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Larry McMurtry: Lonesome Dove

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Larry McMurtry Lonesome Dove

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Lonesome Dove, by Larry McMurtry, the author of Terms of Endearment, is his long-awaited masterpiece, the major novel at last of the American West as it really was. A love story, an adventure, an American epic, Lonesome Dove embraces all the West – legend and fact, heroes and outlaws, whoeres and ladies, Indians and settlers – in a novel that recreates the central American experience, the most enduring of our national myths. Set in the late nineteenth century, Lonesome Dove is the story of a cattle drive from Texas to Montana – and much more. It is a drive that represents for everybody involved not only a daring, even a foolhardy, adventure, but a part of the American Dream – the attempt to carve out of the last remaining wilderness a new life. Agustus McCrae and W.F. Call are former Texas Rangers, partners and friends who have shared hardship and danger together without ever quite understanding (or wanting to understand) each other's deepest emotions. Gus is the romantic, a reluctant rancher who has a way with women and the sense to leave well enough alone. Call is a driven, demanding man, a natural authority figure with no patience for weaknesses, and not many of his own. He is obsessed with the dream of creating his own empire, and with the need to conceal a secret sorrow of his own. The two men could hardly be more different, but both are tough, redoubtable fighters who have learned to count on each other, if nothing else. Call's dream not only drags Gus along in its wake, but draws in a vast cast of characters: – Lorena, the whore with the proverbial heart of gold, whom Gus (and almost everyone else) loves, and who survives one of the most terrifying experiences any woman could have… – Elmira, the restless, reluctant wife of a small-time Arkansas sheriff, who runs away from the security of marriage to become part of the great Western adventure… – Blue Duck, the sinister Indian renegade, one of the most frightening villains in American fiction, whose steely capacity for cruelty affects the lives of everyone in the book… – Newt, the young cowboy for whom the long and dangerous journey from Texas to Montana is in fact a search for his own identity… – Jake, the dashing, womanizing ex-Ranger, a comrade-in-arms of Gus and Call, whose weakness leads him to an unexpected fate… – July Johnson, husband of Elmira, whose love for her draws him out of his secure life into the wilderness, and turns him into a kind of hero… Lonesome Dove sweeps from the Rio Grande (where Gus and Call acquire the cattle for their long drive by raiding the Mexicans) to the Montana highlands (where they find themselves besieged by the last, defiant remnants of an older West). It is an epic of love, heroism, loyalty, honor, and betrayal – faultlessly written, unfailingly dramatic. Lonesome Dove is the novel about the West that American literature – and the American reader – has long been waiting for.

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Once she thought about it, Lorena saw his point. All men weren't quite the same. A few were nice enough that she might notice them, and a goodly few were mean enough that she couldn't help noticing them, but the majority were neither one nor the other. They were just men, and they left money, not memories. So far it was only the mean ones who had left memories.

"Why'd you give me this ten?" she asked, willing to be a little curious, since it seemed it was going to be just talk anyway.

"Hoping to get you to talk a minute," Augustus said, smiling. He had the most white hair she had ever seen on a man. He mentioned once that it had turned white when he was thirty, making his life more dangerous, since the Indians would have considered the white scalp a prize.

"I was married twice, you remember," he said. "Should have been married a third time but the woman made a mistake and didn't marry me."

"What's that got to do with this money?" Lorena asked.

"The pint is, I ain't a natural bachelor," Augustus said. "There's days when a little bit of talk with a female is worth any price. I figure the reason you don't have much to say is you probably never met a man who liked to hear a woman talk. Listening to women ain't the fashion in this part of the country. But I expect you got a life story like everybody else. If you'd like to tell it, I'm the one that'd like to hear it."

Lorena thought that over. Gus didn't seem uncomfortable. He just set there, twirling his rowe!.

"In these parts what your business is all about is woman's company anyway," he said. "Now in a cold clime it might be different. A cold clime will perk a boy up and make him want to wiggle his bean. But down here in this heat it's mostly company they're after."

There was something to that. Men looked at her sometimes like they wished she would be their sweetheart-the young ones particularly, but some of the old ones too. One or two had even wanted her to let them keep her, though where they meant to do the keeping she didn't know. She was already living in the only spare bedroom in Lonesome Dove. Little marriages were what they wanted-just something that would last until they started up the trail. Some girls did it that way-hitched up with one cowboy for a month or six weeks and got presents and played at being respectable. She had known girls who did it that way in San Antonio. The thing that struck her was that the girls seemed to believe it as much as the cowboys did. They would act just as silly as respectable girls, getting jealous of one another and pouting all day if their boys didn't act to suit them. Lorena had no interest in conducting things that way. The men who came to see her would have to realize that she was not interested in playacting.

After a bit, she decided she wasn't interested in telling Augustus her life story, either. She buttoned her dress back up and handed him the ten dollars.

"It ain't worth ten dollars," she said. "Even if I could remember it all."

Augustus stuck the money back in his pocket. "I ought to know better than to try and buy conversation," he said, still grinning. "Let's go down and play some cards."

4.

WHEN AUGUSTUS LEFT CALL sitting on the steps he took a slow stroll through the wagon yard and down the street, stopping for a moment on the sandy bottom of Hat Creek to strap on his pistol. The night was quiet as sleep, no night when he expected to have to shoot anybody, but it was only wise to have the pistol handy in case he had to whack a drunk. It was an old Colt dragoon with a seven-inch barrel and, as he was fond of saying, weighed about as much as the leg he strapped it to. One whack would usually satisfy most drunks, and two whacks would drop an ox if Augustus cared to put his weight into it.

The border nights had qualities that he had come to admire, different as they were from the qualities of nights in Tennessee. In Tennessee, as he remembered, nights tended to get mushy, with a cottony mist drifting into the hollows. Border nights were so dry you could smell the dirt, and clear as dew. In fact, the nights were so clear it was tricky; even with hardly any moon the stars were bright enough that every bush and fence post cast a shadow. Pea Eye, who had a jumpy disposition, was always shying from shadows, and he had even blazed away at innocent chaparral bushes on occasion, mistaking them for bandits.

Augustus was not particularly nervous, but even so he had hardly started down the street before he got a scare: a little ball of shadow ran right at his feet. He jumped sideways, fearing snakebite, although his brain knew snakes didn't roll like balls. Then he saw an armadillo hustle past his feet. Once he saw what it was, he tried to give it a kick to teach it not to walk in the street scaring people, but the armadillo hurried right along as if it had as much right to the street as a banker.

The town was not roaring with people, nor was it bright with lights, though a light was on at the Pumphreys', whose daughter was about to have a baby. The Pumphreys ran a store; the baby their daughter was expecting would arrive in the world to find itself fatherless, since the boy who had married the Pumphrey girl had drowned in the Republican River in the fall of the year, with the girl only just pregnant.

There was only one horse hitched outside the Dry Bean when Augustus strolled up-a rangy sorrel that he recognized as belonging to a cowboy named Dishwater Boggett, so named because he had once rushed into camp so thirsty from a dry drive that he wouldn't wait his turn at the water barrel and had filled up on some dishwater the cook had been about to throw out. Seeing the sorrel gave Augustus a prime feeling because Dish Boggett loved card playing, though he lacked even minimal skills. Of course he also probably lacked ante money, but that didn't necessarily rule out a game. Dish was a good hand and could always get hired-Augustus didn't mind playing for futures with such a man.

When he stepped in the door, everybody was looking peeved, probably because Lippy was banging away at "My Bonnie Lies Over the Ocean," a song that he loved to excess and played as if he hoped it could be heard in the capital of Mexico. Xavier Wanz, the little Frenchman who owned the place, was nervously wiping his tables with a wet rag. Xavier seemed to think keeping the tables well wiped was the crucial factor in his business, though Augustus was often forced to point out to him that such a view was nonsense. Most of the patrons of the Dry Bean were so lacking in fastidiousness that they wouldn't have noticed a dead skunk on the tables, much less a few crumbs and spilled drinks.

Xavier himself had a near-monopoly on fastidiousness in Lonesome Dove. He wore a white shirt the year round, clipped his little mustache once a week and even wore a bow tie, or, at least, a black shoestring that did its best to serve as a bow tie. Some cowpoke had swiped Xavier's last real bow tie, probably meaning to try and impress some girl somewhere up the trail. Since the shoestring was limp, and not stiff like a bow tie should be, it merely added to the melancholy of Xavier's appearance, which would have been melancholy enough without it. He had been born in New Orleans and had ended up in Lonesome Dove because someone had convinced him Texas was the land of opportunity. Though he soon discovered otherwise, he was too proud or too fatalistic to attempt to correct his mistake. He approached day-to-day life in the Dry Bean with a resigned temper, which on occasion stopped being resigned and became explosive. When it exploded, the placid air was apt to be rent by Creole curses.

"Good evening, my good friend," Augustus said. He said it with as much gravity as he could muster, since Xavier appreciated a certain formality.

In return, Xavier nodded stiffly. It was hard to extend the amenities when Lippy was at the height of a performance.

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