Ran Chen - A Private Life

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From Publishers Weekly
"Sexuality has never been a problem with me. My problem is different. I am a fragment in a fragmented age." Despite this claim, the protagonist of Ran's unusual coming-of-age novel is defined by her precocious beauty and her struggle to define her sexual identity. Ran, one of China's most acclaimed contemporary women writers, tells how lovely Ni Niuniu is seduced before she enters puberty by an older woman, the sly, wise Widow Ho, then falls into an unwanted affair with her male teacher, Ti. In college, she meets the love of her life, a fellow student named Yin Nan, but their brief, passionate affair ends abruptly when Yin Nan becomes involved in the student protests in Tiananmen Square. Traumatized by the loss of Yin Nan and the deaths of her mother and Widow Ho, Niuniu retreats into her own mind, becoming Miss Nothing ("I no longer exist… I have disappeared…"). Niuniu's flaws, foibles and idiosyncrasies represent fertile ground for Chen's wide-ranging psychological character study. Even the more conventional scenes are narrated with lyrical intensity, and hallucinatory dream sequences and passages describing Niuniu's alienation range from the revelatory to the overwrought. The result is an uneven but intriguing novel that captures the heightened sensibility of a woman who flees the bustling contemporary world for the sensual pleasures of inner space.
From Booklist
The turbulent decades spanning the Chinese Cultural Revolution and the deadly demonstrations at Tiananmen Square provide the backdrop for this sensuous coming-of-age tale by Chinese essayist and short-story writer Chen. As a child, sensitive and gawky Ni Niuniu never quite fit in. Teased by her classmates and neglected by her cold, distant father, she engaged in quiet forms of rebellion (she once stole her father's woolen trousers and cut them off at the knees). While her father scarcely acknowledged her, other adults paid Ni Niuniu too much mind: her middle-school teacher, Ti, and an eccentric widower who lived next door each took sexual advantage of the impressionable young girl. Haunted by the past and despondent over the recent death of her mother and departure of her first love, Ni Niuniu retreats from the realities of politically charged Beijing, writing and drawing and endlessly soaking in her tub. Chen's first work to be translated into English provides an eloquent examination of the quest for calm in a chaotic world.
***
"Chen Ran's strikingly introspective, subjective, and individualized writing sets her work distinctively apart for the traditional and mainstream realism of the majority of contemporary Chinese writers… In his translation, Howard-Gibbon adeptly conveys the exquisiteness, richness, and slight eccentricity of Chen's prose." – China Daily
"The turbulent decades spanning the Chinese Cultural Revolution and the deadly demonstrations at Tiananmen Square provide the backdrop for this sensuous, coming-of-age tale by Chinese essayist and short-story writer Chen… Chen's first work to be translated into English provides an eloquent examination of the quest for calm in a chaotic world." – Booklist
"An intriguing exploration of the contemporary consciousness of an alienated, urban Chinese woman for whom current history matters less than the reliable comforts of love, nature, and solitude." – Kirkus Reviews
"Niuniu's flaws, foibles, and idiosyncrasies represent fertile ground for Chen's wide-ranging psychological character study… [an] intriguing novel that captures the heightened sensibility of a woman who flees the bustling contemporary world for the sensual pleasures of inner space." – Publishers Weekly
"In the novel A Private Life, Ran Chen immerses us in the troubled life of Ni Niuniu… Chen weaves together these evaluations with Niuniu's manic writings in order to create an ultra postmodern tale of a young woman's psychosocial evolution… an important portrait of a young woman trying to survive in a complicated world." – Bust Magazine
"A Private Life is not an overtly political book; rather, it has the timeless quality of most dreams. Still, [narrator] Ni Niuniu's refusal to connect with the world outside her door becomes a kind of political statement." – Elizabeth Gold, Washington Post
"An atmospheric story of sexual awakening and ennui that enlarges our understanding of modern China." – Vancouver Sun
"Niuniu's hatred of the few powerful males in her life and her sexual confusion and manipulations are clearly depicted." – Sofia A. Tangalos, Library Journal
"This polished and readable translation of the inaugural novel of Chen Ran stands as an example of the quasi-autobiographical Sino-Japanese shishosetsu" – Choice
"A riveting tale… a lyrical meditation on memory, sexuality, femininity, and the often arbitrary distinctions between madness and sanity." – Translation Review
"A Private Life shows Chen Ran at her best: weaving together the female bildungsroman and social and political satire, she effortlessly flits from outbursts of rage to ecstasy to rarefied emotions. Her philosophical musings on the difficulty of achieving individual freedom are as critical of the collective pursuit of wealth and sensorial pleasures in China after socialism as of the authoritarianism and ideological conformity during the heyday of the Cultural Revolution. The poignant, tragic-comic tale is ultimately about bondage and transcendence." – Tze-Lan D. Sang, author of The Emerging Lesbian: Female Same-Sex Desire in Modern China
"The novel daringly depicts a woman's emotional journey towards the maturation of her sexuality. It is a provocative reflection of the new sensibility of a young generation of Chinese women in the post-Deng era. Chen Ran's sensuous style easily breathes through the translator's English rendition of her language." – Lingchei Letty Chen, Washington University, St. Louis
"One of the most acclaimed women writers in contemporary China, Chen Ran in this novel explores the complex emotional territory of the female body, sexuality, homoeroticism, and fantasy. The author’s personal voice triumphs in the novel as a most conscious presence, dissolving the public and collective model of socialist literature. Daringly written and excellently translated, A Private Life not only entertains, but also leaves the reader pondering Chen’s disturbing and deeply personal message." – Lingzhen Wang, Brown University

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For the two months prior to the university entrance exams the students studied at home and no longer attended classes, so I had not seen him for three months.

Ti's sudden appearance left me confused, especially the unexpected bouquet of flowers. I had no idea what I should do. A cold chill ran through me to my very fingertips, which felt like icicles.

For many years, Ti and I had apparently been caught in some kind of subtle entanglement or relationship, but it had always been like a balloon pushed beneath the water's surface, lurking there where I wasn't quite conscious of its existence. Perhaps it was our uncertainty and blindness that had exasperated him to the point where he was at times rude and contemptuous toward me, and at other times affectedly solicitous and understanding.

This abrasive, confrontational, even antagonistic relationship had gone on this way for many years.

My feminine intuition had made me dimly aware that these years of confrontation and antagonism perhaps stemmed from some latent, unspoken danger that had always had a secret existence between us, even though I couldn't clearly identify it. So I instinctively avoided him, keeping him at a distance.

When I opened the door and suddenly saw him again, after we had already parted, it felt like the huge door that had been closed between us had been reopened, catching me completely by surprise.

Standing there at the door, I was nonplussed for a moment; then I moved aside and invited him in, while I very self-consciously pulled down on my big T-shirt.

Ti said, "I've come to congratulate you."

I was terribly embarrassed, my face flushed hot, and for a while I could think of nothing to say.

Finally, when he was already in the living room, with a great effort I managed to say, "Sit down."

He again said, "I"ve come to congratulate you!" and the stiff smile on his face seemed to relax a bit.

Awkwardly and a little coldly, I said, "For what?"

"For all that you've managed," he said.

After he sat down on the sofa, since I still hadn't gone over to take the flowers from him, he very casually put them down on the tea table in front of him. I sat down in the chair facing him.

He rattled on about whatever he could think of, not at all like the urbane teacher at the front of the classroom. I responded somehow or other, not really thinking about what I was saying.

I felt very uneasy sitting there, because my thighs were almost completely exposed.

Eventually I drummed up enough courage to stand up and say, "I'm going to put on something more suitable."

"It's not necessary, Niuniu. I like you the way you are." He paused a moment, then went on, "Your legs are slim and shapely. They're extremely beautiful." As he spoke, he stood up as if he were going to stop me, as if he were afraid I was going to leave to change my clothes.

I hesitated a moment, then went to the bedroom.

When I had taken off my T-shirt and before I had time to get my dress from its hanger, the bedroom door groaned as it was pushed open.

With a hopeless look on his face, Ti stood at the door, breathing hard, with tears welling up in his eyes and streaming down his face. His tall, strong frame looked like a crumbling stone monument that was about to collapse in ruins.

I was so stunned I didn't know what to do or say.

He walked unsteadily toward me, and without uttering a word he wrapped his arms tightly around me.

Locked firmly in his arms, I whispered desperately, "Don't do this, don't do this," as I twisted angrily in an attempt to get away. But his arms were like fetters, and the more I struggled, the tighter they became.

His body, as hot as a stove, was all over mine. He cried out softly, "Niuniu, Niuniu, I beg you, stay in my arms." Because he was so tense, the sound of his voice had changed.

"No. I don't like you." And again I tried to get away from him. "I have always, always loved you, Niuniu. I swear it." His lips were trembling so much that he could hardly speak.

"You're lying!" I answered angrily. "I've always hated you." I was gasping for breath from my struggle to get away.

Ti's tears were spotting my shoulder like rain. Unable to speak, he clasped me even tighter in his arms, pumping his groin hard against mine, as if he were suffering muscle spasms.

Staring at him with hostile intensity, all I could see was that his usually arrogant face was as pale as a girl's, and that a seemingly uncontrollable and dangerous grief and longing shot from his eyes and from every pore on his body. It was as if this apparently sturdy, handsome male had crumpled into a great heap of garbage around my shoulders.

This made me recall the scene on the army cot in the inner room at Yi Qiu's and the sudden spurt of lightning from between Xi Dawang's legs.

I began to feel a bit frightened.

His rapid and heavy breathing gave an indication of how long he had been tormented with desire. There seemed to be a deep hurt lurking beneath his expression of sexual passion.

Gripping me tightly by the shoulders, he murmured brokenly, "Niuniu, you're a very seductive girl. Do you know that? Everything about you, your body, your face, has a special attraction. You're like a garden filled with exotic flowers and grasses that allows me no exit, that tortures me. Why can't you see how I…"

My shoulders hurt in his grip. Tears were streaming down his face and he was sobbing uncontrollably.

This was the first time I had ever received praise from a male. And what stunned me was that it came from a male whom I had detested for many years.

Only after living through many different experiences did I discover that women (including myself at that time) are highly susceptible to praise. Such praise is an ingenious weapon that can make women lose their sense of judgment and their sense of place, reducing them to mindless little girls, to the point where they are nothing more than female animals who subserviently do what they are told, becoming praise's willing prisoners and slaves, the spoils of battle. It is only the most mature of women who can remain cool and rational in the face of this invincible weapon.

That day Ti's sobbing frightened and disgusted me, but at the same time I felt an obscure kind of pity for him. His intense grief, in fact, placed a restraint on my own feelings, suppressing my resistance to his pleas.

Twisting this way and that way around the bedroom, with me trying to get away from him, we looked like a pair of combatants in a mixed-sex wrestling match.

I was gradually losing strength in my struggle to get away.

His tears of despair fell without cease on my face, and I could feel their coolness penetrating into my body, where wondrously it was transformed into a feeling of languor, which in turn passed outward through my skin, to be drawn in by the intense heat of his body.

Eventually, I stopped resisting him.

All the time I was touching him, I kept seeing animated images of Yi Qiu and Xi Dawang's entwined bodies, which further stimulated my imagination and my senses. I felt a delicate shuddering spreading outward through my body to my skin, leaving me feeling faint.

So I closed my eyes.

Then in the darkness behind my eyelids I dimly saw that the image of Yi Qiu and Xi Dawang entwined together had suddenly changed. The stage properties and the set were still the same. It was still the inner room of Yi Qiu's house, and the same old army cot was still there in the semidarkness. But it was not their bodies twined together on it. Hand in hand, Yi Qiu and Xi Dawang had risen from the bed, and, smiling slyly, Xi Dawang was saying, "It's your turn on stage. What a beautiful thing it is!" Yi Qiu turned to me and said, "Don't be afraid. You have to step onto this stage sooner or later anyway." Then the two bodies on the cot turned into Ti and me.

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