Barbara Kingsolver - The Poisonwood Bible

Здесь есть возможность читать онлайн «Barbara Kingsolver - The Poisonwood Bible» весь текст электронной книги совершенно бесплатно (целиком полную версию без сокращений). В некоторых случаях можно слушать аудио, скачать через торрент в формате fb2 и присутствует краткое содержание. Жанр: Современная проза, на английском языке. Описание произведения, (предисловие) а так же отзывы посетителей доступны на портале библиотеки ЛибКат.

The Poisonwood Bible: краткое содержание, описание и аннотация

Предлагаем к чтению аннотацию, описание, краткое содержание или предисловие (зависит от того, что написал сам автор книги «The Poisonwood Bible»). Если вы не нашли необходимую информацию о книге — напишите в комментариях, мы постараемся отыскать её.

Amazon.com Review
Oprah Book Club® Selection, June 2000: As any reader of The Mosquito Coast knows, men who drag their families to far-off climes in pursuit of an Idea seldom come to any good, while those familiar with At Play in the Fields of the Lord or Kalimantaan understand that the minute a missionary sets foot on the fictional stage, all hell is about to break loose. So when Barbara Kingsolver sends missionary Nathan Price along with his wife and four daughters off to Africa in The Poisonwood Bible, you can be sure that salvation is the one thing they're not likely to find. The year is 1959 and the place is the Belgian Congo. Nathan, a Baptist preacher, has come to spread the Word in a remote village reachable only by airplane. To say that he and his family are woefully unprepared would be an understatement: "We came from Bethlehem, Georgia, bearing Betty Crocker cake mixes into the jungle," says Leah, one of Nathan's daughters. But of course it isn't long before they discover that the tremendous humidity has rendered the mixes unusable, their clothes are unsuitable, and they've arrived in the middle of political upheaval as the Congolese seek to wrest independence from Belgium. In addition to poisonous snakes, dangerous animals, and the hostility of the villagers to Nathan's fiery take-no-prisoners brand of Christianity, there are also rebels in the jungle and the threat of war in the air. Could things get any worse?
In fact they can and they do. The first part of The Poisonwood Bible revolves around Nathan's intransigent, bullying personality and his effect on both his family and the village they have come to. As political instability grows in the Congo, so does the local witch doctor's animus toward the Prices, and both seem to converge with tragic consequences about halfway through the novel. From that point on, the family is dispersed and the novel follows each member's fortune across a span of more than 30 years.
The Poisonwood Bible is arguably Barbara Kingsolver's most ambitious work, and it reveals both her great strengths and her weaknesses. As Nathan Price's wife and daughters tell their stories in alternating chapters, Kingsolver does a good job of differentiating the voices. But at times they can grate-teenage Rachel's tendency towards precious malapropisms is particularly annoying (students practice their "French congregations"; Nathan's refusal to take his family home is a "tapestry of justice"). More problematic is Kingsolver's tendency to wear her politics on her sleeve; this is particularly evident in the second half of the novel, in which she uses her characters as mouthpieces to explicate the complicated and tragic history of the Belgian Congo.
Despite these weaknesses, Kingsolver's fully realized, three-dimensional characters make The Poisonwood Bible compelling, especially in the first half, when Nathan Price is still at the center of the action. And in her treatment of Africa and the Africans she is at her best, exhibiting the acute perception, moral engagement, and lyrical prose that have made her previous novels so successful. -Alix Wilber
From Publishers Weekly
In this risky but resoundingly successful novel, Kingsolver leaves the Southwest, the setting of most of her work (The Bean Trees; Animal Dreams) and follows an evangelical Baptist minister's family to the Congo in the late 1950s, entwining their fate with that of the country during three turbulent decades. Nathan Price's determination to convert the natives of the Congo to Christianity is, we gradually discover, both foolhardy and dangerous, unsanctioned by the church administration and doomed from the start by Nathan's self-righteousness. Fanatic and sanctimonious, Nathan is a domestic monster, too, a physically and emotionally abusive, misogynistic husband and father. He refuses to understand how his obsession with river baptism affronts the traditions of the villagers of Kalinga, and his stubborn concept of religious rectitude brings misery and destruction to all. Cleverly, Kingsolver never brings us inside Nathan's head but instead unfolds the tragic story of the Price family through the alternating points of view of Orleanna Price and her four daughters. Cast with her young children into primitive conditions but trained to be obedient to her husband, Orleanna is powerless to mitigate their situation. Meanwhile, each of the four Price daughters reveals herself through first-person narration, and their rich and clearly differentiated self-portraits are small triumphs. Rachel, the eldest, is a self-absorbed teenager who will never outgrow her selfish view of the world or her tendency to commit hilarious malapropisms. Twins Leah and Adah are gifted intellectually but are physically and emotionally separated by Adah's birth injury, which has rendered her hemiplagic. Leah adores her father; Adah, who does not speak, is a shrewd observer of his monumental ego. The musings of five- year-old Ruth May reflect a child's humorous misunderstanding of the exotic world to which she has been transported. By revealing the story through the female victims of Reverend Price's hubris, Kingsolver also charts their maturation as they confront or evade moral and existential issues and, at great cost, accrue wisdom in the crucible of an alien land. It is through their eyes that we come to experience the life of the villagers in an isolated community and the particular ways in which American and African cultures collide. As the girls become acquainted with the villagers, especially the young teacher Anatole, they begin to understand the political situation in the Congo: the brutality of Belgian rule, the nascent nationalism briefly fulfilled in the election of the short-lived Patrice Lumumba government, and the secret involvement of the Eisenhower administration in Lumumba's assassination and the installation of the villainous dictator Mobutu. In the end, Kingsolver delivers a compelling family saga, a sobering picture of the horrors of fanatic fundamentalism and an insightful view of an exploited country crushed by the heel of colonialism and then ruthlessly manipulated by a bastion of democracy. The book is also a marvelous mix of trenchant character portrayal, unflagging narrative thrust and authoritative background detail. The disastrous outcome of the forceful imposition of Christian theology on indigenous natural faith gives the novel its pervasive irony; but humor is pervasive, too, artfully integrated into the children's misapprehensions of their world; and suspense rises inexorably as the Price family's peril and that of the newly independent country of Zaire intersect. Kingsolver moves into new moral terrain in this powerful, convincing and emotionally resonant novel.

The Poisonwood Bible — читать онлайн бесплатно полную книгу (весь текст) целиком

Ниже представлен текст книги, разбитый по страницам. Система сохранения места последней прочитанной страницы, позволяет с удобством читать онлайн бесплатно книгу «The Poisonwood Bible», без необходимости каждый раз заново искать на чём Вы остановились. Поставьте закладку, и сможете в любой момент перейти на страницу, на которой закончили чтение.

Тёмная тема
Сбросить

Интервал:

Закладка:

Сделать

“I’m sure I don’t,” I said. We’d gotten to the edge of the village, past the chief’s house, where we were supposed to make a point of Tata Ndu seeing us together, which we both forgot about. Now we were out where there were no more huts and the tall elephant grass started to get tangled up with the edge of the jungle. I’d sworn I wouldn’t go past the end of the village, but it’s a woman’s provocative to change her mind. Axelroot just kept walking, and suddenly I didn’t care what happened next. I kept walking too. Maybe it was the cigarettes: I felt very rash. I would get him to fly us out of here by hook or by crook, is what I was thinking deep in my heart. It was cooler in the forest anyway, and very quiet. When you listened there were only bird sounds with silence in between, and those two sounds put together somehow seemed even quieter than no sound at all. It was very shadowy and nearly dark, even though it was the middle of the day. Axelroot stopped and put out his cigarette with his boot. He took mine from me, cupped rny chin in his hand, and started to kiss me. Oh, lordy! My first kiss, and I didn’t even get a chance to get ready for it. I didn’t and I did want him to do it.

Mostly I did. He tasted like tobacco and salt and the whole experience was very wet. Finally I pushed him away.

“That’s enough of that,” I said. “If we do anything, we should do it where people will see us, you know.”

“Well, well.” He was smiling, and ran the back of his hand along the side of my face. “I’d expect more modesty from a preacher’s daughter.”

“I’ll show you preacher’s daughter. Go to hell, Axelroot!” I turned around and started walking fast back toward the village. He caught up to me and put his arm on my shoulder to slow me back down to a stroll.

“Mustn’t let Tata Ndu see us having a lovers’ quarrel,” he said, leaning down into my face. I tossed my head so my hair flew right in his nosy mug. We were still in the forest anyways, nowhere near Tata Ndu’s house or anybody else’s.

“Come on,” he coaxed. “Give me a smile. One pretty smile and I’ll tell you the biggest damn secret in Africa.”

“Oh, I’m sure,” I said. But I was curious. I glanced at him. “So what’s the secret? Does my family get to go home?”

He laughed. “You still think you’re the epicenter of a continent, don’t you, Princess?”

“Don’t be ridiculous,” I said. I would have to ask Leah if an episender sent out good things or bad. If a man you are supposedly engaged to calls you one, you ought to know.

He’d slowed me down till we were walking at an absolute snail’s pace. It made me nervous. But he was going to tell me his secret if I just waited. I could tell he was itching to, so I didn’t ask. I know a thing or two about men. Finally, here it came.”Somebody’s going to die,” he announced.

“Well, big surprise,” I said. “Somebody dies around here about every ten and a half seconds.” But of course I wondered: Who? I felt a little scared but still didn’t ask. We kept walking, step by step. I had to. He still had his arm around me. “Somebody that matters,” he said.

“Everybody matters,” I informed him. “In the eyes of our Lord Jesus Christ they do. Even the sparrows that fall out of their little nest and what not.”

He positively snorted at that. “Princess, you have much to learn. Alive, nobody matters much in the long run. But dead, some men matter more than others.”

I was sick of his guessing game. “All right then, who?”

He put his mouth so close to my ear I could feel his lips on my hair. He whispered,”Lumumba”

“Patrice Lumumba, the President?” I asked out loud, startled. “Or whatever he is? The one they elected?”

“As good as dead,” he said in a quiet, so-what voice that chilled my blood.

“Do you mean to tell me he’s sick or something?”

“I mean his number is up. He’s going to get it.”

“And how would you happen to know that?”

“I would happen to know that,” he said, mocking me, “because I’m in a position to know. Take my word for it, sister.Yesterday Big Shot sent a cable to Devil One with orders to replace the new Congolese government by force. I intercepted the news in code on my radio. My own orders will be coming before the end of the week, I guarantee you.”

Now that was so much bunk I am sure, because nobody in our village has a radio. But I let him go on talking in his little riddles if that was what buttered his toast. He said Devil One was supposed to get his so-called operatives to convince the army men to go against Lumumba. Supposedly this Devil One person was going to get one million dollars from the United States to pay soldiers to do that, go against the very person they all just elected. A million dollars! When we couldn’t even get fifty measly greenbacks a month for our bread and board. That was a likely story. I almost felt sorry for Axelroot, wanting so bad to impress me into kissing him again that he’d make up ridiculous stories. I may be a preacher’s daughter, but I know a thing or two. And one of them is, when men want to kiss you they act like they are just on the brink of doing something that’s going to change the whole wide world.

Adah

PRESENTIMENT-is that long Shadow-on the Lawn- Indicative that Suns go down- The Notice to the startled Grass That Darkness-is about to pass- Pity the poor dumb startled grass, I do. Ssap ot tuoba. I am fond of Miss Emily Dickinson: No snikddy lime, a contrary name with a delicious sourgreen taste. Reading her secrets and polite small cruelties of her heart, I believe she enjoyed taking the dumb grass by surprise, in her poem. Cumbered in her body, dressed in black, hunched over her secret notebook with window blinds shut against the happy careless people outside, she makes small scratching sounds with her pen, covering with nightfall all creatures that really should know what to expect by now, but don’t. She liked herself best in darkness, as do I.

In darkness when all cats are equally black, I move as gracefully as anyone. Benduka is the bent-sideways girl who walks slowly, but ben-duka is also the name of a fast-flying bird, the swallow with curved wings who darts crookedly quick through trees near the river. This bird I can follow. I am the smooth, elegant black cat who slips from the house as a liquid shadow after dark. Night is the time for seeing without being seen. With my own narrow shadow for a boat I navigate the streams of moonlight that run between shadow islands in the date-palm grove. Bats pierce the night with bell voices like knives. Bats stab! And owls call out to the bikinda, spirits of the dead. The owls, only hungry like everyone else, looking for souls to eat.

In the long perishing of children from kakakaka I saw the air change color: it was blue with bildla, the wailing for the dead. It came inside our house, where our mother stopped up her ears and her mouth. Bi la ye bandu! Bi la ye bandulWhy why why, they sang, the mothers -who staggered down our road behind small tightly wrapped corpses, mothers crazy-walking on their knees, with mouths open wide like a hole ripped in mosquito netting. That mouth hole! Jagged torn place in their spirits that lets the small flying agonies pass in and out. Mothers with eyes squeezed shut, dark cheek muscles tied in knots, heads thrashing from side to side as they passed. All this we saw from our windows. Two times I saw more. The Reverend forbade us to observe any ritual over which he was not asked to preside, but twice, at night, I slipped out to spy on the funerals. Inside a grove of trees the mothers threw themselves on mounds of dirt that covered their children. Crawled on their hands and knees, tried to eat the dirt from the graves. Other women had to pull them away. The owls croon and croon, and the air must be thick with the spirits of children dead.

Читать дальше
Тёмная тема
Сбросить

Интервал:

Закладка:

Сделать

Похожие книги на «The Poisonwood Bible»

Представляем Вашему вниманию похожие книги на «The Poisonwood Bible» списком для выбора. Мы отобрали схожую по названию и смыслу литературу в надежде предоставить читателям больше вариантов отыскать новые, интересные, ещё непрочитанные произведения.


Отзывы о книге «The Poisonwood Bible»

Обсуждение, отзывы о книге «The Poisonwood Bible» и просто собственные мнения читателей. Оставьте ваши комментарии, напишите, что Вы думаете о произведении, его смысле или главных героях. Укажите что конкретно понравилось, а что нет, и почему Вы так считаете.