Douglas Coupland - Hey Nostradamus!

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Hey Nostradamus!: краткое содержание, описание и аннотация

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From Amazon.com
Considering some of his past subjects--slackers, dot-commers, Hollywood producers--a Columbine-like high school massacre seems like unusual territory for the usually glib Douglas Coupland. Anyone who has read Generation X or Miss Wyoming knows that dryly hip humor, not tragedy, is the Vancouver author's strong suit. But give Coupland credit for twisting his material in strange, unexpected shapes. Coupland begins his seventh novel by transposing the Columbine incident to North Vancouver circa 1988. Narrated by one of the murdered victims, the first part of Hey Nostradamus! is affecting and emotional enough to almost make you forget you're reading a book by the same writer who so accurately characterized a generation in his first book, yet was unable to delineate a convincing character. As Cheryl Anway tells her story, the facts of the Delbrook Senior Secondary student's life--particularly her secret marriage to classmate Jason--provide a very human dimension to the bloody denouement that will change hundreds of lives forever. Rather than moving on to explore the conditions that led to the killings, though, Coupland shifts focus to nearly a dozen years after the event: first to Jason, still shattered by the death of his teenage bride, then to Jason's new girlfriend Heather, and finally to Reg, Jason's narrow-minded, religious father.
Hey Nostradamus! is a very odd book. It's among Coupland's most serious efforts, yet his intent is not entirely clear. Certainly there is no attempt at psychological insight into the killers' motives, and the most developed relationships--those between Jason and Cheryl, and Jason and Reg--seem to have little to do with each other. Nevertheless, it is a Douglas Coupland book, which means imaginatively strange plot developments--as when a psychic, claiming messages from the beyond, tries to extort money from Heather--that compel the reader to see the story to its end. And clever turns of phrase, as usual, are never in short supply, but in Cheryl's section the fate we (and she) know awaits her gives them an added weight: "Math class was x's and y's and I felt trapped inside a repeating dream, staring at these two evil little letters who tormented me with their constant need to balance and be equal with each other," says the deceased narrator. "They should just get married and form a new letter together and put an end to all the nonsense. And then they should have kids." --Shawn Conner, Amazon.ca
From Publishers Weekly
Coupland has long been a genre unto himself, and his latest novel fits the familiar template: earnest sentiment tempered by sardonic humor and sharp cultural observation. The book begins with a Columbine-like shooting at a Vancouver high school, viewed from the dual perspectives of seniors Jason Klaasen and Cheryl Anway. Jason and Cheryl have been secretly married for six weeks, and on the morning of the shooting, Cheryl tells Jason she is pregnant. Their situation is complicated by their startlingly deep religious faith (as Cheryl puts it, "I can't help but wonder if the other girls thought I used God as an excuse to hook up with Jason"), and their increasingly acrimonious relationship with a hard-core Christian group called Youth Alive! After Cheryl is gunned down, Jason manages to stop the shooters, killing one of them. He is first hailed as a hero, but media spin soon casts him in a different light. This is a promising beginning, but the novel unravels when Jason reappears as an adult and begins an odd, stilted relationship with Heather, a quirky court reporter. Jason disappears shortly after their relationship begins, and Heather turns to a psychic named Allison to track him down in a subplot that meanders and flags. Coupland's insight into the claustrophobic world of devout faith is impressive-one of his more unexpected characters is Jason's father, a pious, crusty villain who gradually morphs into a sympathetic figure-but when he extends his spiritual explorations to encompass psychic swindles, the novel loses its focus. Coupland has always been better at comic set pieces than consistent storytelling, and his lack of narrative control is particularly evident here. Noninitiates are unlikely to be seduced, but true believers will relish another plunge into Coupland-world.

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* * *

I'm at the beach, on the same log as before, and I may as well hop right to it.

Just over a year ago, when your mother phoned me to tell me Kent was dead, I drove to her house down in Horseshoe Bay. To get there I had to pass the scene of the accident; highway traffic was closed down to a single lane, and there were shards of glass, strips of chrome, fragments of black plastic fenders and pools of oil on the road. A tow truck was just then hauling the remains of Kent's Taurus onto a flatbed. It was crumpled like picnic trash, and its beige vinyl seats were thick with broken glass. It was a hot afternoon.

I stopped and spoke with a cop at the scene who knew me, and he gave me technical details of the crash - quick and painless. This information still gives me comfort. I suppose that if I hadn't seen the wreck, Kent's death would have been far harder to deal with. But when you see that big chunk of chewed-up scrap metal, the truth is the truth, and the shock passes more quickly.

There was also the pressing need to go down to Barb's -your mother's - house right away. My cell phone's battery had died and there'd been no way to contact my own mother or anybody else. As well, the traffic line-ups for the ferries to Vancouver Island and up the coast were huge and clogging the roads, and I took the wrong exit and ended up being detoured for a few frustrating miles, my temples booming like kettle drums.

When I got to your house, your mother was at the front door talking with the cops. Her eyes were red and wet, and I could tell the police didn't feel good having to leave her like this. When they saw me, they hit the road.

I held Barb tight, and then asked her who in the family she'd called.

She gave me a look that I wasn't expecting - not exactly guilty, and somehow conspiratorial. "Nobody. Did you?"

"No. My battery died."

"Jesus, thank God."

"Barb, what are you talking about - you didn't call anyone?"

"No. Just you."

I was confused. I headed for the phone inside. "I'm going to call my mother."

Barb lunged at me and wrested the cordless from my hand. She slammed it down. This was strange, but then people react to grief in so many ways. "We're not phoning anybody. Not yet."

"Barb, we have to call people. Kent's mother. Your mother, for God's sake. It's crazy. We can't not phone them. Think about it."

"Jason, there's something you have to help me with first."

"Of course. What can I do?"

"Jason, I need to have a baby, and I have to get pregnant right now."

"You have to what?"

"You heard me."

"Have a baby."

"Don't be so stupid. Yes."

"Barb, make some sense, okay?"

"Sit down." She motioned to the living room. "Sit on the couch." She grabbed a bottle of Glenfiddich, my Christmas present to Kent, from the sideboard. She poured two glasses and offered me one. "Drink it."

We drank. "I need to have a kid, Jason, and I need to start right now."

"Are you asking me what I think you're asking?"

"Don't be so clueless. Yes, I am. Kent and I have been trying for years, but he shoots blanks mostly. I'm at the peak of my cycle right now, and I have a one-day window to conceive."

"Barb, I don't think - "

"Shut up. Just shut up, okay? Genetically, you and Kent are pretty much the same thing. A child by you will look just like a child by Kent. In nine months I want a kid. And I want this kid to look like Kent, and there's only one way that is going to happen."

"Barb, look, I know you're screwed up by - "

"Dammit, shut up, Jason. This is my one chance. It's not like I can do this again in twenty-eight days. I'm not having a baby ten months after Kent's dead. Do some math. Kent was all I had, and unless I do this, there's no way I'll be connected to him. As long as I live. I can't go through life knowing that I at least had this one chance to get it right, even if it means humiliating myself in front of you right now. Like this."

There was a kind of logic to what Barb was saying. The request didn't feel cheap or sleazy. It felt like - and this sounds so bad - the one way to honor my brother. Barb saw this in my eyes. "You'll do it. I can tell. You will."

And this is where I surprised myself. Without fully understanding the impulse, I said, "Okay. I will. But only if we're married."

"What?"

"You heard me. We have to be married."

"You're kidding."

"No. I'm not."

Barb looked at me as if I were a mugger about to swipe her purse. And then her face relaxed. She closed her eyes, made a counting-to-ten face, then opened her eyes and looked at me. "We can't get married right now. City hall is closed."

"We'll go to Las Vegas. We can get married in a chapel on the Strip."

Barb stared at me. "Did you take every cocktail waitress on this side of the harbor to Las Vegas, too?"

I'm stubborn. "Those are my terms. Take them or leave them. We get married first."

"You're nuts."

"No, I'm not nuts. I simply know what I want."

She looked at me. "But I'm already married."

"No you're not. You're a widow."

Barb looked at me for a good half minute. "Okay. Fair enough. Let's drive to the airport."

"Are you - "

"Jason, shut up. Let's drive to the airport now. We'll catch a nonstop or hub through Los Angeles, and that'll be it."

Within five minutes we were back on the highway, passing the final crash cleanup occurring on the other side of the median. Barb was in tears and asked me not to slow down. I thought this was cold, but she said, "Jason, I will have to drive past there at least four times a day the rest of my life. There's plenty of time for me to look then."

I said, "We don't have any luggage."

"We don't need it. We're going to Las Vegas to get married while the mood seizes us. Ha ha ha."

"You think they'll believe that at immigration?"

Barb yelled at me, but I took it. "Jesus, Jason, here you are, dragging me halfway across a continent to get married maybe two hours after your brother is killed, and you're asking me whether or not I should have a carry-on bag? So that some customs guy believes that we're going to get married?"

"But we are going to get married."

Barb screamed out the window and lit another of many cigarettes. "This is about Cheryl. Isn't it? Tell me - isn't it?"

"Leave Cheryl out of this."

"No. We can't have anyone discussing little Miss Joan of Arc." She threw her cigarette out the window. "Sorry."

"You're right. It does have to do with Cheryl."

"How?"

I didn't say anything.

"How?"

I kept silent.

Barb is a smart woman. She said, "Now I don't know if you're doing me a favor, or if I'm doing you one."

"You're probably right."

"You're as nuts as your father. You think you're not, but you are."

"What if I am?"

"The harder people try to be the opposite of their parents, the quicker they become them. It's a fact. Now just drive."

"What are we going to tell people when we get back?"

"We're going to tell people I freaked out. We're going to tell them that I went crazy and drove out toward the daffodil farm, and you saw me and followed me, and that I deliberately got lost, and that you had to hunt me down somewhere in all that scuzzy wilderness out there. That's what we're going to tell them."

"But your car is in the garage."

"I'll think of something. Just drive us to the airport."

The airport journey was different from the taxi ride Cheryl and I took in 1988. Back then all the bridges we had to cross seemed exciting, almost like roller coasters. Crossing them with Barb, they were just these things you didn't want to be stuck on during an earthquake.

And of course Kent was dead, too. I tried to speak about him, but Barb would have none of it. "As far as I'm concerned, for the next twelve hours you are Kent. Just drive."

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