Peter Ackroyd - Hawksmoor

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Hawksmoor: краткое содержание, описание и аннотация

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In recent years serial killer novels and films have become something of a cliche. It's a genre which has been done to death with only a few works standing above the herd. So Hawksmoor was a very refreshing change. A novel set in London, with two threads, one in the 1800's and one in contemporary times. The novel opens in the period following the Great Fire of London, with one Nicholas Dyer, an assistant surveyor in scotland yard who eventually becomes an apprentice to Christopher Wren. He is commissioned to rebuilt the lost churches of London. In the present we are introduced to a series of characters, including a young boy and a vagrant, whose stories are painted with a lavish brush, before we meet the eponymous hero of the novel.
Hawksmoor is the detective investigating a series of serial killings, located in the vicinity of a number of churches across London. It is here that the various sub plots are brought together, the story centring on Hawksmoor attempts at unravelling the mystery.
All the while the story of Dyer's architectural plans and the rebuilding of London unravel simultaneously. His true character is gradually exposed, revealing unexpected connections between the two disparate storylines.
The conclusion of the novel is both unexpected and uncomfortable, a brilliant conclusion to a work with a great psychological presence. Ackroyd brings the personalities of his characters to the fore, places them in a lushly drawn backdrop, and shows the story through their eyes.
One of the most impressive things about the novel is the way Ackroyd treats the serial killer storyline, keeping it very much in the background, shown only through the eyes of the characters and the ensuing investigation. It never dominates the proceedings, and Ackroyd instead concentrates his energy on exploring the eighteenth century events that hold a key to the present day. It is both chilling and filled with an aura of corruption, a reinvention of history and a fresh look at the present through the eyes of history.
It has been a while since I have read a novel this satisfying, an enthralling story on all levels with an ending that stays with you long after you've finished it.

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Here in Angell Rents next the Ratcliffe High-way was Mr Barwick barbarously killed, his Throat being cut, the right side of his Head open'd and his Scull broke: I suppose it was done with a Hammer or some such Weapon. A Tub-woman that carries Ale and Beer to the private Houses thereabouts heard the Victim and his Destroyer call out, and when I walk among these Passages I hear such Voices still: How can you strike a sick Man, you are a Dead Man, O Christ do not do it, Damn you are you not dead yet echo by the River. The Murtherer was afterwards hang'd in Chains near the place of his Crime -thus it is call'd Red Cliff, or Ratcliffe, the hanging Dock opposite my Church where the Bodies of the Damned are washed by the Water until they fall to Bits from the effects of Time. Many cry out Jesus, Maria, Jesus, Maria as they go to their Deaths but there was one Boy who killed his whole Family in Betts-Street and was taken in Chains to the Dock to be hang'd: when he saw the Gibbet he laugh'd at first, but then he raved and cried for Damnation. The Mobb could hardly forebear tearing him to Pieces, and yet they knew that if they trod upon the same Stones where Malefactors are done to Death, they would suffer a brief Agonie also. Destruction is like a snow-ball rolled down a Hill, for its Bulk encreases by its own swiftness and thus Disorder spreads: when the woman nam'd Maggot was hanged in Chains by here, one hundred were crushed to Death in the Tumult that came to stare upon her. And so when the Cartesians and the New Philosophers speak of their Experiments, saying that they are serviceable to the Quiet and Peace of Man's life, it is a great Lie: there has been no Quiet and there will be no Peace. The streets they walk in are ones in which Children die daily or are hang'd for stealing Sixpence; they wish to lay a solid Groundwork (or so they call it) for their vast Pile of Experiments, but the Ground is filled with Corses, rotten and rotting others.

Be informed, also, that this good and savoury Parish is the home of Hectors, Trapanners, Biters who all go under the general appelation of Rooks. Here are all the Jilts, Cracks, Prostitutes, Nightwalkers, Whores, Linnen-lifters, who are like so many Jakes, Privies, Houses of Office, Ordures, Excrements, Easments and piles of Sir-reverence: the whores of Ratcliffe High-way smell of Tarpaulin and stinking Cod from their continuall Traffick with seamen's Breeches. There are other such wretched Objects about these ruined Lanes, all of them lamentable Instances of Vengeance. And it is not strange (as some think) how they will haunt the same Districts and will not leave off their Crimes until they are apprehended, for these Streets are their Theatre. Theft, Whoredom and Homicide peep out of the very Windows of their Souls; Lying, Perjury, Fraud, Impudence and Misery are stamped upon their very Countenances as now they walk within the Shaddowe of my Church.

And in this world of Corrupcion I had as like forgot the House for Buggaronies next to the High-way, where grave Gentlemen dress in Women's cloaths, then patch and paint their Faces. They assume the Language as well as the Shape of Women, viz For God's sake, Ladies, what do you mean to use a tender Woman, as I am, with such Barbarity (the Cord is wound around its Neck and its Body suspended by Ropes), I come to make you a civil Visit and here you have prepared Cords and cruel Bands to bind me (the Rods are laid upon its pale Back), I beg of you to use me kindly for you will find me a Woman like your selves (and it comes off with a great Sigh, Nature discharg'd).

This puts me in mind of a Story: there is an Inn on the road between White-chapel and Limehouse, where on one gusty Evening a Gentleman rode up and ask'd for Lodgings. He took his Supper with some other Travellers, and astcnish'd the Company as much by the powers of his Conversation as by the elegance of his Manner. He was an orator, a poet, a painter, a musician, a lawyer, a divine and the magick of his Discourse kept the drowsy Company awake long after their usual Hour. At length, however, wearied Nature could be charmed no more but on observing the Fatigue of the society, the Stranger dis cover'd manifest signs of Uneasinesse: he therefore gave new force to his Spirits, but the departure of his Guests could not be long delay'd and he was eventually conducted to his Chamber. The remains of the Company retired also, but they had scarce closed their Eyes when the house was alarmed by the most terrible Shrieks that were ever known.

Frightened at what they heard, several of them rang their Bells and, when the Servants came, they declared that the horrid Sounds proceeded from the stranger's Chamber. Some of the Gentlemen immediately arose, to inquire into the extraordinary Disturbance; and while they were dressing themselves for the purpose, deeper Groans of Despair, and shriller Shrieks of agony, again astonished and terrified them. After knocking some time at the Stranger's door, he answered them as one woken from Sleep, declared he heard no Noise and desired he might not again be disturbed. Upon this they returned to their Chambers and had scarce begun to communicate their Sentiments to each other when their Converse was interrupted by a renewal of yells, screams and shrieks which once more they traced to the Stranger's chamber, the door of which they instantly burst open, and found him upon his Knees on his Bed, in the act of Scourging himself with the most unrelenting Severity, his Body streaming with Blood. On their seizing his Hand to stop the Strokes he begged them, in the most wringing tone of Voice, that as an act of Mercy they would retire for the Disturbance was now over. In the morning some of them went to his Chamber, but he was not there; and, on examining the Bed, they found it to be one Gore of Blood. Upon further Enquiry, the servants said that the Gentleman had come to the Stable booted and spurred, desired his Horse to be immediately saddled, and then rode at full speed towards London. The Reader may wonder how I, who make no mention of my being there, should be able to relate this as of my own Knowledge; but if he pleases to have Patience, he will have intire Satisfaction in that Point.

The Night is now so cold that I must put my Coat upon the Bed to warm me, and I meditate upon what follows as if it were a Dreame: for was it not a Dreame to see Sir Chris, his Hands steeped in Blood up to the Wrist-bones, and then scratching his head until his Wigg was tainted with it? It was his filthy Curiosity to pore in Humane Corses and so to besmear himself that he might trace each Nerve and all the private Kingdom of Veins and Arteries. I remark on it in this Place, after the history of the Gentleman Traveller, so that you may anatomise the Mind of him who looks into that Blood and Corrupcion and not only of him who Whips it from himself and spills it upon a Bed.

Sir Chris, was well known to those impannelled as Coroners to be a Man who understood the Anatomical Administration of the Humane Body, by means of his geometrical and mechanical Speculations, and one who showed such keen Inclination to cut the fresh Corses that he could be call'd upon in the Ministration of their Office. So it was that one day when I was working with him, on the making of Sewers at the West End of a Church, a packet arrived with a Messenger who desir'd an answer instantly -the Letter saying that the Corps of a Woman was even then lying in the Gate-house at Southwark Reach, having been taken from the River, and that if Sir Chris, should bring his Instruments they would be much obliged to him. Well, well; says he, another Body: I had been hoping for one. And then he asked the Messenger what was the fatal Stroke?

She drowned herself in the Thames, Sir, or so it seems.

Good, good, Sir Chris, goes on hardly hearing this News, but we have little time to prepare ourselves: have you the Stomach for it Nick?

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