Barbara Kingsolver - The Poisonwood Bible

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Amazon.com Review
Oprah Book Club® Selection, June 2000: As any reader of The Mosquito Coast knows, men who drag their families to far-off climes in pursuit of an Idea seldom come to any good, while those familiar with At Play in the Fields of the Lord or Kalimantaan understand that the minute a missionary sets foot on the fictional stage, all hell is about to break loose. So when Barbara Kingsolver sends missionary Nathan Price along with his wife and four daughters off to Africa in The Poisonwood Bible, you can be sure that salvation is the one thing they're not likely to find. The year is 1959 and the place is the Belgian Congo. Nathan, a Baptist preacher, has come to spread the Word in a remote village reachable only by airplane. To say that he and his family are woefully unprepared would be an understatement: "We came from Bethlehem, Georgia, bearing Betty Crocker cake mixes into the jungle," says Leah, one of Nathan's daughters. But of course it isn't long before they discover that the tremendous humidity has rendered the mixes unusable, their clothes are unsuitable, and they've arrived in the middle of political upheaval as the Congolese seek to wrest independence from Belgium. In addition to poisonous snakes, dangerous animals, and the hostility of the villagers to Nathan's fiery take-no-prisoners brand of Christianity, there are also rebels in the jungle and the threat of war in the air. Could things get any worse?
In fact they can and they do. The first part of The Poisonwood Bible revolves around Nathan's intransigent, bullying personality and his effect on both his family and the village they have come to. As political instability grows in the Congo, so does the local witch doctor's animus toward the Prices, and both seem to converge with tragic consequences about halfway through the novel. From that point on, the family is dispersed and the novel follows each member's fortune across a span of more than 30 years.
The Poisonwood Bible is arguably Barbara Kingsolver's most ambitious work, and it reveals both her great strengths and her weaknesses. As Nathan Price's wife and daughters tell their stories in alternating chapters, Kingsolver does a good job of differentiating the voices. But at times they can grate-teenage Rachel's tendency towards precious malapropisms is particularly annoying (students practice their "French congregations"; Nathan's refusal to take his family home is a "tapestry of justice"). More problematic is Kingsolver's tendency to wear her politics on her sleeve; this is particularly evident in the second half of the novel, in which she uses her characters as mouthpieces to explicate the complicated and tragic history of the Belgian Congo.
Despite these weaknesses, Kingsolver's fully realized, three-dimensional characters make The Poisonwood Bible compelling, especially in the first half, when Nathan Price is still at the center of the action. And in her treatment of Africa and the Africans she is at her best, exhibiting the acute perception, moral engagement, and lyrical prose that have made her previous novels so successful. -Alix Wilber
From Publishers Weekly
In this risky but resoundingly successful novel, Kingsolver leaves the Southwest, the setting of most of her work (The Bean Trees; Animal Dreams) and follows an evangelical Baptist minister's family to the Congo in the late 1950s, entwining their fate with that of the country during three turbulent decades. Nathan Price's determination to convert the natives of the Congo to Christianity is, we gradually discover, both foolhardy and dangerous, unsanctioned by the church administration and doomed from the start by Nathan's self-righteousness. Fanatic and sanctimonious, Nathan is a domestic monster, too, a physically and emotionally abusive, misogynistic husband and father. He refuses to understand how his obsession with river baptism affronts the traditions of the villagers of Kalinga, and his stubborn concept of religious rectitude brings misery and destruction to all. Cleverly, Kingsolver never brings us inside Nathan's head but instead unfolds the tragic story of the Price family through the alternating points of view of Orleanna Price and her four daughters. Cast with her young children into primitive conditions but trained to be obedient to her husband, Orleanna is powerless to mitigate their situation. Meanwhile, each of the four Price daughters reveals herself through first-person narration, and their rich and clearly differentiated self-portraits are small triumphs. Rachel, the eldest, is a self-absorbed teenager who will never outgrow her selfish view of the world or her tendency to commit hilarious malapropisms. Twins Leah and Adah are gifted intellectually but are physically and emotionally separated by Adah's birth injury, which has rendered her hemiplagic. Leah adores her father; Adah, who does not speak, is a shrewd observer of his monumental ego. The musings of five- year-old Ruth May reflect a child's humorous misunderstanding of the exotic world to which she has been transported. By revealing the story through the female victims of Reverend Price's hubris, Kingsolver also charts their maturation as they confront or evade moral and existential issues and, at great cost, accrue wisdom in the crucible of an alien land. It is through their eyes that we come to experience the life of the villagers in an isolated community and the particular ways in which American and African cultures collide. As the girls become acquainted with the villagers, especially the young teacher Anatole, they begin to understand the political situation in the Congo: the brutality of Belgian rule, the nascent nationalism briefly fulfilled in the election of the short-lived Patrice Lumumba government, and the secret involvement of the Eisenhower administration in Lumumba's assassination and the installation of the villainous dictator Mobutu. In the end, Kingsolver delivers a compelling family saga, a sobering picture of the horrors of fanatic fundamentalism and an insightful view of an exploited country crushed by the heel of colonialism and then ruthlessly manipulated by a bastion of democracy. The book is also a marvelous mix of trenchant character portrayal, unflagging narrative thrust and authoritative background detail. The disastrous outcome of the forceful imposition of Christian theology on indigenous natural faith gives the novel its pervasive irony; but humor is pervasive, too, artfully integrated into the children's misapprehensions of their world; and suspense rises inexorably as the Price family's peril and that of the newly independent country of Zaire intersect. Kingsolver moves into new moral terrain in this powerful, convincing and emotionally resonant novel.

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This is the story I believe in: When God was a child, the Rift Valley cradled a caldron of bare necessities, and out of it walked the first humans upright on two legs. With their hands free, they took up tools and beat from the bush their own food and shelter and their own fine business of right and wrong. They made voodoo, the earth’s oldest religion. They engaged a powerful affinity with their habitat and their food chain. They worshiped everything living and everything dead, for voodoo embraces death as its company, not its enemy. It honors the balance between loss and salvation. This is what Nelson tried to explain to me once, while we scraped manure from the chicken coop. I could not understand how muntu could refer to a living person or a dead one with equal precision, but Nelson just shrugged.”All that is being here.”

God is everything, then. God is a virus. Believe that, when you get a cold. God is an ant. Believe that, too, for driver ants are possessed, collectively, of the size and influence of a Biblical plague. They pass through forest and valley in columns a hundred meters across and many miles long, eating their way across Africa. Animal an000000d vegetable they take, mineral they leave behind. This is what we learned in Kilanga: move out of the way and praise God for the housecleaning. In a few days the dark brigade will have passed on through-those ants can’t stop moving. You return to find your houses combed spotless of spoiled crumbs, your bedding free of lice, your woodlots cleansed of night soil, your hen coops rid of chicken mites. If by chance a baby was left behind in a crib, or a leopard in a cage, it would be a skeleton without marrow, clean as a whistle. But for those prepared to move aside for a larger passage, it works. Loss and salvation.

Africa has a thousand ways of cleansing itself. Driver ants, Ebola virus, acquired immune deficiency syndrome: all these are brooms devised by nature to sweep a small clearing very well. Not one of them can cross a river by itself. And none can survive past the death of its host. A parasite of humans that extinguished us altogether, you see, would quickly be laid to rest in human graves. So the race between predator and prey remains exquisitely neck and neck.

As a teenager reading African parasitology books in the medical library, I was boggled by the array of creatures equipped to take root upon a human body. I’m boggled still, but with a finer appreciation for the partnership. Back then I was still a bit appalled that God would set down his barefoot boy and girl dollies into an Eden where, presumably, He had just turned loose elephantiasis and microbes that eat the human cornea. Now I understand, God is not just rooting for the dollies. We and our vermin all blossomed together out of the same humid soil in the Great Rift Valley, and so far no one is really winning. Five million years is a long partnership. If you could for a moment rise up out of your own beloved skin and appraise ant, human, and virus as equally resourceful beings, you might admire the accord they have all struck in Africa.

Back in your skin, of course, you’ll shriek for a cure. But remember: air travel, roads, cities, prostitution, the congregation of people for efficient commerce-these are gifts of godspeed to the virus. Gifts of the foreign magi, brought from afar. In the service of saving Africa’s babies and extracting its mineral soul, the West has built a path to its own door and thrown it wide for the plague.

A toad can die of light! Death is the common right of toads and men. Why swagger, then? My colleagues accuse me of cynicism, but I am simply a victim of poetry. I have committed to memory the common rights of toads and men. I could not swagger if I tried. I don’t have the legs for it.

My work is to discover the life histories of viruses, and I seem to be very good at it. I don’t think of the viruses as my work, actually. I think of them as my relations. I don’t have cats or children, I have viruses. I visit them daily in their spacious glass dishes, and like any good mother I cajole, I celebrate when they reproduce, and I take special note when they behave oddly. I think about them when I am not with them. I have made important discoveries about the AIDS and Ebola viruses. As a consequence, I must sometimes appear at public functions where I am lauded as a saviour of the public health. This startles me. I am nothing of the kind. Certainly I’m no mad exterminator bent on killing devil microbes; on the contrary, I admire them. That is the secret of my success.

My life is satisfying and ordinary. I work a great deal, and visit my mother on Sanderling Island once a month. I enjoy my time there, which we mostly pass without speaking. Mother lets me be. We take long walks on the beach, where she watches those namesake shore-birds, the sanderlings, leaving no stone unturned. Sometimes in mid-January when she seems restless we’ll take the ferry and drive up the coast highway, passing through the miles of flat, uninhabited palmetto scrub and the occasional stick shack, where old, dark women sit weaving beautiful sweetgrass baskets. Late in the evening we will sometimes pull into the dirt parking lot of a clapboard praise house and listen to old, dark Gullah hymns rising out the windows. We never go inside. We know our place. Mother keeps her head turned the “whole time toward Africa, with her eye on the ocean, as if she expects it might suddenly drain away.

But on most of my visits we go nowhere. We sit on her porch, or I watch while she works her small jungle, snapping off dead leaves, forking rotted manure into her camellias, talking under her breath. Her apartment is the ground floor of one of those century-old brick boxes with earthquake bolts, remarkable pieces of giant hardware that run right through the building from east to west, capped off on the outside with iron washers the size of end tables. I think of them as running through Mother too. It would take something on this order, really, to hold her together.

She inhabits her world, waiting for forgiveness, while her children are planted in or upon the four different nations that have claimed us. “Lock, stock, and barrel,” she calls us. Rachel is clearly the one with locks on every possible route to defenestration. And Leah barrels forward, setting everything straight. So I am the one who quietly takes stock, I suppose. Believing in all things equally. Believing fundamentally in the right of a plant or a virus to rule the earth. Mother says I have no heart for my own kind. She doesn’t know. I have too much. I know what we have done, and what we deserve.

She still suffers from the effects of several diseases she contracted in the Congo, including schistosomiasis, Guinea worms, and probably tuberculosis. When she sticks out her tongue and allows me to treat her small maladies, I can see that every one of her organs has been compromised in some way. But as the years pass and she bends over more and more, she seems to survive in her narrowing space. She never married again. If anyone asks, she says, “Nathan Price was all the marriage I needed.” I can see this is true. Her body was locked up tight, years ago, by the boundaries of her costly liberty.

I have not married either, for different reasons. The famous upstart neurologist wanted to be my lover, it turned out, and actually won me to his bed for a time. But slowly it dawned upon my love-drunk skull: he had only welcomed me there after devising his program to make me whole! He was the first of several men to suffer the ice storms of Adah, I’m afraid.

This is my test: I imagine them back there in the moonlight with the ground all around us boiling with ants. Now, which one, the crooked walker, or the darling perfection? I know how they would choose. Any man who admires my body now is a traitor to the previous Adah. So there you are.

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