Ran Chen - A Private Life

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From Publishers Weekly
"Sexuality has never been a problem with me. My problem is different. I am a fragment in a fragmented age." Despite this claim, the protagonist of Ran's unusual coming-of-age novel is defined by her precocious beauty and her struggle to define her sexual identity. Ran, one of China's most acclaimed contemporary women writers, tells how lovely Ni Niuniu is seduced before she enters puberty by an older woman, the sly, wise Widow Ho, then falls into an unwanted affair with her male teacher, Ti. In college, she meets the love of her life, a fellow student named Yin Nan, but their brief, passionate affair ends abruptly when Yin Nan becomes involved in the student protests in Tiananmen Square. Traumatized by the loss of Yin Nan and the deaths of her mother and Widow Ho, Niuniu retreats into her own mind, becoming Miss Nothing ("I no longer exist… I have disappeared…"). Niuniu's flaws, foibles and idiosyncrasies represent fertile ground for Chen's wide-ranging psychological character study. Even the more conventional scenes are narrated with lyrical intensity, and hallucinatory dream sequences and passages describing Niuniu's alienation range from the revelatory to the overwrought. The result is an uneven but intriguing novel that captures the heightened sensibility of a woman who flees the bustling contemporary world for the sensual pleasures of inner space.
From Booklist
The turbulent decades spanning the Chinese Cultural Revolution and the deadly demonstrations at Tiananmen Square provide the backdrop for this sensuous coming-of-age tale by Chinese essayist and short-story writer Chen. As a child, sensitive and gawky Ni Niuniu never quite fit in. Teased by her classmates and neglected by her cold, distant father, she engaged in quiet forms of rebellion (she once stole her father's woolen trousers and cut them off at the knees). While her father scarcely acknowledged her, other adults paid Ni Niuniu too much mind: her middle-school teacher, Ti, and an eccentric widower who lived next door each took sexual advantage of the impressionable young girl. Haunted by the past and despondent over the recent death of her mother and departure of her first love, Ni Niuniu retreats from the realities of politically charged Beijing, writing and drawing and endlessly soaking in her tub. Chen's first work to be translated into English provides an eloquent examination of the quest for calm in a chaotic world.
***
"Chen Ran's strikingly introspective, subjective, and individualized writing sets her work distinctively apart for the traditional and mainstream realism of the majority of contemporary Chinese writers… In his translation, Howard-Gibbon adeptly conveys the exquisiteness, richness, and slight eccentricity of Chen's prose." – China Daily
"The turbulent decades spanning the Chinese Cultural Revolution and the deadly demonstrations at Tiananmen Square provide the backdrop for this sensuous, coming-of-age tale by Chinese essayist and short-story writer Chen… Chen's first work to be translated into English provides an eloquent examination of the quest for calm in a chaotic world." – Booklist
"An intriguing exploration of the contemporary consciousness of an alienated, urban Chinese woman for whom current history matters less than the reliable comforts of love, nature, and solitude." – Kirkus Reviews
"Niuniu's flaws, foibles, and idiosyncrasies represent fertile ground for Chen's wide-ranging psychological character study… [an] intriguing novel that captures the heightened sensibility of a woman who flees the bustling contemporary world for the sensual pleasures of inner space." – Publishers Weekly
"In the novel A Private Life, Ran Chen immerses us in the troubled life of Ni Niuniu… Chen weaves together these evaluations with Niuniu's manic writings in order to create an ultra postmodern tale of a young woman's psychosocial evolution… an important portrait of a young woman trying to survive in a complicated world." – Bust Magazine
"A Private Life is not an overtly political book; rather, it has the timeless quality of most dreams. Still, [narrator] Ni Niuniu's refusal to connect with the world outside her door becomes a kind of political statement." – Elizabeth Gold, Washington Post
"An atmospheric story of sexual awakening and ennui that enlarges our understanding of modern China." – Vancouver Sun
"Niuniu's hatred of the few powerful males in her life and her sexual confusion and manipulations are clearly depicted." – Sofia A. Tangalos, Library Journal
"This polished and readable translation of the inaugural novel of Chen Ran stands as an example of the quasi-autobiographical Sino-Japanese shishosetsu" – Choice
"A riveting tale… a lyrical meditation on memory, sexuality, femininity, and the often arbitrary distinctions between madness and sanity." – Translation Review
"A Private Life shows Chen Ran at her best: weaving together the female bildungsroman and social and political satire, she effortlessly flits from outbursts of rage to ecstasy to rarefied emotions. Her philosophical musings on the difficulty of achieving individual freedom are as critical of the collective pursuit of wealth and sensorial pleasures in China after socialism as of the authoritarianism and ideological conformity during the heyday of the Cultural Revolution. The poignant, tragic-comic tale is ultimately about bondage and transcendence." – Tze-Lan D. Sang, author of The Emerging Lesbian: Female Same-Sex Desire in Modern China
"The novel daringly depicts a woman's emotional journey towards the maturation of her sexuality. It is a provocative reflection of the new sensibility of a young generation of Chinese women in the post-Deng era. Chen Ran's sensuous style easily breathes through the translator's English rendition of her language." – Lingchei Letty Chen, Washington University, St. Louis
"One of the most acclaimed women writers in contemporary China, Chen Ran in this novel explores the complex emotional territory of the female body, sexuality, homoeroticism, and fantasy. The author’s personal voice triumphs in the novel as a most conscious presence, dissolving the public and collective model of socialist literature. Daringly written and excellently translated, A Private Life not only entertains, but also leaves the reader pondering Chen’s disturbing and deeply personal message." – Lingzhen Wang, Brown University

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It looks like this:

It looks a lot like a map a map with a hole in the center It seems to - фото 2

It looks a lot like a map, a map with a hole in the center. It seems to symbolize a number of characteristics of the human beings who inhabit this sphere – emptiness, estrangement, separation, and longing. The top portion seems to be a pair of goats, a male and female, perennially occupying the opposing poles of sexuality, yearning to couple even as they reject each other; in the center there is a dividing ditch, a fathomless black hole; on the left and right are two strange beasts in mad flight from each other.

… A huge heart with its center gradually eaten away by passing time – a window to heaven opened in the middle of barren peaks and uncultivated fields – a thirstily breathing mouth exuberant with life – an open womb awaiting a moist rain – an anxiously gazing eye drained of its last tear – a doomed lung that has been eaten away like a leaf devoured by insects…

I don't want to get up. I want to lose myself in my ink blot fantasies.

For the past year a great part of my life has been spent in quiet introspection, clearly out of step with today's hedonistic "playboy" lifestyle.

The truth is, the unalloyed pursuit of pleasure is just as much a shortcoming as indulgence in hopeless grief.

Day in and day out, I feel an endless emptiness and lacking welling up from under my feet. Like cup upon cup of tasteless tea, the days leave me listless and inactive. I don't know what it is I need. In the course of my not very long life, I have tried everything that I should have tried, and everything I shouldn't.

Perhaps what I need is a lover, a man or a woman, young, old, maybe even just a dog. I no longer have any demands or limitations. It's the same thing as my having to make myself understand the need to forsake perfection, to accept less. Because I know that the pursuit of purity is pure stupidity.

For me, having a lover doesn't necessarily mean sex; sex is just a kind of spice, an extravagance.

Sexuality has never been a problem with me.

My problem is different. I am a fragment in a fragmented age.

1 Dancing On Tiptoe In Black Rain…

This woman is a deep wound,

The sanctuary through which we enter the world.

Our road is the light

That shines from her eyes.

This deep wound is our mother,

The mother each of us gives birth to.

I was eleven then, or perhaps younger. The late afternoon summer weather was as unsettled as my mind. The rain would suddenly start pelting down, choosing me as its target. Afterward, I would see that the sleeves covering my skinny arms had angrily twisted themselves into stubborn wrinkles, and that my pant legs, even more obviously angered, as stiff as spindly sticks, kept an uncivil silence.

So I would say to my arms, "Misses Don't, don't be angry." I called my arms "the Misses Don't," because they most often followed my brain's bidding.

Then I would say to my legs, "Misses Do, let's go home to Mama, then everything will be okay." I called my legs "the Misses Do," because I thought that they most often followed the bidding of my body, paying no attention to my brain.

I would then set off with my Misses Do and Don't, soothing them with sweet talk along the way. Of course, these were private, unspoken conversations.

Sometimes I felt like I was a whole group of people. It was a lot more fun that way. We exchanged ideas all the time, telling one another all our problems. I always had plenty of problems.

But what was really strange that day was when I looked up from the soggy Misses Do and Don't and was surprised to see that none of the people around me was wet. Why was I always the first one to get soaked in the rain? I didn't understand, but I was much more easygoing than my Misses Do and Don't. I didn't get angry.

What's the good of getting angry?

Once, after a thunderstorm, an ethereal rainbow hung suspended across the horizon, and our courtyard, still drenched with rain, was carpeted with the rich green leaves brought down by the wind and rain. In front of our house there was a really huge date tree. I was sure that it was much larger than the courtyard date trees described in my schoolbooks, because its great armlike limbs were the largest I had ever seen. Stretching completely across the courtyard, they rested firmly on the top of the high walls, forming a great, protective crown. Every summer they filled our courtyard with round, crisp, honey-sweet dates as fat as little pigs. Right after the storm, before the rain puddles had disappeared, I went out to collect the big dates that had been blown down. There was a tiny sparrow, head cocked to one side, still dazed, clinging to a fallen limb. I quickly cupped it in my hands and put it in a cage we had, with fresh water and millet.

My mother told me that if I kept it, it would die of frustration, because it had its own life, its own home.

I replied that I loved it very much and that I would feed it.

Mother said it wouldn't eat what I gave it.

I wouldn't listen.

And after a few days my sparrow died, because it refused to eat.

When he saw that I had a bird, one of the neighbor's children brought home a pussycat. Already full grown, it was sleek and fat, and its readiness to accept amazed me. It would eat whatever food it came across, sleep wherever there was a place to curl up, waggle its tail and play up to whoever came along, and attach itself to whoever provided its saucer of milk. As a result, unlike my stubborn, intractable sparrow, it survived. Since that time I have detested monsters like that cat who would do anything just to stay alive. To me they are nothing more than a bunch of depraved opportunists, like many more of different types that I have encountered since I have grown up.

The sparrow incident upset me terribly, and, in my eleventh year, gave me a lesson in life. I always counseled my index finger, "Miss Chopstick, we have to learn how to control our temper or we'll do ourselves in."

I called my index finger "Miss Chopstick" because she helped me eat.

I once heard my mama say that the faster you run in the rain, the faster you get wet. But like other people who pay no heed before they get wet, I continued to act and think as before. On the one hand, I soothed my Misses Do and Don't, while on the other, I tried to figure out just what had happened. Eventually, I convinced myself that it was something to do with my nerves or my blood or some other unobservable inner thing that made me run too fast, so I got soaking wet.

I was walking home alone. I knew that none of my little classmates wanted to or would dare to walk with me. No one wanted anything to do with me, because, in addition to being the youngest member of the class, I was skinny and weak and not very outgoing. An even more important reason was that Mr. Ti, the teacher in charge of our class, had been encouraging them to exclude me. I couldn't understand this and had long resented him for it.

I was very angry and hurt because he always tried to embarrass me and make me look stupid in front of the class. Although I was the youngest member of the class and not a particularly clever girl, on occasion I would stand up to him. When I was nervous, I would mix up my left and right hands, and my right hand would forget how to write. But I was always trying to prove that I wasn't the class dunce.

One time, he asked my mother to come into the office. He wanted her to take me to the hospital to see if I was mentally handicapped. He said I behaved like a mute. He had no idea that my brain was racing incessantly.

How mean of him to say I was "handicapped"!

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