DBC Pierre - Vernon God Little

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The surprise winner of the 2003 Man Booker Prize, DBC Pierre's debut novel, Vernon God Little, makes few apologies in its darkly comedic portrait of Martirio, Texas, a town reeling in the aftermath of a horrific school shooting. Fifteen-year-old Vernon Little narrates the first-person story with a cynical twang and a four-letter barb for each of his diet-obsessed townsfolk. His mother, endlessly awaiting the delivery of a new refrigerator, seems to exist only to twist an emotional knife in his back; her friend, Palmyra, structures her life around the next meal at the Bar-B-Chew Barn; officer Vaine Gurie has Vernon convicted of the crime before she's begun the investigation; reporter Eulalio Ledesma hovers between a comforting father-figure and a sadistic Bond villain; and Jesus, his best friend in the world, is dead-a victim of the killings. As his life explodes before him, Vernon flees his home in pursuit of a tropical fantasy: a cabin on a beach in Mexico he once saw in the movie Against All Odds. But the police-and TV crews-are in hot pursuit.
Vernon God Little is a daring novel and demands a patient reader, not because it is challenging to read- Pierre 's prose flows effortlessly, only occasionally slipping from the unmistakable voice of his hero-but because the book skates so precariously between the almost taboo subject of school violence and the literary gamesmanship of postmodern fiction. Yet, as the novel unfolds, Pierre 's parodic version of American culture never crosses the line into caricature, even when it climaxes in a death-row reality TV show. And Vernon, whose cynicism and smart-ass "learnings" give way to a poignant curiosity about the meaning of life, becomes a fully human, profoundly sympathetic character. -Patrick O'Kelley
Pierre takes a freewheeling, irreverent look at teenage Sturm und Drang in his erratic, sometimes darkly comic debut novel about a Texas boy running from the law in the wake of a gory school shooting. Vernon Gregory Little is the 15-year-old protagonist, a nasty, sarcastic teenager accused of being an accessory to the murders committed by his friend Jesus Navarro in tiny Martirio, "the barbecue sauce capital of Texas." Vernon manages to make bail and avoid the media horde that descends on the town after the killings, but he's unable to get to the other gun-his father's-which he knows will tie him to the crime, despite his innocence. His flight path takes him first to Houston, where he unsuccessfully tries to hook up with gorgeous former schoolmate Taylor Figueroa; the crafty beauty, promised a media job by the evil Lally, who's also duped Vernon 's mom, follows him to Mexico and efficiently betrays him. Most of the plotting feels like an excuse for Vernon 's endless, sharply snide riffs on his small town and the unique excesses of America that helped spawn the killings. Unfortunately, Vernon 's voice grows tiresome, his excesses make him rather unlikable and the over-the-top, gross-out humor is hit-or-miss. Pierre 's wild energy offers entertaining satire as well as cringe-provoking scenes, and though he can write with incisive wit, this is a bumpy ride.
Copyright 2003 Reed Business Information, Inc.

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My new attorney looks real positive, ole Brian, real confident about things. He stops for a moment to wink at me, then unloads a box of files onto his desk. There's a whole set of shiny new prosecutors too. The head prosecutor even wears baggy pants, if you don't think it's too vulgar to say, if it's not too regressive into my problem area. That's how damn funny he thinks today's going to be. At the bench on high, an ole judge clasps his hands together, and nods to the attorneys. Silence erupts.

'Ladies and gentlemen of the jury,' says the prosecutor. 'Today we open one of the most cut-and-dried legal cases this state has ever seen. A person stands before you, having extinguished the lives of thirty-four decent citizens, many of them children – friends of his, even. A person who openly admits attending the scene of a high-school massacre, and who has been positively identified by eyewitnesses at the scenes of sixteen other capital crimes. A person whose childhood fantasies revolved around bloodshed and death. A person whose perverse sexual leanings link him inextricably to the other gunman in the high-school shooting. Ladies and gentlemen – today you will meet a person – and I use the term loosely – who, at the tender age of sixteen, has supplanted the notorious John Wayne Gacy, for the depth and boundlessness of his disregard for the most basic rights of others.'

He sweeps a hand across the crowd to my cage. Faces turn to take in my shiny head, my huge swimming eyes through the glasses. I stay impassive. The prosecutor smiles, as if remembering an ole joke.

'And you know,' he says, 'like Gacy – the boy cries innocence. Not of one crime, where maybe his identity could've been mistaken. But of thirty-four vicious slayings across this great state.'

Parts of my body have retracted by the time Brian takes the mound. He paces slowly around the open space of the court, nodding quietly to himself. Then he stops to lean on the jury bench, and looks into the air, reminiscing.

'Lord knows,' he says, 'it's a fine thing to relax in front of the TV after a hard day's work.' He rubs his chin, and strolls into the clearing. 'Maybe watch a movie.' A frown takes his brow. 'Must make life a little hard for the stars of that movie, though, having everyone recognize them on the street. Why do I mention it? I mention it because four-point-three murders happen every week across the region supposed to be my client's stomping ground. Four-point-three murders happened before the crimes of which he stands accused – four-point-three happened during his supposed reign of terror. And four-point-three are happening this week, while he's here with us.' He turns and stares at each jury member in turn. 'What we will discover, ladies and gentlemen, is that no allegation of murder existed against my client until the day his picture appeared on our TV screens. From that moment forward, virtually every murder in Central Texas and beyond has been attributed to him. That means all the regular murderers took a vacation, and Vernon Gregory Little fulfilled nearly the whole published quota of murders , some of them occurring almost simultaneously, with different weapons, at opposite ends of the state. Please ask yourselves: how? By remote control? I don't think so.'

My attorney takes a walk to my cage. He looks thoughtfully at me, grabs one of the bars, and turns back to the jury.

'What I propose to show you during the course of this trial, ladies and gentlemen, is the breadth of human suggestibility. Media arrive at the scene of every murder, with a picture of one suspect alone: the defendant. And not just any media. Media under the direct employ of the man who most stands to gain from these proceedings. A man who has built an industry – no, a virtual empire – on the relentless persecution of this single, hapless youngster. A man who, before the tragic events of May twentieth, was nobody. A man you will meet, and judge for yourselves, during this trial.'

Brian saunters over to the jury, pulls his sleeve cuffs up a little, and leans intimately over their railing. His voice drops. 'How did this happen? Simple. Under the glare of camera lights, a confused and grieving public was offered the chance to be part of the biggest prime-time bandwagon since O J Simpson. "Is this the suspect?" they're asked. The face rings a bell. They've certainly seen him somewhere, recently even. Result? Even black witnesses to black murders in black neighborhoods recognize this sixteen-year-old white schoolboy as the suspect.'

He scans the jury, narrows his eyes.

'Fellow citizens, you will see that this meek, shy young man, with no previous record of wrongdoing, had the misfortune of being a living victim of the Martirio tragedy. Events overwhelmed him at a crucial point in the delicate unfolding of his manhood. He was unable to properly articulate his grief, couldn't assimilate the fragmentation around him. I'll show you that the boy's only mistake – and it was a big one – was not crying " Innocent !" quickly or loudly enough.'

The prosecutor spreads his legs wide for that one, if it ain't too smutty to mention. But I like what Brian said. I look around the room, and I get to marveling that justice will visit here, just like it's supposed to, just like Santa. This is a special place, reserved for truth. Sure everybody's smug, but that could be on account of the confidence they have that justice is coming. Take the court typist woman – the stainographer I heard somebody call her, don't even ask me why they need her – is her head thrown back with confidence that justice is coming, or just because of the stench of the words, the stains she has to punch into her sawn-off machine? And why is her machine sawn-off, why can't you have the full alphabet in court? You wonder if she likes being close to the slime, or even loves it. Maybe she tells her buddies about it after work, and they all tighten their lips together. Sigh, 'Oh my God,' or something. And maybe the attorneys wear these kind of half-smiles all the time, even at home. Maybe they became attorneys because of this overdeveloped skill of making hooshy little laughs that suggest you're the only person in the world ignorant enough to believe what you just said. Maybe they let a hooshy laugh slip when they were babies, and their folks said, 'Look, honey, an attorney.'

The wonderment of it all wears off by lunchtime on the first day. After that, I sit like a zombie for days of maps and diagrams, footprints and fibers. Jesus' sports bag comes out, with my fingerprints on it. It keeps all the world's scientists busy for a week. I just sit, impassive, I guess, with all these illogical thoughts in my head, like how the hell does anybody know whether a fiber was found on a shoe or a sock? The jury dozes sometimes, unless it's a new witness from the make-up room.

'Can you identify the person you saw around the scene of the crime?' the prosecutors ask. One by one, the witnesses, strangers to me, cast their eyes and fingers my way.

'That's him in the cage,' they say. 'The one we saw.'

And like in all courtroom dramas, everybody turns up from the first part of the show, one by one, to tell their stories. You wait to see if they're going to help you out, or put you the hell away. By the time a November chill calls blankets to my jail bunk, proceedings have thawed their way down to the bone.

'The State calls Doctor Oliver Goosens.'

Goosens walks to the witness stand. His cheeks swish like silk bulging with cream. He takes the oath, and exchanges a tight little smile with the prosecutor.

'Doctor – you're a psychiatrist specializing in personality disorders?'

'I am.'

'And you appear today as an impartial expert witness, without reference to any professional contact you may have had with the defendant?'

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