Barbara Kingsolver - The Poisonwood Bible

Здесь есть возможность читать онлайн «Barbara Kingsolver - The Poisonwood Bible» весь текст электронной книги совершенно бесплатно (целиком полную версию без сокращений). В некоторых случаях можно слушать аудио, скачать через торрент в формате fb2 и присутствует краткое содержание. Жанр: Современная проза, на английском языке. Описание произведения, (предисловие) а так же отзывы посетителей доступны на портале библиотеки ЛибКат.

The Poisonwood Bible: краткое содержание, описание и аннотация

Предлагаем к чтению аннотацию, описание, краткое содержание или предисловие (зависит от того, что написал сам автор книги «The Poisonwood Bible»). Если вы не нашли необходимую информацию о книге — напишите в комментариях, мы постараемся отыскать её.

Amazon.com Review
Oprah Book Club® Selection, June 2000: As any reader of The Mosquito Coast knows, men who drag their families to far-off climes in pursuit of an Idea seldom come to any good, while those familiar with At Play in the Fields of the Lord or Kalimantaan understand that the minute a missionary sets foot on the fictional stage, all hell is about to break loose. So when Barbara Kingsolver sends missionary Nathan Price along with his wife and four daughters off to Africa in The Poisonwood Bible, you can be sure that salvation is the one thing they're not likely to find. The year is 1959 and the place is the Belgian Congo. Nathan, a Baptist preacher, has come to spread the Word in a remote village reachable only by airplane. To say that he and his family are woefully unprepared would be an understatement: "We came from Bethlehem, Georgia, bearing Betty Crocker cake mixes into the jungle," says Leah, one of Nathan's daughters. But of course it isn't long before they discover that the tremendous humidity has rendered the mixes unusable, their clothes are unsuitable, and they've arrived in the middle of political upheaval as the Congolese seek to wrest independence from Belgium. In addition to poisonous snakes, dangerous animals, and the hostility of the villagers to Nathan's fiery take-no-prisoners brand of Christianity, there are also rebels in the jungle and the threat of war in the air. Could things get any worse?
In fact they can and they do. The first part of The Poisonwood Bible revolves around Nathan's intransigent, bullying personality and his effect on both his family and the village they have come to. As political instability grows in the Congo, so does the local witch doctor's animus toward the Prices, and both seem to converge with tragic consequences about halfway through the novel. From that point on, the family is dispersed and the novel follows each member's fortune across a span of more than 30 years.
The Poisonwood Bible is arguably Barbara Kingsolver's most ambitious work, and it reveals both her great strengths and her weaknesses. As Nathan Price's wife and daughters tell their stories in alternating chapters, Kingsolver does a good job of differentiating the voices. But at times they can grate-teenage Rachel's tendency towards precious malapropisms is particularly annoying (students practice their "French congregations"; Nathan's refusal to take his family home is a "tapestry of justice"). More problematic is Kingsolver's tendency to wear her politics on her sleeve; this is particularly evident in the second half of the novel, in which she uses her characters as mouthpieces to explicate the complicated and tragic history of the Belgian Congo.
Despite these weaknesses, Kingsolver's fully realized, three-dimensional characters make The Poisonwood Bible compelling, especially in the first half, when Nathan Price is still at the center of the action. And in her treatment of Africa and the Africans she is at her best, exhibiting the acute perception, moral engagement, and lyrical prose that have made her previous novels so successful. -Alix Wilber
From Publishers Weekly
In this risky but resoundingly successful novel, Kingsolver leaves the Southwest, the setting of most of her work (The Bean Trees; Animal Dreams) and follows an evangelical Baptist minister's family to the Congo in the late 1950s, entwining their fate with that of the country during three turbulent decades. Nathan Price's determination to convert the natives of the Congo to Christianity is, we gradually discover, both foolhardy and dangerous, unsanctioned by the church administration and doomed from the start by Nathan's self-righteousness. Fanatic and sanctimonious, Nathan is a domestic monster, too, a physically and emotionally abusive, misogynistic husband and father. He refuses to understand how his obsession with river baptism affronts the traditions of the villagers of Kalinga, and his stubborn concept of religious rectitude brings misery and destruction to all. Cleverly, Kingsolver never brings us inside Nathan's head but instead unfolds the tragic story of the Price family through the alternating points of view of Orleanna Price and her four daughters. Cast with her young children into primitive conditions but trained to be obedient to her husband, Orleanna is powerless to mitigate their situation. Meanwhile, each of the four Price daughters reveals herself through first-person narration, and their rich and clearly differentiated self-portraits are small triumphs. Rachel, the eldest, is a self-absorbed teenager who will never outgrow her selfish view of the world or her tendency to commit hilarious malapropisms. Twins Leah and Adah are gifted intellectually but are physically and emotionally separated by Adah's birth injury, which has rendered her hemiplagic. Leah adores her father; Adah, who does not speak, is a shrewd observer of his monumental ego. The musings of five- year-old Ruth May reflect a child's humorous misunderstanding of the exotic world to which she has been transported. By revealing the story through the female victims of Reverend Price's hubris, Kingsolver also charts their maturation as they confront or evade moral and existential issues and, at great cost, accrue wisdom in the crucible of an alien land. It is through their eyes that we come to experience the life of the villagers in an isolated community and the particular ways in which American and African cultures collide. As the girls become acquainted with the villagers, especially the young teacher Anatole, they begin to understand the political situation in the Congo: the brutality of Belgian rule, the nascent nationalism briefly fulfilled in the election of the short-lived Patrice Lumumba government, and the secret involvement of the Eisenhower administration in Lumumba's assassination and the installation of the villainous dictator Mobutu. In the end, Kingsolver delivers a compelling family saga, a sobering picture of the horrors of fanatic fundamentalism and an insightful view of an exploited country crushed by the heel of colonialism and then ruthlessly manipulated by a bastion of democracy. The book is also a marvelous mix of trenchant character portrayal, unflagging narrative thrust and authoritative background detail. The disastrous outcome of the forceful imposition of Christian theology on indigenous natural faith gives the novel its pervasive irony; but humor is pervasive, too, artfully integrated into the children's misapprehensions of their world; and suspense rises inexorably as the Price family's peril and that of the newly independent country of Zaire intersect. Kingsolver moves into new moral terrain in this powerful, convincing and emotionally resonant novel.

The Poisonwood Bible — читать онлайн бесплатно полную книгу (весь текст) целиком

Ниже представлен текст книги, разбитый по страницам. Система сохранения места последней прочитанной страницы, позволяет с удобством читать онлайн бесплатно книгу «The Poisonwood Bible», без необходимости каждый раз заново искать на чём Вы остановились. Поставьте закладку, и сможете в любой момент перейти на страницу, на которой закончили чтение.

Тёмная тема
Сбросить

Интервал:

Закладка:

Сделать

It lasted just a moment, whatever that is. One held breath? An ant’s afternoon? It was brief, I can promise that much, for although it’s been many years now since my children ruled my life, a mother recalls the measure of the silences. I never had more than five minutes’ peace unbroken. I was that woman on the stream bank, of course. Orleanna Price, Southern Baptist by marriage, mother of children living and dead. That one time and no other the okapi came to the stream, and I was the only one to see it.

I didn’t know any name for what I’d seen until some years afterward in Atlanta, when I attempted briefly to consecrate myself in the public library, believing every crack in my soul could be chinked with a book. I read that the male okapi is smaller than the female, and more shy, and that hardly anything else is known about them. For hundreds of years people in the Congo Valley spoke of this beautiful, strange beast. When European explorers got wind of it, they declared it legendary: a unicorn. Another fabulous tale from the dark domain of poison-tipped arrows and bone-pierced lips. Then, in the 1920’s when elsewhere in the world the menfolk took a break between wars to perfect the airplane and the automobile, a white man finally did set eyes on the okapi. I can picture him spying on it with binoculars, raising up the cross-haired rifle sight, taking it for his own. A family of them now reside in the New York Museum of Natural History, dead and stuffed, with standoffish glass eyes. And so the okapi is now by scientific account a real animal. Merely real, not legend. Some manner of beast, a horseish gazelle, relative of the giraffe.

Oh, but I know better and so do you.Those glassy museum stares have got nothing on you, my uncaptured favorite child, wild as the day is long. Your bright eyes bear down on me without cease, on behalf of the quick and the dead. Take your place, then. Look at what happened from every side and consider all the other ways it could have gone. Consider, even, an Africa unconquered altogether. Imagine those first Portuguese adventurers approaching the shore, spying on the jungle’s edge through their fitted brass lenses. Imagine that by some miracle of dread or reverence they lowered their spyglasses, turned, set their riggings, sailed on. Imagine all who came after doing the same. What would that Africa be now? All I can think of is the other okapi, the one they used to believe in. A unicorn that could look you in the eye.

In the year of our Lord 1960, a monkey barreled through space in an American rocket; a Kennedy boy took the chair out from under a fatherly general named Ike; and the whole world turned on an axis called the Congo. The monkey sailed right overhead, and on a more earthly plane men in locked rooms bargained for the Congo’s treasure. But I was there. Right on the head of that pin.

I had washed up there on the riptide of my husband’s confidence and the undertow of my children’s needs. That’s my excuse, yet none of them really needed me all that much. My firstborn and my baby both tried to shed me like a husk from the start, and the twins came with a fine interior sight with which they could simply look past me at everything more interesting. And my husband, why, hell hath no fury like a Baptist preacher. I married a man who could never love me, probably. It would have trespassed on his devotion to all mankind. I remained his wife because it was one thing I was able to do each day. My daughters would say: You see, Mother, you had no life of your own.

They have no idea. One has only a life of one’s own.

I’ve seen things they’ll never know about. I saw a family of weaver birds work together for months on a nest that became such a monstrous lump of sticks and progeny and nonsense that finally it brought their whole tree thundering down. I didn’t speak of it to my husband or children, not ever. So you see. I have my own story, and increasingly in my old age it weighs on me. Now that every turn in the weather whistles an ache through my bones, I stir in bed and the memories rise out of me like a buzz of flies from a carcass. I crave to be rid of them, but find myself being careful, too, choosing which ones to let out into the light. I want you to find me innocent. As much as I’ve craved your lost, small body, I want you now to stop stroking my inner arms at night with your fingertips. Stop whispering. I’ll live or die on the strength of your judgment, but first let me say who I am. Let me claim that Africa and I kept company for a while and then parted ways, as if we were both party to relations with a failed outcome. Or say I was afflicted with Africa like a bout of a rare disease, from which I have not managed a full recovery. Maybe I’ll even confess the truth, that I rode in with the horsemen and beheld the apocalypse, but still I’ll insist I was only a captive witness. What is the conqueror’s wife, if not a conquest herself? For that matter, what is he? When he rides in to vanquish the untouched tribes, don’t you think they fall down with desire before those sky-colored eyes? And itch for a turn with those horses, and those guns? That’s what we yell back at history, always, always. It wasn’t just me; there were crimes strewn six ways to Sunday, and I had my own mouths to feed. I didn’t know. I had no life of my own. And you’ll say I did. You’ll say I walked across Africa with my wrists unshackled, and now I am one more soul walking free in a white skin, wearing some thread of the stolen goods: cotton or diamonds, freedom at the very least, prosperity. Some of us know how we came by our fortune, and some of us don’t, but we wear it all the same. There’s only one question worth asking now: How do we aim to live with it?

I know how people are, with their habits of mind. Most will sail through from cradle to grave with a conscience clean as snow. It’s easy to point at other men, conveniently dead, starting with the ones who first scooped up mud from riverbanks to catch the scent of a source. Why, Dr. Livingstone, I presume, wasn’t he the rascal! He and all the profiteers who’ve since walked out on Africa as a husband quits a wife, leaving her with her naked body curled around the emptied-out mine of her womb. I know people. Most have no earthly notion of the price of a snow-white conscience.

I would be no different from the next one, if I hadn’t paid my own little part in blood. I trod on Africa without a thought, straight from our family’s divinely inspired beginning to our terrible end. In between, in the midst of all those steaming nights and days darkly colored, smelling of earth, I believe there lay some marrow of honest instruction. Sometimes I can nearly say what it was. If I could, I would fling it at others, I’m afraid, at risk to their ease. I’d slide this awful story off my shoulders, flatten it, sketch out our crimes like a failed battle plan and shake it in the faces of my neighbors, who are wary of me already. But Africa shifts under my hands, refusing to be party to failed relations. Refusing to be any place at all, or any thing but itself: the animal kingdom making hay in the kingdom of glory. So there it is, take your place. Leave nothing for a haunted old bat to use for disturbing the peace. Nothing, save for this life of her own.

We aimed for no more than to have dominion over every creature that moved upon the earth. And so it came to pass that we stepped down there on a place we believed unformed, where only darkness moved on the face of the waters. Now you laugh, day and night, while you gnaw on my bones. But what else could we have thought? Only that it began and ended with MS. What do we know, even now? Ask the children. Look at what they grew up to be. We can only speak of the things we carried with us, and the things we took away.

The Things We Carried

KlLANGA, 1959

Читать дальше
Тёмная тема
Сбросить

Интервал:

Закладка:

Сделать

Похожие книги на «The Poisonwood Bible»

Представляем Вашему вниманию похожие книги на «The Poisonwood Bible» списком для выбора. Мы отобрали схожую по названию и смыслу литературу в надежде предоставить читателям больше вариантов отыскать новые, интересные, ещё непрочитанные произведения.


Отзывы о книге «The Poisonwood Bible»

Обсуждение, отзывы о книге «The Poisonwood Bible» и просто собственные мнения читателей. Оставьте ваши комментарии, напишите, что Вы думаете о произведении, его смысле или главных героях. Укажите что конкретно понравилось, а что нет, и почему Вы так считаете.

x