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Vidiadhar Naipaul: In A Free State

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Vidiadhar Naipaul In A Free State

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Winner of 1971 Booker Prize «V. S. Naipaul tells stories which show us ourselves and the reality we live in. His use of language is as precise as it is beautiful.» – The London Times «A Tolstoyan spirit…The so-called Third World has produced no more brilliant literary artist.» – John Updike, The New Yorker «The coolest literary eye and the most lucid prose we have.» – The New York Review

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The elevator stopped and the door opened. It was my employer, his hair uncombed, yesterday's dirty shirt partly unbuttoned. He looked frightened.'

'Santosh, where have you been at this hour of morning? Without your shoes.'

I could have embraced him. He hurried me back past the newspapers to our apartment and I took the bedding inside. The wide window showed the early morning sky, the big city; we were high up, way above the trees.

I said, 'I couldn't find my room.'

'Government sanctioned,' my employer said. 'Are you sure you've looked?'

We looked together. One little corridor led past the bathroom to his bedroom; another, shorter, corridor led to the big room and the kitchen. There was nothing else.

'Government sanctioned,' my employer said, moving about the kitchen and opening cupboard doors. 'Separate entrance, shelving. I have the correspondence.' He opened another door and looked inside. 'Santosh, do you think it is possible that this is what Government meant?'

The cupboard he had opened was as high as the rest of the apartment and as' wide· as the kitchen, about six feet. It was about three feet deep. It had two doors. One door opened into the kitchen; another door, directly opposite, opened into the corridor. 'Separate entrance,' my employer said. 'Shelving, electric light, power point, fitted carpet.'

'This must be my room, sahib.'

'Santosh, some enemy in Government has done this to me.'

'Oh no, sahib. You mustn't say that. Besides, it is very big. I will be able to make myself very comfortable. It is much bigger than my little cubby-hole in the chambers. And it has a nice flat ceiling. I wouldn't hit my head.'

'You don't understand, Santosh. Bombay is Bombay. Here if we start living in cupboards we give the wrong impression. They will think we all live in cupboards in Bombay.'

'O sahib, but they can just look at me and see I am dirt.'

'You are very good, Santosh. But these people are malicious. Still, if you are happy, then I am happy.'.

'I am very happy, sahib.'

And after all the upset, I was. It was nice to crawl in that evening, spread my bedding and feel protected and hidden. I slept very well.

In the morning my employer said, 'We must talk about money, Santosh. Your salary is one hundred rupees a month. But Washington isn't Bombay. Everything is a little bit more expensive here, and I am going to give you a Dearness Allowance. As from today you are getting one hundred and fifty rupees.'

'Sahib.'

'And I'm giving you a fortnight's pay in advance. In foreign exchange. Seventy-five rupees. Ten cents to the rupee, seven hundred and fifty cents. Seven fifty U. S. Here, Santosh. This afternoon you go out and have a little walk and enjoy. But be careful. We are not among friends, remember.'

So at last, rested, with money in my pocket, I went out in the open. And of course the city wasn't a quarter as frightening as I had thought. The buildings weren't particularly big, not all the streets were busy, and there were many lovely trees. A lot of the _hubshi__ were about, very wild-looking some of them, with dark glasses and their hair frizzed out, but it seemed that if you didn't trouble· them they didn't attack you.

I was looking for a cafe or a tea-stall where perhaps domestics congregated. But I saw no domestics, and I was chased away from the place I did eventually go into. The girl said, after I had been waiting some time, 'Can't you read? We don't serve hippies or bare feet here.'

O father! I had come out without my shoes. But what a country, I thought, walking briskly away, where people are never allowed to dress normally but must forever wear their very best! Why must they wear out shoes and fine clothes for no purpose? What occasion are they honouring? What waste, what presumption! Who do they think is noticing them all the time?

And even while these thoughts were in my head I found I had come to a roundabout with trees and a fountain where – and it was like a fulfilment in a dream, not easy to believe – there were many people who looked like my own people. I tightened the string around my loose pants, held down my flapping shirt and ran through the traffic to the green circle.

Some of the _hubshi__ were there, playing musical instruments and looking quite happy in their way. There were some Americans sitting about on the grass and the fountain and the kerb. Many of them were in rough, friendly-looking clothes; some were without shoes; and I felt I had been over-hasty in condemning the entire race. But it wasn't these people who had attracted me to the circle. It was the dancers. The men were bearded, bare-footed and in saffron robes, and the girls were in saris and canvas shoes that looked like our own Bata shoes. They were shaking little cymbals and chanting and lifting their heads up and down and going round in a circle, making a lot of dust. It was a little bit like a Red Indian dance in a cowboy movie, but they were chanting Sanskrit words in praise of Lord Krishna.

I was very pleased. But then a disturbing thought came to me.

It might have been because of the half-caste appearance of the dancers; it might have been their bad Sanskrit pronunciation and their accent. I thought that these people were now strangers, but that perhaps once upon a time they had been like me. Perhaps, as in some story, they had been brought here among the _hubshi__ as captives a long time ago and had become a lost people, like our own wandering gipsy folk, and had forgotten who they were. When I thought that, I lost my pleasure in the dancing; and I felt for the dancers the sort of distaste we feel when we are faced with something that should be kin but turns out not to be, turns out to be degraded, like a deformed man, or like a leper, who from a distance looks whole.

I didn't stay. Not far from the circle I saw a cafe which appeared to be serving bare feet. I went in, had a coffee and a nice piece of cake and bought a pack of cigarettes; matches they gave me free with the cigarettes. It was all right, but then the bare feet began looking at me, and one bearded fellow came and sniffed loudly at me and smiled and spoke some sort of gibberish, and then some others of the bare feet came and sniffed at me. They weren't unfriendly, but I didn't appreciate the behaviour; and it was a little frightening to find, when I left the place, that two or three of them appeared to be following me. They weren't unfriendly, but I didn't want to take any chances. I passed a cinema; I went in. It was something I wanted to do anyway. In Bombay I used to go once a week.

And that was all right. The movie had already started. It was in English, not too easy for me to follow, and it gave me time to think. It was only there, in the darkness, that I thought about the money I had been spending. The prices had seemed to me very reasonable, like Bombay prices. Three for the movie ticket, one fifty in the cafe, with tip. But I had been thinking in rupees and paying in dollars. In less than an hour I had spent nine days' pay.

I couldn't watch the movie after that. I went out and began to make my way back to the apartment block. Many more of the _hubshi__ were about now and I saw that where they congregated the pavement was wet, and dangerous with broken glass and bottles. I couldn't think of cooking when I got back to the apartment. I couldn't bear to look at the view. I spread my bedding in the cupboard, lay down in the darkness and waited for my employer to return.

When he did I said, 'Sahib, I want to go home.'

'Santosh, I've paid five thousand rupees to bring you here. If I send you back now, you will have to work for six or seven years without salary to pay me back.'

I burst into tears.

'My poor Santosh, something has happened. Tell me what has happened?'

'Sahib, I've spent more than half the advance you gave me this morning. I went out and had a coffee and cake and then I went to a movie.

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