Peter Ackroyd - Hawksmoor

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Hawksmoor: краткое содержание, описание и аннотация

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In recent years serial killer novels and films have become something of a cliche. It's a genre which has been done to death with only a few works standing above the herd. So Hawksmoor was a very refreshing change. A novel set in London, with two threads, one in the 1800's and one in contemporary times. The novel opens in the period following the Great Fire of London, with one Nicholas Dyer, an assistant surveyor in scotland yard who eventually becomes an apprentice to Christopher Wren. He is commissioned to rebuilt the lost churches of London. In the present we are introduced to a series of characters, including a young boy and a vagrant, whose stories are painted with a lavish brush, before we meet the eponymous hero of the novel.
Hawksmoor is the detective investigating a series of serial killings, located in the vicinity of a number of churches across London. It is here that the various sub plots are brought together, the story centring on Hawksmoor attempts at unravelling the mystery.
All the while the story of Dyer's architectural plans and the rebuilding of London unravel simultaneously. His true character is gradually exposed, revealing unexpected connections between the two disparate storylines.
The conclusion of the novel is both unexpected and uncomfortable, a brilliant conclusion to a work with a great psychological presence. Ackroyd brings the personalities of his characters to the fore, places them in a lushly drawn backdrop, and shows the story through their eyes.
One of the most impressive things about the novel is the way Ackroyd treats the serial killer storyline, keeping it very much in the background, shown only through the eyes of the characters and the ensuing investigation. It never dominates the proceedings, and Ackroyd instead concentrates his energy on exploring the eighteenth century events that hold a key to the present day. It is both chilling and filled with an aura of corruption, a reinvention of history and a fresh look at the present through the eyes of history.
It has been a while since I have read a novel this satisfying, an enthralling story on all levels with an ending that stays with you long after you've finished it.

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The bell of Limehouse Church rang as each of them, in this house, drifted into sleep -suddenly once more like children who, exhausted by the day's adventures, fall asleep quickly and carelessly. A solitary visitor, watching them as they slept, might wonder how it was that they had arrived at such a state and might speculate about each stage of their journey towards it: when did he first start muttering to himself, and not realise that he was doing so? When did she first begin to shy away from others and seek the shadows? When did all of them come to understand that whatever hopes they might have had were foolish, and that life was something only to be endured? Those who wander are always objects of suspicion and sometimes even of fear: the four people gathered in this house by the church had passed into a place, one might almost say a time, from which there was no return.

The young man who had been bent over the fire had spent his life in a number of institutions -an orphanage, a juvenile home and most recently a prison; the old woman still clutching the brown bottle was an alcoholic who had abandoned her husband and two children many years before; the old man had taken to wandering after the death of his wife in a fire which he believed, at the time, he might have prevented.

And what of Ned, who was now muttering in his sleep?

He had once worked as a printer in Bristol, for a small firm which specialised in producing various forms of stationery. He enjoyed his work but his temperament was a diffident one, and he found it difficult to speak to his colleagues: when in the course of the day he had to talk to them, he often stared at his hands or looked down at the floor as he did so. This had also been his position as a child. He had been brought up by elderly parents who seemed so distant from him that he rarely confided in them, and they would stare at him helplessly when he lay sobbing upon his bed; in the schoolyard he had not joined in the games of others but had held himself back, as if fearing injury.

So he had been called a 'retiring' boy. Now his work-mates pitied him, although they tried not to show it, and it was generally arranged that he was given jobs which allowed him to work alone. The smell of ink, and the steady rhythm of the press, then induced in him a kind of peace -it was the peace he felt when he arrived early, at a time when he might be the only one to see the morning light as it filtered through the works or to hear the sound of his footsteps echoing through the old stone building. At such moments he was forgetful of himself and thus of others until he heard their voices, raised in argument or in greeting, and he would shrink into himself again. At other times he would stand slightly to one side and try to laugh at their jokes, but when they talked about sex he became uneasy and fell silent for it seemed to him to be a fearful thing. He still remembered how the girls in the schoolyard used to chant, Kiss me, kiss me if you can I will put you in my pan, Kiss me, kiss me as you said I will fry you till you're dead And when he thought of sex, it was as of a process which could tear him limb from limb. He knew from his childhood reading that, if he ran into the forest, there would be a creature lying in wait for him.

Generally after work he left quickly and returned through the streets of Bristol to his room, with its narrow bed and cracked mirror.

It was cluttered with his parents' furniture, which to him now smelled of dust and death, and was quite without interest except for a variety of objects which gleamed on the mantelpiece. He was a collector, and at weekends he would search paths or fields for old coins and artefacts: the objects he discovered were not valuable, but he was drawn to their status as forgotten and discarded things. He had recently found, for example, an old spherical compass which he had placed at the centre of his collection. He stared at in the evening, imagining those who in another time had used it to find their way.

Thus he lived until his twenty fourth year when, on one evening in March, he agreed to go with his work-mates to the local pub. He had not been able to concentrate on his work all that day: for some reason he had been experiencing a peculiar but unfocussed excitement; his throat was dry, his stomach tightened into cramps, and when he spoke he confused his words. When he arrived in the saloon bar he wanted to drink some beer quickly, very quickly, and for a moment he had an image of his own body as a flame: 'What'll you have? What'll you have?' he called out to the others, who looked at him astonished.

But he was filled with good fellowship and, as he waited for his order, he saw a discarded glass with some whisky still in it; surreptitiously, he drank it down before turning to his friends with a broad grin.

The more he drank that evening, the more he talked; he took everything that was said with a terrible seriousness, and interrupted other conversations continually. 'Let me explain,' he was saying, 'Try and see it my way for once.' Certain thoughts and phrases which had occurred to him in the past, but which he had kept to himself, now acquired real significance and he shouted them out in astonishment even as he faintly sensed the incredulity and horror which he would later feel at his own behaviour. But this did not matter if at last he was about to create a vivid impression upon the others: and that need became all the more desperate when he was no longer able to distinguish their faces, and they had become moons which encircled him. And he left his own body in order to howl at them from a distance: 'I shouldn't be here,' he was saying, 'I shouldn't be telling you this. I stole money. I stole it from the firm -you know when she puts the wages in the packets? I stole a lot, and they never found out.

Never. You know I was in prison for stealing once?' He looked around as if he were being hunted. 'It's terrible there, in a cell. I shouldn't be here. I'm a professional thief.' He took hold of a glass, but it slipped out of his grasp and shattered as it hit the floor; then he got up from his stool and swung blindly towards the door.

It was early morning when he woke up, fully clothed, on his bed and found himself staring at the ceiling with his arms rigid by his sides. At first he felt quite serene, since he was being borne aloft by the grey light approaching him in neat squares from the window, but then the memory of the previous evening struck him and, staring wildly around, he sprang up from the bed. He gnawed at his right hand as he tried to recall each event in order but he saw only an image of himself as blood red, his face contorted with rage, his body veering from side to side, and his voice magnified as if all the time he had been sitting alone in a darkened room. He concentrated on that darkness and was able to glimpse the faces of the others, but they were stamped with horror or detestation. And then he remembered what he had said about theft, and about prison. He got up and looked into the mirror, noticing for the first time that he had two large hairs growing between his eyebrows. Then he was sick in the small basin. Who was it that had spoken last night?

He was walking around in circles, the smell of the old furniture suddenly very distinct. There was a newspaper in his hand and he started reading it, paying particular attention to the headlines which seemed to be floating towards him so that now a band of black print encircled his forehead. He was curled upon the bed, hugging his knees, when the next horror came upon him: those who heard him last night would now have to report his theft, and his employer would call the police. He saw how the policeman took the telephone call at the station; how his name and address were spoken out loud; how he looked down at the floor as they led him away; how he was in the dock, forced to answer questions about himself, and now he was in a cell and had lost control of his own body. He was staring out of the window at the passing clouds when it occurred to him that he should write to his employer, explaining his drunkenness and confessing that he invented the story of theft; but who would believe him? It was always said that in drink there was truth, and perhaps it was true that he was a convicted thief. He began to sing, One fine day in the middle of the night, Two dead men got up to fight and then he knew what was meant by madness.

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