Barbara Kingsolver - The Poisonwood Bible

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Amazon.com Review
Oprah Book Club® Selection, June 2000: As any reader of The Mosquito Coast knows, men who drag their families to far-off climes in pursuit of an Idea seldom come to any good, while those familiar with At Play in the Fields of the Lord or Kalimantaan understand that the minute a missionary sets foot on the fictional stage, all hell is about to break loose. So when Barbara Kingsolver sends missionary Nathan Price along with his wife and four daughters off to Africa in The Poisonwood Bible, you can be sure that salvation is the one thing they're not likely to find. The year is 1959 and the place is the Belgian Congo. Nathan, a Baptist preacher, has come to spread the Word in a remote village reachable only by airplane. To say that he and his family are woefully unprepared would be an understatement: "We came from Bethlehem, Georgia, bearing Betty Crocker cake mixes into the jungle," says Leah, one of Nathan's daughters. But of course it isn't long before they discover that the tremendous humidity has rendered the mixes unusable, their clothes are unsuitable, and they've arrived in the middle of political upheaval as the Congolese seek to wrest independence from Belgium. In addition to poisonous snakes, dangerous animals, and the hostility of the villagers to Nathan's fiery take-no-prisoners brand of Christianity, there are also rebels in the jungle and the threat of war in the air. Could things get any worse?
In fact they can and they do. The first part of The Poisonwood Bible revolves around Nathan's intransigent, bullying personality and his effect on both his family and the village they have come to. As political instability grows in the Congo, so does the local witch doctor's animus toward the Prices, and both seem to converge with tragic consequences about halfway through the novel. From that point on, the family is dispersed and the novel follows each member's fortune across a span of more than 30 years.
The Poisonwood Bible is arguably Barbara Kingsolver's most ambitious work, and it reveals both her great strengths and her weaknesses. As Nathan Price's wife and daughters tell their stories in alternating chapters, Kingsolver does a good job of differentiating the voices. But at times they can grate-teenage Rachel's tendency towards precious malapropisms is particularly annoying (students practice their "French congregations"; Nathan's refusal to take his family home is a "tapestry of justice"). More problematic is Kingsolver's tendency to wear her politics on her sleeve; this is particularly evident in the second half of the novel, in which she uses her characters as mouthpieces to explicate the complicated and tragic history of the Belgian Congo.
Despite these weaknesses, Kingsolver's fully realized, three-dimensional characters make The Poisonwood Bible compelling, especially in the first half, when Nathan Price is still at the center of the action. And in her treatment of Africa and the Africans she is at her best, exhibiting the acute perception, moral engagement, and lyrical prose that have made her previous novels so successful. -Alix Wilber
From Publishers Weekly
In this risky but resoundingly successful novel, Kingsolver leaves the Southwest, the setting of most of her work (The Bean Trees; Animal Dreams) and follows an evangelical Baptist minister's family to the Congo in the late 1950s, entwining their fate with that of the country during three turbulent decades. Nathan Price's determination to convert the natives of the Congo to Christianity is, we gradually discover, both foolhardy and dangerous, unsanctioned by the church administration and doomed from the start by Nathan's self-righteousness. Fanatic and sanctimonious, Nathan is a domestic monster, too, a physically and emotionally abusive, misogynistic husband and father. He refuses to understand how his obsession with river baptism affronts the traditions of the villagers of Kalinga, and his stubborn concept of religious rectitude brings misery and destruction to all. Cleverly, Kingsolver never brings us inside Nathan's head but instead unfolds the tragic story of the Price family through the alternating points of view of Orleanna Price and her four daughters. Cast with her young children into primitive conditions but trained to be obedient to her husband, Orleanna is powerless to mitigate their situation. Meanwhile, each of the four Price daughters reveals herself through first-person narration, and their rich and clearly differentiated self-portraits are small triumphs. Rachel, the eldest, is a self-absorbed teenager who will never outgrow her selfish view of the world or her tendency to commit hilarious malapropisms. Twins Leah and Adah are gifted intellectually but are physically and emotionally separated by Adah's birth injury, which has rendered her hemiplagic. Leah adores her father; Adah, who does not speak, is a shrewd observer of his monumental ego. The musings of five- year-old Ruth May reflect a child's humorous misunderstanding of the exotic world to which she has been transported. By revealing the story through the female victims of Reverend Price's hubris, Kingsolver also charts their maturation as they confront or evade moral and existential issues and, at great cost, accrue wisdom in the crucible of an alien land. It is through their eyes that we come to experience the life of the villagers in an isolated community and the particular ways in which American and African cultures collide. As the girls become acquainted with the villagers, especially the young teacher Anatole, they begin to understand the political situation in the Congo: the brutality of Belgian rule, the nascent nationalism briefly fulfilled in the election of the short-lived Patrice Lumumba government, and the secret involvement of the Eisenhower administration in Lumumba's assassination and the installation of the villainous dictator Mobutu. In the end, Kingsolver delivers a compelling family saga, a sobering picture of the horrors of fanatic fundamentalism and an insightful view of an exploited country crushed by the heel of colonialism and then ruthlessly manipulated by a bastion of democracy. The book is also a marvelous mix of trenchant character portrayal, unflagging narrative thrust and authoritative background detail. The disastrous outcome of the forceful imposition of Christian theology on indigenous natural faith gives the novel its pervasive irony; but humor is pervasive, too, artfully integrated into the children's misapprehensions of their world; and suspense rises inexorably as the Price family's peril and that of the newly independent country of Zaire intersect. Kingsolver moves into new moral terrain in this powerful, convincing and emotionally resonant novel.

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We’re not far from the border, and the people of this region look and speak so much as they did in Kilanga I was dumbstruck when we first came here by a sense of childhood returned. I kept expecting someone I knew to come around the corner: Mama Mwanza, Nelson, Tata Boanda in his red trousers, or most eerily, my father. Obviously, the boundary between Congo and Angola is nothing but a line on a map-the Belgians and Portuguese drawing their lots. The ancient Kongo used to stretch across all of central Africa. As a nation it fell, when a million of its healthiest citizens were sold into slavery, but its language and traditions did not. I wake up to the same bubbling mbote! shouted outside the open window of our station house. The women wrap and rewrap their pagnes in the same way, and press the palm-oil harvest in the same kind of contraption that Mama Lo used. Often I hear ghosts: the upward slant of Pascal’s voice in the question Beta nki tutasala? What are we doing?

I don’t hear it often, though. In our village there are very few boys of an age to climb trees for birds’ nests, or girls stomping self-importantly down the road with a sibling clutched sideways like an oversized rag doll. I notice their absence everywhere. The war cost most of its lives among children under ten. That great, quiet void is moving slowly upward through us. A war leaves holes in so much more than the dams and roads that can be rebuilt. I teach classes in nutrition, sanitation, and soybeans, to women who respectfully call me Mania Ngemba and ignore nine-tenths of what I tell them. Our hardest task is teaching people to count on a future: to plant citrus trees, and compost their wastes for fertilizer. This confused me at first. Why should anyone resist something so obvious as planting a fruit tree or improving the soil? But for those who’ve lived as refugees longer than memory, learning to believe in the nutrient cycle requires something close to a religious conversion.

I ought to understand. I’ve been as transient in my adult life as anyone in our cooperative. And only now, after working this same land for ten years, am I coming to understand the length and breadth of outsiders’ failure to impose themselves on Africa. This is not Brussels or Moscow or Macon, Georgia. This is famine or flood.You can’t teach a thing until you’ve learned that. The tropics will intoxicate you with the sweetness of frangipani flowers and lay you down with the sting of a viper, with hardly room to breathe in between. It’s a great shock to souls gently reared in places of moderate clime, hope, and dread.

The Portuguese were so shocked, evidently, that they stripped the gentle Kongo and chained them down in rows, in the dark, for the passage. Condemned for their lack of cash crops. The Europeans couldn’t imagine a reasonable society failing to take that step, and it’s hard for us to imagine even now. In a temperate zone it’s the most natural thing in the world, right as rain, to grow fields of waving grain. To grow them year after year without dread of flood or plague, in soil that offers up green stems that bend to the scythe again and again, bread from a bottomless basket. Christians could invent and believe in the parable of the loaves and fishes, for their farmers can trust in abundance, and ship it to burgeoning cities, where people can afford to spend their lives hardly noticing, or caring, that a seed produces a plant.

Here you know what a seed is for, or you starve. A jungle yields no abundance to feed the multitudes, and supports no leisure class. The soils are fragile red laterite and the rain is savage. Clearing a rain forest to plant annuals is like stripping an animal first of its fur, then its skin. The land howls. Annual crops fly on a wing and a prayer. And even if you manage to get a harvest, why, you need roads to take it out! Take one trip overland here and you’ll know forever that a road in the jungle is a sweet, flat, impossible dream. The soil falls apart. The earth melts into red gashes like the mouths of whales. Fungi and vines throw a blanket over the face of the dead land. It’s simple, really. Central Africa is a rowdy society of flora and fauna that have managed to balance together on a trembling geologic plate for ten million years: when you clear off part of the plate, the whole slides into ruin. Stop clearing, and the balance slowly returns. Maybe in the long run people will persist happily here only if they return to the ways of the ancient Kongo, traveling by foot, growing their food near at hand, using their own tools and cloth near the site of production. I don’t know. To be here without doing everything wrong requires a new agriculture, a. new sort of planning, a new religion. I am the un-missionary, as Adah would say, beginning each day on my knees, asking to be converted. Forgive me, Africa, according to the multitudes of thy mercies.

If I could reach backward somehow to give Father just one gift, it would be the simple human relief of knowing you’ve done wrong, and living through it. Poor Father, who was just one of a million men who never did catch on. He stamped me with a belief injustice, then drenched me in culpability, and I wouldn’t wish such torment even on a mosquito. But that exacting, tyrannical God of his has left me for good. I don’t quite know how to name what crept in to take his place. Some kin to the passion of Brother Fowles, I guess, who advised me to trust in Creation, which is made fresh daily and doesn’t suffer in translation. This God does not work in especially mysterious ways. The sun here rises and sets at six exactly. A caterpillar becomes a butterfly, a bird raises its brood in the forest, and a greenheart tree will only grow from a greenheart seed. He brings drought sometimes, followed by torrential rains, and if these things aren’t always what I had in mind, they aren’t my punishment either. They’re rewards, let’s say, for the patience of a seed. The sins of my fathers are not insignificant. But we keep moving on. As Mother used to say, not a thing stands still but sticks in the mud. I move my hands by day, and by night, when my fever dreams come back and the river is miles below me, I stretch out over the water, making that endless crossing, reaching for balance. I long to wake up, and then I do. I wake up in love, and work my skin to darkness under the equatorial sun. I look at my four boys, who are the colors of silt, loam, dust, and clay, an infinite palette for children of their own, and I understand that time erases whiteness altogether.

Adah Price

ATLANTA

A TOAD CAN DIE OF LIGHT! Emily warned us, as she peered out at the street from between her drawn curtains. Death is the common right of Toads and Men. Why swagger, then?

My colleagues in medical school accused me of cynicism but they had no idea. I am a babe in the woods, abandoned at the foot of a tree. On the day I swore to uphold the Hippocratic oath, the small hairs on the back of my neck stood up as I waited for lightning to strike. Who was I, vowing calmly among all these necktied young men to steal life out of nature’s jaws, every old time we got half a chance and a paycheck? That oath never felt safe to me, hanging around my neck with the stethoscope, not for a minute. I could not accept the contract: that every child born human upon this earth comes with a guarantee of perfect health and old age clutched in its small fist.

The loss of a life: unwelcome. Immoral? I don’t know. Depends perhaps on where you are, and what sort of death. Hereabouts, where we sit among such piles of leftover protein we press it into cakes for the pets, who usefully guard our empty chairs; here where we pay soothsayers and acrobats to help lose our weight, then yes, for a child to die from hunger is immoral. But this is just one place. I’m afraid I have seen a world.

In the world, the carrying capacity for humans is limited. History holds all things in the balance, including large hopes and short lives. When Albert Schweitzer walked into the jungle, bless his heart, he carried antibacterials and a potent, altogether new conviction that no one should die young. He meant to save every child, thinking Africa would then learn how to have fewer children. But when families have spent a million years making nine in the hope of saving one, they cannot stop making nine. Culture is a slingshot moved by the force of its past. When the strap lets go, what flies forward will not be family planning, it will be the small, hard head of a child. Overpopulation has deforested three-quarters of Africa, yielding drought, famine, and the probable extinction of all animals most beloved by children and zoos.The competition for resources intensifies, and burgeoning tribes itch to kill each other. For every life saved by vaccination or food relief, one is lost to starvation or war. Poor Africa. No other continent has endured such an unspeakably bizarre combination of foreign thievery and foreign goodwill. Out of sympathy for the Devil and Africa, I left the healing profession. I became a witch doctor. My church is the Great Rift Valley that lies along the eastern boundary of Congo. I do not go there. I merely study the congregation.

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