DBC Pierre - Vernon God Little

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The surprise winner of the 2003 Man Booker Prize, DBC Pierre's debut novel, Vernon God Little, makes few apologies in its darkly comedic portrait of Martirio, Texas, a town reeling in the aftermath of a horrific school shooting. Fifteen-year-old Vernon Little narrates the first-person story with a cynical twang and a four-letter barb for each of his diet-obsessed townsfolk. His mother, endlessly awaiting the delivery of a new refrigerator, seems to exist only to twist an emotional knife in his back; her friend, Palmyra, structures her life around the next meal at the Bar-B-Chew Barn; officer Vaine Gurie has Vernon convicted of the crime before she's begun the investigation; reporter Eulalio Ledesma hovers between a comforting father-figure and a sadistic Bond villain; and Jesus, his best friend in the world, is dead-a victim of the killings. As his life explodes before him, Vernon flees his home in pursuit of a tropical fantasy: a cabin on a beach in Mexico he once saw in the movie Against All Odds. But the police-and TV crews-are in hot pursuit.
Vernon God Little is a daring novel and demands a patient reader, not because it is challenging to read- Pierre 's prose flows effortlessly, only occasionally slipping from the unmistakable voice of his hero-but because the book skates so precariously between the almost taboo subject of school violence and the literary gamesmanship of postmodern fiction. Yet, as the novel unfolds, Pierre 's parodic version of American culture never crosses the line into caricature, even when it climaxes in a death-row reality TV show. And Vernon, whose cynicism and smart-ass "learnings" give way to a poignant curiosity about the meaning of life, becomes a fully human, profoundly sympathetic character. -Patrick O'Kelley
Pierre takes a freewheeling, irreverent look at teenage Sturm und Drang in his erratic, sometimes darkly comic debut novel about a Texas boy running from the law in the wake of a gory school shooting. Vernon Gregory Little is the 15-year-old protagonist, a nasty, sarcastic teenager accused of being an accessory to the murders committed by his friend Jesus Navarro in tiny Martirio, "the barbecue sauce capital of Texas." Vernon manages to make bail and avoid the media horde that descends on the town after the killings, but he's unable to get to the other gun-his father's-which he knows will tie him to the crime, despite his innocence. His flight path takes him first to Houston, where he unsuccessfully tries to hook up with gorgeous former schoolmate Taylor Figueroa; the crafty beauty, promised a media job by the evil Lally, who's also duped Vernon 's mom, follows him to Mexico and efficiently betrays him. Most of the plotting feels like an excuse for Vernon 's endless, sharply snide riffs on his small town and the unique excesses of America that helped spawn the killings. Unfortunately, Vernon 's voice grows tiresome, his excesses make him rather unlikable and the over-the-top, gross-out humor is hit-or-miss. Pierre 's wild energy offers entertaining satire as well as cringe-provoking scenes, and though he can write with incisive wit, this is a bumpy ride.
Copyright 2003 Reed Business Information, Inc.

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'Okay!' she says into the breast of her jacket.

The door opens and four men walk in. I shield my eyes from the glaring camera lights. 'Vernon Gregory Little?' asks one. Like – duh.

I could handle everybody in the lobby staring at me, if only one of them was Taylor. She doesn't stare, or even look. She crouches next to a smiling technician, and listens to an earpiece connected to wires in her jacket.

Then she giggles into a microphone. 'It's so exciting . You really think I can anchor the show? Like, God , Lalito…'

I'm led away from her crouching ass, an ass barely dry with my spit and my dreams. Her careless laugh follows me from the lobby. People around the hotel entrance fall silent when I come through in hand and leg cuffs. You can actually hear indoor palms rustling in the air-conditioning, that's how quiet things get. Quiet and icy-cold, I don't have to tell you. A plane is waiting at the airport. Right away you know some money got invested in the story. Like, it'd be hard to tell some anchorman it was all just a big mistake. Anchormen across the land would drop mountainous loads if you tried to tell them that. I struggle to work up some cream pie. But I can't, can I fuck. Instead I choke on aviation perfume, and the 'Goodbye' sound of jets whining, like when Nana used to go up north. Across the way, you can see stressed passengers shuffling to immigration without a thought in their heads except the shine on their mall-brand luggage. Me, I'm tied in a metal tube with two marshals who choose conversations according to how well they contrast with the fucken shit I'm in. Talk about their car, a steak dinner, a ball game. One of them farts.

I just sit and watch a flashbulb on the tip of the wing light up the dark outside. After a couple of hours of flashes, which is a lot, we descend through puffy tumors that hang over Houston Intercontinental airport. When the plane turns to land you get a view of eight thousand patrol cars on the ground, lights flashing off recently wet concrete, and probably sirens and game-show buzzers running as well. All for little Vernon, Vernon Little. After landing, the plane turns toward some bleachers set up around an empty section by the airport perimeter. We slow and park sideways to the stands, and I'm drenched through the window by flashlight from crowds of media. You physically feel the jackrab-bit pulse that says, ' There he is !' It's Tuesday, exactly three weeks since hell's tumble-dryer went to work on our lives. Although it's four in the morning, you just know every household in the land is tuned in. ' There he fucken is !'

The marshals handle me down the steps of the plane, and parade me in front of the bleachers. Behind the bleachers is a fence, and behind the fence you can sense hordes of angry people, the type that show up wherever angry people are needed. I'm lifted into the back of a white truck, where some men in lab coats and helmets are waiting. They harness me into a chair, and we get escorted into town by half the world's police cars. All the world's helicopters ride overhead, beaming lights down like a Hollywood premiere, the fucken Slime Oscars, boy. One learning I can give you from here: patrol cars don't smash up everywhere. Not at all. Nor do you get any simple ideas about how to distract the cops while you make a break for it, and leave them smashing into each other, and driving off bridges and shit. What's more, as soon as you're in a patrol car, you're immediately visited by the certainty that it won't happen. They drive fucken straight, take note.

Everybody has their fucken fun tonight, showing some future impartial jury how innocent I must be. Then I get banged back up to hell. Not back home, but down here, in Harris County, where all the big stuff happens.

I close my eyes in the cell, and do a re-cut of my life. In my cut of the thing, I ain't even in shit at all. Instead, I'm the kid out there who hears about somebody else's trouble, maybe some other kid took his dad's assault rifle to class and blew away half his buddies, Lord knows it fucken happens. Maybe I'd be the kid just hearing about it. Hearing about some poor fuck, probably the quiet one, the wordsmith, the one with thoughts and shit, at the back of the class. Until the gun came to school. I'd be the guy just hearing about it, with the tickly kind of luxury of deciding whether to be sympathetic or devastated, or not even pay attention at all, the way people do when shit happens that doesn't involve them. That's the kind of day I re-shoot in my head. Still full of different melted things, and dogs and all, but with me the outsider, up the street getting ice-cream, ignoring my carefree years, the way we do, and just getting bored and ornery.

I'm trying to sleep when the other cons on my row are waking up. One of them hears me sigh, and tosses some words through his door. 'Little? You a fuckin star!'

'Yeah, right,' I say. 'Tell the prosecution.'

'Hell, youse'll get the bestest fuckin attorneys, hear what I'm sayin?'

'My attorney can't even speak fucken English.'

'Nah,' says the con, 'they dissed his ass, he history. I saw on TV he said he still workin on it, but that's bullshit, he ain't even hired no more. You get big guns now, hear what I'm sayin?'

The guy eventually quiets up, and I snatch an hour of shitty sleep. Then a guard comes to maneuver me to a phone at the end of the row. He marches me proudly past all the other cells, kind of parades in front of them, and everybody jams up to their doors to watch me pass.

'Yo, Burn! Burnem Little, yo!'

I get sat by the phone. The guard fits himself an earpiece, then dials home for me. The number's disconnected. I get him to dial Pam's.

'Uh-huh?' she answers through a mouthful of food.

'Pam, it's Vern.'

'Vern? Oh my Lord, where are you?'

' Houston.'

'Hell, that's right – we saw it on TV. Are they feeding you?'

The guard leans over and whispers, 'Egg and chorizo, half an hour.'

'Uh – egg and chorizo, we're having.'

'What, just that? Just chorizo and egg?'

The guard frowns. He makes the motions of a full tray of trimmings.

'And a whole bunch of stuff,' I say.

The guard shoots me a thumbs-up. Mom is already tussling for the phone, you can hear her in the background. She finally wins.

' Vernon?'

'Hi, Ma.'

'Well are you okay ?'

'I guess so. Are you okay?'

'Well Lally dumped Leona, so that's one thing, not that we ever thought he wouldn't. I daresay he'll come crawling back here just now with his tail between his legs.' She gives an ironic kind of grunt.

'Ma, gimme a break.'

'Well you just wouldn't understand, he needs a strong woman around, with all that new responsibility – specially now he edged Vaine out of the picture…'

'Responsi- bility ?'

'Well you must've heard, he bought the rights to your trial and everything. The company's in negotiations to buy the correctional facility at Huntsville too, and he's just stretched to the limit, without someone who really understands him, who really cares.' She listens to my stony quiet for a moment, then tries to pump some cream pie. 'So – did you have a nice birthday?'

'Not really.'

'Well I left the cake this year, I didn't know if you'd be in town. Anyway, if you showed up I could've grabbed one at Harris's, their opening hours are extended till ten every night now, although Marjorie isn't too comfortable with the new arrangement, not yet anyway. These things can take time, I guess.'

I'm still deciding if it's a bad or a good thing, this syndrome of loved-ones not talking about obvious shit. In a way it's kind of embarrassing, with this really obvious big maggot in my life, oozing and stinking in front of everybody. Nobody talks about it, though. I guess it speaks for itself.

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