Don Delillo - Falling Man

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Amazon.com Review
The defining moment of turn-of-the-21st-century America is perfectly portrayed in National Book Award winner Don DeLillo's Falling Man. The book takes its title from the electrifying photograph of the man who jumped or fell from the North Tower on 9/11. It also refers to a performance artist who recreates the picture. The artist straps himself into a harness and in high visibility areas jumps from an elevated structure, such as a railway overpass or a balcony, startling passersby as he hangs in the horrifying pose of the falling man.
Keith Neudecker, a lawyer and survivor of the attack, arrives on his estranged wife Lianne's doorstep, covered with soot and blood, carrying someone else's briefcase. In the days and weeks that follow, moments of connection alternate with complete withdrawl from his wife and young son, Justin. He begins a desultory affair with the owner of the briefcase based only on their shared experience of surviving: "the timeless drift of the long spiral down." Justin uses his binoculars to scan the skies with his friends, looking for "Bill Lawton" (a misunderstood version of bin Laden) and more killing planes. Lianne suddenly sees Islam everywhere: in a postcard from a friend, in a neighbor's music-and is frightened and angered by its ubiquity. She is riveted by the Falling Man. Her mother Nina's response is to break up with her long-time German lover over his ancient politics. In short, the old ways and days are gone forever; a new reality has taken over everyone's consciousness. This new way is being tried on, and it doesn't fit. Keith and Lianne weave into reconciliation. Keith becomes a professional poker player and, when questioned by Lianne about the future of this enterprise, he thinks: "There was one final thing, too self-evident to need saying. She wanted to be safe in the world and he did not."
DeLillo also tells the story of Hammad, one of the young men in flight training on the Gulf Coast, who says: "We are willing to die, they are not. This is our srength, to love death, to feel the claim of armed martyrdom." He also asks: "But does a man have to kill himself in order to accomplish something in the world?" His answer is that he is one of the hijackers on the plane that strikes the North Tower.
At the end of the book, De Lillo takes the reader into the Tower as the plane strikes the building. Through all the terror, fire and smoke, De Lillo's voice is steady as a metronome, recounting exactly what happens to Keith as he sees friends and co-workers maimed and dead, navigates the stairs and, ultimately, is saved. Though several post-9/11 novels have been written, not one of them is as compellingly true, faultlessly conceived, and beautifully written as Don De Lillo's Falling Man. -Valerie Ryan
From Publishers Weekly
Starred Review. When DeLillo's novel Players was published in 1977, one of the main characters, Pammy, worked in the newly built World Trade Center. She felt that "the towers didn't seem permanent. They remained concepts, no less transient for all their bulk than some routine distortion of light." DeLillo's new novel begins 24 years later, with Keith Neudecker standing in a New York City street covered with dust, glass shards and blood, holding somebody else's briefcase, while that intimation of the building's mortality is realized in a sickening roar behind him. On that day, Keith, one half of a classic DeLillo well-educated married couple, returns to Lianne, from whom he'd separated, and to their young son, Justin. Keith and Lianne know it is Keith's Lazarus moment, although DeLillo reserves the bravura sequence that describes Keith's escape from the first tower-as well as the last moments of one of the hijackers, Hammad-until the end of the novel. Reconciliation for Keith and Lianne occurs in a sort of stunned unconsciousness; the two hardly engage in the teasing, ludic interchanges common to couples in other DeLillo novels. Lianne goes through a paranoid period of rage against everything Mideastern; Keith is drawn to another survivor. Lianne's mother, Nina, roils her 20-year affair with Martin, a German leftist; Keith unhooks from his law practice to become a professional poker player. Justin participates in a child's game involving binoculars, plane spotting and waiting for a man named "Bill Lawton." DeLillo's last novel, Cosmopolis, was a disappointment, all attitude (DeLillo is always a brilliant stager of attitude) and no heart. This novel is a return to DeLillo's best work. No other writer could encompass 9/11 quite like DeLillo does here, down to the interludes following Hammad as he listens to a man who "was very genius"-Mohammed Atta. The writing has the intricacy and purpose of a wiring diagram. The mores of the after-the-event are represented with no cuteness-save, perhaps, the falling man performance artist. It is as if Players, The Names, Libra, White Noise, Underworld-with their toxic events, secret histories, moral panics-converge, in that day's narrative of systematic vulnerability, scatter and tentative regrouping.

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She counted down from one hundred by sevens. It made her feel good to do this. There were mishaps now and then. Odd numbers were tricky, like some rough tumble through space, resisting the easy run of what is divisible by two. That’s why they wanted her to count down by sevens, to make it not so easy. She could descend into the single digits most times without a stumble. The most anxious transition was twenty-three to sixteen. She wanted to say seventeen. She was always on the verge of going from thirty-seven to thirty to twenty-three to seventeen. The odd number asserting itself. At the medical center the doctor smiled at the error, or didn’t notice, or was looking at a printout of test results. She was troubled by memory lapses, steeped in family history. She was also fine. Brain normal for age. She was forty-one years old and within the limited protocols of the imaging process, pretty much everything seemed to be unremarkable. The ventricles were unremarkable, the brainstem and cerebellum, base of skull, cavernous sinus regions, pituitary gland. All unremarkable.

She took the tests and examination, did the MRI, did the psychometrics, did word pairing, recall, concentration, walked a straight line wall to wall, counted down from one hundred by sevens.

It made her feel good, the counting down, and she did it sometimes in the day’s familiar drift, walking down a street, riding in a taxi. It was her form of lyric verse, subjective and unrhymed, a little songlike but with a rigor, a tradition of fixed order, only backwards, to test the presence of another kind of reversal, which a doctor nicely named retrogenesis.

At the Race amp; Sports Book, downtown, in the old casino, there were five rows of long tables set at graded levels. He sat at the far end of the last table in the top row, facing front, with five screens high on the wall ahead showing horses running in various time zones somewhere on the planet. A man read a paperback book at the table directly below him, cigarette burning down in his hand. Across the room at the lowest level a large woman in a hooded sweatshirt sat before an array of newspapers. He knew it was a woman because the hood was not raised and would have known anyway, somehow, through gesture or posture, the way she spread pages before her and used both hands to smooth them out and then nudged other pages out of reading range, in the wan light and hanging smoke.

The casino spread behind him and to either side, acres of neon slots, mostly empty now of human pulse. He felt hemmed in all the same, enclosed by the dimness and low ceiling and by the thick residue of smoke that adhered to his skin and carried decades of crowds and action.

It was eight a.m. and he was the only person who knew this. He glanced toward the far end of the adjacent table, where an old man with a white ponytail sat bent across the arm of his chair, watching horses in midrace and showing the anxious lean of body english that marks money on the line. He was otherwise motionless. The lean was all there was and then the voice of the track announcer, rapid-fire, the one mild excitement: Yankee Gal coming through on the inside.

There was no one else at the tables here. Races ended, others began, or they were the same races replayed on one or more of the screens. He wasn’t watching closely. There were flutters of action from another set of screens, recessed at a lower level, above the cashier’s cage. He watched the cigarette burn down in the hand of the man reading the book, just below him. He checked his watch again. He knew time and day of week and wondered when such scraps of data would begin to feel disposable.

The ponytailed man got up and left in the final furlong of a race in progress, curling his newspaper into a tight fold and snapping it on his thigh. The whole place stank of abandonment. In time Keith got up and walked over to the poker room, where he completed his buy-in and took his seat, ready for the start of the tournament, so-called.

Only three tables were occupied. In about the seventy-seventh game of hold ’em, he began to sense a life in all this, not for himself but the others, a small dawn of tunneled meaning. He watched the blinking woman across the table. She was thin, wrinkled, hard to see, right there, five feet away, hair going gray. He didn’t wonder who she was or where she’d go when this was over, to what sort of room somewhere, to think what kind of thoughts. This was never over. That was the point. There was nothing outside the game but faded space. She blinked and called, blinked and folded.

In the casino distance, the announcer’s smoky voice, in replay. Yankee Gal was coming through on the inside.

She missed those nights with friends when you talk about everything. She hadn’t stayed in close touch and felt no guilt or need. There were hours of talk and laughter, bottles uncorked. She missed the comical midlife monologues of the clinically self-absorbed. The food ran out, the wine did not, and who was the little man in the red cravat who did sound effects from old submarine movies. She went out only rarely now, went alone, did not stay late. She missed the autumn weekends at somebody’s country house, leaf-fall and touch football, kids tumbling down grassy slopes, leaders and followers, all watched by a pair of tall slender dogs poised on their haunches like figures in myth.

She didn’t feel the old attraction, the thing looked forward to. It was also a question of thinking of Keith. He would not want to do it. He’d never felt right in these surroundings and it would be impossible now for him to feel any different. People have trouble approaching him on the simplest social level. They think they will bounce off. They will hit a wall and bounce.

Her mother, this is what she missed. Nina was all around her now but only in the meditative air, her face and breath, an attending presence somewhere near.

After the memorial service, four months earlier, a small group went for a late lunch. Martin had flown in from somewhere, as usual, in Europe, and there were two of her mother’s former colleagues.

It was a quiet hour and a half, with stories of Nina and other matters, the work they were doing, the places they’d lately been. The woman, a biographer, ate sparingly, spoke at some length. The man said nearly nothing. He was director of a library of art and architecture.

The afternoon was fading away, over coffee. Then Martin said, “We’re all sick of America and Americans. The subject nauseates us.”

He and Nina had seen each other only rarely in the last two and a half years of her life. Each heard news of the other through mutual friends or from Lianne, who stayed in touch with Martin, sporadically, through e-mails and phone calls.

“But I’ll tell you something,” he said.

She looked at him. He had the same thirteen-day beard, the drooping lids of chronic jet lag. He wore the standard unpressed suit, his uniform, shirt looking slept-in, no tie. Someone displaced or deeply distracted, lost in time. But he was heavier now, his face went east and west, there were signs of bloat and sag that the beard could not conceal. He had the pressured look of a man whose eyes have gone smaller in his head.

“For all the careless power of this country, let me say this, for all the danger it makes in the world, America is going to become irrelevant. Do you believe this?”

She wasn’t sure why she’d stayed in touch with him. The disincentives were strong. There was what she knew about him, even if incomplete, and there was, more tellingly, how her mother had come to feel about him. It was guilt by association, his, when the towers fell.

“There is a word in German. Gedankenübertragung. This is the broadcasting of thoughts. We are all beginning to have this thought, of American irrelevance. It’s a little like telepathy. Soon the day is coming when nobody has to think about America except for the danger it brings. It is losing the center. It becomes the center of its own shit. This is the only center it occupies.”

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