Ran Chen - A Private Life

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From Publishers Weekly
"Sexuality has never been a problem with me. My problem is different. I am a fragment in a fragmented age." Despite this claim, the protagonist of Ran's unusual coming-of-age novel is defined by her precocious beauty and her struggle to define her sexual identity. Ran, one of China's most acclaimed contemporary women writers, tells how lovely Ni Niuniu is seduced before she enters puberty by an older woman, the sly, wise Widow Ho, then falls into an unwanted affair with her male teacher, Ti. In college, she meets the love of her life, a fellow student named Yin Nan, but their brief, passionate affair ends abruptly when Yin Nan becomes involved in the student protests in Tiananmen Square. Traumatized by the loss of Yin Nan and the deaths of her mother and Widow Ho, Niuniu retreats into her own mind, becoming Miss Nothing ("I no longer exist… I have disappeared…"). Niuniu's flaws, foibles and idiosyncrasies represent fertile ground for Chen's wide-ranging psychological character study. Even the more conventional scenes are narrated with lyrical intensity, and hallucinatory dream sequences and passages describing Niuniu's alienation range from the revelatory to the overwrought. The result is an uneven but intriguing novel that captures the heightened sensibility of a woman who flees the bustling contemporary world for the sensual pleasures of inner space.
From Booklist
The turbulent decades spanning the Chinese Cultural Revolution and the deadly demonstrations at Tiananmen Square provide the backdrop for this sensuous coming-of-age tale by Chinese essayist and short-story writer Chen. As a child, sensitive and gawky Ni Niuniu never quite fit in. Teased by her classmates and neglected by her cold, distant father, she engaged in quiet forms of rebellion (she once stole her father's woolen trousers and cut them off at the knees). While her father scarcely acknowledged her, other adults paid Ni Niuniu too much mind: her middle-school teacher, Ti, and an eccentric widower who lived next door each took sexual advantage of the impressionable young girl. Haunted by the past and despondent over the recent death of her mother and departure of her first love, Ni Niuniu retreats from the realities of politically charged Beijing, writing and drawing and endlessly soaking in her tub. Chen's first work to be translated into English provides an eloquent examination of the quest for calm in a chaotic world.
***
"Chen Ran's strikingly introspective, subjective, and individualized writing sets her work distinctively apart for the traditional and mainstream realism of the majority of contemporary Chinese writers… In his translation, Howard-Gibbon adeptly conveys the exquisiteness, richness, and slight eccentricity of Chen's prose." – China Daily
"The turbulent decades spanning the Chinese Cultural Revolution and the deadly demonstrations at Tiananmen Square provide the backdrop for this sensuous, coming-of-age tale by Chinese essayist and short-story writer Chen… Chen's first work to be translated into English provides an eloquent examination of the quest for calm in a chaotic world." – Booklist
"An intriguing exploration of the contemporary consciousness of an alienated, urban Chinese woman for whom current history matters less than the reliable comforts of love, nature, and solitude." – Kirkus Reviews
"Niuniu's flaws, foibles, and idiosyncrasies represent fertile ground for Chen's wide-ranging psychological character study… [an] intriguing novel that captures the heightened sensibility of a woman who flees the bustling contemporary world for the sensual pleasures of inner space." – Publishers Weekly
"In the novel A Private Life, Ran Chen immerses us in the troubled life of Ni Niuniu… Chen weaves together these evaluations with Niuniu's manic writings in order to create an ultra postmodern tale of a young woman's psychosocial evolution… an important portrait of a young woman trying to survive in a complicated world." – Bust Magazine
"A Private Life is not an overtly political book; rather, it has the timeless quality of most dreams. Still, [narrator] Ni Niuniu's refusal to connect with the world outside her door becomes a kind of political statement." – Elizabeth Gold, Washington Post
"An atmospheric story of sexual awakening and ennui that enlarges our understanding of modern China." – Vancouver Sun
"Niuniu's hatred of the few powerful males in her life and her sexual confusion and manipulations are clearly depicted." – Sofia A. Tangalos, Library Journal
"This polished and readable translation of the inaugural novel of Chen Ran stands as an example of the quasi-autobiographical Sino-Japanese shishosetsu" – Choice
"A riveting tale… a lyrical meditation on memory, sexuality, femininity, and the often arbitrary distinctions between madness and sanity." – Translation Review
"A Private Life shows Chen Ran at her best: weaving together the female bildungsroman and social and political satire, she effortlessly flits from outbursts of rage to ecstasy to rarefied emotions. Her philosophical musings on the difficulty of achieving individual freedom are as critical of the collective pursuit of wealth and sensorial pleasures in China after socialism as of the authoritarianism and ideological conformity during the heyday of the Cultural Revolution. The poignant, tragic-comic tale is ultimately about bondage and transcendence." – Tze-Lan D. Sang, author of The Emerging Lesbian: Female Same-Sex Desire in Modern China
"The novel daringly depicts a woman's emotional journey towards the maturation of her sexuality. It is a provocative reflection of the new sensibility of a young generation of Chinese women in the post-Deng era. Chen Ran's sensuous style easily breathes through the translator's English rendition of her language." – Lingchei Letty Chen, Washington University, St. Louis
"One of the most acclaimed women writers in contemporary China, Chen Ran in this novel explores the complex emotional territory of the female body, sexuality, homoeroticism, and fantasy. The author’s personal voice triumphs in the novel as a most conscious presence, dissolving the public and collective model of socialist literature. Daringly written and excellently translated, A Private Life not only entertains, but also leaves the reader pondering Chen’s disturbing and deeply personal message." – Lingzhen Wang, Brown University

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When this cartoon image in my mind changed, something even stranger happened. As if I had been hypnotized, my body suddenly possessed a demonic strength. The terrible fatigue that I felt as a result of the struggle to free myself was suddenly transformed into a new and opposing strength, and I pressed myself rigidly against Ti…

In the twilight of that summer evening in August, as the light in the room slowly faded, the passionately hot body of Mr. Ti, a mature male, was grinding against the almost naked body of his female student, his chest pressed helplessly against her breasts. It seemed that an agonizing pain was mounting in his lower groin. The warmth of his hot breath washed past her cheek, over her neck, down her spine, and into her loins, where she started to feel a tingling sensation.

He held her tightly by the waist so that they were pressed as close together as possible. She felt what seemed to be something like a hand increasing in size in the front of his trousers. This "third hand" was vigorously and wildly probing, as if trying to find a way to reach within her body. The student was straining her upper body away from him as much as possible, trying to leave a little space between them. But he inclined his head toward her to press the tip of his tongue in her ear and into the hollow of her neck. Then he buried his face between her breasts and began kissing and sucking their nipples and marble-white skin. Her eyes slowly closed as she lay there, unable to resist.

Then she felt him thrusting violently as something hot seeped through his trousers, soaking her groin…

It was twilight outside, and the last warmth of the day flowed languidly into the room through the open window. Ti and I, soaked with perspiration, could both hear our hearts beating as fast as the second hand of my watch.

When I extracted myself from his embrace, I saw that the crotch of his trousers was all wet, and that my stomach too was all sticky. It was disgusting.

I was angry and at the same time embarrassed by my own behavior.

I said to Ti, "Please go. I want to have a bath."

His face was filled with shame, guilt, and loving tenderness, all at the same time. Looking rather awkward, he said, "Niuniu, Niuniu, I'm not a playboy who chases after women for the fun of it. I'll be good to you, I'll take care of you."

I said, "Please go. I want to have a bath."

"Why don't we go out for dinner?" he suggested.

I said, "No. I'm having dinner with my mother. Some other time, perhaps. I have to think about it."

"Niuniu, please don't think badly of me. I've always yearned for you, hoping that someday maybe you and I…"

"Nonsense." The moment he started to talk this way, my anger flared and, heedless of everything, I confronted him. "You have always made life difficult for me, always criticizing me, making me feel embarrassed!"

"But I never wanted to be like that. I have no idea why I treated you like that. Niuniu, I swear it. I need you, I want you, I love you."

I persisted, "You have to go now. My mother will be calling me for dinner in a little while."

Ti heaved a sigh and said resignedly, "All right, Niuniu. I'll come to see you again tomorrow."

"I don't want you to come again," I answered in haste.

"I won't touch you, I swear, Niuniu. I just want to see you, to take you for dinner, to talk to you," Ti said, his damp eyes downcast. He paused a moment, then continued, "Niuniu, I apologize for my crude behavior today."

He had jettisoned all his former stiffness of manner.

A fly buzzing around in circles by the bedroom window made it seem like the glass in the window was undulating and my bed beneath the window was swaying unsteadily. From that moment on, it seemed, the entire room would never feel safe and secure again.

Ti's eyes turned toward the big bed, its flax-colored sheets like some spotless, forbidden zone denying him the fulfillment of his desire. The last rays of the setting sun cast a pink glow on the center of the bed like the warm color of flower petals staining a milk-white skin, or the still-warm blood flower of a just-taken virgin.

Unable to stand steadily and gasping for breath, he collapsed on the bed.

The bed gave out a forlorn and bitter cry.

13 Yinyang Grotto…

He made the events of their past die quickly in her body. Working like a bolt of lightning, he frightened her, hurt her, made her aware that her body had another mouth she didn't know about that also breathed and moaned. Slowly developed commitments were his enemy; the quick heat of friction was his friend. Penetrating the void within her, terminating her deep, obscuring sleep, he conquered time, driving it deep into the channel of her being…

Friction let him see the light of the sun. Friction made her smell the odor of death.

With some experiences, it is only afterward that I become aware of the extent of their effect upon me.

On that occasion, however, all that I could think of was getting out of this city, getting away from the chaos of my feelings…

The day after Ti's unexpected appearance, I hurriedly packed some things to go away.

I hardly slept at all the night before I left. The pressure of Ti's body against my skin and in my thoughts was with me constantly. I was enmeshed in a contradiction of denied desire and rejected yearning and at a loss to explain my needs or my actions.

By early morning, I had decided that I would get rid of my confusion by thoroughly distancing myself from its source.

Making use of the then current notion of "getting back to nature" (nothing more than an excuse), I told my mother that for the past several years I had been almost suffocating under the weight of books, living like a lifeless wooden puppet absurdly manipulated on the sticks of the university entrance exams and my future. Living in a city far away from nature had left me exhausted beyond measure. I needed to go somewhere to unwind, to clear my head.

When out of the blue I mentioned that I was going on a trip, Mother, quite taken aback, said, "You want to closet yourself away in some country village?"

"I'm going with Yi Qiu and some of our classmates. It's just for a few days, for a change of scenery," I lied.

Exceedingly anxious, and dubious about my travel plans, Mother trotted out something from her reading to dissuade me.

She said, "Those people who see nature find it wherever they are; those who cannot see it can never find it, no matter where they might be. Even if genuine nature were all around you, it doesn't necessarily mean that you would enjoy it. Your surroundings are not the source of your problem."

"But all I want to do is get some fresh air and sun," I said. Not about to let anything dissuade me, as I was speaking, I stubbornly continued stuffing my clothes into a canvas backpack.

Looking at my pale face and the dark circles under my eyes with an aching heart, my mother heaved a sigh and gave up trying to stop me.

I wasn't at all interested in looking at scenery or in having company. I liked traveling by myself because being with someone else or with a group interfered with my private thoughts.

Sitting by the window on the bus, looking at the hazy green mountains in the distance, the loess hills, the low-lying scattered villages, the quiet streams in the brown mountains, and the bare valleys, I began to feel an unexpected tranquility.

I took a room in a small, out-of-the-way inn outside the city. It was dim, gloomy, and simply appointed, but clean and quiet. A long path through lush grass and bright wildflowers connected it with the bus station. A few mournful steam whistles echoing melodiously in the evening mist provided a musical backdrop, and the evening breeze brushing my shoulders induced in me an expansive, relaxed happiness. The air carried a rich scent of lavender; and roses, strawberries, and a variety of flowering shrubs enclosed this otherwise rather bleak country inn in a confusion of color.

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