Geoff Ryman - Lust Or No Harm Done

Alexander barked at him again like a dog with its vocal cords cut. The stench from the mouth was appalling: rotten teeth, rotten meat and bad wine. Michael backed away, beginning to babble in terror. Alexander the Great sniffed him, or rather the smell of soap and deodorant.

Perhaps it was the scent that stopped him killing Michael. Nothing so flowery could be a threat. Alexander pushed him away, and strode out into the hallway. He saw the front door.

'I'll open it for you,' said Michael.

Alexander the Great knew nothing of doors or locks. He fumbled at the handle and its tiny knob for only a second or two, and before Michael could do anything else, he had jumped back and raised a horny, sandalled foot. Alexander kicked twice at the lock. The door could only open inwards, which meant Alexander had to shatter the lintel. He did it with the third kick, peeling back most of the frame around the door, and springing the hinge mounts free.

Alexander made a grave cry of triumph, and shouldered his way through the gap.

Michael was left panting. He thought of elderly neighbours being pushed out of the way by a drunk, mad, ancient Macedonian, and he whispered Alexander down to his own world. As if the doorway had blinked, the door and lock and hinges were back in place.

Well, thought Michael, at least it puts an inconvenient ex-boyfriend back into perspective.

And just this once, perhaps, a shot of whiskey was not uncalled-for.

Michael remembered his treasured issue of Q magazine, the one with the nude photographs of Terence Trent D'Arby. As an antidote to Alexander, Michael called him up.

In the flesh, honey-coloured and slim, the Angel deferred and demurred. 'It's not really my thing but do what you like,' he said, amused. He smelled of lanolin. Michael rested his head on the soft belly and rolled his mouth back and forth around the apricot-like head of the Angel's penis, soothing semen out of him. That tasted of apricots too. Michael slept, with his cheek still resting on the Angel's stomach.

Michael had yet more mistakes in him. The next weekend, he called up the Bay City Rollers. OK, they were a thing from Michael's youth. They were even weedier in the flesh, and the clothes, all cut-off tartan and pixie collars, were more twee than Michael remembered. They smelled of stale crisps and had spots on their backs and Michael sent them packing before they had fully unpacked.

So he called up two Nuba wrestlers from Leni Riefenstahl's photographs. They were naked and enormous and frankly had no idea what it was Michael wanted to do with them. So he sat back and watched them wrestle naked in his sitting room. They slammed into each other like bulls, their rolls of muscled flesh rearing up and settling back in waves, and their elongated penises flying like flags of victory.

Michael conjured up a plumber who had ripped him off. Andy, he was called: broad-shouldered, athletic, with cute button eyes. He had a number-one cut and he had known Michael fancied him. Andy took advantage.

Andy tore up the bathroom floor and removed the toilet. Then he disappeared for four weeks. Michael had to hire a chemical john, like it was a camping holiday. Michael still fancied him when he came back, so he let him finish the job and paid him; only then did the new toilet back up and flood.

Such was the power of love that Michael hired Andy to install the new fireplace, with its fake gas fire. It had a marble pedestal. Andy had to cut the rug, and got the measurement wrong, and cut away too much. Bare 1890s floorboards showed all around the polished stone. Michael traded the old pedestal for a larger one and paid the difference. Andy somehow managed to break the replacement in half. At this point, Michael finally sent him packing.

It was the most terrible abuse of power to make Andy's Angel lower his trousers and take it. It was as if the whole home-maintenance misadventure was finally worth it: we both get what we want. The Viagra worked a treat. A migraine blurred Michael's vision of his own cock plunging in and out of Andy's sculptured derriere. He even had the satisfaction of making Andy come when fucked.

'This isn't my usual sort of thing,' said Andy, confused.

Michael cooed in his ear, 'Maybe not. But you liked it. Do make sure the real Andy knows that.'

National Geographic had been one of Michael's few sources of thrills when he was younger. He remembered photographs of bountiful Amazonian Indians. They arrived squat and square with burnished hairless bodies. Michael finally got to see and touch what had been airbrushed out of the colour spreads. The Amazonians were amazingly loving and affectionate. They rolled over and over with him, giggling and teasing and kissing him, and pressing their foreheads against his so that they could stare into Michael's black eyes. They started to sing to him; rhythmic huffings and clickings and poppings that somehow expressed both energy and longing. When it was time for Michael to go to work they refused to release him. There was a long protracted ritual of goodbye. They clung to his wrists and made elaborate pleading noises. They encircled his midriff and pulled him back down among them, and gave him a breakfast of love. They made him late for the lab.

Michael called up Ernest Hemingway from a photograph of the old gent in his bathtub, proud of the erection that peeked over the top of the tin basin. Michael preened it and stroked it, and found that even after a few minutes' conversation, Ernest Hemingway was a black hole of boredom. Every single hearty thing he said – God knows, about bulls or fishing or shooting or his war wound or the nurses who tended him – struck Michael as phoney. Hemingway really seemed to think that shooting, fishing and boxing were what made you a man. When not having erections was his real problem.

Then there was the man Michael had glimpsed in the changing rooms of the Oasis public baths when he was ten years old. The man had been blond, pale, athletic and embarrassed, quickly lowering trunks and pulling on underwear. He showed up in his swimsuit, full of early-seventies misgivings. He kept jumping in Michael's embrace, nervous, uncertain, still not really believing that it was legal or decent.

There was the lead male actor of the old silent film The Crowd, angelically beautiful and distant. And in person, blind drunk.

There was the fruit-and-vegetable man who in 1977 first told Michael about the Clash. Then he had seemed an adult, all of nineteen years old. He had a head of permed hair that looked now like a joke wig, and huge beautiful front teeth. It was his face Michael remembered. The slim and rather indifferent body seemed to melt into the sheets. But he and Michael stayed up late drinking lager, playing the Pistols, the Clash, the Jam, the Vibrators, but they decided, finally. The Buzzcocks were best.

There was his barber, Italian and sweet, on whom Michael had had a crush all through childhood and who, to give the adult Michael a better blow job, pulled out all of his even white false teeth. His gleaming toothy smile had been why Michael fancied him.

There was even the porn star Brad Rodger, who looked impossibly beautiful in publicity photos. In person, he was tiny and slim with a dick that was large only in proportion to the rest of him. Worst of all, he was, not to be prejudicial, quite the stupidest person Michael had ever met.

'I really would like to do some serious roles.'

'You're kidding,' said Michael. 'You can't really think you'll get into serious acting doing the kind of thing you do.'

'I make up all my own dialogue, you know. I mean, I really improve those parts.' His voice did not rise and fall like a normal voice. Brad whined, like a caricature of the beautiful nasal stars wiped out by talkies. 'Like once, you know, they wanted me to say, like, oh give it me, give it me. I mean, what kind of line is that?'