Vidiadhar Naipaul - A House for Mr. Biswas

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"Naipaul has constructed a marvelous prose epic that matches the best nineteenth-century novels for richness of comic insight and final, tragic power." – Newsweek – Review
A gripping masterpiece, hailed as one of the 20th century's finest novels
A HOUSE FOR MR BISWAS is V.S. Naipaul's unforgettable third novel. Born the "wrong way" and thrust into a world that greeted him with little more than a bad omen, Mohun Biswas has spent his 46 years of life striving for independence. But his determined efforts have met only with calamity. Shuttled from one residence to another after the drowning of his father, Mr Biswas yearns for a place he can call home. He marries into the domineering Tulsi family, on whom he becomes indignantly dependent, but rebels and takes on a succession of occupations in an arduous struggle to weaken their hold over him and purchase a house of his own. Heartrending and darkly comic, A HOUSE FOR MR BISWAS masterfully evokes a man's quest for autonomy against the backdrop of post-colonial Trinidad.

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He came back one afternoon to find the cherry tree cut down, the artificial mound partly dug up, the swimming pool partly filled in. By the end of the week the mound was a flat black patch and the swimming pool did not exist. A tent was put up over the area occupied by the pool and sisters and husbands remarked again and again that it was wonderful not only to have so much bamboo so near but not to have to pay for it either, as they had had to at Arwacas.

The tent was for wedding guests. It appeared that a whole wave of Shama’s nieces was to be married off. One marriage had been arranged before the move, and during the idle weeks at Shorthills the idea had grown. Action was swift and sudden. Details-the bridegrooms and dowries-had been easily settled, and now the puzzling estate was forgotten and all energy went to preparing for the weddings. Days before the ceremony guests and retainers and dancers, singers and musicians came from Arwacas. They slept in the tent, the verandah, the garage, the covered space between the kitchen and house, and by day wandered through the grounds and woods, plundering.

Much bamboo was used in the decorations. The drive and walks were lined with bamboo poles placed horizontally on vertical bamboo poles; every horizontal section was filled with oil and fitted with a wick. On the night of the weddings many small flickering flames seemed to be suspended in the darkness; trees, outlined, not illuminated, looked solid; and the grounds felt protected, a warm cave in the night. The seven bridegrooms came in seven cavalcades with seven teams of drummers, followed by the stupefied villagers. At the foot of the concrete steps there were seven ceremonies of welcome, and in the wedding-tent, built over one of the gardens flattened for the purpose, the seven wedding ceremonies went on all night, while in the tent over the swimming pool there was singing, dancing and feasting.

When the weddings were over, the population of the house temporarily reduced by seven, the guests gone away, and the tents over the ruined garden and swimming pool taken down, everyone began waiting again, for the small cricket pavilion to be restored, the drive cleaned, its culverts mended, the canal cleared of silt, for the evergreen hedges at the bottom of the hill to be trimmed, for the unruined garden to be replanted. Unasked, the children did what they could, but their scattered efforts made no impression on the grounds. They collected tonka beans from the hillside and, not knowing what to do with them, left them in the garage, where they presently rotted and smelled.

Then suddenly some sheep appeared. Half a dozen scraggy, bare, bewildered sheep. The children had been promised sheep, but they had expected fleecy things, and there was no rush to claim these. The sheep remained nibbling in the cricket field, offending the children and the cricketers.

Nothing was done to the cocoa trees or the orange trees. Week by week the bush advanced and the estate, from looking neglected, began to look abandoned. There was still no one to plan or direct. As suddenly as she had emerged from her sickroom to supervise the move, so Mrs. Tulsi had now withdrawn. She had a small room on the lower floor, overlooking the ruined garden and Hari’s box-board temple. But her window was closed, the room was sealed against light and air, and there, in an ammoniac darkness, she spent much of the day, looked after by Sushila and Miss Blackie. It was as though her energy had been stimulated only by the quarrel with Seth and, ebbing, had depressed her further into exhaustion and grief.

Govind tore down the cricket pavilion one day. A rough cowshed went up in its place, and Mr. Biswas heard, with astonishment, that his cow was to be stabled there.

“Cow? My cow?”

It turned out that the cow, whose name was Mutri, was one of Shama’s secret possessions, like her sewingmachine. Mutri had been kept on the estate at Arwacas with all the other Tulsi cows. She was an old black cow, tired, with short bruised horns.

“What about the milk?” Mr. Biswas asked. “The calves?”

“What about the grass?” Shama replied. “The water? The feed?”

Govind looked after the cows and for that reason alone Mr. Biswas made no further inquiries. Govind was becoming increasingly surly. He scarcely spoke to anyone, and worked off his rages on the cows. He beat them with thick lengths of wood and at milking time the slightest misdemeanour threw him into a rage. The animals didn’t moan or wince or show anger; they only tried to move away. No one protested; there was no one to complain to.

Mr. Biswas said, “Poor Mutri.”

Before cows and sheep the cricketers retreated. The cricket field turned to mud and manure, and someone planted a pumpkin vine at the edge of it.

Then the tree-cutting began. In less than a morning the reader of W. C. Tutde cut down the gri-gri palms along the drive. He came back sweating to the house and, since none of the watertaps worked, had a bath at a waterbarrel. Mrs. Tulsi ate the hearts of the trees, which had been recommended to her by one of her Arwacas friends, and the children consoled themselves with the red berries. Govind, asserting himself, then cut down the orange trees: they were blighted, encouraged snakes, and could conceal thieves.

“Damn stupid thieves if they think they could find anything in this place,” Mr. Biswas said. “They cut down the trees only to make it easier to pick the oranges, that is all.”

The oranges were collected by Govind and Chinta and their children, put into sacks and sent to Port of Spain by bus. Everyone wondered who took the money. The trees were chopped into logs and burned in the kitchen, the moss-covered barks making excellent kindling.

The children lost heart. They now had to be compelled to gather tonka beans, to pick oranges and avocado pears to be sent to Port of Spain. On some Saturdays they pulled up weeds from the drive, urged on by the adults to hollow competitions to see who could amass the highest pile of weeds.

The plumbing remained unrepaired. Some lesser husbands built a latrine on the hillside. The house toilet, unused, became a sewingroom.

In place of the orange trees and the palm trees: eedlings were planted along the drive and hedged around with bamboo stakes. The cows broke down the cricket field fence. The sheep, escaping, broke down the bamboo stakes and stripped the seedlings clean. The silt rose in the canal at the side of the drive. Weeds grew from the cracks in the concrete culvert and up the wide, shallow steps.

Every morning Hari said his prayers and rang his bell and beat his gong in his boxboard kennel in the ruined garden; and every evening the man Mr. Biswas now thought of as W. C. Tuttle said his prayers before the framed print in the drawingroom. The rubbish heap started by the Tulsis at the foot of the hill grew higher and wider. The sheep, neglected, unfruitful, survived. The cows were milked. The pumpkin vine spread rapidly in the manured mud and broke into frail yellow flower. The first pumpkin, the first Tulsi fruit, was welcomed with enthusiasm; and since, because of a Hindu taboo no one could explain, women were forbidden to cut pumpkins open, a man was invited to do so. And the man was W. C. Tuttle.

It was W. C. Tuttle who dismantled the electricity plant and melted down the lead to make dumbbells. And it was W. C. Tuttle who announced that a furniture factory was to be started. Scores of cedar trees were cut down, sawed and stacked in the garage, and W. C. Tuttle sent to his own village for a Negro called Theophile. Theophile was a blacksmith whose trade had declined with the coming of the motorcar. He was lodged in a small room below the drawing-room, fed three times a day and turned loose among the cedar planks. He made many benches; gaining confidence, he put together a vast, irregularly oval table; then a number of wardrobes like sentry-boxes. No joint was clean; no door fitted; and the soft wood showed many little clusters of hammer indentations. It was stated by W. C. Tuttle, his wife, his children and Theophile himself that stain and varnish would hide these flaws. And, Tulsi excitement mounting, Theophile went to work on moms chairs. W. C. Tuttle ordered a bookcase. Mr. Biswas ordered a bookcase. The doors of Mr. Biswas’s bookcase sloped at the top and would have formed a peak if they could meet: Theophile said it was a style. By this time the planks on the oval table had shrunk, the joints were loose and the wax had dropped out, and the wardrobe doors could never close. Theophile worked with saw and hammer and nails on the table and wardrobes; then the chairs and bookcases needed attention; then the wardrobes gave trouble again. Theophile was dismissed to his village, and there was no further talk about the furniture factory. The morris chairs fell apart and were used as firewood; some of the more adventurous children slept on the table at night. W. C. Tuttle, acting as Mrs. Tulsi’s agent, sold the cedar planks in the garage. Shortly afterwards he bought a lorry, and hired it out to the Americans.

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