John Updike - Rabbit At Rest

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Rabbit, now in his 50s and with a heart condition, is living in a condo in Florida. Nelson and his family come to stay and disaster unfolds. Rabbit has a serious heart attack after a boating accident with his granddaughter and Nelson has been embezzling the family firm to feed his cocaine habit.
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Amazon.com Review
It's 1989, and Harry "Rabbit" Angstrom feels anything but restful. In fact he's frozen, incapacitated by his fear of death-and in the final year of the Reagan era, he's right to be afraid. His 55-year-old body, swollen with beer and munchies and racked with chest pains, wears its bulk "like a set of blankets the decades have brought one by one." He suspects that his son Nelson, who's recently taken over the family car dealership, is embezzling money to support a cocaine habit.
Indeed, from Rabbit's vantage point-which alternates between a winter condo in Florida and the ancestral digs in Pennsylvania, not to mention a detour to an intensive care unit-decay is overtaking the entire world. The budget deficit is destroying America, his accountant is dying of AIDS, and a terrorist bomb has just destroyed Pan Am Flight 103 above Lockerbie, Scotland. This last incident, with its rapid transit from life to death, hits Rabbit particularly hard:
Imagine sitting there in your seat being lulled by the hum of the big Rolls-Royce engines and the stewardesses bring the clinking drinks caddy… and then with a roar and giant ripping noise and scattered screams this whole cozy world dropping away and nothing under you but black space and your chest squeezed by the terrible unbreathable cold, that cold you can scarcely believe is there but that you sometimes actually feel still packed into the suitcases, stored in the unpressurized hold, when you unpack your clothes, the dirty underwear and beach towels with the merciless chill of death from outer space still in them.
Marching through the decades, John Updike's first three Rabbit novels-Rabbit, Run (1960), Rabbit Redux (1971), and Rabbit Is Rich (1981)-dissect middle-class America in all its dysfunctional glory. Rabbit at Rest (1990), the final installment and winner of the Pulitzer Prize, continues this brilliant dissection. Yet it also develops Rabbit's character more fully as he grapples with an uncertain future and the consequences of his past. At one point, for example, he's taken his granddaughter Judy for a sailing expedition when his first heart attack strikes. Rabbit gamely navigates the tiny craft to shore-and then, lying on the beach, feels a paradoxical relief at having both saved his beloved Judy and meeting his own death. (He doesn't, not yet.) Meanwhile, this all-American dad feels responsible for his son's full-blown drug addiction but incapable of helping him. (Ironically, it's Rabbit's wife Janice, the "poor dumb mutt," who marches Nelson into rehab.)
His misplaced sense of responsibility-plus his crude sexual urges and racial slurs-can make Rabbit seems less than lovable. Still, there's something utterly heroic about his character. When the end comes, after all, it's the Angstrom family that refuses to accept the reality of Rabbit's mortality. Only Updike's irreplaceable mouthpiece rises to the occasion, delivering a stoical, one-word valediction: "Enough."

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Their first round, playing as a twosome, they have a good enough time that they schedule another, and then a third. Ronnie has his old clients but he's no longer out there generating new business among the young husbands, he can take an afternoon off with a little notice. Their games are rusty and erratic, and the match usually comes down to the last hole or two. Will Harry's fine big free swing deliver the ball into the fairway or into the woods? Will Ronnie look up and skull an easy chip across the green into the sand trap, or will he keep his head down, his hands ahead, and get the ball close, to save a par? The two men don't talk much, lest the bad blood between them surface; the sight of the other messing up is so hilariously welcome as to suggest affection. They never mention Thelma.

On the seventeenth, a long par-four with a creek about one hundred ninety yards out, Ronnie plays up short with a four-iron. "That's a chickenshit way to play it," Harry tells him, and goes with a driver. Concentrating on keeping his flying right elbow close to his body, he catches the ball sweet, clearing the creek by thirty yards. Ronnie, compensating, tries too hard on his next shot: needing to take a three-wood, he roundhouses a big banana ball into the pine woods on the Mt. Pemaquid side of the fairway. Thus relieved of pressure, Rabbit thinks Easy does it on his six-iron and clicks off a beauty that falls into the heart of the green as if straight down a drainpipe. His par leaves him one up, so he can't lose, and only has to tie to win. Expansively he says to Ronnie as they ride the cart to the eighteenth tee, "How about that Voyager Two? To my mind that's more of an achievement than putting a man on the moon. In the Standard yesterday I was reading where some scientist says it's like sinking a putt from New York to Los Angeles."

Ronnie grunts, sunk in a losing golfer's self-loathing.

"Clouds on Neptune," Rabbit says, "and volcanos on Triton. What do you think it means?"

One of his Jewish partners down in Florida might have come up with some angle on the facts, but up here in Dutch country Ronnie gives him a dull suspicious look. "Why would it mean anything? Your honor."

Rabbit feels rubbed the wrong way. You try to be nice to this guy and he snubs you. He is an ugly prick and always was. You offer him the outer solar system to think about and he brushes it aside. He crushes it in his coarse brain. Harry feels a fine excessiveness in that spindly machine's feeble but true transmissions across billions of miles, a grace of sorts that chimes with the excessive beauty of this crystalline late-summer day. He needs to praise. Ronnie must know some such need, or he and Thelma wouldn't have attended that warehouse of a no-name church. "Those three rings nobody ever saw before," Harry insists, "just like drawn with a pencil," echoing Bernie Drechsel's awe at the thinness of flamingo legs.

But Ronnie has moved off, over by the ball washer, pretending not to hear. He has a bum knee from an old football injury and begins to limp toward the end of a round. He takes a series of vicious practice swings, anxious to begin the hole and avenge his previous poor showing. Disappointed, distracted by thoughts of brave Voyager, Rabbit lets his right elbow float at the top of the backswing and cuts weakly across the ball, slicing it, on a curve as uncanny as if plotted by computer, into the bunker in the buckgrass to the right of the fairway. The eighteenth is a par-five that flirts with the creek coming back but should be an easy par; in his golfing prime he more than once birdied it. Yet he has to come out of the bunker sideways with a wedge and then hits his three-iron not his best club but he needs the distance – fat, trying too hard just like Ronnie on the last hole, and winds up in the creek, his yellow Pinnacle finally found under a patch of watercress. The drop consumes another stroke and he's so anxious to nail his nine-iron right to the pin he pulls it, so he lies five on the deep fringe to the left of the green. Ronnie has been poking along, hitting ugly low shots with his blacksmith swing but staying out of trouble, on in four; so Rabbit's only hope is to chip in. It's a grassy lie and he fluffs it, like the worst kind of moronic golfing coward he forgets to hit down and through, and the ball moves maybe two feet, onto the froghair short of the green in six, and Ronnie has a sure two putts for a six and a crappy, crappy win. If there's one thing Harry hates, it's losing to a bogey. He picks up his Pinnacle and with a sweeping heave throws the ball into the pine woods. Something in his chest didn't like the big motion but it is bliss of sorts to see the tormenting orb disappear in a distant swish and thud. The match ends tied.

"So, no blood," Ronnie says, having rolled his twelve-footer to within a gimme.

"Good match," Harry grunts, deciding against shaking hands. The shame of his collapse clings to him. Who says the universe isn't soaked in disgrace?

As they transfer balls and tees and sweaty gloves to the pocket of their bags, Ronnie, now that it's his turn to feel expansive, volunteers, "Didja see last night on Peter Jennings, the last thing, they showed the photographs of the rings and the moon moving away and then a composite they had made of the various shots of Neptune projected onto a ball and twirled, so the whole planet was there, like a toy? Incredible," Ronnie admits, "what they can do with computer graphics."

The image faintly sickens Harry, of Voyager taking those last shots of Neptune and then sailing off into the void, forever. How can you believe how much void there is?

The golf bags in the rack here by the pro shop throw long shafts of shadow. These days are drawing in. Harry is thirsty, and looks forward to a beer on the club patio, at one ofthe outdoor tables, under a big green-and-white umbrella, beside the swimming pool with its cannonballing kids and budding bimbos, while the red sun sinks behind the high horizon of Mt. Pemaquid. Before they head up for the beets, the two men look directly at each other, by mistake. On an unfortunate impulse, Rabbit asks, "Do you miss her?"

Ronnie gives him an angled squint. His eyelids look sore under his white eyelashes. "Do you?"

Ambushed, Rabbit can barely pretend he does. He used Thelma, and then she was used up. "Sure," he says.

Ronnie clears his ropy throat and checks that the zipper on his bag is up and then shoulders the bag to take to his car. "Sure you do," he says. "Try to sound sincere. You never gave a fuck. No. Excuse me. A fuck is exactly what you gave."

Harry hangs between impossible alternatives – to tell him how much he enjoyed going to bed with Thelma (Ronnie's smiling photo watching) or to claim that he didn't. He answers merely, "Thelma was a lovely woman."

"For me," Ronnie tells him, dropping his pugnacious manner and putting on his long widower's face, "it's like the bottom of the world has dropped out. Without Thel, I'm just going through the motions." His voice gets all froggy, disgustingly. When Harry invites him up on the patio for the beers, he says, "No, I better be getting back. Ron junior and his newest significant other are having me over for dinner." When Harry tries to set a date for the next game, he says, "Thanks, old bunny, but you're the member here. You're the one with the rich wife. You know the Flying Eagle rules – you can't keep having the same guest. Anyway, Labor Day's coming. I better start getting back on the ball, or Schuylkill'll think I'm the one who died."

He drives his slate-gray Celica home to Penn Park. Janice's Camry is not in the driveway and he thinks the phone ringing inside might be her. She's almost never here any more – off at her classes, or over in Mt. Judge babysitting, or at the lot consulting with Nelson, or in Brewer with her lawyer and those accountants Charlie told her to hire. He works the key in the lock – maddening, the scratchy way the key doesn't fit in the lock instantly, it reminds him of something from way back, something unpleasant that hollows his stomach, but what? – and shoves the door open with his shoulder and reaches the hall phone just as it's giving what he knows will be its dying ring. "Hello." He can hardly get the word out.

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