Don Delillo - Falling Man

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Amazon.com Review
The defining moment of turn-of-the-21st-century America is perfectly portrayed in National Book Award winner Don DeLillo's Falling Man. The book takes its title from the electrifying photograph of the man who jumped or fell from the North Tower on 9/11. It also refers to a performance artist who recreates the picture. The artist straps himself into a harness and in high visibility areas jumps from an elevated structure, such as a railway overpass or a balcony, startling passersby as he hangs in the horrifying pose of the falling man.
Keith Neudecker, a lawyer and survivor of the attack, arrives on his estranged wife Lianne's doorstep, covered with soot and blood, carrying someone else's briefcase. In the days and weeks that follow, moments of connection alternate with complete withdrawl from his wife and young son, Justin. He begins a desultory affair with the owner of the briefcase based only on their shared experience of surviving: "the timeless drift of the long spiral down." Justin uses his binoculars to scan the skies with his friends, looking for "Bill Lawton" (a misunderstood version of bin Laden) and more killing planes. Lianne suddenly sees Islam everywhere: in a postcard from a friend, in a neighbor's music-and is frightened and angered by its ubiquity. She is riveted by the Falling Man. Her mother Nina's response is to break up with her long-time German lover over his ancient politics. In short, the old ways and days are gone forever; a new reality has taken over everyone's consciousness. This new way is being tried on, and it doesn't fit. Keith and Lianne weave into reconciliation. Keith becomes a professional poker player and, when questioned by Lianne about the future of this enterprise, he thinks: "There was one final thing, too self-evident to need saying. She wanted to be safe in the world and he did not."
DeLillo also tells the story of Hammad, one of the young men in flight training on the Gulf Coast, who says: "We are willing to die, they are not. This is our srength, to love death, to feel the claim of armed martyrdom." He also asks: "But does a man have to kill himself in order to accomplish something in the world?" His answer is that he is one of the hijackers on the plane that strikes the North Tower.
At the end of the book, De Lillo takes the reader into the Tower as the plane strikes the building. Through all the terror, fire and smoke, De Lillo's voice is steady as a metronome, recounting exactly what happens to Keith as he sees friends and co-workers maimed and dead, navigates the stairs and, ultimately, is saved. Though several post-9/11 novels have been written, not one of them is as compellingly true, faultlessly conceived, and beautifully written as Don De Lillo's Falling Man. -Valerie Ryan
From Publishers Weekly
Starred Review. When DeLillo's novel Players was published in 1977, one of the main characters, Pammy, worked in the newly built World Trade Center. She felt that "the towers didn't seem permanent. They remained concepts, no less transient for all their bulk than some routine distortion of light." DeLillo's new novel begins 24 years later, with Keith Neudecker standing in a New York City street covered with dust, glass shards and blood, holding somebody else's briefcase, while that intimation of the building's mortality is realized in a sickening roar behind him. On that day, Keith, one half of a classic DeLillo well-educated married couple, returns to Lianne, from whom he'd separated, and to their young son, Justin. Keith and Lianne know it is Keith's Lazarus moment, although DeLillo reserves the bravura sequence that describes Keith's escape from the first tower-as well as the last moments of one of the hijackers, Hammad-until the end of the novel. Reconciliation for Keith and Lianne occurs in a sort of stunned unconsciousness; the two hardly engage in the teasing, ludic interchanges common to couples in other DeLillo novels. Lianne goes through a paranoid period of rage against everything Mideastern; Keith is drawn to another survivor. Lianne's mother, Nina, roils her 20-year affair with Martin, a German leftist; Keith unhooks from his law practice to become a professional poker player. Justin participates in a child's game involving binoculars, plane spotting and waiting for a man named "Bill Lawton." DeLillo's last novel, Cosmopolis, was a disappointment, all attitude (DeLillo is always a brilliant stager of attitude) and no heart. This novel is a return to DeLillo's best work. No other writer could encompass 9/11 quite like DeLillo does here, down to the interludes following Hammad as he listens to a man who "was very genius"-Mohammed Atta. The writing has the intricacy and purpose of a wiring diagram. The mores of the after-the-event are represented with no cuteness-save, perhaps, the falling man performance artist. It is as if Players, The Names, Libra, White Noise, Underworld-with their toxic events, secret histories, moral panics-converge, in that day's narrative of systematic vulnerability, scatter and tentative regrouping.

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“They protect themselves this way, themselves and others. I understand this. But then there’s the other thing and that’s the family. This is the point I want to make, that we need to stay together, keep the family going. Just us, three of us, long-term, under the same roof, not every day of the year or every month but with the idea that we’re permanent. Times like these, the family is necessary. Don’t you think? Be together, stay together? This is how we live through the things that scare us half to death.”

“All right.”

“We need each other. Just people sharing the air, that’s all.”

“All right,” he said.

“But I know what’s happening. You’re going to drift away. I’m prepared for that. You’ll stay away longer, drift off somewhere. I know what you want. It’s not exactly a wish to disappear. It’s the thing that leads to that. Disappearing is the consequence. Or maybe it’s the punishment.”

“You know what I want. I don’t know. You know.”

“You want to kill somebody,” she said.

She didn’t look at him when she said this.

“You’ve wanted this for some time,” she said. “I don’t know how it works or how it feels. But it’s a thing you carry with you.”

Now that she’d said it, she wasn’t sure she believed it. But she was certain he’d never argued the idea in his mind. It was in his skin, maybe just a pulse at the side of the forehead, the faintest cadence in a small blue vein. She knew there was something that had to be satisfied, a matter discharged in full, and she thought this was at the heart of his restlessness.

“Too bad I can’t join the army. Too old,” he said, “or I could kill without penalty and then come home and be a family.”

He was drinking scotch, sipping it, neat, and smiling faintly at what he’d said.

“You can’t go back to the job you had. I understand that.”

“The job. The job wasn’t much different from the job I had before all this happened. But that was before, this is after.”

“I know that most lives make no sense. I mean in this country, what makes sense? I can’t sit here and say let’s go away for a month. I’m not going to reduce myself to saying something like that. Because that’s another world, the one that makes sense. But listen to me. You were stronger than I was. You helped me get here. I don’t know what would have happened.”

“I can’t talk about strength. What strength?”

“That’s what I saw and felt. You were the one in the tower but I was the berserk. Now, damn it, I don’t know.”

After a silence he said, “I don’t know either,” and they laughed.

“I used to watch you sleep. I know how strange that sounds. But it wasn’t strange. Just by being who you were, being alive and back here with us. I watched you. I felt I knew you in a way I’d never known you before. We were a family. That’s what it was. That’s how we did it.”

“Look, trust me.”

“All right.”

“I’m not set on doing anything permanent,” he said. “I go away a while, come back. I’m not about to disappear. Not about to do anything drastic. I’m here now and I’ll be back. You want me back. Is that right?”

“Yes.”

“Go away, come back. Simple as that.”

“There’s money coming,” she said. “The sale is almost complete.”

“Money coming.”

“Yes,” she said.

He’d helped work out details of the transaction concerning her mother’s apartment. He’d read contracts, made adjustments and e-mailed instructions from a casino on some Indian reservation where a tournament was in progress.

“Money coming,” he said again. “The kid’s education. Now through college, eleven or twelve years, criminal sums of money. But that’s not what you’re saying. You’re saying we can afford a major loss I might suffer in the card rooms. This won’t happen.”

“If you believe it, I believe it.”

“Hasn’t happened and it won’t,” he said.

“What about Paris? Will that happen?”

“It became Atlantic City. A month from now.”

“How does the warden feel about conjugal visits?”

“You don’t want to be there.”

“I don’t. You’re right,” she said. “Because thinking about it is one thing. Seeing it would put me in depression. People sitting around a table going shuffle shuffle. Week after week. I mean catching planes to go play cards. I mean aside from the absurdity, the total psychotic folly, isn’t there something very sad about this?”

“You said it yourself. Most lives make no sense.”

“But isn’t it demoralizing? Doesn’t it wear you down? It must eat away your spirit. I mean I was watching on TV last night. Like a séance in hell. Tick tock tick tock. What happens after months of this? Or years. Who do you become?”

He looked at her and nodded as if he agreed and then kept nodding, taking the gesture to another level, a kind of deep sleep, a narcolepsy, eyes open, mind shut down.

There was one final thing, too self-evident to need saying. She wanted to be safe in the world and he did not.

13

When she received a summons for jury service some months earlier and reported to the United States District Court with five hundred other potential jurors and learned that the trial for which they’d been assembled concerned a lawyer accused of aiding the cause of terrorism, she filled out the forty-five-page questionnaire with truths, half-truths and heartfelt lies.

For some time before that day she’d been offered books to edit on terrorism and related subjects. Every subject seemed related. She wasn’t sure why she’d been so desperate to work on such books during the weeks and months when she could not sleep and there were songs of desert mystics in the hallway.

The trial was now in progress but she didn’t follow it in the newspaper. She’d been Juror Number 121, excused from serving on the basis of her written responses. She didn’t know whether it was the true answers or the lies that had made this happen.

She knew that the lawyer, an American woman, was associated with a radical Muslim cleric who was serving a life sentence for terrorist activity. She knew that the man was blind. This was common knowledge. He was the Blind Sheik. But she didn’t know the details of the charges made against the lawyer because she wasn’t reading the stories in the newspaper.

She was editing a book on early polar exploration and another on late Renaissance art and she was counting down from one hundred by sevens.

Died by his own hand.

For nineteen years, since he fired the shot that killed him, she’d said these words to herself periodically, in memoriam, beautiful words that had an archaic grain, Middle English, Old Norse. She imagined the words engraved on an old slant tombstone in a neglected churchyard somewhere in New England.

The grandparents hold sacred office. They’re the ones with the deepest memories. But the grandparents are nearly all gone. Justin has only one now, his father’s father, disinclined to travel, a man whose memories have settled into the tight circuit of his days, beyond easy radius of the child. The child is yet to grow into the deep shadow of his own memories. She herself, mother-daughter, is somewhere midway in the series, knowing that one memory at least is inescapably secure, the day that has marked her awareness of who she is and how she lives.

Her father wasn’t buried in a windy churchyard under bare trees. Jack was in a marble vault high on a wall in a mausoleum complex outside Boston with several hundred others, all chambered in tiers, floor to ceiling.

She came across the obituary late one night, looking at a newspaper that was six days old.

They die every day, Keith said once. There’s no news in that.

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