Don Delillo - Falling Man

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Amazon.com Review
The defining moment of turn-of-the-21st-century America is perfectly portrayed in National Book Award winner Don DeLillo's Falling Man. The book takes its title from the electrifying photograph of the man who jumped or fell from the North Tower on 9/11. It also refers to a performance artist who recreates the picture. The artist straps himself into a harness and in high visibility areas jumps from an elevated structure, such as a railway overpass or a balcony, startling passersby as he hangs in the horrifying pose of the falling man.
Keith Neudecker, a lawyer and survivor of the attack, arrives on his estranged wife Lianne's doorstep, covered with soot and blood, carrying someone else's briefcase. In the days and weeks that follow, moments of connection alternate with complete withdrawl from his wife and young son, Justin. He begins a desultory affair with the owner of the briefcase based only on their shared experience of surviving: "the timeless drift of the long spiral down." Justin uses his binoculars to scan the skies with his friends, looking for "Bill Lawton" (a misunderstood version of bin Laden) and more killing planes. Lianne suddenly sees Islam everywhere: in a postcard from a friend, in a neighbor's music-and is frightened and angered by its ubiquity. She is riveted by the Falling Man. Her mother Nina's response is to break up with her long-time German lover over his ancient politics. In short, the old ways and days are gone forever; a new reality has taken over everyone's consciousness. This new way is being tried on, and it doesn't fit. Keith and Lianne weave into reconciliation. Keith becomes a professional poker player and, when questioned by Lianne about the future of this enterprise, he thinks: "There was one final thing, too self-evident to need saying. She wanted to be safe in the world and he did not."
DeLillo also tells the story of Hammad, one of the young men in flight training on the Gulf Coast, who says: "We are willing to die, they are not. This is our srength, to love death, to feel the claim of armed martyrdom." He also asks: "But does a man have to kill himself in order to accomplish something in the world?" His answer is that he is one of the hijackers on the plane that strikes the North Tower.
At the end of the book, De Lillo takes the reader into the Tower as the plane strikes the building. Through all the terror, fire and smoke, De Lillo's voice is steady as a metronome, recounting exactly what happens to Keith as he sees friends and co-workers maimed and dead, navigates the stairs and, ultimately, is saved. Though several post-9/11 novels have been written, not one of them is as compellingly true, faultlessly conceived, and beautifully written as Don De Lillo's Falling Man. -Valerie Ryan
From Publishers Weekly
Starred Review. When DeLillo's novel Players was published in 1977, one of the main characters, Pammy, worked in the newly built World Trade Center. She felt that "the towers didn't seem permanent. They remained concepts, no less transient for all their bulk than some routine distortion of light." DeLillo's new novel begins 24 years later, with Keith Neudecker standing in a New York City street covered with dust, glass shards and blood, holding somebody else's briefcase, while that intimation of the building's mortality is realized in a sickening roar behind him. On that day, Keith, one half of a classic DeLillo well-educated married couple, returns to Lianne, from whom he'd separated, and to their young son, Justin. Keith and Lianne know it is Keith's Lazarus moment, although DeLillo reserves the bravura sequence that describes Keith's escape from the first tower-as well as the last moments of one of the hijackers, Hammad-until the end of the novel. Reconciliation for Keith and Lianne occurs in a sort of stunned unconsciousness; the two hardly engage in the teasing, ludic interchanges common to couples in other DeLillo novels. Lianne goes through a paranoid period of rage against everything Mideastern; Keith is drawn to another survivor. Lianne's mother, Nina, roils her 20-year affair with Martin, a German leftist; Keith unhooks from his law practice to become a professional poker player. Justin participates in a child's game involving binoculars, plane spotting and waiting for a man named "Bill Lawton." DeLillo's last novel, Cosmopolis, was a disappointment, all attitude (DeLillo is always a brilliant stager of attitude) and no heart. This novel is a return to DeLillo's best work. No other writer could encompass 9/11 quite like DeLillo does here, down to the interludes following Hammad as he listens to a man who "was very genius"-Mohammed Atta. The writing has the intricacy and purpose of a wiring diagram. The mores of the after-the-event are represented with no cuteness-save, perhaps, the falling man performance artist. It is as if Players, The Names, Libra, White Noise, Underworld-with their toxic events, secret histories, moral panics-converge, in that day's narrative of systematic vulnerability, scatter and tentative regrouping.

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When it happened he wondered why he hadn’t known it would. It happened in one of the high-caste casinos, five hundred players assembled for a no-limit hold ’em tournament with a major buy-in. Over there, at the other end of the room, above the heads at the clustered tables, a man was standing to do a series of flexing exercises, loosen the neck and shoulder muscles, get the blood running. There was an element of pure ritual in his movements, something beyond the functional. He took deep full abdominal breaths, then dipped a hand toward the table and appeared to toss some chips into the pot without glancing at the action that spurred the bet. The man was strangely familiar. What was strange is this, that after the passage of several years someone might look so very different while being unequivocally himself. It had to be Terry Cheng, easing back into his chair now, dropping out of Keith’s line of vision, and of course this is who it was because how could any of this be happening, the poker circuit, the thunderous runs of money, the comped hotel rooms and high competition, without the presence of Terry Cheng.

It wasn’t until the next day, when the woman at the podium was making announcements about available seats at certain tables, that they stood together outside the rail.

Terry Cheng showed a wan smile. He wore tinted glasses and an olive jacket with wide lapels and glossy buttons. The jacket was too large, hanging off his shoulders. He wore loose trousers and hotel slippers, velour, and a silk shirt gone stale with wear.

Keith half expected him to speak in fifth-century Mandarin.

“I was wondering how long it would take you to spot me.”

“You spotted me, I take it.”

“About a week ago,” Terry said.

“And said nothing.”

“You were deep in your game. What would I say? Next time I looked up, you weren’t there.”

“I go to the sports book to relax. Eat a sandwich and drink a beer. I like the action going on around me, all the screens, all the sports. I drink a beer and pretty much ignore it.”

“I like to sit by the waterfall. I order a mild drink. Ten thousand people around me. In the aisles, in the aquarium, in the garden, at the slots. I sip a mild drink.”

Terry seemed to lean left, like a man about to drift toward an exit. He’d lost weight and looked older and spoke in an unfamiliar voice with a scratchy edge.

“You’re staying here.”

“When I’m in town. Rooms are high and wide,” Terry said. “One wall is all window.”

“Costs you nothing.”

“Incidentals.”

“A serious player.”

“I’m in their computer. Everything’s in their computer. Everything’s entered. If you lift an item from the minibar and don’t return it inside sixty seconds it’s charged directly and instantaneously to your account.”

He liked this, Terry did. Keith was undecided.

“When you check in, they give you a map. I still need it, after all this time. I never know where I am. Room service brings tea bags in the shape of pyramids. Everything’s very dimensional. I tell them not to bring me a newspaper. If you don’t read a newspaper, you’re never a day behind.”

They talked a minute longer, then went to their designated tables without making plans to meet later. The idea of later was elusive.

The kid stood at the far end of the table, spreading mustard on bread. She saw no trace of other forms of food.

She said, “I used to have a decent pen. Sort of silverish. Maybe you’ve seen it.”

He stopped and thought, eyes narrow, face going glassy. This meant he’d seen the pen, used it, lost it, given it away or traded it for something stupid.

“We have no serious writing instruments in this house.”

She knew what this sounded like.

“You have a hundred pencils and we have a dozen bad ballpoint pens.”

It sounded like the decline and fall of literate exchange on a surface such as paper. She watched him dip the knife back in the jar and spread the mustard carefully along the borders of the slice of bread.

“What’s wrong with ballpoints?” he said.

“They’re bad.”

“What’s bad about a pencil?”

“All right, pencils. Wood and lead. Pencils are serious. Wood and graphite. Materials from the earth. We respect this about a pencil.”

“Where’s he going this time?”

“ Paris. Major competition. I may join him for a few days.”

He stopped and thought again.

“What happens to me?”

“You live your life. Just be sure to lock the door behind you when you get home after a night of drinking and carousing.”

“Yeah right.”

“Do you know what carousing is?”

“Sort of.”

“Me too. Sort of,” she said. “And I’m not going anywhere.”

“Don’t you think I know that?”

She stood at the window watching him fold the bread and take a bite. This was whole-grain bread, nine-grain, ten-grain, no trans fat, good source of fiber. She didn’t know what the mustard was.

“What did you do with the pen? Silver pen. You know what I’m talking about.”

“I think he took it.”

“You think what. No, he didn’t. He doesn’t need a pen.”

“He needs to write things. Just like anybody.”

“He didn’t take it.”

“I’m not blaming him. I’m just saying.”

“Not this pen. He didn’t take this pen. So where is it?”

He looked into the tabletop.

“I think he took it. He might not even know he took it. I’m not blaming him.”

He was still standing, bread in hand, and would not look at her.

He said, “I really, honestly think he took it.”

People everywhere, many with cameras.

“You’ve burnished your game,” Terry said.

“Something like that.”

“The situation is going to change. All the attention, the television coverage, the armies of recruits, all soon to fade.”

“That’s good.”

“That’s good,” Terry said.

“We’ll still be here.”

“We’re poker players,” he said.

They sat in the lounge near the waterfall with soft drinks and snacks. Terry Cheng wore the hotel slippers, no socks, and ignored the cigarette that burned in his ashtray.

“There’s an underground game, private game, high stakes, select cities. It’s like a forbidden religion springing up again. Five-card stud and draw.”

“Our old game.”

“There are two games. Phoenix and Dallas. What’s that part of Dallas? Well-to-do.”

“ Highland Park.”

“Well-to-do people, older people, leaders of the community. Know the game, respect the game.”

“Five-card stud.”

“Stud and draw.”

“You do well. You win big,” Keith said.

“I own their souls,” Terry said.

Crowds moved around the open lounge, which vaguely resembled a carousel, hotel guests, gamblers, tourists, people headed to the restaurants, the lush shops, the art gallery.

“Did you smoke back then, when we played?”

“I don’t know. Tell me,” Terry said.

“I think you were the only one who didn’t smoke. We had a number of cigars and one cigarette. But I don’t think it was you.”

There were isolated instants, now and then, sitting here, when Terry Cheng seemed again to be the man at the table in Keith’s apartment, dividing chips in swift and artful fashion after the high-low games. He was one of them, only better at cards, and not really one of them at all.

“Did you see the man at my table?”

“In the surgical mask.”

“Significant winner,” Terry said.

“I can picture it spreading.”

“The mask, yes.”

“Three or four people one day, showing up in surgical masks.”

“No one knows why.”

“Then there are ten more and then ten more after that. Like those bicycle riders in China.”

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