seem permanent. They remained concepts, no less transient for all their bulk than some routine distortion of light." DeLillo's new novel begins 24 years later, with Keith Neudecker standing in a New York City street covered with dust, glass shards and blood, holding somebody else's briefcase, while that intimation of the building's mortality is realized in a sickening roar behind him. On that day, Keith, one half of a classic DeLillo well-educated married couple, returns to Lianne, from whom he'd separated, and to their young son, Justin. Keith and Lianne know it is Keith's Lazarus moment, although DeLillo reserves the bravura sequence that describes Keith's escape from the first tower-as well as the last moments of one of the hijackers, Hammad-until the end of the novel. Reconciliation for Keith and Lianne occurs in a sort of stunned unconsciousness; the two hardly engage in the teasing, ludic interchanges common to couples in other DeLillo novels. Lianne goes through a paranoid period of rage against everything Mideastern; Keith is drawn to another survivor. Lianne's mother, Nina, roils her 20-year affair with Martin, a German leftist; Keith unhooks from his law practice to become a professional poker player. Justin participates in a child's game involving binoculars, plane spotting and waiting for a man named "Bill Lawton." DeLillo's last novel, Cosmopolis, was a disappointment, all attitude (DeLillo is always a brilliant stager of attitude) and no heart. This novel is a return to DeLillo's best work. No other writer could encompass 9/11 quite like DeLillo does here, down to the interludes following Hammad as he listens to a man who "was very genius"-Mohammed Atta. The writing has the intricacy and purpose of a wiring diagram. The mores of the after-the-event are represented with no cuteness-save, perhaps, the falling man performance artist. It is as if Players, The Names, Libra, White Noise, Underworld-with their toxic events, secret histories, moral panics-converge, in that day's narrative of systematic vulnerability, scatter and tentative regrouping.

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He set the resistance level way up. He stroked hard, arms and legs but mostly legs, trying not to collapse his shoulders, hating every stroke. Sometimes there was no one else in the place, maybe somebody on a treadmill watching TV. He always used the rowing machine. He rowed and showered and the showers smelled of mildew. He stopped going after a while but then went back, setting the level higher still, wondering only once why this was a thing he had to do.

He was looking at five-deuce off-suit. He thought for a moment he might get up and leave. He thought he might walk out and get the first plane, pack and go, get a window seat and lower the shade and fall asleep. He folded his cards and sat back. By the time a fresh deck floated up he was ready to play again.

Forty tables, nine players a table, others waiting at the rail, screens high on three walls showing soccer and baseball, strictly atmospheric.

SHEER and BULK.

He didn’t want to listen to Terry Cheng at his conversational ease, in his new persona, chatting away by the blue waterfall, three years after the planes.

Older men with chapped faces, eyelids drawn down. Would he know them if he saw them in a diner, eating breakfast at the next table? Long lifetimes of spare motion, sparer words, call the bet, see the raise, two or three such faces every day, men nearly unnoticeable. But they gave the game a niche in time, in the lore of poker face and dead man’s hand, and a breath of self-esteem.

The waterfall was blue now, or possibly always was, or this was another waterfall or another hotel.

You have to break through the structure of your own stonework habit just to make yourself listen. There it is, the clink of chips, the toss and scatter, players and dealers, mass and stack, a light ringing sound so native to the occasion it lies outside the aural surround, in its own current of air, and no one hears it but you.

Here’s Terry slouching down a side aisle at three a.m. and they barely share a glance and Terry Cheng says, “Have to get back to my coffin by sunup.”

The woman from wherever she’s from, in the black leather cap, Bangkok or Singapore or L.A. She wears the cap slightly tilted and he knows they’re all so neutralized by the steady throb of call and fold that there’s very little happening, table-wide, in the popular art of fantasy fuck.

One night he sat in his room doing the old exercises, the old rehab program, bend of the wrist toward the floor, bend of the wrist toward the ceiling. Room service ended at midnight. Midnight TV showed soft-core films with naked women and penis-less men. He was not lost or bored or crazy. Thursday tournament started at three, sign-ups at noon. Friday tournament started at noon, sign-ups at nine.

He was becoming the air he breathed. He moved in a tide of noise and talk made to his shape. The look under the thumb at ace-queen. Along the aisles, roulette wheels clicking. He sat in the sports book unaware of scores or odds or point spreads. He watched the miniskirted women serving drinks. Out on the Strip a dead and heavy heat. He folded eight or nine hands in a row. He stood in the sportswear shop wondering what he might buy for the kid. There were no days or times except for the tournament schedule. He wasn’t making enough money to justify this life on a practical basis. But there was no such need. There should have been but wasn’t and that was the point. The point was one of invalidation. Nothing else pertained. Only this had binding force. He folded six more hands, then went all-in. Make them bleed. Make them spill their precious losers’ blood.

These were the days after and now the years, a thousand heaving dreams, the trapped man, the fixed limbs, the dream of paralysis, the gasping man, the dream of asphyxiation, the dream of helplessness.

A fresh deck rose to the tabletop.

Fortune favors the brave. He didn’t know the Latin original of the old adage and this was a shame. This is what he’d always lacked, that edge of unexpected learning.

She was only a girl, always a daughter, and her father was drinking a Tanqueray martini. He’d let her add a twist of lemon, giving her comically detailed instructions. Human existence, that was his subject this evening, on the deck of somebody’s beat-up house in Nantucket. Five adults, the girl on the fringes. Human existence had to have a deeper source than our own dank fluids. Dank or rank. There had to be a force behind it, a principal being who was and is and ever shall be. She loved the sound of that, like chanted verse, and thought of it now, alone, over coffee and toast, and something else as well, the existence that hummed in the words themselves, was and is, and how the chill wind died at nightfall.

People were reading the Koran. She knew of three people doing this. She’d talked to two and knew of another. They’d bought English-language editions of the Koran and were trying earnestly to learn something, find something that might help them think more deeply into the question of Islam. She didn’t know whether they were persisting in the effort. She could imagine herself doing this, the determined action that floats into empty gesture. But maybe they were persisting. They were serious people perhaps. She knew two of them but not well. One, a doctor, recited the first line of the Koran in his office.

This Book is not to be doubted.

She doubted things, she had her doubts. She took a long walk one day, uptown, to East Harlem. She missed her group, the laughter and cross talk, but knew all along this wasn’t just a walk, a matter of old times and places. She thought of the resolute hush that fell over the room when members took up pens and began to write, oblivious to the clamor around them, rap singers down the hall, barely school age, polishing their lyrics, or workers drilling and hammering on the floor above. She was here to look for something, a church, near the community center, Catholic, she thought, and it may have been the church that Rosellen S. used to go to. She wasn’t sure but thought it might be, made it be, said it was. She missed the faces. Your face is your life, her mother said. She missed the forthright voices that began to warp and fade, lives that dwindled into whisper.

She had normal morphology. She loved that word. But what’s inside the form and structure? This mind and soul, hers and everyone’s, keep dreaming toward something unreachable. Does this mean there’s something there, at the limits of matter and energy, a force responsible in some way for the very nature, the vibrancy of our lives from the mind out, the mind in little pigeon blinks that extend the plane of being, out beyond logic and intuition.

She wanted to disbelieve. She was an infidel in current geopolitical parlance. She remembered how her father, how Jack’s face went bright and hot, appearing to buzz with electric current after a day in the sun. Look around us, out there, up there, ocean, sky, night, and she thought about this, over coffee and toast, how he believed that God infused time and space with pure being, made stars give light. Jack was an architect, an artist, a sad man, she thought, for much of his life, and it was the kind of sadness that yearns for something intangible and vast, the one solace that might dissolve his paltry misfortune.

But this was crap, wasn’t it, night skies and divinely inspired stars. A star makes its own light. The sun is a star. She thought of Justin night before last, singing his homework. This meant he was bored, alone, in his room, making up monotone songs of addition and subtraction, presidents and vice-presidents.

Others were reading the Koran, she was going to church. She took a taxi uptown, weekdays, two or three times a week, and sat in the nearly empty church, Rosellen’s church. She followed others when they stood and knelt and she watched the priest celebrate the mass, bread and wine, body and blood. She didn’t believe this, the transubstantiation, but believed something, half fearing it would take her over.

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