John Updike - Rabbit At Rest

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Rabbit, now in his 50s and with a heart condition, is living in a condo in Florida. Nelson and his family come to stay and disaster unfolds. Rabbit has a serious heart attack after a boating accident with his granddaughter and Nelson has been embezzling the family firm to feed his cocaine habit.
***
Amazon.com Review
It's 1989, and Harry "Rabbit" Angstrom feels anything but restful. In fact he's frozen, incapacitated by his fear of death-and in the final year of the Reagan era, he's right to be afraid. His 55-year-old body, swollen with beer and munchies and racked with chest pains, wears its bulk "like a set of blankets the decades have brought one by one." He suspects that his son Nelson, who's recently taken over the family car dealership, is embezzling money to support a cocaine habit.
Indeed, from Rabbit's vantage point-which alternates between a winter condo in Florida and the ancestral digs in Pennsylvania, not to mention a detour to an intensive care unit-decay is overtaking the entire world. The budget deficit is destroying America, his accountant is dying of AIDS, and a terrorist bomb has just destroyed Pan Am Flight 103 above Lockerbie, Scotland. This last incident, with its rapid transit from life to death, hits Rabbit particularly hard:
Imagine sitting there in your seat being lulled by the hum of the big Rolls-Royce engines and the stewardesses bring the clinking drinks caddy… and then with a roar and giant ripping noise and scattered screams this whole cozy world dropping away and nothing under you but black space and your chest squeezed by the terrible unbreathable cold, that cold you can scarcely believe is there but that you sometimes actually feel still packed into the suitcases, stored in the unpressurized hold, when you unpack your clothes, the dirty underwear and beach towels with the merciless chill of death from outer space still in them.
Marching through the decades, John Updike's first three Rabbit novels-Rabbit, Run (1960), Rabbit Redux (1971), and Rabbit Is Rich (1981)-dissect middle-class America in all its dysfunctional glory. Rabbit at Rest (1990), the final installment and winner of the Pulitzer Prize, continues this brilliant dissection. Yet it also develops Rabbit's character more fully as he grapples with an uncertain future and the consequences of his past. At one point, for example, he's taken his granddaughter Judy for a sailing expedition when his first heart attack strikes. Rabbit gamely navigates the tiny craft to shore-and then, lying on the beach, feels a paradoxical relief at having both saved his beloved Judy and meeting his own death. (He doesn't, not yet.) Meanwhile, this all-American dad feels responsible for his son's full-blown drug addiction but incapable of helping him. (Ironically, it's Rabbit's wife Janice, the "poor dumb mutt," who marches Nelson into rehab.)
His misplaced sense of responsibility-plus his crude sexual urges and racial slurs-can make Rabbit seems less than lovable. Still, there's something utterly heroic about his character. When the end comes, after all, it's the Angstrom family that refuses to accept the reality of Rabbit's mortality. Only Updike's irreplaceable mouthpiece rises to the occasion, delivering a stoical, one-word valediction: "Enough."

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Rabbit has rarely heard this long an utterance from Janice, and it takes him a few seconds to understand what she has been saying. "You'd sell this place?"

"Well, Harry, it is very extravagant to keep it just for the summer essentially, especially when there's all that extra room over at Mother's."

"I love this place," he tells her. "It's the only place I've ever lived where I felt at home, at least since Jackson Road. This place has class. It's us."

"Honey, I've loved it too, but we must be practical, that's what you've always been telling me. We don't need to own four properties, plus the lot."

"Why not sell the condo, then?"

"I thought of that, but we'd be lucky to get out of it what we paid for it. In Florida, places are like cars – people like them brand new. The new malls and everything are to the east."

"What about the Poconos place?"

"There's not enough money there either. It's an unheated shack. We need two hundred thousand, honey."

"We didn't roll up that debt to Toyota – Nelson did it, Nelson and his faggy boyfriends."

"Well, you can say that, but he can't pay it back, and he was acting as part of the company."

"What about the lot? Why can't you sell the lot? That much frontage on Route 111 is worth a fortune; it's the real downtown, now that people are scared to go into the old downtown because of the spics."

A look of pain crosses Janice's face, rippling her exposed forehead; for once, he realizes, he is thinking slower than she is. "Never," she says curtly. "The lot is our number-one asset. We need it as a base for Nelson's future, Nelson's and your grandchildren's. That's what Daddy would want. I remember when he bought it after the war, it had been a country gas station, with a cornfield next to it, that had closed during the war when there were no cars, and he took Mother and me down to look at it, and I found this dump out back, out in that brambly part you call Paraguay, all these old auto parts and green and brown soda bottles that I thought were so valuable, it was like I had discovered buried treasure I thought, and I got my school dress all dirty so that Mother would have been mad if Daddy hadn't laughed and told her it looked like I had a taste for the car business. Springer Motors won't sell out as long as I'm alive and well, Harry. Anyway," she goes on, trying to strike a lighter note, "I don't know anything about industrial real estate. The beauty of selling this place is I can do it myself and get the salesperson's half of the broker's commission. I can't believe we can't get two for it; half of six per cent of two hundred thousand is six thousand dollars -all mine!"

He is still playing catch-up. "You'd sell it – I mean, you personally?"

"Of course, you big lunk, for a real-estate broker. It would be my entrée, as they call it. How could Pearson and Schrack, for instance, or Sunflower Realty, not take me on as a rep if I could bring in a listing like that right off the bat?"

"Wait a minute. We'd live in Florida most of the time -"

"Some of the time, honey. I don't know how much I could get away at first, I need to establish myself. Isn't Florida, honestly, a little boring? So flat, and everybody we know so old."

"And the rest of the time we'd live in Ma's old house? Where would Nelson and Pru go?"

"They'd be there, obviously. Harry, you seem a little slow. Have you been taking too many pills? Just the way we and Nelson used to live with Mother and Daddy. That wasn't so bad, was it? In fact, it was nice. Nelson and Pru would have built-in babysitters, and I wouldn't have to do all this housekeeping by myself."

"What housekeeping?"

"You don't notice it, men never do, but there's an awful lot of simple drudgery to keeping two separate establishments going. You know how you always worry about one place being robbed while we're in the other. This way, we'd have one room at Mother's, I mean Nelson's – I'm sure they'd give us our old room back – and we'd never have to worry!"

Those bands of constriction, with their edges pricked out in pain, have materialized across Harry's chest. His words come out with difficulty. "How do Nelson and Pru feel about us moving in?"

"I haven't asked yet. I thought I might this evening, after I ran it by you. I really don't see how they can say no; it's my house, legally. So: what do you think?" Her eyes, which he is used to as murky and careful, often blurred by sherry or Campari, shine at the thought of her first sale.

He isn't sure. There was a time, when he was younger, when the thought of any change, even a disaster, gladdened his heart with the possibility of a shake-up, of his world made new. But at present he is aware mostly of a fluttering, binding physical resistance within him to the idea of being uprooted. "I hate it, offhand," he tells her. "I don't want to go back to living as somebody's tenant. We did that for ten years and finally got out of it. People don't live all bunched up, all the generations, any more."

"But they do, honey – that's one of the trends in living, now that homes have become so expensive and the world so crowded."

"Suppose they have more children."

"They won't."

"How do you know?"

"I just do. Pru and I have discussed it."

"Does Pru ever feel crowded, I wonder, by her mother-in-law?"

"I wouldn't know why. We both want the same thing – a happy and healthy Nelson."

Rabbit shrugs. Let her stew in her own juice, the cocky little mutt. Going off to school and thinking she's learned everybody's business. "You go over after supper and see how they like your crazy plan. I'm dead set against it, if my vote counts. Sell off the lot and tell the kid to get an honest job, is my advice."

Janice stops watching the microwave tick down its numbers and comes close to him, unexpectedly, touching his face again with that ghostly searching gesture, tucking her body against his to remind him sexually of her smallness, her smallness fitting his bigness, when they first met and still now. He smells her brushedback salt-and-pepper hair and sees the blood-tinged whites of her dark eyes. "Of course your vote counts, it counts more than anybody's, honey." When did Janice start calling him honey? When they moved to Florida and got in with those Southerners and Jews. The Jewish couples down there had this at-rest quality, matched like pairs of old shoes, the men accepting their life as the only one they were going to get, and pleased enough. It must be a great religion, Rabbit thinks, once you get past the circumcision.

He and Janice let the house issue rest as a silent sore spot between them while they eat. He helps her clear and they add their plates to those already stacked in the dishwasher, waiting to be run through. With just the two of them, and Janice out of the house so much, it takes days for a sufficient load to build up on the racks. She telephones Nelson to see if they're going to be in and puts her white cardigan back on and gets back into the Camry and drives off to Mt. Judge. Wonder Woman. Rabbit catches the tail end of Jennings, a bunch of twitchy old black-and-white clips about World War II beginning with the invasion of Poland fifty years ago tomorrow, tanks versus cavalry, Hitler shrieking, Chamberlain looking worried; then he goes out into the dusk and the mosquitoes to stack the already wilting brush more neatly in the corner behind the cement pond with its fading blue bottom and widening crack. He gets back into the house in time for the last ten minutes of Wheel of Fortune. That Vanna! Can she strut! Can she clap her hands when the wheel turns! Can she turn those big letters around! She makes you proud to be a two-legged mammal.

By the end of the Cosby summer rerun, one of those with too much Theo in it, Harry is feeling sleepy, depressed by the idea of Janice selling the house but soothed by the thought that she'll never do it. She's too scatterbrained, she and the kid will just drift along deeper and deeper into debt like the rest of the world; the bank will play ball as long as the lot has value. The Phillies are out in San Diego and in sixth place anyway. He turns the TV sound way down and by the comforting shudder of the silenced imagery stretches out his feet on the Turkish hassock they brought from Ma Springer's house when they moved and slumps down deeper into the silvery-pink wing chair he and Janice bought at Schaechner's ten years ago. His shoulders ache from all that pruning. He thinks of his history book but it's upstairs by the bed. There is a soft ticking at the lozenge-pane windows: rain, as on that evening at the beginning of summer, when he'd just come out of the hospital, the narrow room with the headless sewing dummy, another world, a dream world. The phone wakes him when it rings. He looks at the thermostat clock as he goes to the hall phone. 9:20. Janice has been over there a long time. He hopes it isn't one of those coke dealers that still now and then call, about money they are owed or a new shipment of fresh "material" that has come in. You wonder how these dealers get so rich, they seem so disorganized and hit-or-miss. He was having a dream in the wing chair, some intense struggle already fading and unintelligible, with an unseen antagonist, but in a vivid domed space, like an old-time railroad terminal only the ceiling was lower and paler, a chapel of some kind, a tight space that clings to his mind, making his hand look ancient and strange – the back swollen and bumpy, the fingers withered – as it reaches for the receiver on the wall.

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