Zadie Smith - White Teeth

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White Teeth: краткое содержание, описание и аннотация

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Zadie Smith's White Teeth is a delightfully cacophonous tale that spans 25 years of two families' assimilation in North London. The Joneses and the Iqbals are an unlikely a pairing of families, but their intertwined destinies distill the British Empire 's history and hopes into a dazzling multiethnic melange that is a pure joy to read. Smith proves herself to be a master at drawing fully-realized, vibrant characters, and she demonstrates an extraordinary ear for dialogue. It is a novel full of humor and empathy that is as inspiring as it is enjoyable.
White Teeth is ambitious in scope and artfully rendered with a confidence that is extremely rare in a writer so young. It boggles the mind that Zadie Smith is only 24 years old, and this novel is a clarion call announcing the arrival of a major new talent in contemporary fiction. It is a raucous yet poignant look at modern life in London and is clearly the book to read this summer.

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The man, in fact, is in that condition of mingled bhang and ‘nerves’ which makes a Malay run amok; and every shout from his lips runs like a sudden flame through the brains and along the nerves of the listening crowd of fellow Sepoys, as the crowd gets bigger, the excitement more intense. A human powder magazine, in a word, is about to explode.

And explode it did. Pande shot at his lieutenant and missed him. Then he took out a large sword, a tulwar, and cowardly lunged while his lieutenant’s back was turned, catching him on the shoulder. A sepoy tried to restrain him, but Pande battled on. Then came reinforcements: one Captain Hearsay rushed forward, his son at his side, both armed and honourable and prepared to die for their country. (‘Hear-say is precisely what it is! Rubbish. Fabrication!’) At which point Pande saw the game was up, pointed his enormous gun at his own head and dramatically pulled the trigger with his left foot. He missed. A few days later, Pande stood trial and was found guilty. From the other side of the country, on a chaise longue in Delhi, his execution was ordered by one General Henry Havelock (a man honoured, much to Samad’s fury, by a statue just outside the Palace Restaurant, Trafalgar Square, to the right of Nelson), who added – in a postscript to his written instruction – that he did hope that this would put an end to all the rash talk of mutiny one kept hearing recently. But it was too late. As Pande swung in the sultry breeze, hanging from a makeshift gallows, his disbanded comrades from the 34th were heading for Delhi, determined to join the rebel forces of what was to become one of the bloodiest failed mutinies of this or any century.

This version of events – by a contemporary historian named Fitchett – was enough to send Samad into spasms of fury. When a man has nothing but his blood to commend him, each drop of it matters, matters terribly; it must be jealously defended. It must be protected against assailants and detractors. It must be fought for. But like a Chinese whisper, Fitchett’s intoxicated, incompetent Pande had passed down a line of subsequent historians, the truth mutating, bending, receding as the whisper continued. It didn’t matter that bhang, a hemp drink taken in small doses for medicinal purposes, was extremely unlikely to cause intoxication of this kind or that Pande, a strict Hindu, was extremely unlikely to drink it. It didn’t matter that Samad could find not one piece of corroborating evidence that Pande had taken bhang that morning. The story still clung, like a gigantic misquote, to the Iqbal reputation, as solid and seemingly irremovable as the misconception that Hamlet ever said he knew Yorick ‘well’.

‘Enough! It makes no difference how many times you read these things to me, Archibald.’ (Archie usually came armed with a plastic bag full of Brent Library books, anti-Pande propaganda, misquotes galore.) ‘It is like a gang of children caught with their hands in an enormous honey jar: they are all going to tell me the same lie. I am not interested in this kind of slander. I am not interested in puppet theatre or tragic farce. Action interests me, friend.’ And here Samad would mime the final zipping up of his lips, the throwing away of a key. ‘True action. Not words. I tell you, Archibald, Mangal Pande sacrificed his life in the name of justice for India, not because he was intoxicated or insane. Pass me the ketchup.’

It was the 1989 New Year’s Eve shift in O’Connell’s, and the debate was in full swing.

‘True, he was not a hero in the way you in the West like your heroes – he did not succeed except in the manner of his honourable death. But imagine it: there he sat.’ Samad pointed to Denzel, about to play his winning domino. ‘At the trial, knowing death was upon him, refusing ever to reveal the names of his fellow conspirators-’

‘Now, that ,’ said Archie, patting his pile of sceptics, Michael Edwardes, P. J. O. Taylor, Syed Moinul Haq and the rest, ‘depends what you read.’

‘No, Archie. That is a common mistake. The truth does not depend on what you read. Please let us not get into the nature of truth. Then you do not have to draw with my cheese and I can avoid eating your chalk.’

‘All right, then: Pande. What did he achieve? Nothing! All he did was start a mutiny – too early, mind, before the agreed date – and excuse my French, but that’s a fucking disaster in military terms. You plan , you don’t act on instinct. He caused unnecessary casualties. English and Indian.’

‘With respect, I don’t believe that to be the case.’

‘Well, you’re wrong.’

‘With respect, I believe I am right.’

‘It’s like this, Sam: imagine here’ – he gathered a pile of dirty plates that Mickey was about to put in the dishwasher – ‘are all the people who have written about your Pande in the last hundred-and-whatever years. Now: here’s the ones that agree with me.’ He placed ten plates on his side of the table and pushed one over to Samad. ‘And that’s the madman on your side.’

‘A. S. Misra. Respected Indian civil servant. Not a madman.’

‘Right. Well, it would take you at least another hundred-and-whatever years to get as many plates as I have, even if you were going to make them all yourself, and the likelihood is, once you had them, no bugger would want to eat off them anyway. Metaphorically speaking. Know what I mean?’

Which left only A. S. Misra. One of Samad’s nephews, Rajnu, had written to him in the spring of ’81 from his Cambridge college, mentioning casually that he had found a book which might be of some interest to his uncle. In it, he said, could be found an eloquent defence of their shared ancestor, one Mangal Pande. The only surviving copy was in his college library, it was by a man named Misra. Had he heard of it already? If not, might it not serve (Rajnu added in a cautious P. S.) as a pleasant excuse to see his uncle again?

Samad arrived on the train the very next day and stood on the platform, warmly greeting his soft-spoken nephew in the pouring rain, shaking his hand several times and talking as if it were going out of fashion.

‘A great day,’ he repeated over and over, until both men were soaked to the skin. ‘A great day for our family, Rajnu, a great day for the truth .’

Wet men not being allowed in college libraries, they spent the morning drying off in a stuffy upstairs café, full of the right type of ladies having the right type of tea. Rajnu, ever the good listener, sat patiently as his uncle babbled wildly – Oh, the importance of the discovery, Oh, how long he had waited for this moment – nodding in all the right places and smiling sweetly as Samad brushed tears from the corners of his eyes. ‘It is a great book, isn’t it, Rajnu?’ asked Samad pleadingly, as his nephew left a generous tip for the sour-faced waitresses who did not appreciate overexcited Indians spending three hours over one cream tea and leaving wet prints all over the furniture. ‘It is recognized, isn’t it?’

Rajnu knew in his heart that the book was an inferior, insignificant, forgotten piece of scholarship, but he loved his uncle, so he smiled, nodded and smiled firmly again.

Once in the library, Samad was asked to fill in the visitors’ book:

Name : Samad Miah Iqbal

College : Educated elsewhere (Delhi)

Research project : Truth

Rajnu, tickled by this last entry, picked up the pen, adding ‘and Tragedy’.

‘Truth and Tragedy,’ said a deadpan librarian, turning the book back round. ‘Any particular kind?’

‘Don’t worry,’ said Samad genially. ‘We’ll find it.’

It took a stepladder to reach it but it was well worth the stretch. When Rajnu passed the book to his uncle, Samad felt his fingers tingle and, looking at its cover, shape and colour, saw that it was all he had dreamt of. It was heavy, many paged, bound in a tan leather and covered in the light dust that denotes something incredibly precious, something rarely touched.

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