Jung Chang - Wild Swans - Three Daughters of China

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The forces of history and the exceptional talents of this young writer combine to produce a work of nonfiction with the breadth and drama of the richest, most memorable fiction classics. Wild Swans is a landmark book, with the intimacy of memoir and the panoramic vision of a monumental human saga, which tells of the lives of Jung Chang, her mother, her grandmother, and of 20th-century China. 16-page photo insert.
***
"Bursting with drama, heartbreak and horror, this extraordinary family portrait mirrors China 's century of turbulence…[Chang's] meticulous, transparent prose radiates an inner strength." Publisher's Weekly
"The story reads like the sweeping family sagas of genre fiction but rises far above the norm. The characters are well drawn, the events are riveting, and the story teaches lessons of history as well as lessons of the heart. It also allows listeners to visit a world unfamiliar to most Westerners. The author brings memories of a foreign life and illuminates them with graceful prose." Jacqueline Smith, Library Journal
"[This] is one of the most intimate studies of persecution, suffering, and fear in Mao's time, before and after his triumph in 1949, and one of the finest…It is the most harrowing and extended account I have read of the years between 1966 and 1976, and the most analytical." The New York Review of Books
"By keeping her focus on three generations of female kin and their practical adaptations to the shifting winds of political power, Ms. Chang gives us a rare opportunity to follow the evolution of some remarkable women who not only reflected their times, but who also acted upon them in order to change their individual destiny." Susan Brownmiller, The New York Times Book Review
"Despite its interesting details, Wild Swans does not tell us much that other memoirs, similarly written from a position of privilege, have not already revealed. One looks forward to an account of China 's recent past which will not merely focus on the experience of the privileged urban elite." The Times Literary Supplement
"[The author] tells stories and anecdotes, in straight chronological order, with little contrivance, providing real-life fables as open-ended answers to the puzzles of 20th-century China…Taken in pieces, Chang's narrative can be prosaic. But in its entirety, the author achieves a Dickensian tone with detailed portraits and intimate remembrances, with colorful minor characters and intricate yet fascinating side plots." Time
"An evocative, often astonishing view of life in a changing China." The New York Times
***
Amazon.com Review
In Wild Swans Jung Chang recounts the evocative, unsettling, and insistently gripping story of how three generations of women in her family fared in the political maelstrom of China during the 20th century. Chang's grandmother was a warlord's concubine. Her gently raised mother struggled with hardships in the early days of Mao's revolution and rose, like her husband, to a prominent position in the Communist Party before being denounced during the Cultural Revolution. Chang herself marched, worked, and breathed for Mao until doubt crept in over the excesses of his policies and purges. Born just a few decades apart, their lives overlap with the end of the warlords' regime and overthrow of the Japanese occupation, violent struggles between the Kuomintang and the Communists to carve up China, and, most poignant for the author, the vicious cycle of purges orchestrated by Chairman Mao that discredited and crushed millions of people, including her parents.
From Publishers Weekly
Bursting with drama, heartbreak and horror, this extraordinary family portrait mirrors China 's century of turbulence. Chang's grandmother, Yu-fang, had her feet bound at age two and in 1924 was sold as a concubine to Beijing 's police chief. Yu-fang escaped slavery in a brothel by fleeing her "husband" with her infant daughter, Bao Qin, Chang's mother-to-be. Growing up during Japan 's brutal occupation, free-spirited Bao Qin chose the man she would marry, a Communist Party official slavishly devoted to the revolution. In 1949, while he drove 1000 miles in a jeep to the southwestern province where they would do Mao's spadework, Bao Qin walked alongside the vehicle, sick and pregnant (she lost the child). Chang, born in 1952, saw her mother put into a detention camp in the Cultural Revolution and later "rehabilitated." Her father was denounced and publicly humiliated; his mind snapped, and he died a broken man in 1975. Working as a "barefoot doctor" with no training, Chang saw the oppressive, inhuman side of communism. She left China in 1978 and is now director of Chinese studies at London University. Her meticulous, transparent prose radiates an inner strength.

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I was not forced to join the Red Guards. I was keen to do so. In spite of what was happening around me, my aversion and fear had no clear object, and it never occurred to me to question the Cultural Revolution or the Red Guards explicitly. They were Mao's creations, and Mao was beyond contemplation.

Like many Chinese, I was incapable of rational thinking in those days. We were so cowed and contorted by fear and indoctrination that to deviate from the path laid down by Mao would have been inconceivable. Besides, we had been overwhelmed by deceptive rhetoric, disinformation, and hypocrisy, which made it virtually impossible to see through the situation and to form an intelligent judgment.

Back at school, I heard that there had been many complaints from 'reds' demanding to know why they had not been admitted to the Red Guards. That was why it was important to be there on National Day, as there was going to be a big enrollment, incorporating all the rest of the 'reds." So, at the very time the Cultural Revolution had brought disaster on my family, I became a Red Guard.

I was thrilled by my red arm band with its gold characters. It was the fashion of the day for Red Guards to wear old army uniforms with leather belts, like the one Mao was seen wearing at the beginning of the Cultural Revolution.

I was keen to follow the fashion, so as soon as I was enrolled I rushed home, and from the bottom of an old trunk I dug out a pale-gray Lenin jacket which had been my mother's uniform in the early 1950s. It was a little too big, so I got my grandmother to take it in. With a leather belt from a pair of my father's trousers my costume was complete. But out on the streets I felt very uncomfortable.

I found my image too aggressive. Still, I kept the outfit on.

Soon after this my grandmother went to Peking. I had to stay in the school, having just joined the Red Guards.

Because of what had happened at home, the school frightened and startled me all the time. When I saw the 'blacks' and 'grays' having to clean the toilets and the grounds, their heads bowed, a creeping dread came over me, as though I were one of them. When the Red Guards went off at night on house raids, my legs went weak, as if they were heading for my family. When I noticed pupils whispering near me, my heart started to palpitate frantically: were they saying that I had become a 'black," or that my father had been arrested?

But I found a refuge: the Red Guard reception office.

There were a lot of visitors to the school. Since September 1966, more and more young people were on the road, traveling all over the country. To encourage them to travel around and stir things up, transport, food, and accommodations were provided free.

The reception office was in what had once been a lecture hall. The wandering and often aimless visitors would be given cups of tea and chatted to. If they claimed to have serious business, the office would make an appointment for them to see one of the school Red Guard leaders. I zeroed in on this office because the people in it did not have to participate in actions like guarding the 'blacks' and 'grays," or go on house raids. I also liked it because of the five girls working there. There was an air of warmth and lack of zealotry around them which made me feel soothed the moment I met them.

A lot of people used to come to the office, and many would hang around to chat with us. There was often a line at the door, and some returned again and again. Looking back now, I can see that the young men really wanted some female company. They were not that engrossed in the revolution. But I remember being extremely earnest. I never avoided their gazes or returned their winks, and I conscientiously took notes of all the nonsense they spouted.

One hot night two rather coarse middle-aged women turned up at the reception office, which was boisterous as usual. They introduced themselves as the director and deputy director of a residents' committee near the school.

They talked in a very mysterious and grave manner, as though they were on some grand mission. I had always disliked this kind of affectation, so I turned my back. But soon I could tell that an explosive piece of information had been delivered. The people who had been hanging around started shouting, "Get a truck! Get a truck! Let's all go there!" Before I knew what was happening, I was swept out of the room by the crowd and into a truck. As Mao had ordered the workers to support the Red Guards, trucks and drivers were permanently at our service. In the truck, I was squeezed next to one of the women. She was retelling her story, her eyes full of eagerness to ingratiate herself with us. She said that a woman in her neighborhood was the wife of a Kuomintang officer who had fled to Taiwan, and that she had hidden a portrait of Chiang Kai-shek in her apartment.

I did not like the woman, especially her toadying smile.

And I resented her for making me go on my first house raid. Soon the truck stopped in front of a narrow alley. We all got out and followed the two women down the cobbled path. It was pitch-dark, the only light coming from the crevices between the planks of wood that formed the walls of the houses. I staggered and slipped, trying to fall behind.

The apartment of the accused woman consisted of two rooms, and was so small that it could not hold our truckful of people. I was only too happy to stay outside. But before long someone shouted that space had been made for those outside to come in and 'receive an education in class struggle."

As soon as I was pressed into the room with the others, my nostrils were filled with the stench of feces, urine, and unwashed bodies. The room had been turned upside down. Then I saw the accused woman. She was perhaps in her forties, kneeling in the middle of the room, partly naked. The room was lit by a bare fifteen-watt bulb. In its shadows, the kneeling figure on the floor looked grotesque.

Her hair was in a mess, and part of it seemed to be matted with blood. Her eyes were bulging out in desperation as she shrieked: "Red Guard masters! I do not have a portrait of Chiang Kai-shek! I swear I do not!" She was banging her head on the floor so hard there were loud thuds and blood oozed from her forehead. The flesh on her back was covered with cuts and bloodstains. When she lifted her bottom in a kowtow, murky patches were visible and the smell of excrement filled the air. I was so frightened that I quickly averted my eyes. Then I saw her tormentor, a seventeen-year-old boy named Chian, whom up to now I had rather liked. He was lounging in a chair with a leather belt in his hand, playing with its brass buckle.

"Tell the truth, or I'll hit you again," he said languidly.

Chian's father was an army officer in Tibet. Most officers sent to Tibet left their families in Chengdu, the nearest big city in China proper, because Tibet was considered an uninhabitable and barbaric place. Previously I had been rather attracted by Chian's languorous manner, which had given an impression of gentleness. Now I murmured, trying to control the quaking in my voice, "Didn't Chairman Mao teach us to use verbal struggle [wendou] rather than violent struggle [wu-dou]? Maybe we shouldn't…?"

My feeble protest was echoed by several voices in the room. But Chian cast us a disgusted sideways glance and said emphatically: "Draw a line between yourselves and the class enemy. Chairman Mao says, "Mercy to the enemy is cruelty to the people!" If you are afraid of blood, don't be Red Guards!" His face was twisted into ugliness by fanaticism. The rest of us fell silent. Although it was impossible to feel anything but revulsion at what he was doing, we could not argue with him. We had been taught to be ruthless to class enemies. Failure to do so would make us class enemies ourselves. I turned and walked quickly into the garden at the back. It was crammed with Red Guards with shovels. From inside the house the sound of lashes started again, accompanied by screams that made my hair stand on end. The yelling must have been unbearable for the others too, because many swiftly straightened up from their digging: "There is nothing here. Let's go!

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