Sarah Waters - The Night Watch

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The Night Watch: краткое содержание, описание и аннотация

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Sarah Waters’ fourth novel, The Night Watch, is set in 1940s London, during and after the Second World War, and is an innovative departure from her previous three lesbian Victorian historical fictions. Tipping the Velvet (1998), Affinity (1999) and Fingersmith (2002) depend on melodramatic scenes of excess and chicanery, with occasional references to postmodern thinking. In comparison, The Night Watch is more constrained in its telling of love stories and secrets. Its tone echoes the view we have, in the 21st century, of rationed wartime Britain and the use of the more distant third-person, rather than the confiding first-person, signals a further diversion from the earlier works.
The structure of The Night Watch is worth remarking upon as it begins at the end in 1947. The second section takes us back to 1944, and the third and final section is set in 1941. The decision to use this type of structure is brave, even foolhardy, because of the problems in pulling it off convincingly, but Waters’ subtlety and restraint in pulling back the layers reveals the extent of her authorial control.
This novel is essentially concerned with five main characters (Kay, Viv, Helen, Julia and Viv’s brother, Duncan) and their separate private lives. The connections between these people are also elemental to the narrative. Coincidence plays a significant role in the unfolding of past events as their lives are shown to overlap. This use of coincidence has been a feature of Waters’ previous novels, but this time she uses it casually, and as an extra element, rather than for the purposes of manipulating the plot out of hand as was deemed necessary in a melodrama such as Fingersmith.
The love stories of Kay, Viv and Helen are central and, as the narrative traces back to 1941, we learn how their present views of relationships have been shaped by these past events. As with her previous novels, Waters continues to use lesbian relationships as a main focus of the narrative, but shifts away to examine the affair between Viv and Reggie, and the horrific illegal abortion she undergoes to spare her father from further shame.
Repression becomes a touchstone as many of the characters keep a secret or carry a weight of shame. The converse of this theme of fear of discovery is the examination of bravery. This is most notable in the second and third sections which are, necessarily, concerned with the bombing of London. A re-evaluation of the definition of courage is undertaken and is perhaps most poignant in the prison scene, where Duncan ’s cell mate, conscientious objector Fraser, asks himself if he is ‘simply a – a bloody coward’ when he is overwhelmed by the fear of death. The deconstruction of received morality, of what is to be brave or selfish in this time of heightened emotions, is also examined when Helen considers the effect the war has had on her ethics: ‘In the first blitz, she’d tried to help everyone; she’d given money to people, sometimes, from her own purse. But the war made you careless. You started off, she thought sadly, imagining you’d be a kind of heroine. You end up thinking only of yourself.’
The reason for Duncan ’s imprisonment is one of the well-kept secrets of the novel and is only (partially) explained in the third section. This use of the hidden truth and the hints at the unspoken strengthen the evocation of the period, where loose lips could potentially sink ships, and walls had ears. When revelations are made, they are, more often than not, as subdued as the repressed tone permits and this allows the novel to maintain the same pace throughout.
Despite this steady pace, Waters still enables the readers to see how the war also had a liberating effect on women such as Kay. Her gallantry and masculine demeanour was of use during the bombings whilst she worked as an ambulance driver, but in the beginning of the novel, in 1947, it is clear that with the return to peace time her short hair and male clothing are once more worthy of ridicule.
As with all of Waters’ novels, The Night Watch has been praised by critics for the attention to detail and meticulous research. This work stretches beyond the limits of the previous three, though, and is certainly her most impressive to date. Her control in depicting the central characters gradually is in itself an indicator of skilful writing. As this is also combined with a believable and interested evocation of period and place, this novel must be recommended highly.

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Betty appeared. She came in frowning, turning her head. When she saw Viv, she came straight over.

She said, 'What's up? Caroline Graham said you couldn't make it back upstairs. She laid it on as thick as anything for Gibson-said you'd been taken by surprise by something. Now word's gone round you've got the squits.' She looked Viv over. 'Hey, you do look bad.'

Viv tried to move away from her gaze as, earlier, she'd tried to move from Caroline's. She said, 'I just felt a bit sick.'

'Poor kid. You need bucking up. I've got just the thing for that, too. Jean, from Shipping, has been spreading the word about an MOI party. One of their boys got his divorce papers through today, and they say they need girls. They've been hoarding for weeks by the sound of it, so it should be a pretty good blow. We've just got time to change, come on.'

Viv looked at her, appalled. 'You're joking,' she said. 'I can't manage that. I look like a wreck!'

'Oh, throw on a bit of Max Factor,' said Betty as she shrugged on her coat, 'and the Ministry boys won't notice.'

She took Viv's arm and led her out of the room, and they began the journey up to the lobby. Climbing the stairs, Viv found, was awful, like being at sea; but there was a comfort to be had from the feel of Betty's arm in hers-from being helped and guided. They got to the desk and signed themselves out. The street was not quite dark enough for them to have to switch on their torches. But the evening was cold. Betty stopped for a moment to get out a pair of gloves.

She caught sight of another girl, and lifted one of the gloves and waved it.

'Jean! Jean, come over here! Tell Viv about this do tonight, will you? She needs persuading.'

The girl called Jean started to walk with them. 'It should be terrific, Viv,' she said. 'They told me to bring as many pals as I could get hold of.'

Viv shook her head. 'I'm sorry, Jean. I can't, tonight.'

'Oh, but Viv!'

'Don't listen to her, Jean,' said Betty. 'She's not herself.'

'I'll say she's not herself! Viv, they've been hoarding for absolute weeks-'

'I told her that.'

'I can't,' said Viv again. 'Honestly, I don't feel up to it.'

'What's there to be up to? All those boys are after is a few swell-looking girls in tight sweaters.'

'No, really.'

'It isn't every day a chap gets his divorce through, after all.'

'No, honestly,' said Viv, her voice beginning to break, 'I can't. I can't! I-'

She stopped walking, put her hand across her eyes; and there, in the middle of Wigmore Street, she began to cry.

There was a moment's silence. Then Betty said, 'Uh-oh. Sorry, Jean. Looks like the party'll have to do without us after all.'

'Well, it's hard luck on those fellows. They'll be awfully disappointed.'

'Look at it this way: there'll be more for you.'

Jean said, 'That's a thought, I suppose.' She touched Viv's arm. 'Cheer up, Viv. He must be a rotter, you know, if he makes feel like this… I'm going to fly back to Johnnie Adam House, girls! If you change your minds, you know where to find me!' She went off, almost running.

Viv took out her handkerchief and blew her nose. She raised her head, and saw people watching her, mildly curious, as they passed by.

'I feel such a fool.'

'Don't be daft,' said Betty gently. 'We all cry, sometimes. Come on, kid.' She drew Viv's arm through hers again, and squeezed her hand. 'Let's get you home. What you need's a nice hot-water bottle, and a gin with a couple of aspirin in it… Come to think of it, that's what I need, too.'

They began to walk again, more slowly. Viv's limbs seemed to tingle, almost to buzz, with tiredness. The thought of going back to John Adam House-at this time of night, when the place would be in chaos, with chairs being dragged across the dining-room floor, the lights blazing, the wireless blasting out dance-music, girls running up and down the stairs in their underwear, ripping curlers from their hair, calling to each other at the top of their voices-the thought exhausted her.

She pulled at Betty's arm. 'I can't face going back just yet. Let's go somewhere else, somewhere quiet. Can we?'

'Well,' said Betty, doubtfully, 'we could go to a café, something like that-'

'I can't face a café, either,' said Viv. 'Can we just sit down somewhere? Just for five minutes?' Her voice was rising, threatening to break again.

'All right,' said Betty, leading her off.

They found themselves, after a short walk, in one of the area's residential squares, and went into the garden. It was the sort of place that would have been locked to them in the years before the war; now, of course, the railings had gone and they went straight in. They found a bench away from the thickest bushes, on the quietest side of the square. It was not quite dark, but getting darker all the time, and Betty, looking around, said, 'Well, we'll either get raped, or someone'll think we're a couple of good-time girls and offer us money. I don't know about you, but if the price was right I might be tempted to take it…' She still had hold of Viv's arm. 'All right, kid,' she said, as they sat and drew close their coats. 'Tell me what's wrong. And remember: I've given up the chance of getting groped by an MOI divorcé for this, so it had better be good.'

Viv smiled. But the smile grew almost painful, almost at once. She felt the rising of tears in her throat just as, before, she'd felt the rushing up of sickness. She said, 'Oh, Betty-' and her voice dissolved. She put a hand across her mouth, and shook her head. After a second she said in a whisper, 'I'll cry, if I say it.'

'Well,' said Betty, 'I'll cry if you don't!' Then, more kindly: 'All right, I'm not stupid. I've a pretty good idea what this is about. Or who, I should say… What's he done now? Come on, there's a limit to the kind of thing a man can do to a girl to make her cry. They just don't have the imagination. He either stands her up, or chucks her over, or knocks her down.' She snorted. 'Or knocks her up.'

She said it jokingly, beginning to laugh. Then she met Viv's gaze through the gathering darkness, and her laughter faded.

'Oh, Viv,' she said quietly.

'I know,' said Viv.

'Oh, Viv! When did you find out?'

'A couple of weeks ago.'

'A couple of weeks? That's not so much. Are you sure it's not just-you know, just a bit late? With all these raids-'

'No,' said Viv. She wiped her face. 'I thought that, at first. But it's not just that. I know it's happened. I just know. Look at the state of me… I've been sick.'

'You've been sick?' said Betty, impressed. 'In the mornings?'

'Not in the mornings. In the afternoons and at night… My sister was like that. All her friends were sick first thing, but she was sick nearly every night, for three months.'

'Three months!' said Betty.

Viv glanced around. 'Shush, will you?'

'Sorry… But crikey, kid. What are you going to do?'

'I don't know.'

'Have you told Reggie?'

Viv looked away. 'No, I haven't.'

'Why not? It's his fault, isn't it?'

'It's not his fault,' said Viv, looking back. 'I mean, it's my fault as much as his.'

'Your fault?' said Betty. 'How's that? For giving him-' she lowered her voice even further, 'permission to come aboard? That's all very well, but he should-you know, have worn his raincoat.'

Viv shook her head. 'It's been all right, until now. We never use those. He can't stand them…'

They sat in silence for a second. Then, 'I think you should tell him,' said Betty.

'No,' said Viv firmly. 'I'm not telling anyone except you. Don't you tell anyone, either! God!' The idea was awful. 'Suppose Gibson finds out? Remember Felicity Withers?'

Felicity Withers was a Ministry of Works girl who'd got herself pregnant by a Free French airman, the year before. She'd thrown herself down the stairs at John Adam House; there'd been the most awful row about it. She'd been dismissed from the Ministry, sent home, back to her parents-a vicar and his wife-in Birmingham.

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