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Gao Xingjian: Buying a Fishing Rod for my Grandfather

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Gao Xingjian Buying a Fishing Rod for my Grandfather

Buying a Fishing Rod for my Grandfather: краткое содержание, описание и аннотация

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From China 's first-ever winner of the Nobel Prize for Literature comes an exquisite new book of fictions, none of which has ever been published before in English. A young couple on honeymoon visit a beautiful temple up in the mountains, and spend the day intoxicated by the tranquillity of the setting; a swimmer is paralysed by a sudden cramp and finds himself stranded far out to sea on a cold autumn day; a man reminisces about his beloved grandfather, who used to make his own fishing rods from lengths of crooked bamboo straightened over a fire! Blending the crisp immediacy of the present moment with the soft afterglow of memory and nostalgia, these stories hum with simplicity and wisdom – and will delight anyone who loved Gao's bestselling novels, Soul Mountain and One Man's Bible. *** These six stories by Nobel Prize winner Gao Xingjian transport the reader to moments where the fragility of love and life, and the haunting power of memory, are beautifully unveiled. In "The Temple," the narrator's acute and mysterious anxiety overshadows the delirious happiness of an outing with his new wife on their honeymoon. In "The Cramp," a man narrowly escapes drowning in the sea, only to find that no one even noticed his absence. In the title story, the narrator attempts to relieve his homesickness only to find that he is lost in a labyrinth of childhood memories. Everywhere in this collection are powerful psychological portraits of characters whose unarticulated hopes and fears betray the never-ending presence of the past in their present lives. *** "Beautiful… Suffused with the melancholy of nostalgia." – Milwaukee Journal Sentinel "[Gao's] narrators walk as if in a dream through a private landscape of memory and sensation." – Boston Globe "Precisely detailed and delicately suggestive: the best work of Gao's yet to appear in English translation." – Kirkus Reviews "Beautiful." – Village Voice "These spare, evocative pieces… offer a sample of Nobel-winner Gao's sharp, poetic early work." – Publishers Weekly "Observant… For variety of content, stylistic experimentation, graceful language, and poignant insight, Xingjian is a writer who does it all beautifully." – Booklist

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When he emerges from the sea and comes onto the shore, the beach is completely deserted. The tide is coming in again and he thinks he was helped by the tide. The wind blowing on his bare body is colder than it had been in the seawater, and he shivers. He collapses onto the beach, but the sand is no longer warm. Getting to his feet, he immediately starts running. He's in a hurry to tell people he's just escaped death. In the front hall of the hostel the same group is playing poker. They are all looking intently at the faces or at the cards of their opponents, and no one bothers to look up at him. He goes back to his own room, but his roommate, who is probably still chatting in the room next door, isn't there. He takes a towel from the windowsill, aware that the jellyfish, with a coat of salt on them and squashed under a rock outside his window, are still full of water. Afterward, he puts on fresh clothes and shoes and, feeling warm, returns alone to the beach.

The sound of the sea is all-embracing. The wind is stronger and lines of gray-white waves are charging onto shore. The black seawater suddenly spreads out, and because he doesn't jump in time, his shoes get soaked. He walks a little farther off, following the shore, along the dark beach. There is no longer any starlight. He hears voices, male and female, and the figures of three people. He stops. They are pushing two bicycles, and one of them has a girl with long hair sitting on the pillion. The wheel sinks into the sand and the person pushing seems to be struggling. But they keep talking and laughing; the voice of the girl sitting on the pillion is particularly happy. They stop in front of him, holding their bicycles. A young guy takes a big bag from the back rack of the other bicycle and hands it to the woman. They start taking off their clothes. Two skinny boys, stark naked and waving their arms, prance about, yelling: "It's really cold, it's really cold!" There is also the happy, cackling laughter of the girl.

"Do you want to drink it now?" asks the girl leaning on the bicycle.

They go over, take a wine bottle from the girl, take turns drinking from the bottle, pass it back to the girl, then run toward the sea.

"Hey! Hey!"

"Hey – "

The tide noisily charges forward and keeps rising.

"Hurry back!" The girl screams out, but it is only the crashing of the waves that respond.

In the faint light reflected on the sea surging up to the shore, he sees that the girl leaning on the bicycle is supporting herself on crutches.

THE ACCIDENT

It happened like this…

A gust of wind swept up a pile of dirt from the roadwork outside Xinhua Bookshop on the other side of the road, swirled it up in an arc, then dumped it everywhere. The dust has just settled. It is five o'clock in the afternoon, right after the fourth beep has sounded on the radio in the radio repair shop in Desheng Avenue. It isn't the dust storm season and the weather is only starting to turn warm. Some cyclists are still wearing short gray cotton coats, although on the pavements there are already young women in pale blue spring clothes. There are endless streams of cyclists and pedestrians, but it isn't at a time when everyone is finishing work and traffic congestion is at its worst. However, inevitably there are people who are finishing work early, as inevitably there are people on work leave, so there are busy and idle people coming and going on the street. At this time of day it's always like this. The buses aren't too crowded even if all the seats have been taken and some people are standing, holding on to the handrail as they look out of the windows.

A bicycle fitted with an extra wheel for a baby-buggy with a red-and-blue checkered cloth shade is crossing diag onally from the other side of the road, and a man is riding it. Coming from the opposite direction is a two-carriage electric trolley bus that is going quite fast, but not too fast. It is clearly going more slowly than the small pale green sedan car about to overtake the bicycle, but neither is necessarily exceeding the city speed limit. The man on the bicycle arches his back, pedaling hard, and the little green car overtakes him on the other side. On this side, the trolley bus is heading toward him. The man hesitates but doesn't brake, and the bicycle with the buggy unhurriedly continues to cross diagonally. The trolley bus sounds the horn but doesn't reduce its speed. As the man crosses the white line in the middle of the road, the dust from the gust of wind has already settled, so his vision isn't obscured. Unblinkingly, he looks up; about forty, he is not a young man, and his hat, tilted slightly to the back of his head, shows that he is balding. He must be able to see the trolley bus coming toward him, and hear the horn. He hesitates again, seems to brake, although not hard, and the bicycle with the buggy clumsily continues crossing the road diagonally. The trolley bus is now close and the horn is sounding nonstop. However, the bicycle keeps going, as before. Sitting in the buggy under the shade is a child with rosy cheeks, barely three or four years old. Suddenly there is the screech of brakes and the horn sounds louder and louder as the trolley bus fast approaches. The bicycle's front wheel continues heading diagonally toward the bus, slowly, as the horn grows louder and the screeching of the brakes turns shrill. The bus has reduced its speed, but the front of the bus keeps moving ominously forward, closing in like a wall. The bus and the bicycle are about to collide and a woman on the pavement on this side of the road starts screaming. Pedestrians and cyclists alike all look on, but no one seems capable of moving. As the front wheel of the bicycle passes the front of the bus, the man starts pedaling hard, maybe he will just make it, but he reaches forward to touch the red-and-blue checkered shade, as if he is trying to push it down. As his hand touches the shade, the buggy flies off, bouncing on the single wheel. The man's legs are caught as he throws up his arms and falls backward off the bicycle. In the clamor of the horn and brakes and women screaming, before onlookers have time to gasp, the man is instantly crushed under the wheels. The bicycle he was riding, completely twisted, is thrown ten or so feet along the road.

The pedestrians on both sides of the road are aghast and cyclists get off their bicycles. It is quiet all around, and only the gentle singing from the radio repair shop can be heard:

You may remember
Our meeting in the mist, under the broken bridge…

It is probably a record of some post-Deng Lijun singer from Hong Kong. Front wheels in a pool of blood, the bus comes to a halt. Blood on the front of the bus is dripping back down onto the body. The first to approach the body is the bus driver, who has opened the door and jumped down. Next, people from both sides of the road also come running, while others surround the overturned buggy, which has rolled into the gutter. A middle-aged woman takes the child from the buggy, shakes it, and examines it all over.

"Is it dead?"

"It's dead!"

"Is it dead?"

Talk in low voices all around. The child, drained of color, has its eyes shut tight, and blue veins can be seen through the child's soft skin. But there is no sign of external injury.

"Don't let him get away!"

"Hurry, call the police!"

"Don't move anything! Don't go over there. Leave everything as it is!"

A crowd several layers deep has surrounded the front of the bus. Only one person is curious enough to lift the twisted wreck of the bicycle. The bell rings as he puts it back down.

"I clearly sounded the horn and braked! Everyone saw it; he was intent on getting himself killed by charging into the bus – how can you blame me?" It is the strained voice of the driver trying to explain, but no one takes any notice.

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