Peter Ackroyd - Hawksmoor

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Hawksmoor: краткое содержание, описание и аннотация

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In recent years serial killer novels and films have become something of a cliche. It's a genre which has been done to death with only a few works standing above the herd. So Hawksmoor was a very refreshing change. A novel set in London, with two threads, one in the 1800's and one in contemporary times. The novel opens in the period following the Great Fire of London, with one Nicholas Dyer, an assistant surveyor in scotland yard who eventually becomes an apprentice to Christopher Wren. He is commissioned to rebuilt the lost churches of London. In the present we are introduced to a series of characters, including a young boy and a vagrant, whose stories are painted with a lavish brush, before we meet the eponymous hero of the novel.
Hawksmoor is the detective investigating a series of serial killings, located in the vicinity of a number of churches across London. It is here that the various sub plots are brought together, the story centring on Hawksmoor attempts at unravelling the mystery.
All the while the story of Dyer's architectural plans and the rebuilding of London unravel simultaneously. His true character is gradually exposed, revealing unexpected connections between the two disparate storylines.
The conclusion of the novel is both unexpected and uncomfortable, a brilliant conclusion to a work with a great psychological presence. Ackroyd brings the personalities of his characters to the fore, places them in a lushly drawn backdrop, and shows the story through their eyes.
One of the most impressive things about the novel is the way Ackroyd treats the serial killer storyline, keeping it very much in the background, shown only through the eyes of the characters and the ensuing investigation. It never dominates the proceedings, and Ackroyd instead concentrates his energy on exploring the eighteenth century events that hold a key to the present day. It is both chilling and filled with an aura of corruption, a reinvention of history and a fresh look at the present through the eyes of history.
It has been a while since I have read a novel this satisfying, an enthralling story on all levels with an ending that stays with you long after you've finished it.

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From the Imposicion on Coles.

And are the Coles not the blackest Element, which with their Smoak hide the Sunne?

Certainly they feed the Fires of this City, says he.

And where is the Light and Easinesse there? Since we take our Revenues from the Under-world, what does it Signifie if we also Build upon the Dead?

There was a Noise in the adjoining Chamber (it is two Rooms struck into one, and thus has more of an Eccho), a Noise like to someone's quick Steps and I broke off my Discourse as Sir Chris, walk'd in, accouter'd as the Boys that run with the Gazette -Hat under Arm, and Breathless, and yet despite his Age not so corpulent neither. Walter rose up in a fright and spilt the Inke upon his Draught (which was no great Loss), but Sir Chris, did not perceive anything of this and stepp'd up to me wheezing like an old Goat. Master Dyer, says he, the Commission are expecting your Report on the New Churches: if it be not done already get it done now, since they are in great Hast- -Hast is for Fools, I murmur'd beneath my Breath.

And your Church in the Spittle-Fields, is it near complete?

It needs only the Lead on the Portico.

Well make hast to buy it now, since Lead is under 9L a tun but in a fair way to go up by next month. And then Sir Chris, stood biting his under-lip like an Infant without his Toy or a Wretch at the Foot of the Gallows. And the other Churches, he asks after a Pause, are they well advanc'd?

I have fixed on their Situacon, I replied, and three already are being Laid.

I must have exact Plans of the Buildings as they stand at present, says he, and you must press the Joyner to build severall Moddells The Modells are of my own devising, Sir Christopher.

What you will, Master Dyer, what you will. And he waved at my Draughts with inexpressible Weariness before he departed, leaving the Mustiness of his Wig behind him. When I was young and vigorous, and first in his Service, I composed some verses on Sir Chris.: The Globe's thy Studye; for thy restless Mind In a less limit cannot be confin'd.

Thy Portrait I admire: thy very lookes

Shew Wren is read in Farts as well as Books.

He that shall scan this Face may judge by it, Thou hast an Head peece that is throng'd with Shit.

But this was in another Time. Now I call'd out to Walter who linger'd in the Paymaster's Closet until Sir Chris, be gone. Did I tell you, says I when he returned to me, of the story of Nestor? And Walter shook his Head. Nestor, I continu'd, was the inventor of Mechanick Power, which is now so cryed up, and once he designed an Edifice of Gracefull Form but which was so finely contriv'd that it could bear only its own Weight. And Walter nodded sagely at this. It fell down, Master Pyne, with no other Pressure than the setting of a Wren on top of it. And he lets out a Laugh, which stops as short as it was begun like the Bark of a Dogge.

Walter is of a reserv'd Disposition and speaks little, but this is of no matter since it is a Temper like to my own. And be pleased to take a Scetch of his Figure as follows: He wears an old Coat with odd Buttons and a Pair of Trowsers patched in Leather so that he is all of a pickle.

His awkward Garb and his odd Trim (as they call it in the Office) make him an Object of Humour: Master Dyer's Gentleman, they call him.

But this is a fitting Title since thus can I mould him as the Baker moulds the Dough before he pops it in the Oven: I have turn'd him into a proper Scholar, and steer'd him safe among the Books which lie in his way. I acquainted him with certain Prints of the Aegyptian Obelisks, and advised him to studdy them well and copy them; I instructed him in my own Scriptures -in Aylet Sammes his Britannia Antiqua lllustrata, in Mr Baxter's Book Concerning the Certainty of the World of Spirits, in Mr Cotton Mather his Relations of the Wonders of the Invisible World and many other such, for this is fit Reading for one who wishes to become a thoro' Master. The Length of my necessary Instructions is too great to compleat here but there were four things I taught Walter to consider: 1) That it was Cain who built the first City, 2) That there is a true Science in the World called Scientia Umbrarum which, as to the publick teaching of it, has been suppressed but which the proper Artificer must comprehend, 3) That Architecture aims at Eternity and must contain the Eternal Powers: not only our Altars and Sacrifices, but the Forms of our Temples, must be mysticall, 4) That the miseries of the present Life, arid the Barbarities of Mankind, the fatall disadvantages we are all under and the Hazard we run of being eternally Undone, lead the True Architect not to Harmony or to Rationall Beauty but to quite another Game. Why, do we not believe the very Infants to be the Heirs of Hell and Children of the Devil as soon as they are disclos'd to the World? I declare that I build my Churches firmly on this Dunghil Earth and with a full Conception of Degenerated Nature.

I have only room to add: there is a mad-drunken Catch, Hey ho! The Devil is dead! If that be true, I have been in the wrong Suit all my Life.

But to return to the Thread of this History. Sir Chris, presses hard at our Heels, says I to Walter, and we must make an Account to the Commission: I will dictate it to you now and you must fair-write it later. And I clear my Throat, savoring the Blood in my Mouth. To the Honble. The Commission for Building Seven New Churches in the Cities of London and Westminster. Dated: 13 January 1712, from the Office of Works, Scotland Yard. Sirs, in obedience to your orders, I most humbly submit my Account, having been instructed by Sir Xtofer Wren, Surveyor to Her Majesty's Works, to have such Churches quite in my Charge. The weather being mighty favourable, there has been great forwardness in carrying on the New Church in Spittle-Fields. The masonry of the West End is now intirely com- pleated and the Portico is to be covered with Lead presently. The Plaistering is pretty forward, and withinne a month I shall send instructions for the Gallery and Inside furnishing. The Tower is advancing and has been carried up about Fifteen foot higher since my last account of it. (And my own tumbling Thought upon this Topick goes as follows: I will have one Bell only since too much Ringing disturbs the Spirits.) Of the other Churches it has been given into my Commission to build: the New Church at Limehouse is advanc'd as high as necessary for the season and it will be for the advantage of that Work to stop for the Present. This figure shewes half the outside of the Building -you will inclose it, Walter, will you not? -designed after a plain manner to be performed most with Ashler. I have added thin Pilasters to the walls, which are easily performed in rendering upon Brick-worke. I have given the ancient formed of Roofe which the experience of all Ages hath found the surest, noe other is to be trusted without doubling the thicknesse of the walles. When the Mason has sent me his Draughts, I will give you a carefull estimate of the charge, and returne you again the originall Désignes, for in the handes of the workemen they will soon be soe defaced that they will not be able from them to pursew the Work to a Conclusion. This for the Church at Limehouse. The foundation of the Wapping New Church is carryed up as high as the Ground and ready to receive such sort of fabrick as I inclose draughts and Plans for. This for the Church at Wapping. We desire the honorable Board will be pleased to direct the covering of these respective Fabricks, and that the Ground therein to be walled in with Brick in order to hinder the Rabble and idle Mobb from getting in and finding ways to do continual Mischief. And then add this, Walter: In obedience to your Orders I have survey'd four other Parrishes mencioned and Sites for Churches; and which said Parrishes and Sites are humbly offered as followeth, viz And here, Walter, make precise the Situacions of St Mary Woolnoth, the New Churches in Blooms bury and Greenwich, and the Church of Little St Hugh in Black Step Lane.

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