Erica Jong - Fear Of Flying

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Fear Of Flying: краткое содержание, описание и аннотация

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ERICA JONG’S GLORIOUSLY WICKED, SEXY NOVEL ABOUT THE WAY THINGS OUGHT TO BE FOR A WOMAN…
“A PASSIONATE NOVEL… the body wanting sex, sex, sex and love and safety, comfort; the mind wanting freedom, independence, the power to work, to write… very alive and real. It is wonderfully funny and sad, witty and agonizing, brilliant, sensual, serious.”-Hannah Green
“The heroine is as sexy as Tom Jones and as outspoken about her sexuality as Portnoy was about his!”
– Cleveland Plain Dealer
“FOR AN EXHILARATING FUEL-BURNER, A BLAZE OF ONE-WOMAN ENERGY AND SEXUAL PLENTY, FEAR OF FLYING IS DEFINITELY A VEHICLE FOR EXCEEDING ALL LIMITS OF THE OPEN ROAD!”
– Village Voice
“A FLAMBOYANT SEXUAL IMAGINATION!”
– New York Times
For every woman who ever dreamed of living her sexual fantasies…
For every man who still believes women “don’t think like that”…
“It is rare these days to come upon a book written by a woman which is so refreshing, so gay and sad at the same time, and so full of wisdom about the eternal man-woman problem.”-Henry Miller
“THE MOST OUTRAGEOUSLY ENTERTAINING WOMEN’S LIBRETTO YET, lusty raw material served up by a new writer of great talent!”-Cosmopolitan
“A BAWDY, SWAGGERING first novel of fine touches and insightful observations on sex and marriage.”
– The Minneapolis Star
“SHE’LL TAKE YOU FARTHER FROM HOME THAN YOU EVER DREAMED YOU’D GO. AND AFTER THIS BOOK, THERE MAY NEVER BE A WAY BACK.”-Lois Gould

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I’ve always felt that reading other people’s mail is the lowest of the low, but jealousy drives you to strange things. One sad morning in the East Village, when Charlie left early to teach his music students, I snuck out of bed like a spy and (with my heart booming like one of Saul Goodman’s kettle drums) I searched his apartment. I was looking, of course, for Paris postmarks-and I found them, right under Charlie’s tattle-tale gray jockey shorts.

Judging from her letters, Salome Weinfeld (named for her grandpa Sol?) was a literary type. She was also involved in the game of driving Charlie wild with jealousy while holding onto him with little doles of affection.

Cher Charles [she wrote]:

We [we!] are living here on the sixth floor (seventh to you) of a charming seedy dump called the Hotel de la Harper while we look for cheaper digs. Paris is divine-Jean-Paul Sartre practically around the corner, Simone de Beauvoir, Beckett, Genêt-tout le monde, in short.

Darling, I love you. Don’t think that just because I’m living with Sebastien (who, incidentally, makes superb couscous)-I have stopped caring for you. It’s just that I need time to experiment, to breathe, to live, to stretch, to flex my muscles [guess which!] without you.

I miss you day and night, think of you, even dream of you. You can’t imagine how frustrating it is to live with a man who doesn’t know what a B.L.T. is, who never ate a blintz, who thinks The Charles is a former king of England! Nevertheless he (Sebastien) is sweet and devoted and [a whole line was inked out blackly here] makes me realize daily how much I still love you.

Attends-moi, chéri

Sally

Attends-moi yourself!

But how could I confront Charlie with a letter which I had ferreted out from among his not-too-clean underwear? So instead I adopted a Fabian policy of watchful waiting. I kept my resentment secret. I was determined to win him, gradually, from his secret pen pal.

In June, we left for Europe together. Charlie was going to a conducting competition in Holland; I had friends to visit in Yorkshire, was due to meet my old buddy Pia in Florence for a jaunt through southern Europe, and was going to see my sister Randy in the Middle East. Charlie and I planned to stay in Holland together for two weeks and then part company. He was supposedly going home to conduct an oratorio at some arts festival, but this was still uncertain. I secretly hoped we’d both agree to cancel all our other plans and just travel together for the rest of the summer.

We sailed on the old Queen Elizabeth, tourist class. Stuffy Cunard would not give us a cabin together unless we produced written proof of matrimony (which, of course, we didn’t have). Besides, Charlie was stingy. For economy’s sake, he took one bunk in a four-bedded cabin with three old men, and I had no choice but to take one bunk in a four-bedded female cabin. Windowless, naturally, and right over the engines. My companions were a German lady who looked and talked like the Bitch of Buchenwald, a skinny French nurse who snored, and a fifty-year-old English schoolmistress in cardigans and tweeds and ripple-soled shoes. She used Yardley’s English Lavender and the whole cabin reeked of it. Our problem for the duration of the five-and-a-half-day crossing was where to fuck. My cabin was out, since the French nurse seemed to sleep all day and the English and German ladies retired at nine. Once we tried skipping lunch so as to have Charlie’s cabin while all three old codgers were out eating, but one of them came back and rattled the door angrily just as we were getting started. So we began scouring the ship for places to fuck. We were that determined. You’d think it would be easy on an old ship as full of nooks and crannies as the Queen Elizabeth, but it wasn’t. The linen closets were locked, the lifeboats were too high to climb into, the public rooms were too public, the nursery was full of toddlers, and we couldn’t find any empty cabins. I suggested using one of the first-class cabins while the people were out, but Charlie was chicken.

“What if they come back?” he asked.

“They’d probably be too embarrassed to say anything anyway-or else they’d automatically think they were in the wrong cabin and by the time they searched around and found the steward, we’d be gone.”

Jesus, was I a pragmatist compared to Charlie! What a scaredy cat he was! My fear of flying, after all, lets me ride on planes as long as I agree to suffer through the whole flight in terror, but his fear of flying was so bad that he wouldn’t even go near a plane. That was how we wound up in this predicament in the first place.

But we finally found a place. The only deserted place on board. An absolutely perfect place-both symbolically and practically (except that it had no bed): the Jewish Chapel in tourist class.

“This is fantastic!” I yelled when we fumbled for the light and realized what room it was we had found. What a setting! Pews! A Star of David! Even a Torah-for Christ’s sake! I was really turned on.

“I’ll just pretend I’m a vestal virgin or something,” I said, starting to unzip Charlie.

“But there’s no lock on the door!” he protested.

“Who’s going to come in here anyway? Certainly not all bur WASP fellow-travelers and Anglican crewmen. Besides, we can just turn out the light again. Anyone who stumbles in will think we’re davining or something. What do they know about Jewish services?”

“They’ll probably mistake you for the burning bush,” he said snidely.

“Very funny.” I was stepping out of my underpants and switching off the light.

But we only got to screw in the sight of God once, because the next day when we returned to our little temple of love, we found it padlocked. We never knew why. Charlie, of course, was sure (in his paranoid fashion) that somebody (God?) had photographed our vigorous coupling and also tape recorded all our moans. He spent the rest of the trip panicked. He was positive we’d be met in Le Havre by an Interpol vice squad.

The remainder of the crossing was pretty dull for me. Charlie sat in one of the lounges studying his scores and conducting imaginary musicians, while I watched him, seething with resentment about Sally, who I was sure he intended to see in Paris. I tried to put it out of my mind but it kept popping up like a candy wrapper which refuses to sink into Central Park Lake. What could I do? I tried writing but concentration was beyond me. All I could think of was Sally-that super-phony. She was keeping Charlie on the hook like Charlie was keeping me on the hook. All the problems of love are problems of maldistribution, goddamn it. There’s plenty to go around, but it always goes to the wrong people, at the wrong times, in the wrong places. The loved get more love and the unloved get more unloved. The closer we got to France, the more I included myself among the latter.

Of course, Charlie lost the conducting competition. And in the first round. Despite his ostentatious studying, he never could remember scores. He was not cut out to be a conductor, either. On the podium, he always seemed to go as limp as he had that first night in bed. His whole body sagged. His shoulders curled over and his back arched like an overcooked cannelloni which had lost its stuffing. Poor Charlie had no charisma. The opposite of Brian exactly. I often thought (while watching Charlie perform) that if only he could have had a little of Brian’s charisma he would have been phenomenal. Brian, of course, had no talent for music. But if only I could have combined them! Why do I always wind up with two men who would make one great man? Is that somehow the secret of my Oedipal problem? My father and my grandfather? My father who always goes off to play the piano when things get hot and my grandfather who hangs in there like the fireball he is, arguing Marxism, Modernism, Darwinism or any other ism-as if his life depended on it?

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