Ken Kesey - Demon Box

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From Publishers Weekly
The central theme running through this collection of stories (many of which seem to be primarily nonfiction with elements of fiction thrown in) by the author of One Flew Over the Cuckoo's Nest is the struggle to come to terms with the legacy of the 1960s. Kesey draws largely on his own experiences after returning to his Oregon farm following a brief stint in prison on drug charges. A series of tales, apparently sections from a novel in progress, star an alter-ego named Devlin Deboree: his relatively tranquil post-jail farm existence is disturbed both by memories of now-dead companions and the seemingly extinct passions of the '60s, and by burned-out refugees from that era who intermittently arrive on his doorstep, hoping for some sort of help from the most famous survivor of the psychedelic wars. Pieces on visiting Egypt and covering a Chinese marathon examine the complex relationship between Americans and people from other cultures. Kesey's distinctive gift with language and tough sense of humor unify this somewhat disorganized collection, and his elegy for the passing of the mad energy of the '60s will strike a responsive chord with all those who lived through those dangerous, liberating years. 30,000 first printing; BOMC and QPBC alternates.
From Library Journal
Kesey fans have waited long for his latest offering, a collection of experiences, stories, and poetry. Most of the tales concern the life and times of "Devlin E. Deboree," a counterculture author who serves time in Mexico on a narcotics charge and later returns to his family farm in Oregon. Though he gives himself an alias, Kesey usually identifies his friends, including Jack Kerouac, Larry McMurtry, Hunter Thompson, and a Rolling Stone reporter who accompanies him to the great pyramids. The collection fluctuates in mood, ranging from warm "farm" pieces such as "Abdul Ebenezer" (concerning a bull and a cow) to pieces dealing with loss of friends and a common cause that reflect a nostalgia for the Sixties. These more personal pieces, especially the title essay, are particularly strong. Susan Avallone, "Library Journal"
***
"Here's good news for pundits and pranksters everywhere: Ken Kesey can still write… Those metaphoric tales illuminate our lives and make us laugh and cry." – San Francisco Chronicle
Ken Kesey: legendary writer, counterculture folk hero – chief trickster of the sixties' tuned-in, turned-on generation. Now, kesey comes to terms with his own legend, as he reveals his fascinating passage from the psychedelic sixties to the contradictory eighties.
Assuming the guise of Devlin Deboree (pronounced debris), Kesey begins with his release from prison and his return to an unusual domestic life; recounts various foreign excursions (to Egypt to visit the Sphinx, and to China to cover the Bejing Marathon); relates lively stories of farm and family and, in the voice of his grandmother, a tall tale and a narrative prayer. Most poignantly, Kesey looks at the hard lessons to be found in the deaths of Neal Cassady and John Lennon.
As always, Kesey challenges public and private demons with sure, subtle strokes – and with the brave and deceptive embrace of the wrestler.
"In these forceful, engaging, sometimes touching pieces, Kesey shows that he remains a concerned, sometimes vitrolic, but ultimately responsible observer of American society and and the human condition." – The Philidelphia Inquirer

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"Homing cows," he reflected aloud. "Not a half-bad idea for a half-baked buckeroo."

CALEB DREAMS

Wild wolves and panthers and bears roamed the Wisconsin woods in those days. Sometimes Laura was afraid. But Pa Ingalls preferred to live miles from his nearest neighbors. He built a snug little house on the prairie for Ma and his daughters Mary and Baby Carrie and Laura. And his son Caleb.

Pa kept a fire going all winter to keep out the cold. He taught Laura and Cal how to get things done in the wild frontier.

Laura Ingalls… Laura Ingalls Wilder.

Pa hunted and trapped and farmed. Ma knew how to make her own cheese and sugar. At night the wind moaned lonesomely but Pa just stoked the fireplace and played his fiddle and sang to his children, Laura and Mary and Baby Carrie. And young Caleb. Young Cal was much wilder than any of his sisters. He was wilder than the wolves and the panthers. Caleb Ingalls Wilder was wilder than all get out.

Yet, once you really get to know Caleb you will see that he is not really a firebug. You will understand how disappointed he is when, instead of being cast as Clean Air in the Mt. Nebo school play, he is chosen to be Litter. You'll understand how ashamed he is when he finds he is too scared to ride the Ferris Wheel at the Lane County Fair and why he almost cries when almost no one votes for him as home room president.

Cal begins to feel he is not much good at anything and he begins to daydream during Social Studies. But what good is Social Studies? Social Studies doesn't get things done. Social Studies doesn't keep out the cold.

You are sure to understand that's why he dropped the book of matches in the wastepaper basket.

CHILLY SHERREE

When the chill is on the ankles
And the ice is in the pipes,
Then it's time to get out blankles
And put away the gripes.

So let's bake a lot of goodies
And fill the house with scent,
Till the temperature comes up again
And all the chill has went.

BE KIND TO YOUR WEBFOOTED FRIENDS

– for a mother may be ducking somebody.

Upstairs June Sunday Summer Solstice as my sweet Swallow of the Wire sails up to watch me type and the mud wasp in the wall whirs busily.

Had a fine day fishing. Colonel Weinstein showed up on the train last night with a surprise son from his first wife just Caleb's age; this morning early the four of us drive up the Willamette, then up little Salmon Creek, where I was able to sniff my way back to one of Daddy's favorite fishing holes – stop atop a rise, hike down through the brush and stickers to a spot where the Salmon banks off a sheer mossy cliff. Cool bluegreen pool the swirling potential of an expensive billiard table deepest felt. Any shot is possible.

Caleb and Weinstein's boy pull out a dozen cutthroats apiece while the Colonel and I share a bottle of cabernet and talk about Hemingway. I tell him about the Sex & Television fast I've vowed to maintain for six months.

"By Winter Solstice I expect to have my top and bottom chakras both scoured clean."

"What about the middle?"

"That's too submerged for me. Look! Your Sam has hooked into another one. He's doing real well for his first time."

"Your Caleb's teaching him well. Speaking of submerged, you know what it takes to circumcise a whale?"

"Nope."

"It takes four skin divers."

Almost thirty trout. We got back in time to ice them good so the Colonel and his son could take them back south on the train this afternoon. Returned from the train station to find Dorothy James, known as Micro Dotty for the painted VW bus she drives. She has driven up with some white snow and her red-haired overbudded fourteen-year-old ooh mercy daughter in gym shorts and man's short-sleeved dress shirt, collar turned up. The girl leans against their VW bus while her mom comes up to my office, chewing gum.

Dotty shares a couple doobies with me upstairs, and then I tell her Come on, I'll show you around. On the way down to the pond the daughter joins us. She has changed out of the shirt into a blue tubetop. She oozes along on my other side as I tell her mother about the farm. From the corner of my eye I can see the girl squeezing out of her tubetop like freckled toothpaste.

I introduce them both to Quiston down at the pond. He's casting after the bass, still griped that he missed out on the trip to Salmon Creek. The sight of all that red hair and squeezed skin wipes that gripe out of his mind immediately. He asks if she'd like to try a cast, that there's a Big One by the reeds if she's into it. Instead of answering Redbud oozes away to console the half dozen horny mallard hens, making it clear with a toss of hair that she wasn't into boys her own age or fish of any size.

"She's rather advanced," Micro Dotty whispers by way of explanation. "In fact she's been on the pill nearly a year."

Quis goes back after the bass, Dotty goes off to bother Betsy in the garden, I come back upstairs. The swallow watches from the wire. Quiston and Caleb head off across the field with Stewart to meet Olafs kid, Butch. The sun edges toward the end of its longest workday of the year.

The girl returns to the Microbus and gets a sleeping bag and a paperback by Anais Nin. Under my window she smiles up at me. "Okay with you if I nest down by your pond? I like to sleep under the stars and I might like a little sunset swim in the open. Know what I mean?"

"I do indeed," I tell her. Nest anywhere you choose; swim open as you please mercy yes. "Okay with me."

The swallow swoops. The wasp takes a break from his mud daubing to buzz out for a better look. Betsy and Dot go inside to cook sugar peas. The sun makes it to Mt. Nebo. I decide I better make the rounds, feed the ducks, check on the pond; don't want any sunset calamities.

She is sitting on the bank with her dripping arms wrapped around her knees, watching the ducks and being by them watched. She smiles. I hunker and toss the food into the water's edge. The ducks come gabbling after it. "Wheat?" she asks.

"Brown rice," I say. "We got two gunny sacks of it, left by some macrobiotics that lived with us. It was all they would eat."

"Ugh. Did they like it?"

"I don't think so. There used to be a dozen. Ducks, I mean, not macrobiotics. Something got the six drakes. A fox, we think."

"That's too bad."

"Nature," I say. "Red in tooth and claw."

"Still, it is sad. The poor lonely sweethearts…"

"Yeah."

The sky got gold and we watched the ducks for a long time without saying anything else. I felt good, virtuous, almost righteous, as that first day ended and I enjoyed the dawning realization that my dual fast was actually working: I hadn't gone near the TV and I didn't want to screw any of those ducks.

BLACKBERRY VINES

Blackberry vines and barelegged wimmin
They led me astray, they took me in swimmin
I reached for a cherry but I got me a lemon
'Midst blackberry vines and barelegged wimmin.

DEATH VALLEY DOLLY

On a barstool in Barstow I met her
In Kingman I quelled all her qualms
In Phoenix I fought to forget her
To the clapping of 29 Palms
Oh, Molly, my Death Valley dolly,
You're gone, by golly, you're gone.
Where the roadrunners run from the coyote sun
My fierce little falcon is flown.
Eating noodles in Needles she caught me
With a Nogales gal on my knee,
So while brawling in Brawley she shot me
Then jumped in the sour Salton Sea
Oh, Molly, my Death Valley dolly
You're gone, by golly you're dead
Where the scorpions hide and the sidewinders slide
You lie in your alkali bed.

RAGWEED RUTH

Ragweed Ruth was unmowed maze
She was nightshade in the morning
Her ragged flag was often raised
But she raised it like a warning.

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