Geoff Ryman - Lust Or No Harm Done

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From Publishers Weekly
"Reality's got a hole in it." That's what runs through Michael Blasco's head when he discovers that he has the uncanny ability to bring his fantasies to life in this wacky, inspired third novel by Ryman (Was). The 38-year-old gay protagonist is a government scientist experimenting on baby chicks and has a flat in London 's West End with Phil, his passionless boyfriend. While seething on a subway platform, he imagines the beefy trainer at his gym stripping naked right in front of him-and poof-it happens! Terrified at first, Michael quickly regains his composure and wills into action a series of characters like Tarzan and cartoon diva Taffy Duck; narcissistically, he also conjures a copy of himself. His reunion with a long-lost high school sweetheart nicknamed Bottles proves to be touching and funny, but his meeting with Mark, a victim of AIDS, turns sad when Mark rebuffs his plea to revive him. In an effort to inject passion into his stagnant relationship, Michael "calls up" a younger version of Phil paired with a younger version of himself. When this scheme backfires, he returns to the anonymous "speedy, functional sex" that has long sustained him. A night out with feisty Billie Holiday, passionate sex with Picasso and dalliances with Lawrence of Arabia on Viagra reinvigorate him and make for some funny, titillating reading, but as Michael's notebook of his wild adventures begins to overflow, the story's whimsical tone changes, revealing more of his true character as well as some particularly troublesome personal problems. Among them is a disturbing boyhood fixation on his father, which mutates into a wincingly unnerving incestuous sequence. Ryman's "careful-what-you-wish-for" message is artfully packaged in this quirky, offbeat, entertaining novel.
"Inventive… a risky, highly imaginative addition to a unique and valuable boody of work." – Kirkus
"Ryman's 'careful-what-you-wish-for' message is artfully packaged in this quirkyy, off-beat, entertaining novel." – Publishers Weekly
***
David, a young scientist investigating what happens to the brain during the process of learning, suddenly finds himself the subject of a bizarre experiment. On the way home from the lab one night he spies Tony, a fitness instructor from his gym, on the same platform waiting for the tube. David's had an obsession with Tony for weeks, but Tony's barely noticed him at all. Until now. When David imagines the man naked, an extraordinary thing happens: Tony strips there and then on the platform and offers himself in front of all onlookers. Horrified, David flees. But back at his flat, Tony reappears, as if by magic. And disappears, when David wishes him away. And reappears when he calls him back. David can conjure up anyone, from any time, and he does: Billie Holliday, Johnny Weismuller, Daffy Duck, Picasso, Sophia Loren, even his younger self. Mad with lust and losing all scientific objectivity, he runs the gamut of his fantasies until, sated and morally bankrupt, he's forced to confront himself. It is not a pretty sight.

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Michael had to admit it didn't sound particularly original.

'So I changed it to fuck that ass baby. Fuck it hard. I mean, you know?'

Michael did his best with Brad Rodger, before the Viagra side effects began to grind away behind his eyes. He looked into Brad's pale blue blanknesses and decided it was too much like fucking a particularly pretty sheep.

There was the sweet Afghani who had asked him for instructions in the street, with unshaven stubble, and a slightly baffled air. Michael had held him in conversation. His name was Mustafa, and he was here studying engineering. His home was now rubble; his brother had been killed. 'My heart goes out to you, for being my friend,' he said. On his forehead was a callus where it habitually touched the prayer rug.

Michael called up Mustafa's Angel and found his only desire was to leave the innocence undisturbed. They sat eating chocolates and holding hands. And when it came to leave, Mustafa kissed him on the forehead. 'I love you,' he managed to say.

Michael was confused. 'Do you want to make love?'

Mustafa looked surprised, then coy, if not unpleased. 'Oh no. No, no,' he said, in a gentle voice a bit like a pigeon's. 'No. We… become romantic with each other.'

Michael saw in his eyes, a pleading: I want, but if I do, it cuts out the heart. Leave me the heart.

There had to be somewhere and somehow a way to combine the two, the heart and the body.

You discover two things if you can sleep with anyone. The first is that life is bountiful. It is more bountiful than an orchard at harvest time; more abundant than a pick-your-own field of strawberries that stretches beyond the horizon. The harvest of human genitalia attached to reasonably good-looking, reasonably behaved people is inexhaustible.

No matter how completist you are, you cannot collect the entire set. It grows too quickly: there are a half-billion penises in India alone. Like a kaleidoscope, ever blossoming, more and more genitalia, more and more beauty, unfold at high speed out of the old.

We walk around blind to prevent ourselves seeing this bounty. Its vastness diminishes us; its availability makes not only ourselves but our love seem arbitrary accidents. If we did more than only glimpse it, it would drive us mad.

Secondly, in contradiction to this, you learn how rare attraction is. We don't sleep with most people, because we would not remotely enjoy sleeping with most people. They smell, they fart, they occupy our space, all the things people we love do and which make us leave them in the end. Only, we don't understand what these strangers mean. Their preoccupations are alien to us. We are unmoved by the thing that most moves them. Their genitalia look shrivelled, hairy, forbidding.

Only sometimes are there exceptions.

Michael thought again of monks, and remembered his time in California. He had often visited an old Spanish mission surrounded by fields and an ancient graveyard. It was the only thing in Oceanside that a Brit would recognize as history, and it was shaded and cool. In the old storerooms there were exhibits of early California life: dummy Indians grinding maize; a replica of a colonial bureaucrat's office.

The mission had been restored in the 1930s by monks. They smiled out of old photographs in the historical exhibition. Unlike most people in old photographs, they looked contemporary. You could see who they were. They were all in their thirties or forties, some plump, some slim. But they all looked secure, satisfied, and even merry. They looked happy slaving in hot sun while wearing thick woolly robes. They sang or joked in photographs posed to demonstrate the robust Christian life. It seemed unlikely even to Michael at sixteen that they could all be quite that good-looking by accident.

Michael invited them all home. It was a Thursday evening and he made a party of it. The Californian monks had come from Spain, from Costa Rica, from Ireland, and they sang romantic 1930s songs on the guitars that came with them. They made something like sangria with a different name and became boisterous. The Irishman sang an old love song in a high and wild voice that was only slightly off-key. They began to dance arm in arm around his apartment floor until the downstairs neighbours thumped on his door.

'It's a religious gathering,' Michael told his neighbours and invited them in. The neighbours were Polish and rather shy. Michael knew them only well enough to nod to in passing in the corridor. He learned their first names: Thadd and Marta Miazga. They spoke a strained and cautious English and were overwhelmed by the ten thumping, handsome monks who sounded like a jolly tower of Babel and who wore robes and sandals, and who welcomed them with cries and kisses and resumed their religious songs, as if around a campfire. At one point Mrs Miazga slipped out of the flat and returned with more wine. At 1.00 am her husband shyly took the guitar and started to sing 'Good King Wenceslas' in a tired, happy voice. Michael suddenly saw that he was handsome too, and his wife. In fact everyone in the world suddenly seemed beautiful.

Finally, someone glanced at a watch. The Miazgas had hatched out of their shyness, into a pleased, flushed conviviality.

'It is so silly to be neighbours and not know,' said the wife, in a voice like someone drawing a bow across violin strings. Silly not to know that our neighbour is jolly and pleasant. They had become, at least potentially, friends.

All the monks gathered round them in the hallway, and shook hands and kissed Mrs Miazga good night. They all chorused good night, and then were gone.

Silence fell like a curtain. Michael sipped some wine, and considered and called back the Irishman.

The Irishman had a mop of straw-coloured hair, and a classic profile and milk-white skin. Michael felt woozy with sociability, wine and a broad and generalized love of the world. He popped his Viagra, and asked the Irishman to lie down next to him. The Irishman tumbled into his arms as naturally as dice, his legs crossing over Michael's. He rested his head on Michael's chest and started to talk.

His name was James. He had grown up in Clonmel in Eire. From the way he described it, the town was almost medieval: a big Spanish-looking church by a river; peasants, weekend markets, horsecarts in the streets, cattle fairs. Like other children he had swum in the river, toppled outhouses, stolen and smoked cigarettes, and attended mass. Then he had fallen in love with God. He wanted to be dedicated to God. Half asleep, he used the word 'married'.

Then his neck arched upwards, yearning, and Michael kissed him. The young monk kissed like a woman, almost chastely, shyly. He ducked away, like a nervous horse. Waiting for the Viagra to take effect, Michael asked him questions. Yes, he had been in love once. While still living in Clonmel, he had fallen in love with a married man.

'A great big fella with a handsome moustache. He'd go riding past in his plus fours on a bicycle, and he was the handsomest thing you'd ever seen. And he always grinned at me. And then he started stopping by to talk. And I realized there was this look in his eyes. And I thought no, it can't be, he's a married man. Either that or he doesn't realize. So we did nothing about it. And one night I was walking in the moonlight. It was a beautiful night, and I was just out for a stroll. And I heard his bicycle coming. Brother James, is that you? he asked. And I just said, Hello, Georgie my dear, because my heart was full. He took me off into the hedges. I still didn't know for sure what he was going to do until he took my hand.'

Scandal had been an ever-present danger. They had to pretend hardly to know each other. They would meet once a month, when George had a good excuse to be away from the farm. Once they were walking along the road hand in hand, when the last thing they expected in the world, or at least in Clonmel, came roaring up the road: a motor car. Its headlights blazed. They dived into a ditch, and the car roared on past.

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