Peter Ackroyd - Hawksmoor

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Hawksmoor: краткое содержание, описание и аннотация

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In recent years serial killer novels and films have become something of a cliche. It's a genre which has been done to death with only a few works standing above the herd. So Hawksmoor was a very refreshing change. A novel set in London, with two threads, one in the 1800's and one in contemporary times. The novel opens in the period following the Great Fire of London, with one Nicholas Dyer, an assistant surveyor in scotland yard who eventually becomes an apprentice to Christopher Wren. He is commissioned to rebuilt the lost churches of London. In the present we are introduced to a series of characters, including a young boy and a vagrant, whose stories are painted with a lavish brush, before we meet the eponymous hero of the novel.
Hawksmoor is the detective investigating a series of serial killings, located in the vicinity of a number of churches across London. It is here that the various sub plots are brought together, the story centring on Hawksmoor attempts at unravelling the mystery.
All the while the story of Dyer's architectural plans and the rebuilding of London unravel simultaneously. His true character is gradually exposed, revealing unexpected connections between the two disparate storylines.
The conclusion of the novel is both unexpected and uncomfortable, a brilliant conclusion to a work with a great psychological presence. Ackroyd brings the personalities of his characters to the fore, places them in a lushly drawn backdrop, and shows the story through their eyes.
One of the most impressive things about the novel is the way Ackroyd treats the serial killer storyline, keeping it very much in the background, shown only through the eyes of the characters and the ensuing investigation. It never dominates the proceedings, and Ackroyd instead concentrates his energy on exploring the eighteenth century events that hold a key to the present day. It is both chilling and filled with an aura of corruption, a reinvention of history and a fresh look at the present through the eyes of history.
It has been a while since I have read a novel this satisfying, an enthralling story on all levels with an ending that stays with you long after you've finished it.

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'At six o'clock this morning, sir, when it was still dark.'

'Do we know '

'He might have fallen from the tower, sir. But nobody knows.'

Hawksmoor looked up at the spire of St Alfege's and, when he blotted out the sun with his right hand, he noticed the white dome of the Observatory which was half concealed by the dark stone of the church. And he remembered that there was something here which he had heard of many years before, and which he had always wanted to see. Eventually he was able to break free from the others, muttering his excuses, and when he came to the foot of the hill he began to run, bounding over the short grass until he reached the summit.

There was a guard by the iron gate in front of the Observatory and Hawksmoor stopped in front of him, out of breath. 'Where,' he said, 'where is the zero meridian?'

The meridian?' The old man pointed to the other side of the summit. 'It's over there.'

But when Hawksmoor came to that place, he found nothing.

'Where is the meridian?' he asked again, and he was directed a little way down the hill. He looked around, and saw only dirt and stones.

'It's over there!' someone else called out. 'No, over there!' was the cry from another. And Hawksmoor was bewildered for, no matter how he turned and turned about, he could not see it.

Walter had put down the forensic report and was grinning at him.

'And so we're stuck,' he said. And then he added: 'As sure as eggs is eggs'- Hawksmoor smoothed the pages of the report which had been creased by Walter. 'Where does that expression come from?'

'It doesn't come from anywhere, sir, not as far as I know. I mean, everyone says it.'

Hawksmoor paused for a moment, wondering what everyone said about him. 'What was it you were asking me just now?'

Walter no longer tried to conceal his impatience: 'I was asking basically, sir, well, where do we go from here?'

'We go on. Where else should we go? We can't turn back. No one can turn back.' He had heard the annoyance in Walter's voice, and now he tried to console him. 'He's at my fingertips -don't worry, I can reach him. I feel it.' And after Walter had left him, he drummed his fingers on the desk as he contemplated new aspects of this problem: at the same time as the body of the child had been found in the grounds of St Alfege's, another body had been discovered propped against the back wall of St George's, Bloomsbury, where it runs alongside Little Russell Street. Hawksmoor had visited that spot also, and to those officers already working there he had seemed almost indifferent; it was not indifference, however, but agony. The pattern, as Hawks- moor saw it, was growing larger; and, as it expanded, it seemed about to include him and his unsuccessful investigations.

It was dark now, and the light from the buildings beyond his window shone on his face as he gave a great yawn. He left the office quietly, made his way out of the yard, and as he walked through the clear night to St George's, Bloomsbury, the cold December air turned his breath into clouds of moisture which rose above his head. He paused at the corner of Russell Street and New Oxford Street as a vagrant, muttering 'Jesus fucking Christ! Jesus fucking Christ!', glared at him; and in alarm he walked quickly up to the church, opening the iron gate which led to the small courtyard beside it. He stood beneath the white tower, and looked up at it with that mournful expression which his face always carried in repose: for one moment he thought of climbing up its cracked and broken stone, and then from its summit screaming down at the silent city as a child might scream at a chained animal. But his sudden anger was destroyed by a noise quite close to him. He remained still; a wooden door to his right seemed to be moving in the wind and, as he peered at it, he saw the sign Crypt Entrance written above the portal. The wind continued to blow the door gently backward and forward: to prevent it from opening too suddenly upon him, he hurried towards it and held it closed with his palm. But the wood felt unnaturally warm, and he snatched his hand away. The door opened slightly once more, and Hawksmoor decided to move it towards him with the tips of his fingers, very softly and very slowly so that it was only gradually he heard a faint but sustained laughter coming from within.

When he had opened the door to a sufficient width he slid through its entrance, holding his breath as he did so although the odours of wood and old stone were already forming a metallic taste in the back of his throat. The passage of the crypt was warm, and in his anxious state he imagined a host of people pressing around him -not touching him but close enough to forbid him movement. He walked forward slowly, since his eyes were not yet accustomed to the darkness, but he paused when he thought he heard scuffling noises somewhere in front of him.

He did not cry out, but he lowered himself to the ground and put his hands across his face. The faint sounds had diminished, and now he could hear a voice murmuring, 'Oh yes, oh yes, oh yes, oh yes'.

Hawksmoor stood up at once and, poised for flight, he bent his body away from the direction of that voice and its whispered words. Then there was silence, and Hawksmoor knew that his presence had been sensed; he heard the sound of something being struck, and the light at the end of the passage made him jerk back his head in astonishment for in that instant he saw a young man, with his trousers draped around his ankles, holding onto a girl who was leaning against the stone wall. 'Fuck off!' the young man screamed, 'fuck off, you old sod!'

And Hawksmoor laughed in relief: 'I'm sorry,' he called out to the couple, as the match flickered out and they once more vanished into the darkness, 'I'm sorry!' When he got out of the passage, he leaned against the wall of the church, fighting for breath; once more he could hear the sound of laughter but, when he looked around, he saw only the rubbish of the city being blown against the church steps.

Slowly he walked back to Grape Street, his head bowed against the wind; when he reached the door, he looked up at Mrs West's window and saw two shadows thrown by the firelight upon the ceiling. So she has found a man at last, was his thought as he entered the passageway; it was dark here but at once he saw a small package, addressed to him, which seemed to have been tossed over the threshold. It was wrapped in coarse brown paper: he took it in both hands, held it out in front of him, and climbed the stairs to his own flat. Then, still in his overcoat, he sat down in his bare front room and tore open the parcel greedily: there was a small book within it, with a shiny white cover which was slightly sticky to the touch as if it had recently been coated in wax or resin. As soon as he opened it he saw the same drawing: the man was kneeling and holding something like a spy glass against his right eye. On other pages there were verses, sketches in the form of a cross and then on separate sheets certain phrases inscribed in brown ink -The Fortitude of the Stars', The Power In Images', The Seven Wounds'; towards the end Hawksmoor read, 'O Misery, They Shall Die' and in his horror he dropped the white book upon the floor, where it lay as the darkness of the night changed to the grey of the winter dawn. At which time he was thinking of the man who had drawn the kneeling figure beside St Mary Woolnoth; the tramp's shape was just above Hawksmoor's own as he stretched wide-eyed upon his bed, as if both of them were stone effigies of the dead lying above each other in an empty church.

'I'm still interested in that tramp,' he said as soon as Walter had entered the room.

'Which one was that, sir?'

The tramp by the church. The one who made the drawing.' He turned away from Walter to hide his eagerness. 'Do you still have the letter?' And after a brief search among the files arranged neatly on Hawksmoor's desk, it was found. It seemed so flimsy, just a sheet torn from a memorandum pad with the words 'Don't Forget' printed at its top, and at that moment Hawksmoor made a simple connection: it was as if he had climbed higher and, seeing much further into the distance, had lost his fear. 'Where,' he asked, 'is the nearest class- house to that church?'

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