DBC Pierre - Vernon God Little

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The surprise winner of the 2003 Man Booker Prize, DBC Pierre's debut novel, Vernon God Little, makes few apologies in its darkly comedic portrait of Martirio, Texas, a town reeling in the aftermath of a horrific school shooting. Fifteen-year-old Vernon Little narrates the first-person story with a cynical twang and a four-letter barb for each of his diet-obsessed townsfolk. His mother, endlessly awaiting the delivery of a new refrigerator, seems to exist only to twist an emotional knife in his back; her friend, Palmyra, structures her life around the next meal at the Bar-B-Chew Barn; officer Vaine Gurie has Vernon convicted of the crime before she's begun the investigation; reporter Eulalio Ledesma hovers between a comforting father-figure and a sadistic Bond villain; and Jesus, his best friend in the world, is dead-a victim of the killings. As his life explodes before him, Vernon flees his home in pursuit of a tropical fantasy: a cabin on a beach in Mexico he once saw in the movie Against All Odds. But the police-and TV crews-are in hot pursuit.
Vernon God Little is a daring novel and demands a patient reader, not because it is challenging to read- Pierre 's prose flows effortlessly, only occasionally slipping from the unmistakable voice of his hero-but because the book skates so precariously between the almost taboo subject of school violence and the literary gamesmanship of postmodern fiction. Yet, as the novel unfolds, Pierre 's parodic version of American culture never crosses the line into caricature, even when it climaxes in a death-row reality TV show. And Vernon, whose cynicism and smart-ass "learnings" give way to a poignant curiosity about the meaning of life, becomes a fully human, profoundly sympathetic character. -Patrick O'Kelley
Pierre takes a freewheeling, irreverent look at teenage Sturm und Drang in his erratic, sometimes darkly comic debut novel about a Texas boy running from the law in the wake of a gory school shooting. Vernon Gregory Little is the 15-year-old protagonist, a nasty, sarcastic teenager accused of being an accessory to the murders committed by his friend Jesus Navarro in tiny Martirio, "the barbecue sauce capital of Texas." Vernon manages to make bail and avoid the media horde that descends on the town after the killings, but he's unable to get to the other gun-his father's-which he knows will tie him to the crime, despite his innocence. His flight path takes him first to Houston, where he unsuccessfully tries to hook up with gorgeous former schoolmate Taylor Figueroa; the crafty beauty, promised a media job by the evil Lally, who's also duped Vernon 's mom, follows him to Mexico and efficiently betrays him. Most of the plotting feels like an excuse for Vernon 's endless, sharply snide riffs on his small town and the unique excesses of America that helped spawn the killings. Unfortunately, Vernon 's voice grows tiresome, his excesses make him rather unlikable and the over-the-top, gross-out humor is hit-or-miss. Pierre 's wild energy offers entertaining satire as well as cringe-provoking scenes, and though he can write with incisive wit, this is a bumpy ride.
Copyright 2003 Reed Business Information, Inc.

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After a few hours, we leave the road and turn down a track toward the sea. The track ends with some logs sunk into the beach, and jungle backed up behind. It's a minuscule town, of slummy wooden houses, with pigs, chickens, and grizzly-looking dogs around. Not even slummy, more like out of National Geographic . Fucken paradise. Pelayo parks behind a store that's held together with Fanta signs, and a porch of dry palm leaves. Two men lay in hammocks there, sucking beer. A flock of kids gather as we pile out of the truck. You can tell Pelayo's the dude around here. He's probably like the Mr Lechuga of town, except human. Now I'm the alien in his world. He takes trouble to make me feel at home, snapping at the kids to get away, and calling up a beer from the store. I just stand quiet, nose up to the breeze, listening to a dictionary full of new bugs. Ungawa wakashinda, I swear. Pelayo opens the beers with his teeth, and proudly walks me to a covered patio on the beach. Two older men sit at a table, and an ole lady leans behind a makeshift bar.

A naked kid suddenly brushes past her, trying to spear a wounded crab on the sandy concrete. He finally stabs it clean through the back, 'Yesssss!' he says, stopping to pull back an imaginary lever with his fist. Pelayo kicks the crab out of my way, and sweeps me to a table by the beach.

A crowd of bottles gathers on the table. Toward evening, a young dude turns up who speaks some English; a lean, smart-looking guy called Victor, with braces on his teeth – something you don't see much down here. He tells me how important it is for him to get ahead in life, so he can bring wealth into the village and all. Makes me feel like the lowest fucken snake. He translates the words painted between the mud-flaps on the truck. 'You see me, and suffer,' they mean. ' Me ves, y sufres .'

When I first show signs of being loaded, the boys offer me oysters as big as burritos, right out of the sea. Fucken forget it. I ate one when I was a kid, and it felt like something I sucked down the back of my nose. They even offer me the oysters at a time when I have a booger-plug ready to suck down my throat. Without thinking, I point at my nose while I suck it down, then pull a face, and point at the oyster. They drop Acapulco-sized loads over that. They can't look me in the face for an hour after, for the fucken loads they drop. Typical of me to introduce slime to paradise.

After a tequila, as lions and tigers stir under this silicon-clear evening, I try to explain the beach-house dream, the mud-flaps, and Fate. I'm a little loaded. Fucken loaded, actually. But as soon as I start to talk about it, Victor and Pelayo take my arm and lead me up the beach, through the palms, where bats now orbit, to a place ten minutes away, where the jungle almost pushes you into the sea. Kids follow us, shining in and out of the surf. Then Victor stops. He points through the fading light, and I squint to follow his finger across the sand. There, all locked up, almost hidden in the jungle, sits an ole white beach-house. My place.

The boys say it's okay to camp here until Monday. Maybe longer. Maybe for fucken ever. After they totter home up the beach, I sit on the balcony of the house, let the evening filter off the sea and through my soul. Suddenly all the different waves inside me alloy into one tune, with feathers of my original dream dancing the edges of this new symphony; my ole lady down here, checking out the neat sanitation, reflecting on how good things got. I may have to change my name, or become Mexican or something. But it's still me , without any trace of slime around. I look out over the garden of this place, onto the beach, and see Taylor there running around in her panties, brown like a native.

I spend all Sunday in this Valhalla, lazing with my dreams. When I wake Monday morning, a hot, wet wind blows across me, and my boy is like fucken reinforced cement, like he's chipped off Mount Rushmore. My hand's nowhere near him, he's just being guest of honor at his own little parade. I look around to see the sky clouded over, and shabby gray pelicans swoop and dive into the surf. The heads of coconut trees swish and move around at the speed I wish my life would go, cool and smooth. For the first time in a while, there's that little edge of gladness to be waking up this morning. Today's my birthday.

Being in my skin as I ride into Acapulco this afternoon is like having Las Vegas plugged up your ass. I'm sixteen, and Las Vegas is plugged up my fucken ass. I'm on my feet before the bus even gets into town, buzzing with potentialities; tropical fish and birds, banana leaves, monkeys, and sex. The beach-house. Turns out it belongs to an ole fruit farmer behind the village, who doesn't use it at all. Victor thinks I could probably stay there for free, if I tended it.

The boulevard in Acapulco is sticky this evening, colored lights blare as big as ideas along its length. Victor loaned me a straw hat, to soften my coconut-tree hair, and oyster-shell ears. I catch my reflection in the window by Comercial Mexicana; Huckleberry Finn, boy. I put on my guns before entering the store, to compensate for the hat, I guess, then just strut around in a circle, like a dog deciding where to lay down. I eventually spot the Western Union counter, with folk waiting around it, including shiny red and white folk from home. An attendant sees me right away.

'Uh – I'm expecting a wire from Houston, Texas.'

'Name?' asks the clerk.

My face starts to calculate Pi. 'Uh – I ain't sure who she sent it to…'

'You have the password?' asks the guy. Fuck. I feel more people line up behind me.

'I better call and get it,' I say, shuffling away from the counter.

Folk look at me strangely, so I keep on shuffling, right out of the store; out of the freezer, back into the fucken oven. I have to get hold of Taylor. Maybe she didn't send it, once she knew about the password. I have no points left on my phonecard. I can't even call Pelayo. Vegas sputters and dies in my ass.

I walk up the boulevard until I find a phone. I don't know if it's like TV, where you can call anybody collect, from anywhere. I decide to call her collect. Sweat flows between my mouth and the operator when I talk. She speaks English at least. Then sweat runs between my ear and the operator when she tells me you can't call this mobile number collect. When I hang up the phone, sweat dammed on top of my ear crashes onto my fucken shoulder, then runs crying onto the road. Probably back into the fucken sea after that.

It pisses me the hell off, actually, that all the well-raised liars and cheats will go to their regular beds tonight, with no greater worry than what they can screw out of their folks tomorrow. Me, I'm stuck in Surinam with a bunch of criminal charges forming an orderly line back home. Anger fuels me back to the store, up to the agent's desk. Nobody else is around right now. The clerk looks up.

'I can't find the password,' I tell him.

'What's your name?'

' Vernon Little.' I wait for his eyebrows to blow off his fucken head. They don't. He just studies me for a moment.

'How much you expecting?'

'Six hundred dollars.'

The guy taps at his keyboard, checks his screen. Then shakes his head. 'Sorry, nothing here.' I pause for a moment, to calculate the depth of my fuckedness. Then the agent's eyes rivet to something over my shoulder.

I'm suddenly grabbed around the waist. 'Freeze!' says a voice.

eighteen

My ass jumps into my throat. I break the grip around my waist and spin toward the entrance, legs coiled like springs. Shoppers stop and stare.

'Happy Birthday!' It's fucken Taylor.

I spin a full circle, looking for the heavies who must be here to get me. But it's only Taylor. The clerk at the wire agent's counter smiles as she wraps an arm around my waist, and leads me shaking from the store.

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