Robert Alexander Watson - The Expositor's Bible - The Book of Numbers

To summon from the past and reproduce with any detail the story of Israel's life in the desert is now impossible. The outlines alone remain, severe, careless of almost everything that does not bear on religion. Neither from Exodus nor from Numbers can we gather those touches that would enable us to reconstruct the incidents of a single day as it passed in the camp or on the march. The tribes move from one "wilderness" to another. The hardship of the time of wandering appears unrelieved, for throughout the history the doings of God, not the achievements or sufferings of the people, are the great theme. The patriotism of the Book of Numbers is of a kind that reminds us continually of the prophecies. Resentment against the distrustful and rebellious, like that which Amos, Hosea, and Jeremiah express, is felt in almost every portion of the narrative. At the same time the difference between Numbers and the books of the prophets is wide and striking. Here the style is simple, often stern, with little emotion, scarcely any rhetoric. The legislative purpose reacts on the historical, and makes the spirit of the book severe. Seldom does the writer allow himself respite from the grave task of presenting Israel's duties and delinquencies, and exalting the majesty of God. We are made continually to feel the burden with which the affairs of the people are charged; and yet the book is no poem: to excite sympathy or lead up to a great climax does not come within the design.

Nevertheless, so far as a book of incident and statute can resemble poetry, there is a parallel between Numbers and a form of literature produced under other skies, other conditions—the Greek drama. The same is true of Exodus and Deuteronomy; but Numbers will be found especially to bear out the comparison. The likeness may be traced in the presentation of a main idea, the relation of various groups of persons carrying out or opposing that main idea, and the Puritanism of form and situation. The Book of Numbers may be called eternal literature more fitly than the Iliad and Æneid have been called eternal poems; and the keen ethical strain and high religious thought make the movement tragical throughout. Moses the leader is seen with his helpers and opponents, Aaron and Miriam, Joshua and Hobab, Korah, Dathan, and Abiram, Balak and Balaam. He is brought into extremity; he despairs and appeals passionately to Heaven; in an hour of pride he falls into sin which brings doom upon him. The people, murmuring, craving, suffering, are always a vague multitude. The tent, the cloud, the incense, the wars, the strain of the wilderness journey, the hope of the land beyond—all have a dim solemnity. The occupying thought is of Jehovah's purpose and the revelation of His character. Moses is the prophet of this Divine mystery, stands for it almost alone, urges it upon Israel, is the means of impressing it by judgments and victories, by priestly law and ceremony, by the very example of his own failure in sudden trial. With a graver and bolder purpose than any embodied in the dramatic masterpieces of Greece, the story of Numbers finds its place not in literature only, but in the development of universal religion, and breathes that Divine inspiration which belongs to the Hebrew and to him alone among those who speak of God and man.

The Divine discipline of human life is an element of the theme, but in contrast to the Greek dramas the books of the exodus are not individualistic. Moses is great, but he is so as the teacher of religion, the servant of Jehovah, the lawgiver of Israel. Jehovah, His religion, His law, are above Moses. The personality of the leader stands clear; yet he is not the hero of the Book of Numbers. The purpose of the history leaves him, when he has done his work, to die on Mount Abarim, and presses on, that Jehovah may be seen as a man of war, that Israel may be brought to its inheritance and begin its new career. The voice of men in the Greek tragedy is, as Mr. Ruskin says, "We trusted in the gods; we thought that wisdom and courage would save us. Our wisdom and courage deceive us to our death." When Moses despairs, that is not his cry. There is no Fate stronger than God; and He looks far into the future in the discipline He appoints to men, to His people Israel. The remote, the unfulfilled, gleams along the desert. There is a light from the pillar of fire even when the pestilence is abroad, and the graves of the lustful are dug, and the camp is dissolved in tears because Aaron is dead, because Moses has climbed the last mountain and shall never again be seen.

In respect of content, one point shows likeness between the Greek drama and our book—the vague conception of death. It is not an extinction of life, but the human being goes on into an existence of which there is no definite idea. What remains has no reckoning, no object. The recoil of the Hebrew is not indeed piteous, and fraught with horror, like that of the Greek, although death is the last punishment of men who transgress. For Aaron and Moses, and all who have served their generation, it is a high and venerated Power that claims them when the hour of departure comes. The God they have obeyed in life calls them, and they are gathered to their people. No note of despair is heard like that in the Iphigenia in Aulis ,—

Dying as well as living men are with God; and this God is the Lord of all. Immense is the difference between the Greek who trusts or dreads many powers above, beneath, and the Hebrew realising himself, however dimly, as the servant of Jehovah the holy, the eternal. This great idea, seized by Moses, introduced by him into the faith of his people, remained it may be indefinite, yet always present to the thought of Israel with many implications till the time of full revelation came with Christ, and He said: "Now that the dead are raised, even Moses showed, in the bush, when he called the Lord the God of Abraham, and the God of Isaac, and the God of Jacob. For He is not the God of the dead, but of the living." The wide interval between a people whose religion contained this thought, in whose history it is interwoven, and a people whose religion was polytheistic and natural is seen in the whole strain of their literature and life. Even Plato the luminous finds it impossible to overpass the shadows of pagan interpretations. "In regard to the facts of a future life, a man," said Phædo, "must either learn or find out their nature; or, if he cannot do this, take at any rate the best and least assailable of human words, and, borne on this as on a raft, perform in peril the voyage of life, unless he should be able to accomplish the journey with less risk and danger on a surer vessel—some word Divine." Now Israel had a Divine word; and life was not perilous.

The problem which appears again and again in Moses' relation with the people is that of the theocratic idea as against the grasping at immediate success. At various points, from the start in Egypt onwards, the opportunity of assuming a regal position comes to Moses. He is virtually dictator, and he might be king. But a rare singleness of mind keeps him true to Jehovah's lordship, which he endeavours to stamp on the conscience of the people and the course of their development. He has often to do so at the greatest risk to himself. He holds back the people in what seems the hour of advance, and it is the will of Jehovah by which they are detained. The Unseen King is their Helper and equally their Rhadamanthine Judge; and on Moses falls the burden of forcing that fact upon their minds.

Israel could never, according to Moses' idea, become a great people in the sense in which the nations of the world were great. Amongst them greatness was sought in despite of morality, in defiance of all that Jehovah commanded. Israel might never be great in wealth, territory, influence, but she was to be true. She existed for Jehovah, while the gods of other nations existed for them, had no part to play without them. Jehovah was not to be overborne either by the will or the needs of His people. He was the self-existent Lord. The Name did not represent a supernatural assistance which could be secured on terms, or by any authorised person. Moses himself, though he entreated Jehovah, did not change Him. His own desire was sometimes thwarted; and he had often to give the oracle with sorrow and disappointment.