Ran Chen - A Private Life

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From Publishers Weekly
"Sexuality has never been a problem with me. My problem is different. I am a fragment in a fragmented age." Despite this claim, the protagonist of Ran's unusual coming-of-age novel is defined by her precocious beauty and her struggle to define her sexual identity. Ran, one of China's most acclaimed contemporary women writers, tells how lovely Ni Niuniu is seduced before she enters puberty by an older woman, the sly, wise Widow Ho, then falls into an unwanted affair with her male teacher, Ti. In college, she meets the love of her life, a fellow student named Yin Nan, but their brief, passionate affair ends abruptly when Yin Nan becomes involved in the student protests in Tiananmen Square. Traumatized by the loss of Yin Nan and the deaths of her mother and Widow Ho, Niuniu retreats into her own mind, becoming Miss Nothing ("I no longer exist… I have disappeared…"). Niuniu's flaws, foibles and idiosyncrasies represent fertile ground for Chen's wide-ranging psychological character study. Even the more conventional scenes are narrated with lyrical intensity, and hallucinatory dream sequences and passages describing Niuniu's alienation range from the revelatory to the overwrought. The result is an uneven but intriguing novel that captures the heightened sensibility of a woman who flees the bustling contemporary world for the sensual pleasures of inner space.
From Booklist
The turbulent decades spanning the Chinese Cultural Revolution and the deadly demonstrations at Tiananmen Square provide the backdrop for this sensuous coming-of-age tale by Chinese essayist and short-story writer Chen. As a child, sensitive and gawky Ni Niuniu never quite fit in. Teased by her classmates and neglected by her cold, distant father, she engaged in quiet forms of rebellion (she once stole her father's woolen trousers and cut them off at the knees). While her father scarcely acknowledged her, other adults paid Ni Niuniu too much mind: her middle-school teacher, Ti, and an eccentric widower who lived next door each took sexual advantage of the impressionable young girl. Haunted by the past and despondent over the recent death of her mother and departure of her first love, Ni Niuniu retreats from the realities of politically charged Beijing, writing and drawing and endlessly soaking in her tub. Chen's first work to be translated into English provides an eloquent examination of the quest for calm in a chaotic world.
***
"Chen Ran's strikingly introspective, subjective, and individualized writing sets her work distinctively apart for the traditional and mainstream realism of the majority of contemporary Chinese writers… In his translation, Howard-Gibbon adeptly conveys the exquisiteness, richness, and slight eccentricity of Chen's prose." – China Daily
"The turbulent decades spanning the Chinese Cultural Revolution and the deadly demonstrations at Tiananmen Square provide the backdrop for this sensuous, coming-of-age tale by Chinese essayist and short-story writer Chen… Chen's first work to be translated into English provides an eloquent examination of the quest for calm in a chaotic world." – Booklist
"An intriguing exploration of the contemporary consciousness of an alienated, urban Chinese woman for whom current history matters less than the reliable comforts of love, nature, and solitude." – Kirkus Reviews
"Niuniu's flaws, foibles, and idiosyncrasies represent fertile ground for Chen's wide-ranging psychological character study… [an] intriguing novel that captures the heightened sensibility of a woman who flees the bustling contemporary world for the sensual pleasures of inner space." – Publishers Weekly
"In the novel A Private Life, Ran Chen immerses us in the troubled life of Ni Niuniu… Chen weaves together these evaluations with Niuniu's manic writings in order to create an ultra postmodern tale of a young woman's psychosocial evolution… an important portrait of a young woman trying to survive in a complicated world." – Bust Magazine
"A Private Life is not an overtly political book; rather, it has the timeless quality of most dreams. Still, [narrator] Ni Niuniu's refusal to connect with the world outside her door becomes a kind of political statement." – Elizabeth Gold, Washington Post
"An atmospheric story of sexual awakening and ennui that enlarges our understanding of modern China." – Vancouver Sun
"Niuniu's hatred of the few powerful males in her life and her sexual confusion and manipulations are clearly depicted." – Sofia A. Tangalos, Library Journal
"This polished and readable translation of the inaugural novel of Chen Ran stands as an example of the quasi-autobiographical Sino-Japanese shishosetsu" – Choice
"A riveting tale… a lyrical meditation on memory, sexuality, femininity, and the often arbitrary distinctions between madness and sanity." – Translation Review
"A Private Life shows Chen Ran at her best: weaving together the female bildungsroman and social and political satire, she effortlessly flits from outbursts of rage to ecstasy to rarefied emotions. Her philosophical musings on the difficulty of achieving individual freedom are as critical of the collective pursuit of wealth and sensorial pleasures in China after socialism as of the authoritarianism and ideological conformity during the heyday of the Cultural Revolution. The poignant, tragic-comic tale is ultimately about bondage and transcendence." – Tze-Lan D. Sang, author of The Emerging Lesbian: Female Same-Sex Desire in Modern China
"The novel daringly depicts a woman's emotional journey towards the maturation of her sexuality. It is a provocative reflection of the new sensibility of a young generation of Chinese women in the post-Deng era. Chen Ran's sensuous style easily breathes through the translator's English rendition of her language." – Lingchei Letty Chen, Washington University, St. Louis
"One of the most acclaimed women writers in contemporary China, Chen Ran in this novel explores the complex emotional territory of the female body, sexuality, homoeroticism, and fantasy. The author’s personal voice triumphs in the novel as a most conscious presence, dissolving the public and collective model of socialist literature. Daringly written and excellently translated, A Private Life not only entertains, but also leaves the reader pondering Chen’s disturbing and deeply personal message." – Lingzhen Wang, Brown University

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My home, not so very far away, was awaiting my return, but for the first time in my life I felt totally alone.

12 A Bed Cries Out…

It is said that the sounds we hear are an illusion, that there is no absolute connection between the objects that produce sounds and the objects that receive them. Without our minds, without illusionary desire, all the ears in this world would be silent voids.

In reality it is our own skin that cries out, and the sounds we make sink into our own bodies and fade away within us.

In all my years as a student, most of the serious events took place during my final summer holiday at the end of middle school, the most intense two months of my entire school life.

In July that summer it had rained without letup, and the endless, unbroken string of examinations, like the interminable rain, had tried my patience to the limit. By forcing myself to fight to the bitter end, I was able to muddle through the exams successfully and win a place in one of Beijing 's liberal arts universities.

I remember that when the tests for each subject were finished, I took the course texts, which I knew from cover to cover, tore them up, dropped them in an examination hall toilet, and flushed them down with my feces so I would never have to carry them home again. By the time the exams were finished, I was as thin as a beggar, without an ounce of extra fat on my body.

Another thing that was still going on at this time was my parents' covert and "civilized" divorce agreement. In this major event in the history of the family, my father displayed an unusual male gallantry, like a war hero of the first order leaving the field of battle (except that this was a special battlefield where there were no winners or losers). Early one morning when it was raining torrents, he pulled on his trousers, put on his glasses, picked up his briefcase, and departed – a stirring spectacle.

Ultimately, his final departure forced me to stand up among the ruins on this civilized battlefield and take on the role of a mature woman.

I don't want to go through the story of the destruction of my family, because it is unimportant. What is important is that the belief in marriage of every person who scrambled out of the ruins had been totally destroyed. My mother and I had both become cynical about that institution, which the majority of people consider wonderously beautiful.

In China in the early '80s, it was really very difficult to find anyone who wished, as I did, that her own parents would get out of their unfortunate marriage, but I never felt awkward or guilty about feeling this way. On the contrary, I always believed that I was the staunchest supporter and advocate of their "liberation movement." At the same time, I never blamed any of my personal distrust or negative feelings toward any aspects of society, such as its outworn ways of thinking, on the mess at home.

I have never thought that the family alone could generate in an individual such powerful negative feelings.

Not long after my father left, an official order came down for the demolition of the houses on our block, and we were given two apartments in a new high-rise residential complex in the western sector of the city.

To our good fortune, it was fated that Ho would move into the same building, two floors directly below my own apartment.

Mr. Ge from the courtyard in front of us had disappeared without a trace after the murder of his wife, and his daughter's family had moved into the house. So she too was moved into our building.

On the day that Mother, Widow Ho, and I went to look at our new quarters, the building, which had just been completed, towered gray and empty on the construction site. As there had not been time to plant trees and grass, the surrounding land was barren on all sides. Like a man caught naked in broad daylight, the building seemed displeased and unwilling to be seen, and we had to look for a long time before we found the path to the main entrance.

The elevator wasn't working yet, so we started up the narrow but gently inclined stairway. After climbing around and around, Mother and I finally found ourselves standing at the end of a hallway on the eleventh floor before the door to a three-room apartment.

It was a depressing door, gray and huge. As we stood there catching our breath, I noticed that the weak, unsteady light came from a ventilation hole covered with a steel grid, which served as a sort of skylight in a corner above the door on the left. Through a crack in the door I could hear a strange, faint noise, perhaps from air in the water or heating pipes, that sounded like unbroken sneezing from some tormented netherworld. I put my ear against the door, straining to hear more clearly, but the noise had faded away.

This was to be my mother's apartment, my own being down the corridor. At the very outset, a kind of cold, ominous premonition had twisted its way out through the crack in my mother's door and crawled up onto my face. In some vague way, through that gray steel door that made me step back as soon as I looked at it, I felt I had touched upon something associated with death. This totally groundless premonition made me reluctant to open the door for my mother, as if doing so would open the door to some disaster.

And in fact, not too many years later this turned out to be true.

It was a dreadfully hot and long summer. Like unleavened loaves of steamed bread that never seem to be done, no matter how long you leave them in the steamer, the days dragged by interminably. I opened all the windows in my apartment, but it was very noisy outside because on the opposite side of the street not too far from our building, another high-rise apartment building was under construction. From my window, where I could see the scaffolding that was being erected in the construction area, the building modules seemed more like toys than actual parts of the building. I stood by my window thinking that it wouldn't be long before that building too would be jammed full of people, all separated by walls into their own square spaces, all living their not very real lives.

I turned around and examined my own place. The light blue of the lower part of the walls looked back at me serenely. The front room, the kitchen, the bathroom, and the bedroom – all told me that this was a home where I could pass the days peacefully. The hubbub of the crowded living of earlier years was a thing of the past. The furniture and the walls would no longer be troubled by the tension and confusion caused by the endless traffic of people.

I had always dreamed of having a place of my own, because it is a prerequisite for the pursuit of a life of reflection.

In her apartment down the corridor from mine, my mother was trying to recover from the invisible "wound" left by her almost twenty years of marriage; and I could communicate with Widow Ho, resting on her big, soft, warm bed in the apartment two floors below mine, by knocking on the water pipes. And more important than this, my special silent conversations with her were not impeded by the concrete slabs separating the building's floors. With my mother and my dearest friend so close to me, I was calmer and more at ease than I had ever been before.

Late one evening an unexpected guest suddenly arrived at the door of my new apartment.

I assumed that it was Ho coming to see me, so when the bell rang, stuffing my feet in my slippers and slipping into a cotton T-shirt that reached to my thighs, I went to open the door.

When I opened it, I was caught completely off guard.

Tall and handsome and dressed to the nines, Mr. Ti was standing there holding a bouquet of fresh flowers. His flashing eyes betrayed a kind of confusion, but he had a stiff smile fixed firmly on his face.

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