John Updike - Rabbit At Rest

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Rabbit, now in his 50s and with a heart condition, is living in a condo in Florida. Nelson and his family come to stay and disaster unfolds. Rabbit has a serious heart attack after a boating accident with his granddaughter and Nelson has been embezzling the family firm to feed his cocaine habit.
***
Amazon.com Review
It's 1989, and Harry "Rabbit" Angstrom feels anything but restful. In fact he's frozen, incapacitated by his fear of death-and in the final year of the Reagan era, he's right to be afraid. His 55-year-old body, swollen with beer and munchies and racked with chest pains, wears its bulk "like a set of blankets the decades have brought one by one." He suspects that his son Nelson, who's recently taken over the family car dealership, is embezzling money to support a cocaine habit.
Indeed, from Rabbit's vantage point-which alternates between a winter condo in Florida and the ancestral digs in Pennsylvania, not to mention a detour to an intensive care unit-decay is overtaking the entire world. The budget deficit is destroying America, his accountant is dying of AIDS, and a terrorist bomb has just destroyed Pan Am Flight 103 above Lockerbie, Scotland. This last incident, with its rapid transit from life to death, hits Rabbit particularly hard:
Imagine sitting there in your seat being lulled by the hum of the big Rolls-Royce engines and the stewardesses bring the clinking drinks caddy… and then with a roar and giant ripping noise and scattered screams this whole cozy world dropping away and nothing under you but black space and your chest squeezed by the terrible unbreathable cold, that cold you can scarcely believe is there but that you sometimes actually feel still packed into the suitcases, stored in the unpressurized hold, when you unpack your clothes, the dirty underwear and beach towels with the merciless chill of death from outer space still in them.
Marching through the decades, John Updike's first three Rabbit novels-Rabbit, Run (1960), Rabbit Redux (1971), and Rabbit Is Rich (1981)-dissect middle-class America in all its dysfunctional glory. Rabbit at Rest (1990), the final installment and winner of the Pulitzer Prize, continues this brilliant dissection. Yet it also develops Rabbit's character more fully as he grapples with an uncertain future and the consequences of his past. At one point, for example, he's taken his granddaughter Judy for a sailing expedition when his first heart attack strikes. Rabbit gamely navigates the tiny craft to shore-and then, lying on the beach, feels a paradoxical relief at having both saved his beloved Judy and meeting his own death. (He doesn't, not yet.) Meanwhile, this all-American dad feels responsible for his son's full-blown drug addiction but incapable of helping him. (Ironically, it's Rabbit's wife Janice, the "poor dumb mutt," who marches Nelson into rehab.)
His misplaced sense of responsibility-plus his crude sexual urges and racial slurs-can make Rabbit seems less than lovable. Still, there's something utterly heroic about his character. When the end comes, after all, it's the Angstrom family that refuses to accept the reality of Rabbit's mortality. Only Updike's irreplaceable mouthpiece rises to the occasion, delivering a stoical, one-word valediction: "Enough."

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From far across the river, a siren wails in the heart of Brewer. Above, in a sky gathering its fishscales for a rainy tomorrow, a small airplane rasps as it coasts into the airport beyond the old fairgrounds. What Harry instantly loved about this house was its hiddenness: not so far from all this traffic, it is yet not easy to find, on its macadamized dead end, tucked with its fractional number among the more conspicuous homes of the Penn Park rich. He always resented these snobs and now is safe among them. Pulling into his dead-end driveway, working out back in his garden, watching TV in his den with its wavery lozenge-paned windows, Rabbit feels safe as in a burrow, where the hungry forces at loose in the world would never think to find him.

Janice pulls in in the pearl-gray Camry wagon. She is fresh from the afternoon class at the Penn State extension on Pine Street: "Real Estate Mathematics -Fundamentals and Applications." In a student outfit of sandals and wheat-colored sundress, with a looseknit white cardigan thrown over her shoulders, her forehead free of those Mamie Eisenhower bangs, she looks snappy, and brushed glossy, and younger than her age. Everything she wears these days has shoulders; even her cardigan has shoulders. She walks to him over what seems a great distance in the little quarter-acre yard, their property expanded by what has become a mutual strangeness. Unusually, she presents her face to be kissed. Her nose feels cold, like a healthy puppy's. "How was class?" he dutifully asks.

"Poor Mr. Lister seems so sad and preoccupied lately," she says. "His beard has come in all full of gray. We think his wife is leaving. him. She came to class once and acted very snooty, we all thought."

"You all are getting to be a mean crowd. Aren't these classes about over? Labor Day's coming."

"Poor Harry, do you feel I've deserted you this summer? What are you going to do with all this mess you've pruned away? The beauty bush looks absolutely ravaged."

He admits, "I was getting tired and making bad decisions. That's why I stopped."

"Good thing," she says. "There wouldn't have been anything left but stumps. We'd have to call it the ugliness bush."

"Listen, you, I don't see you out here helping. Ever."

"The outdoors is your responsibility, the indoors is mine – isn't that how we do it?"

"I don't know how we do anything any more, you're never here. In answer to your question, I'd planned to stack what I cut over behind the fish pond to dry out and then burn it next spring when we're back from Florida."

"You're planning ahead right into 1990; I'm impressed. That year is still very unreal to me. Won't the yard look ugly all winter then, though?"

"It won't look ugly, it'll look natural, and we won't be here to see it anyway."

Her tongue touches the upper lip of her mouth, which has opened in thought. But she says nothing, just "I guess we won't, if we do things as normal."

"If? "

She doesn't seem to hear, gazing at the fence-high heap of pruned branches.

He says, "If you're so in charge of the indoors, what are we having for dinner?"

"Damn," she says. "I meant to stop by at the farm stand there at the end of the bridge and pick up some sweet corn, but then I had so much else on my mind I sailed right by. I thought we'd have the corn with what's left of Tuesday's meatloaf and those dinner rolls in the breadbox before they get moldy. There was a wonderful tip in the Standard about how to freshen stale bread in the microwave, I forget what exactly, something to do with water. There must be a frozen veg in the freezer part we can have instead of sweet corn."

"Or else we could sprinkle salt and sugar on ice cubes," he says. "One thing I know's in the fridge is ice cubes."

"Harry, it's been on my mind to go shopping, but the IGA is so far out of the way and the prices at the Turkey Hill are ridiculous, and the convenience store over on Penn Boulevard has those surly kids behind the counter who I think punch extra figures into the cash register."

"You're a shrewd shopper, all right," Harry tells her. The mackerel sky is forming a solid gray shelf in the southwest; they move together toward the house, away from the shadow of coming dark.

Janice says, "So." Saying "so" is something she's picked up recently, from her fellow-students or her teachers, as the word for beginning to strike a deal. "You haven't asked me how I did on my last quiz. We got them back."

"How did you do?"

"Beautifully, really. Mr. Lister gave me a B minus but said it would have been a B plus if I could organize my thoughts better and clean up my spelling. I know it's `i' before `e' sometimes and the other way around some other times, but when?"

He loves her when she talks to him like this, as if he has all the answers. He leans the long-handled clippers in the garage against the wall behind a dented metal trash can and hangs the pruning saw on its nail. Shadowy in her sundress, she moves ahead of him up the back stairs and the kitchen light comes on. Inside the kitchen, she rummages, with that baffled frowning expression of hers, biting her tongue tip, in the refrigerator for edible fragments. He goes and touches her waist in the wheat-colored dress, lightly cups her buttocks as she bends over looking. Tenderly, he complains, "You didn't come home until late last night."

"You were asleep, poor thing. I didn't want to risk waking you so I slept in the guest room."

"Yeah, I get so groggy, suddenly. I keep wanting to finish that book on the American Revolution but it knocks me out every time."

"I shouldn't have given it to you for Christmas. I thought you'd enjoy it."

"I did. I do. Yesterday was a hard day. First Ronnie tied me on the last hole when I had the bastard all but beaten, and then he snubbed my invitation to play again. And then Nelson called all jazzed up with some crazy scheme about water scooters and Yamaha."

"I'm sure Ronnie has his reasons," Janice says. "I'm surprised he played with you at all. How do you feel about Brussels sprouts?"

"I don't mind them."

"To me, they always taste spoiled; but they're all we have. I promise to get to the IGA tomorrow and stock up for the long weekend."

"We going to have Nelson and his tribe over?"

"I thought we might all meet at the club. We've hardly used it this summer."

"He sounded hyper on the phone – do you think he's back on the stuff already?"

"Harry, Nelson is very straight now. That place really has given him religion. But I agree, Yamaha isn't the answer. We must raise some capital and put ourselves on a solvent basis before we start courting another franchise. I've been talking to some of the other women getting their licenses -"

"You discuss our personal financial problems?"

"Not ours as such, just as a case study. It's all purely hypothetical. In real-estate class we always have a lot of case studies. And they all thought it was grotesque to be carrying a mortgage amounting to over twenty-five hundred a month on the lot when we have so much other property."

Rabbit doesn't like the trend here. He points out, "But this place is already mortgaged. What do we pay? Seven hundred a month."

"I know that, silly. Don't forget, this is my business now." She has stripped the Brussels sprouts of their waxpaper box and put them in the plastic safe dish and put it in the microwave and punches out the time – three blips, a peep, and then a rising hum. "We bought this place ten years ago," she tells him, "for seventyeight thousand and put fifteen down and have about ten or fifteen more in equity by now, it doesn't accumulate very fast in the first half of payback, there's a geometric curve they tell you about, so let's say there's still fifty outstanding; in any case, housing prices have gone way up in this area since 1980, it's been flattening out but hasn't started to go down yet, though it might this winter, you'd begin by asking two twenty, two thirty let's say, with the Penn Park location, and the seclusion, the fact that it has real limestone walls and not just facing, it has what they call historic value; we certainly wouldn't settle for less than two hundred, which minus the fifty would give us one fifty, which would wipe out two-thirds of what we owe Brewer Trust!"

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