John Updike - Rabbit At Rest

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Rabbit, now in his 50s and with a heart condition, is living in a condo in Florida. Nelson and his family come to stay and disaster unfolds. Rabbit has a serious heart attack after a boating accident with his granddaughter and Nelson has been embezzling the family firm to feed his cocaine habit.
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Amazon.com Review
It's 1989, and Harry "Rabbit" Angstrom feels anything but restful. In fact he's frozen, incapacitated by his fear of death-and in the final year of the Reagan era, he's right to be afraid. His 55-year-old body, swollen with beer and munchies and racked with chest pains, wears its bulk "like a set of blankets the decades have brought one by one." He suspects that his son Nelson, who's recently taken over the family car dealership, is embezzling money to support a cocaine habit.
Indeed, from Rabbit's vantage point-which alternates between a winter condo in Florida and the ancestral digs in Pennsylvania, not to mention a detour to an intensive care unit-decay is overtaking the entire world. The budget deficit is destroying America, his accountant is dying of AIDS, and a terrorist bomb has just destroyed Pan Am Flight 103 above Lockerbie, Scotland. This last incident, with its rapid transit from life to death, hits Rabbit particularly hard:
Imagine sitting there in your seat being lulled by the hum of the big Rolls-Royce engines and the stewardesses bring the clinking drinks caddy… and then with a roar and giant ripping noise and scattered screams this whole cozy world dropping away and nothing under you but black space and your chest squeezed by the terrible unbreathable cold, that cold you can scarcely believe is there but that you sometimes actually feel still packed into the suitcases, stored in the unpressurized hold, when you unpack your clothes, the dirty underwear and beach towels with the merciless chill of death from outer space still in them.
Marching through the decades, John Updike's first three Rabbit novels-Rabbit, Run (1960), Rabbit Redux (1971), and Rabbit Is Rich (1981)-dissect middle-class America in all its dysfunctional glory. Rabbit at Rest (1990), the final installment and winner of the Pulitzer Prize, continues this brilliant dissection. Yet it also develops Rabbit's character more fully as he grapples with an uncertain future and the consequences of his past. At one point, for example, he's taken his granddaughter Judy for a sailing expedition when his first heart attack strikes. Rabbit gamely navigates the tiny craft to shore-and then, lying on the beach, feels a paradoxical relief at having both saved his beloved Judy and meeting his own death. (He doesn't, not yet.) Meanwhile, this all-American dad feels responsible for his son's full-blown drug addiction but incapable of helping him. (Ironically, it's Rabbit's wife Janice, the "poor dumb mutt," who marches Nelson into rehab.)
His misplaced sense of responsibility-plus his crude sexual urges and racial slurs-can make Rabbit seems less than lovable. Still, there's something utterly heroic about his character. When the end comes, after all, it's the Angstrom family that refuses to accept the reality of Rabbit's mortality. Only Updike's irreplaceable mouthpiece rises to the occasion, delivering a stoical, one-word valediction: "Enough."

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Rabbit smiles in the whispering, onrushing cave of the car; this guy must think nobody is listening, gagging it up like this. Lonely in those radio studios, surrounded by paper coffee cups and perforated acoustic tiles. Hard to know the effect you're making. Hard to believe God is always listening, never gets bored. The dashboard lights of the Celica glow beneath his line of vision like the lights of a city about to be bombed.

The superhighway crosses the Susquehanna and at York catches 83. As Harry drives south, the station fades behind him, toward the end of Louis Prima's "Just a Gigolo," that fantastic chorus where the chorus keeps chanting "Just a gigolo" in a kind of affectionate mockery of that wheezy wonderful voice: it makes your scalp prickle with joy. Rabbit fumbles with the scan button but can't find another oldies station, just talk shows, drunks calling in, the host sounding punchy himself, his mouth running on automatic pilot, abortion, nuclear waste, unemployment among young black males, CIA complicity in the AIDS epidemic, Boesky, Milken, Bush and North, Nonega, you can't tell me that Rabbit switches the radio off, hating the sound of the human voice. Vermin. We are noisy vermin, crowding even the air. Better the murmur of the tires, the green road signs looming in the lights and parabolically enlarging and then whisked out of sight like magicians' handkerchieves. It's getting close to midnight, but before he stops he wants to be out of the state. Even that botched time ages ago he got as far as West Virginia. To get out of Pennsylvania you have to climb a nameless mountain, beyond Hungerford. Signs and lights diminish. The lonely highway climbs. High lakes gleam under what is, now, in a gap between clouds, true moonlight. He descends into Maryland. There is a different feeling: groomed center strips, advertisements for Park and Ride for commuters. Civilization. Out of the sticks. His eyelids feel sandy, his heart fluttery and sated. He pulls off 83 into a Best Western well north of Baltimore, pleased to think that nobody in the world, nobody but the stocky indifferent Asian-American desk clerk, knows his location. Where oh where is the missing tritium?

He likes motel rooms – the long clammy slot of hired space, the two double beds, the television set with its invitation to buy an R-rated movie, the shag carpet, the framed prints of big birds, the sanitized towels, the hush of anonymity, the closeted echo of old sex. He sleeps well, as if he has slipped off his body with its troubles and left it lying on the other double bed. In his dream he is back at the lot, with a young woman who seems to be in charge. She wears a white cap and dangly earrings but when he leans close and tries to explain himself to her, to convey his indispensable usefulness to the enterprise, contrary to what she may have heard from Janice, she makes a wry mouth and her face melts under his eyes in a kind of visual scream.

For breakfast, he succumbs to the temptation and has two fried eggs, though the yolks are terrible for your arteries, with bacon on the side. Rabbit likes the very American moment of packing up his car in sleepy unspeaking companionship with the other motel guests, elderly couples, cranky families, as they drift from the breakfast room across the parking lot with its long milky morning shadows. On the road again, with the radio again. The same news as the night before, amplified by the final baseball scores (Phils lost, five to one) and the news from Asia, where it is already afternoon for the busy Japanese currency speculators, the restive Chinese students, the doll-like Filipino hookers, the unhappily victorious Vietnamese, the up-and-coming although riotous Koreans, the tottering Burmese socialists, the warring Cambodian factions including the mindless Khmer Rouge minions of the most atrocious national leader since Hitler and Stalin, the infamous Pol Pot. Like, wow! Wake up, songbirds! The d.j., not last night's but just as crazy and alone with himself, plays some rockabilly song Rabbit likes, about getting down, "make a little love, get down tonight." It occurs to Harry he didn't even jerk off last night, though motel rooms usually excite him. Boy, is he showing his age.

As Baltimore nears, the condominiums multiply, thicken, entire hills and valleys loaded with them, pastel gingerbread staircases containing invisible people. 83 ends seamlessly at 695 and with all the commuters in their neckties he drones around the Beltway, jostling for his space in the world as if he still deserves it. Then he takes up 95, which will be his home all the way to Florida. There are two ways around Washington, he and Janice have tried them both, the boringly expert travellers down in the condo like the Silbersteins say 495 passing to the north and west is actually quicker, but he likes the little glimpse of the monuments you get by staying east on 95 and crossing the Potomac on a broad bridge into Alexandria. The frozen far heart, ice-cream white, of the grand old republic.

After all that megalopolis, Virginia feels bucolically vacant. The fields look bigger than those in Pennsylvania, the hills gentler and more open, with meadows and horses, a gracious mist in the air, once in a while a pillared manse on a pale-green rise like something embroidered on a sampler by a slaveowner's spinster daughter. A military tinge: Fort Belvoir Engineer Proving Ground, Quantico Marine Corps Base. Harry thinks of his Army time and it comes back as a lyric tan, a translucent shimmer of aligned faceless men, the curious peace of having no decisions to make, of being told entirely what to do. War is a relief in many ways. Without the Cold War, what's the point of being an American? Still, we held them off. We creamed those oafs. Hitler, Stalin, and now Gorby. History will remember that, if not thank us. There is very little thanks in history. Dog eat dog. It becomes hard now to find stations on the radio that are not country music or religion. "Pray for difficult marriages," one preacher says, his grainy molasses-brown voice digging so deep into himself you can picture his shut eyes, the sweat on his temples, "pray for Christian husbands under stress, for Christian wives worried about their men; pray for all hostages, for prisoners in prison, for victims of the ghetto, for all those with AIDS." Rabbit switches the station and resolves to call home when he stops for lunch.

How many rivers there are! After the Potomac, the Accotink, the Pohick, the Occoquan, the Rappahannock, the Pamunkey, the Ni, the Po, the Matta, the South Anna. The bridges thus marked are mere moments of the highway. Unseen towns are named: Massaponax, Ladysmith, Cedar Forks. North of Richmond, shacks in a thickening scatter mark the beginning of the true South, of rural blacks. Harry pulls into a Howard Johnson's on the Richmond outskirts. His ears ring, the ankle of his accelerator foot aches, his neck is stiff; the heat has gone up several notches since the motel parking lot this morning. Inside the air-conditioned restaurant, salesmen with briefcases are at all the pay phones. He eats too much lunch, consuming the last French fry that came with his tasteless hamburger, mopping up salt with it in his fingers like his grandson Roy does, and then ordering apple pie to see if it's any different in Virginia. It's sweeter and gluier; it lacks that cinnamon they sprinkle on in Pennsylvania. A phone is available after he pays the check and with three dollars' worth of quarters ready he dials not the gray limestone house on Franklin Drive but the house where he used to live, the Springer house in Mt. Judge.

A little girl answers. The operator breaks in and Rabbit inserts three n-linutes' worth of quarters. He says, "Hi, Judy. It's Grandpa."

"Hi, Grandpa," she says, very calmly. Perhaps nothing of last night's revelation has filtered down to her yet. Or perhaps children this young are so innocent of what adulthood involves that nothing surprises them.

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