DBC Pierre - Vernon God Little

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The surprise winner of the 2003 Man Booker Prize, DBC Pierre's debut novel, Vernon God Little, makes few apologies in its darkly comedic portrait of Martirio, Texas, a town reeling in the aftermath of a horrific school shooting. Fifteen-year-old Vernon Little narrates the first-person story with a cynical twang and a four-letter barb for each of his diet-obsessed townsfolk. His mother, endlessly awaiting the delivery of a new refrigerator, seems to exist only to twist an emotional knife in his back; her friend, Palmyra, structures her life around the next meal at the Bar-B-Chew Barn; officer Vaine Gurie has Vernon convicted of the crime before she's begun the investigation; reporter Eulalio Ledesma hovers between a comforting father-figure and a sadistic Bond villain; and Jesus, his best friend in the world, is dead-a victim of the killings. As his life explodes before him, Vernon flees his home in pursuit of a tropical fantasy: a cabin on a beach in Mexico he once saw in the movie Against All Odds. But the police-and TV crews-are in hot pursuit.
Vernon God Little is a daring novel and demands a patient reader, not because it is challenging to read- Pierre 's prose flows effortlessly, only occasionally slipping from the unmistakable voice of his hero-but because the book skates so precariously between the almost taboo subject of school violence and the literary gamesmanship of postmodern fiction. Yet, as the novel unfolds, Pierre 's parodic version of American culture never crosses the line into caricature, even when it climaxes in a death-row reality TV show. And Vernon, whose cynicism and smart-ass "learnings" give way to a poignant curiosity about the meaning of life, becomes a fully human, profoundly sympathetic character. -Patrick O'Kelley
Pierre takes a freewheeling, irreverent look at teenage Sturm und Drang in his erratic, sometimes darkly comic debut novel about a Texas boy running from the law in the wake of a gory school shooting. Vernon Gregory Little is the 15-year-old protagonist, a nasty, sarcastic teenager accused of being an accessory to the murders committed by his friend Jesus Navarro in tiny Martirio, "the barbecue sauce capital of Texas." Vernon manages to make bail and avoid the media horde that descends on the town after the killings, but he's unable to get to the other gun-his father's-which he knows will tie him to the crime, despite his innocence. His flight path takes him first to Houston, where he unsuccessfully tries to hook up with gorgeous former schoolmate Taylor Figueroa; the crafty beauty, promised a media job by the evil Lally, who's also duped Vernon 's mom, follows him to Mexico and efficiently betrays him. Most of the plotting feels like an excuse for Vernon 's endless, sharply snide riffs on his small town and the unique excesses of America that helped spawn the killings. Unfortunately, Vernon 's voice grows tiresome, his excesses make him rather unlikable and the over-the-top, gross-out humor is hit-or-miss. Pierre 's wild energy offers entertaining satire as well as cringe-provoking scenes, and though he can write with incisive wit, this is a bumpy ride.
Copyright 2003 Reed Business Information, Inc.

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Taylor rolls her eyes – a girl's hoosh. 'Well, to have sex, or confess, or whatever.'

'You paid him to have sex with you?'

Taylor recoils. 'No way!'

'So no money changed hands between you that day?'

'No, well like…'

'Yes or no answer, please.'

'See, but…'

'Yes. Or no.'

'Yes.'

'So you gave Vernon Little some money – three hundred dollars, in fact.' Brian turns to the gallery, raises one eyebrow. 'Darned boy must be good.' A chuckle scurries through the back.

'Objection!' barks the prosecutor.

'Sustained,' says the judge.

Brian throws me a bitty wink, then turns back to Taylor with his most fatherly stare. 'Did Vernon Little know you would be in Mexico that day?'

'See – but, like…'

'You surprised him, didn't you? You used a cash offer to entice him – a confused, innocent, desperate teenager – to a place where you appeared, out of the blue. Is that the truth?'

Taylor 's mouth flaps emptily for a second. 'Yeah, but I was told…'

My attorney raises his hand to her, then folds his arms. 'I put it to you that you were employed to enact this stunt. You were employed to entrap the defendant, not by the police, and not necessarily with cash, but lured with promises of celebrity by the man behind this entire charade.'

She just stares at Brian.

'Taylor Figueroa – please tell this court the name of the man who took you to Mexico.'

'Eulalio Ledesma.'

'No further questions.'

Lally appears at the top of the stairs, dressed all in white. His face is waxy. Angry puckers squirm on each cheek as he grinds his teeth inside. The crowd turn to look at him as he steps down the aisle, into the light. I turn to look at the crowd. You can tell they love him. The prosecutor is first to examine.

'Eulalio Ledesma – you've been in a unique position to observe the defendant, first as a close family friend, and later, I'm sure, as a concerned citizen…'

'Tch, excuse me,' says Lally, 'I have a meeting with the Secretary of State – will this take long?'

'I can't speak for the defense, but I'll keep it brief,' says the prosecutor. 'Just tell us, please – if you could characterize the defendant in a word, what would it be?'

'Psychopath.'

'Objection!' shouts Brian.

'Sustained – the jury will ignore both question and answer.' The judge rotates a hard eye to the prosecutor. 'And Counsel will remember a young man could well be executed as a result of these proceedings.'

The prosecutor gestures to the jury like his hands are being tied, but the judge quickly scowls him out of it. He skulks back to Lally. 'Perhaps you'll tell the court, Mr Ledesma – did the defendant say anything to you, privately, about the school tragedy?'

Lally draws his lips tight, the way your best buddy does when he has to tell his mom you ate the last cookie. 'Not as such,' he says.

'Did anything he do suggest his involvement?'

Lally takes a deep breath. He looks at me with black, swollen eyes, and shakes his head. 'He talked in his sleep some nights.' His bottom lip starts to bounce. 'Growled in his sleep, more like it -"Boom," he would say. "Take that – booom…"' A sob breaks free from his throat. Deathly hush spreads over the world.

The prosecutor bows his head, and waits a respectful moment. Then he says, 'I'm sorry to put you through this…'

Lally raises a trembling hand, cuts him short. 'Anything to bring peace upon those wretched souls.'

Sniffles break out in court. There ain't a trace of hoosh about the prosecutor anymore, not within a hundred miles of him. After eight centuries, he just asks, 'Did you also see the defendant kill Officer Barry Gurie?'

'From the ground where I lay, injured, I saw the defendant run towards Officer Gurie. I heard a scuffle, then three shots…'

The prosecutor nods, then turns to my attorney. 'Your witness.'

Brian straightens his tie, and steps up to the box. Silence crunches like lizard bones.

'Mr Ledesma – how long have you been a TV journalist?'

'Almost fifteen years now.'

'Practicing where?'

' New York mostly, and Chicago.'

'Not Nacogdoches?'

Lally frowns. 'No- ho ,' he hooshes a little powerdime-booster.

'Ever visit?'

'No- ho .'

Brian shoots him a knowing smile. 'Ever told a lie, Mr Ledesma?'

' Tch …'

'Yes or no.'

'No- h-ho .'

My attorney nods and turns to the jury. He holds up a calling card. 'Ladies and gentlemen, I am about to show the witness a calling card. It reads, "Eulalio Ledesma Gutierrez, President & Service Technician-In-Chief, Care Media Nacogdoches."' He glides it through the air to Lally's face. 'Mr Ledesma – is this your business card?'

'Oh p-lease ,' hooshes Lally. He's like an ole-fashion train all of a sudden.

Brian gives him his hardest stare. 'A witness will testify that you presented this card as your own. I ask again – is this your card?'

'I said no .'

'Your honor, if I may be allowed to append a witness to this examination, for the purpose of identification…?'

'Go ahead,' says the judge.

My attorney nods to the back of the court. The double doors creak open, and two orderlies guide a little ole Mexican lady into the room. Brian waits until she's tottering at the top of the stairs, then he closes in on Lally.

'Mr Ledesma – is this your mother?'

'Don't be ridiculous,' growls Lally.

'Lally! My Lalo !' cries the lady. She breaks free of the orderlies, but her foot catches a railing in the aisle, and she tumbles to the ground. The judge rises out of his seat, frowning as the lady is helped to her feet. She bawls, and tries to pinpoint Lally's voice. He stays quiet. His cheeks pucker double-time.

Brian lets the hush return before calling to the ole lady. 'Mrs Gutierrez, please tell the court – is this your son?'

'It's him.'

She pulls her helpers down the aisle, then her foot misses another step, and she dangles suspended in their arms. The judge pulls back his lips like he just stepped on a spleen. He squints at the ole woman, then shakes his head.

'Ma'am – can you point to your son?'

Breathing is canceled across the world. 'Lalo?' she calls. 'Eu- lalio ?' He doesn't answer. Just then, one of the attorneys folds his arms, and at that nano-rustle of his sleeves, the ole woman flinches and points to the prosecutor. 'Lally!'

The prosecutor throws out his arms in despair. The judge's eyes fall to my attorney. 'Time out – am I to understand this witness is visually impaired?'

'Every woman knows her child's voice, your honor.'

'Lalo?' sniffs the woman, now reaching for the stainographer.

The judge sighs. 'Just how in God's name did you figure to get a positive identification?'

'Your honor,' starts Brian, but the judge slams down his glasses and spreads his hands wide.

'Counsel – the good lady can't see .'

A good night's sleep doesn't happen for me tonight. I twist and buck with the horrors of Jesus, knowing I'm in a lottery to join him in the flesh. When I'm locked in my zoo cage next morning, everybody's attention hangs on me. Sure, Brian gets up and argues, says it's entrapment and all. But you get the feeling everybody kind of knows Lally's was the final nail. Subtle changes in the room tell you they know; the stainographer's head sits back an extra notch, for instance.

While all this happens I feel a vibe from Jesus. It says to cut my losses, forget about my family secrets – it says I've been loyal above and beyond the call of duty, I just have to let them find the gun. It says to tell them about the bowel movement I had outside school that day. I mean, shit must carry a lot of evidence about a guy. Probably you could clone whole other guys from it, then just ask them why they did it. One of my fingers touches the green button in the cage, feels its surface. Cameras whirr close. You just know crowds on the street, people in airports, folks in the comfort of their own smell at home, men in barber shops in Japan, kids skipping classes in Italy, are tuned in, holding their damn breath. You sense a billion cumulative hours of human life just got shortened by raging blood-pressure. Power, boy. I purse my lips, and trace a gentle line around the buzzer, toying with it, pretending to have hefty options. The sudden hush in the room makes Brian spin around. When he sees my hand over the buzzer he scrambles my way, but the judge hisses behind him.

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