Ken Kesey - Demon Box

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From Publishers Weekly
The central theme running through this collection of stories (many of which seem to be primarily nonfiction with elements of fiction thrown in) by the author of One Flew Over the Cuckoo's Nest is the struggle to come to terms with the legacy of the 1960s. Kesey draws largely on his own experiences after returning to his Oregon farm following a brief stint in prison on drug charges. A series of tales, apparently sections from a novel in progress, star an alter-ego named Devlin Deboree: his relatively tranquil post-jail farm existence is disturbed both by memories of now-dead companions and the seemingly extinct passions of the '60s, and by burned-out refugees from that era who intermittently arrive on his doorstep, hoping for some sort of help from the most famous survivor of the psychedelic wars. Pieces on visiting Egypt and covering a Chinese marathon examine the complex relationship between Americans and people from other cultures. Kesey's distinctive gift with language and tough sense of humor unify this somewhat disorganized collection, and his elegy for the passing of the mad energy of the '60s will strike a responsive chord with all those who lived through those dangerous, liberating years. 30,000 first printing; BOMC and QPBC alternates.
From Library Journal
Kesey fans have waited long for his latest offering, a collection of experiences, stories, and poetry. Most of the tales concern the life and times of "Devlin E. Deboree," a counterculture author who serves time in Mexico on a narcotics charge and later returns to his family farm in Oregon. Though he gives himself an alias, Kesey usually identifies his friends, including Jack Kerouac, Larry McMurtry, Hunter Thompson, and a Rolling Stone reporter who accompanies him to the great pyramids. The collection fluctuates in mood, ranging from warm "farm" pieces such as "Abdul Ebenezer" (concerning a bull and a cow) to pieces dealing with loss of friends and a common cause that reflect a nostalgia for the Sixties. These more personal pieces, especially the title essay, are particularly strong. Susan Avallone, "Library Journal"
***
"Here's good news for pundits and pranksters everywhere: Ken Kesey can still write… Those metaphoric tales illuminate our lives and make us laugh and cry." – San Francisco Chronicle
Ken Kesey: legendary writer, counterculture folk hero – chief trickster of the sixties' tuned-in, turned-on generation. Now, kesey comes to terms with his own legend, as he reveals his fascinating passage from the psychedelic sixties to the contradictory eighties.
Assuming the guise of Devlin Deboree (pronounced debris), Kesey begins with his release from prison and his return to an unusual domestic life; recounts various foreign excursions (to Egypt to visit the Sphinx, and to China to cover the Bejing Marathon); relates lively stories of farm and family and, in the voice of his grandmother, a tall tale and a narrative prayer. Most poignantly, Kesey looks at the hard lessons to be found in the deaths of Neal Cassady and John Lennon.
As always, Kesey challenges public and private demons with sure, subtle strokes – and with the brave and deceptive embrace of the wrestler.
"In these forceful, engaging, sometimes touching pieces, Kesey shows that he remains a concerned, sometimes vitrolic, but ultimately responsible observer of American society and and the human condition." – The Philidelphia Inquirer

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No mate had she but emptiness
No family filled her time
She sipped instead on bitterness
Just like it was sweet wine
like it was sweet wine
She soothed her throat with emptiness
Just like it was sweet wine.

The best spread once found anywhere
Was left by her old man's leaving
But she farmed those fields like a fool at prayer
And watered them with dreaming.

Her hay was wind and wanderings
Shocked up by forked rakes
Her grain was threshed by thunderings
Her trees were tangled snakes
trees were tangled snakes
Her grain was threshed by thunderings
Her trees were tangled snakes.

Each spring the farmers from around
Brought axes and advices
But Ruth would firmly glare them down
To forge her own devices.

For she was plenty to herself
She survived the seasons through
She was dark bread dipped in health
She was her own strong brew
was her own strong brew
She was dark bread dipped in salty health
She was her own strong brew.

Then came the dry when the farming men
Failed and cracked and fled
Ruth invited all the families in
And somehow all were fed.

Plow never cleft her bottomland
Nor harrow stroked her sod
Still, golden ears and marzipan
Up sprung from where she trod
sprung from where she trod
Golden ears and marzipan
Sprung up from where she trod.

The passing of her wandering walk
Could fill a tree with fruit
At her glare the shriveled stalk
Would straighten, stand and root.

The dry time passed as all times will.
Back to the crippled county
Returned the rain, the sprouts to till,
And seeming endless bounty.

The guests all gathered up and left
With their advice and axes…
Old Ruth ragdanced on to death
Her land was sold for taxes
land was sold for taxes
Ragweed Ruth danced on to death
Her land was sold for taxes.

PACK OF WALNETTOS

Sister Lou had a shop on the corner
Four kids and a veteran in bed
All day to the old she sold dresses made over
And dressed soldiers all night in her head…

God grant me a pack of Walnettos
And the Good Book to sermon upon
Let me shine like a flash through the trash in the ghettos
And I'll light those darkies' way home.

At the keyboard they found the professor
Done in by downers and wine
The bottle still cold on the old walnut dresser
The metronome still keeping time…

God give me a pack of Walnettos
And the Good Book to sermon upon
Let me burn like a beacon for the weak in the ghettos
And I'll light those darkies' way home.

Annie Greengums ate nuthin but veggies
Rubbed organic oils on her skin
Wore leg hair and a pair of corrective wedgies
She had found in the recycling bin…

God send me a pack of Walnettos
And the Good Book to sermon upon
Let me loom like a lamp in the damp and dark ghettos
And I'll draw those darkies back home.

Little Lupe learned feminist lingo
With a lesbian accent to boot
But she married a ring and a grape-growing gringo
With weekdays to match every suit.

Please God just a pack of Walnettos
And the Good Book to sermon upon
Like a torch send me forth to scorch out the ghettos
And I'll hotfoot those darkies on home.

Brother Memphis hit a St. Louis deli
For a pig's foot and a handful of change
Got away on a train with a pain in his belly
Died next day in Des Moines of ptomaine.

Dear God a pack of Walnettos
And the Bible to sermon upon
Shine like a flash through the trash of the ghettos
Light all us poor darkies back home.

FINDING DOCTOR FUNG

"Oh, by the way," is how the question was usually broached, whenever I encountered anybody able to understand enough English, "have you any information regarding the fate or whereabouts of your nation's renowned philosopher, Dr. Fung Yu-lan?" This usually received pretty much the same response – "Fung Yu Who?" – and usually prompted some wordplay from one of my three American companions, such as "Yoo- hoo , Yu-lan?" when they saw me drop back to quiz some citizen.

This trio – our magazine editor, the sports photographer, and Bling, the Beijing-born Pittsburgh-raised student of Chinese law – had all concurred days ago that the object of my inquiry was, at his earthly most, a mist from China's bygone glories. At his least, just another hoked-up curiosity in Dr. Time's seamy sideshow – like the Cardiff Giant or D. B. Cooper. The quest did lend a kind of Stanley-looking-for-Livingstone class to our tour, however, so they weren't impatient with my inquiring sidetrips.

Nor was I discouraged by all the blank stares the name produced. I had learned of the missing doctor only a couple weeks earlier myself, on the trip down from Oregon. Instead of flying down to San Francisco to catch our China Clipper, I decided to drive. I had some back issues of our little literary magazine, Spit in the Ocean, that I hoped I could maybe unload in the Bay Area. A whole packed trunk and backseat full of back issues, to be honest. My swaybacked Mustang whined and hunkered beneath the weight so I left Mt. Nebo a good two days before our plane's departure in case the big load or the long haul should delay her. But the old rag-topped nag covered the 600 miles of dark freeway nearly nonstop, like a filly in her prime. When the dim swoop of the Bay Bridge came into view I still had more than a day and a half before our flight, so I swung off at Berkeley to visit an old minister pal of mine that I hadn't seen since Altamont.

I had a tougher time locating his church than I expected. I found what I thought was the right backstreet and corner but with the wrong building; that, or the defunct woolen mill which had always seemed so suited to the shaggy flock that my friend shepherded had been completely changed. Instead of a drab cement block there was a cute little church fronted with bright red brick. Wire-mesh factory windows had been replaced with beautiful stained glass, and where a grimy smokestack once angled up from the roof there was now a copper-spired steeple shining in the morning sun. I wasn't sure it was the same place at all until I walked around back: the tin-roofed garage that served as the minister's rectory was the same ratty rundown trash pile from five years ago.

The vine-framed door was ajar and I went in. When my tired eyes adjusted to the messy gray gloom I saw the man sound asleep and completely naked on a raised waterbed. The huge plastic bladder was as much a mess as the rest of the room, a Sargasso Sea of clutter, with my friend floating peacefully amid the rest of the flotsam. I gave a bare patch of the gray plastic a slap that sent a shimmying swell coast to coast. I saw consciousness slowly rising to the surface of the bearded face. Finally he raised up on a wobbly elbow, causing books and bottles and beer cans and pizza boxes and tarot cards to undulate around him while he squinted at my face. His hard night had left his eyes redder than my long haul had mine. At length he grunted hello, then flopped right back down and drew a turtleneck sweater sleeve across his brow. I pulled up the nearest orange crate and set down to fill him in on all the Oregon gossip. None of my news got more than an occasional grunt out of him, not until I mentioned the reason I happened to be passing through. This heaved him sitting full up like a seismic wave. "You're going where to cover what?"

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