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Gao Xingjian: Buying a Fishing Rod for my Grandfather

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Gao Xingjian Buying a Fishing Rod for my Grandfather

Buying a Fishing Rod for my Grandfather: краткое содержание, описание и аннотация

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From China 's first-ever winner of the Nobel Prize for Literature comes an exquisite new book of fictions, none of which has ever been published before in English. A young couple on honeymoon visit a beautiful temple up in the mountains, and spend the day intoxicated by the tranquillity of the setting; a swimmer is paralysed by a sudden cramp and finds himself stranded far out to sea on a cold autumn day; a man reminisces about his beloved grandfather, who used to make his own fishing rods from lengths of crooked bamboo straightened over a fire! Blending the crisp immediacy of the present moment with the soft afterglow of memory and nostalgia, these stories hum with simplicity and wisdom – and will delight anyone who loved Gao's bestselling novels, Soul Mountain and One Man's Bible. *** These six stories by Nobel Prize winner Gao Xingjian transport the reader to moments where the fragility of love and life, and the haunting power of memory, are beautifully unveiled. In "The Temple," the narrator's acute and mysterious anxiety overshadows the delirious happiness of an outing with his new wife on their honeymoon. In "The Cramp," a man narrowly escapes drowning in the sea, only to find that no one even noticed his absence. In the title story, the narrator attempts to relieve his homesickness only to find that he is lost in a labyrinth of childhood memories. Everywhere in this collection are powerful psychological portraits of characters whose unarticulated hopes and fears betray the never-ending presence of the past in their present lives. *** "Beautiful… Suffused with the melancholy of nostalgia." – Milwaukee Journal Sentinel "[Gao's] narrators walk as if in a dream through a private landscape of memory and sensation." – Boston Globe "Precisely detailed and delicately suggestive: the best work of Gao's yet to appear in English translation." – Kirkus Reviews "Beautiful." – Village Voice "These spare, evocative pieces… offer a sample of Nobel-winner Gao's sharp, poetic early work." – Publishers Weekly "Observant… For variety of content, stylistic experimentation, graceful language, and poignant insight, Xingjian is a writer who does it all beautifully." – Booklist

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"That's the same as saying nothing."

"Quite right. I shouldn't have come to see you."

"That's also saying nothing."

"All right, we should go. I'll buy you dinner."

"I don't want to eat. Can't we talk about something else?"

"What about?"

"Talk about yourself."

"Let's talk about the next generation. What's your daughter's name?"

"I wanted to have a son."

"Having a daughter is the same."

"No. When a boy grows up he won't have to suffer as much."

"People of the future won't have as much suffering, because we've already suffered for them."

"She's crying."

The sound of rustling leaves is in the breeze overhead, but the sound of weeping is clearly in it, and coming from the direction of the stone bench and the tree.

"We should go and console her."

"It wouldn't help."

"But we should still try."

"Then you go."

"In such a situation it would only be appropriate for a woman to go."

"She doesn't need that sort of consolation."

"I don't understand."

"You don't understand anything."

"Best not to. Once you do, it becomes a burden."

"Then why do you want to console others? Why don't you just console yourself?"

"What do you mean?"

"You don't understand how other people feel. If feelings are a burden, it's best for you not to understand."

"Let's leave."

"Will you come to my home?"

"There's no need."

"Are we going to say good-bye just like that? I've already invited you to come for dinner tomorrow. He'll be there, too."

"I think it would be best if I didn't come. What do you think?"

"That's entirely up to you."

In the darkness, the sound of weeping becomes more distinct. Intermittently, stifled sobs mingle with the sound of leaves trembling in the evening breeze.

"When I get married I'll write you a letter."

"It's best that you don't write anything."

"If I pass through for work later on, I might come to visit you again."

"It's best that you don't."

"Yes, it was a mistake."

"What mistake are you talking about?"

"I shouldn't have come to see you again."

"No, it wasn't a mistake for you to have come!"

"Neither of us is to blame. The mistakes of that era are to blame. But all that's in the past and we have to learn to forget."

"But it's hard to forget everything."

"Maybe with the passing of more time…"

"You had best go."

"Don't you want me to see you onto a bus?"

The two of them stand up. From behind the gray tree trunk near the barely visible empty stone bench, there is a sob that couldn't be stifled. However, the person can't be seen.

"Do you think maybe it'd be best that we urge her to go home?"

The silky, tender, new green leaves on the white poplar shimmer in the glow of the streetlight.

CRAMP

Cramp. His stomach is starting to cramp. Of course, he thought he could swim farther out. But about a kilometer from shore his stomach is starting to cramp. At first he thinks it's a stomachache – that will pass if he keeps moving. But when his stomach keeps tightening, he stops swimming any farther and feels it with his hand. The right side is hard, and he knows it's a cramp in his stomach because of the cold water. He hadn't exercised enough to prepare himself before entering the water. After dinner, he had set off alone from the little white hostel and had come to the beach. It was early autumn, windy, and at dusk, few people were going into the water. Everyone was either chatting or playing poker. In the middle of the day men and women were lying everywhere on the beach, but now there were only five or six people playing volleyball, a young woman in a red swimsuit, the others young men. The swimsuit and the trunks were all dripping wet – they'd just come out of the water. On this autumn day, the water was probably too cold for them. Along the whole coastline no one else was in the water. He had gone straight into the water without looking back, thinking that the woman might be watching him. He can't see them now. He looks back, toward the sun. It's setting, about to set behind the rehabilitation hospital's beachfront pavilion on the hill. The lingering brilliant yellow rays of the sun hurt his eyes, but he can see the beachfront pavilion on top of the hill, the outline of the hazy treetops above the coast road, and the boat-shaped rehabilitation hospital from the first floor up; anything below can't be seen, because of the surging sea and the direct rays of the sun. Are they still playing volleyball? He is treading water.

White-crested waves on the ink green sea. The surging waves surround him, but no fishing boats are at work. Turning his body, he is borne up by the waves. Up ahead on the gray-black sea is a dark spot, far in the distance. He drops down between the waves and can no longer see the surface of the sea. The sloping sea is black and shiny, smoother than satin. The cramp in his stomach gets worse. Lying on his back and floating on the water, he massages the hard spot on his abdomen until it hurts less. Diagonally in front, above his head, is a feathery cloud; up there, the wind must be even stronger.

As the waves rise and fall, he is borne up and then dropped between them. But just floating like this is useless. He has to swim quickly toward shore. Turning, he tries hard to keep his legs pressed together and, by so doing, counteract the wind and the waves to enhance his speed. But his stomach that had gained some slight relief again starts hurting. This time the pain comes faster. He feels his right leg immediately become stiff, and the water go right over his head. He can see only ink green water, so limpid and, moreover, extremely peaceful, except for the rapid string of bubbles he breathes out. His head emerges from the water and he blinks, trying to shake the water from his eyelashes. He still can't see the coastline. The sun has set, and the sky above the undulating hills glows with the color of roses. Are they still playing volleyball? That woman, it's all because of that red swimsuit of hers. He's sinking again, surrendering to the pain. He rapidly strikes out with his arms but, taking in air, swallows a mouthful of water, salty seawater, and coughing feels like a needle being jabbed into his stomach. He has to turn again, to lie flat on his back with his arms and legs apart. This way he can relax and let the pain subside a little. The sky above has turned gray. Are they still playing volleyball? They are important. Did the woman in the red swimsuit notice him entering the water, and will they look out to sea? That dark spot back there in the gray-black sea… is it a small boat? Or is it a pontoon that has broken loose from its mooring, and would anyone be concerned with what has happened to it? At this point, he can rely only upon himself. Even if he calls out, there is only the sound of the surging waves, monotonous, never ending. Listening to the waves has never been so lonely. He sways, but instantly steadies himself. Next, an icy current charges relentlessly by and carries him, helpless, along with it. Turning on his side, with his left arm stroking out, his right hand pressing against his abdomen, and his feet kicking, he massages. It still hurts, but it's bearable. He knows he can now depend only on the strength of his own kicking to fight his way out of the cold current. Whether or not he can bear it, he'll just have to, because this is the only way he'll be able to save himself. Don't take it too seriously. Serious or not, he has a cramp in the abdomen and he's one kilometer from shore, out in deep sea. He's not sure anymore if it's one kilometer, but senses that he's been floating in line with the coast. The strength of his kicking barely offsets the thrust of the current. He must struggle to get out of it, or else before too long he'll be like that dark spot floating on the waves, and vanish into the gray-black sea. He must endure the pain, he must relax, he must kick as hard as he can, he can't slacken off, and above all he mustn't panic. With great precision he has to coordinate his kicking, breathing, and massaging. He can't be distracted by any other thoughts, and he can't allow any thoughts of fear. The sun has set very quickly, and there is a hazy gray above the sea, but he can't see any lights on the shore yet. He can't even see the coast clearly, or the curves of the hills. His feet have kicked something! He panics, and feels a spasm in his stomach – sharp and painful. He gently moves his legs; there are stinging circles on his ankles. He has run into the tentacles of a jellyfish and he sees the gray-white creature, like an open umbrella, with thin floating membranous lips. He is perfectly capable of grabbing it and pulling out its mouth and its tentacles. Over the past few days he has learned from the children living here by the sea how to catch and preserve jellyfish. Below the windowsill of his hostel window, there are seven salted jellyfish with their tentacles and mouths pulled out. Once the water is squeezed out, all that remain are sheets of shriveled skin, and he too will be just a piece of skin, a corpse, no longer able to float to the shore. Let the thing live. But he wants to live even more, and he will never catch jellyfish again – that is, if he can return to shore – and he won't even go into the sea again. He kicks hard, his right hand pressed against his stomach. He stops thinking about anything else, only about kicking in rhythm, evenly, as he pushes through the water. He can see the stars… they are wonderfully bright… in other words, his head is now pointing in the direction of the coast. The cramp in his abdomen has gone but he keeps rubbing it carefully, even though this slows him down…

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