Peter Ackroyd - Hawksmoor

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Hawksmoor: краткое содержание, описание и аннотация

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In recent years serial killer novels and films have become something of a cliche. It's a genre which has been done to death with only a few works standing above the herd. So Hawksmoor was a very refreshing change. A novel set in London, with two threads, one in the 1800's and one in contemporary times. The novel opens in the period following the Great Fire of London, with one Nicholas Dyer, an assistant surveyor in scotland yard who eventually becomes an apprentice to Christopher Wren. He is commissioned to rebuilt the lost churches of London. In the present we are introduced to a series of characters, including a young boy and a vagrant, whose stories are painted with a lavish brush, before we meet the eponymous hero of the novel.
Hawksmoor is the detective investigating a series of serial killings, located in the vicinity of a number of churches across London. It is here that the various sub plots are brought together, the story centring on Hawksmoor attempts at unravelling the mystery.
All the while the story of Dyer's architectural plans and the rebuilding of London unravel simultaneously. His true character is gradually exposed, revealing unexpected connections between the two disparate storylines.
The conclusion of the novel is both unexpected and uncomfortable, a brilliant conclusion to a work with a great psychological presence. Ackroyd brings the personalities of his characters to the fore, places them in a lushly drawn backdrop, and shows the story through their eyes.
One of the most impressive things about the novel is the way Ackroyd treats the serial killer storyline, keeping it very much in the background, shown only through the eyes of the characters and the ensuing investigation. It never dominates the proceedings, and Ackroyd instead concentrates his energy on exploring the eighteenth century events that hold a key to the present day. It is both chilling and filled with an aura of corruption, a reinvention of history and a fresh look at the present through the eyes of history.
It has been a while since I have read a novel this satisfying, an enthralling story on all levels with an ending that stays with you long after you've finished it.

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You speak of Experience, I replied, and hold it to be consistent with Reason? At this he nods sagely. But may it not be that Experience is inconsistent with Reason: the Gulphe in which Truth lies is bottomless and it will wash over whatever is thrown into it.

He shakes his head as the Candle falters and then flares up: This is but a windy Conceit of Knowledge, Nick, a Maze of Words in which you will lose your self.

As he spoke, Nat was crouch'd upon the Floor, gazing at us wide-eyed. I know this is an Age of Systems, said I at last, but there is no System to be made of those Truths which we learn by Faith and Terrour: you may make your Planns to explain the effects of the Lodestone, the Ebbing and the Flowing of the Sea, or the Motion of the Planets, but you cannot lead to any Cause that satisfies the Truths of those who have looked into the Abyss or seen Sacred Visions. Or of those, I added falteringly, who say that Daemons stir up Raptures and Exstasies in Men. I watched the Shaddowe of Nat upon the Wall, and saw how he trembled.

There are no Spirits, says Sir Chris softly, rising and going to my Window to view the Street beneath.

I looked at him searchingly but his Face was hidden from me. But what of that Demoniack, I cried, locked up in Bedlam, who spoke so truly to me and who said -and here I was about to Blirt out all, so I checked myself. Then the Room suddenly fell quiet as the Rain stopped. But indeed, I continued recovering myself, I am only a builder of Churches.

Sir Chris, now gave a glance down at Nat bent in the Corner and I saw them observing each other in the Gloom before he spoke: Ah, Nick, what dark or melancholy Passions can overshadow the Man whose Senses are always so full of so many various Productions as yours are?

You need not humour me, I said, rising and then sitting down again.

You live too solitary, Nick.

I am no more solitary in my Closet than you are in your Elaboratory: my strange and extravagant Passions, as you call them, are no different from the Hypotheses you build in the Air when you describe that Imaginary world of Attommes and Particles which is all of your own Making. Your World and your Universe are but Philosophicall Romances: how can you call me Phrensied?

Your Mind has a Distemper, he replied, which I may cure: I am aware of the Composition of the Blood, and so I can better understand the difference between Phrensies and Inspirations.

Then I saw the shaddowe of Nat his head slowly turn to me. Yes, I said, yes, and what of your Microscopical Glasses for what do we see with their Aid but frightful Shapes and Figures? When the Breath is condens'd on a Glass does not the Microscope show us Snakes and Dragons withinne it? There is no Mathematicall Beauty or Geometrical Order here -nothing but Mortality and Contagion on this Ordure Earth.

Sir Christopher walked over to face me, before placing his Hands upon my Shoulders: This is a meer Rabble of Words, Nick, which you must place in Order for your own good Health. There is no Truth so abstruse nor so far elevated that Man's Reason may not reach it: what you understand, you may control. Keep hold of this Truth, Nick, and all will be well.

I was quieter now: And when Reason bids us goodnight, sir, what then?

Why should you ask me such a Question?

I grew angry with him once more: your Zeal, I said, is more for Experriments than for the Truth, thus you will turn Experriments into a Truth of your own devising.

This does not signifie two-pence, Nick.

But, I went on looking at Nat again, while you pursew your Rationall Philosophy the general Practice of the World shows that we are in a state of Rapine -like people on a full Career on the Ice, all slide directly into the same Hole they saw their Companions sink into just before them. And I heard Nat laugh at this.

That does not justifie the Folly of it, Sir Chris, replied.

There is a Hell, sir, there are Gods and Daemons and Prodigies: your Reason is but a Toy, your Fortitude downright Madnesse against such Terrours.

He looked at me steadily enough for one who has been Destroy'd: You have many unseasonable Passions, says he, and I could wish you a better Mien. But the years we have been acquainted cannot be obliterated by the Expression of your Melancholy temperament.

I admit, I replied softly, I am of a Melancholick humour but it has been aggravated by many Hardships of which you know nothing.

I know now, Nick. Just after this the Clock struck Ten, and he went to the Window to see if the Rain had entirely ceased. He stared out at the Moon above the Houses: I have stayed late enough, says he after a Moment, it has been a dreadfully Stormy Day, has it not, but now it has cleared for a fine Night. Then he shook me by the Hand in a most familiar Manner, as Nat rose from the Corner and showed him to the Stairs.

I sat upon my Bed and looked down at the Floor. When I heard the Door being closed behind Sir Christopher I called out, Nat! Nat!, and as he came running back into my Chamber I lowered my Voice and whispered to him, Nat, I have said too much, Nat, I have said all.

He came up close to me and put his Head upon my Shoulder: it is no matter, says he, for he is a good Gentleman and will never harm you.

And yet as he spoke I repeated to myself: What must I do? What must I do? But then I bethought myself of Vitruvius his phrase, O pigmy Man, how transient compared to Stone and remembered that this sad Humour of mine would soon be changed, as each Humour makes way for another and cannot even be recollected once it has passed.

When my Name is no more than Dust, and my Passions which now heat this small Room are cooled for ever, when even this Age itself is for succeeding Generations nothing but a Dreem, my Churches will live on, darker and more solid than the approaching Night.

And Nat was saying to me: Your story of the poor Creatures sliding thro' the Ice made me to Laugh, Master, and it put me in Mind of a Song I learnt I know not how when I was a little Child, and I will sing it now to cheer you if I can. And at that he suddenly placed himself before the Window and began: Three Children sliding thereabout, Upon some Ice too thin, That so at last it did fall out That they did all fall in.

Yee Parents all that Children have

And yee that have none yet,

Preserve your Children from the Grave,

Teach them at Home to sit.

I do not recall how it ends, Master, says Nat at a Loss. But then, as he stood before me, at last I wept.

To go on with my Story: my Sorrow being parted from me (and no Harm coming from Sir Chris., as it turned out), I was perfectly Easy of Manner with the Serpent Hayes until the Time had come for my Purpose. And then at about Six of the Clock in the Evening, three weeks after the Events just related, I approach'd him in his Closet and in the politest possible Manner asked if he might take a Glass with me?

He said that he had much Businesse to complect, but when I gave him to understand that the church of St Mary Woolnoth needed his Attention, he readily assented: now, thought I, go you like a Bear to the Stake. I took the Villain first to Hipolyto's in Bridge-street, near the Theatre Royal, where we crack'd the first Bottle of French claret; Hayes was of a greedy and covetous Disposition, and grew thirsty as he drank the Wine I paid for. Then we walk'd on to the Cock and Pye in Drury Lane, where a second and third Bottle succeeded on the Table; then we took a turn to the Deville Tavern opposite Katherine Street, and all the while I watched his Glass attentively. Then we coach'd it to Black-Marys-Hole by St Paul Churchyard (for he was now too drunken to walk). This was such a Place that the Walls were adorned with many unsavoury Finger-dabs, and marks sketched by unskilful Hands with candle-flame and charcole. The Floor was broken like an old Stable, the Windows were mended with Brown- paper and the Corners were full of Dust and Cobwebs. Over the Mantle on a little Shelf were half a dozen long bottles of Rosa Sous with an Advertisement for the speedy Cure of a violent Gonorrhea.

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